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Magical cinematic jams from ION LUDWIG and multi-instrumentalist TWAN SALLAERTS.
A mysterious and peaceful sounding, beautifully vibrating LP.
It presents compassionately played and carefully recorded electroacoustic-ambience pieces.
Part of the Meander Horizon Pi Series.

This album is a beautiful union of the enchanting rhythms of Bossa Nova and the sophistication of jazz. Standout tracks from the album include Garota De Ipanema, Desafinado and Corcovado. This highly requested LP were released on a limitednumbered white viny LP in 2025 and now it will be re- released on 180g 'One Step Pressing' Vinyl LP.

Miramar's new album, Entre Tus Flores, is a lush celebration of the bolero tradition, blending timeless romance with modern flair. With eight original tracks by Reinaldo "Rei" Alvarez, this album marks a creative evolution for the Richmond-based band, known for their evocative string and brass arrangements, soulful vocals, and poetic lyrics. Released by Ansonia Records, Entre Tus Flores offers a rich, cinematic soundscape that captures the spirit of Latin music's emotional depth. Miramar invites you into their world of love, nostalgia, and vibrant Caribbean rhythms-an experience not to be missed!

4 bangers from 240 to 40000 BPM ^^
First of all a 1312 dedicade... followed by a regular Sucre Rose killer style...
The flip is very theatral, with a demoniac organ hardcore and the EP brings a massive speedcore finish supported by some mystical vocals.

'The voice, the sunny melodies and the repertoire peppered with great hits have illuminated French song for decades. This year, Enrico Macias celebrates more than 60 years of a career that is still on the move with a new series of thematic vinyl Illustrated by Joann Sfar in four wonderful LPs. The unique career of the singer, songwriter, performer and guitarist. Heartbreak from uprooting to the strong ties uniting France and the Mediterranean, each of them addresses the themes of Enrico Macias' songs by sending a message of peace and universal love.Reviews in London Macadam, R2, Ads - R2 and London Macadam

Acclaimed producer and in-demand collaborator (Lee Ranaldo, Rosalia, Lina_Raul Refree) Raul Refree returns with his second solo album for tak:til/glitterbeat. A kaleidoscopic but seamless mashup of soundtrack music, post-classical meditations, Iberian traditional elements and experimental strategies. Deeply immersive

Melody Gardots Traumstimme hat unzählige Fans längst erobert. Ihr neues Album stellt diese Stimme jetzt verführerisch in den Mittelpunkt, nur begleitet von Pianist Philippe Powell. ”Entre eux deux“ ist eine Oase der Ruhe und musikalischen Konzentration. Als würde Gardot einem direkt ins Ohr flüstern, singt sie großartige neue Songs aus eigener Feder, die einem wie halbvergessene Evergreens erscheinen.

Dass bis auf einen Titel aus Feder von Filmmusik-Legende Francis Lai und einem von Philippe Powells berühmtem Vater Baden Powell alle Songs von Gardot und Powell selbst geschrieben wurden, ist eine
weitere Überraschung dieses Albums, das mit Sinnlichkeit und Melancholie gewinnt.

Diego el Cigala is, with any doubt, one of the greatest flamenco geniuses of our times. Not only because of his voice and charisma, but also for recording such vast and wide discography singing with majesty and no complex any style he could be challenged to perform. At Flamencoenvinilo we wanted to re-catch one of his early works back to his flamenco roots: "Entre Vareta y Canasta" (18 Chulos) was originally published in the year 2000 and, as many of his works, this album has proved the test of time and it has become a true classic. This will be the first time this album comes out on 12". Limited to 500 copies. Accompanied by Niño Josele (guitar) and a large group of percussionists, "Entre Vareta y Canasta" the second album by Diego El Cigala made him known among many people outside the traditional nucleus of flamenco for his simplicity, purity and mastery. The unique voice of this artist moves with naturalness and feeling in styles as different as martinete, bulería or fandangos.

Martin Haidinger has released music on Worm Interface and Toytronic Records as Gimmik and is one half of Abfahrt Hinwil.

Released initially on hand-numbered cassette on Martin's own Hidden Reality micro imprint in October 2019, Entre Les Chambres gets the remaster treatment by n5MD for release on vinyl in early summer of 2020.
Entre Les Chambres is a highly personal work for Haidinger. And is his first new publicly released Gimmik since he appeared on our MD8 compilation back in 2004. We are proud to bring you the album on limited edition silver with black and white splatter vinyl on June 12th, 2020.
Those familiar with Martin Haidinger's work as Gimmik might be surprised by an entirely beatless return from Haidinger. However, those that have followed his music know that his synth work is undoubtedly his signature, and Entre Les Chambres' two long-form works bring his trademark to the fore, free from the confines of the grid.

The second of March's PY LPs is one the label has been eager to unleash for what seems an age. The killer new full length from ace experimental electronic musician Bernard Grancher. Coming to the attention of the label via his last record on ERR.REC; PY is mining much of this current wave of incredible French electronic music (as previous releases by Dialectric, Alexandre Bazin, (Arc en) Ogive and the mighty Cite Lumiere attest to) and is in hindsight, somewhat an extension of label head Dom's own record buying and digging habits just now (70s French synth LPs featuring heavily in his Utrecht fair baggage twice yearly!)

Grancher himself began his 'career' as a somewhat under the radar, host / director of 'mostly forbidden' radio programmes, where in Bernard's own words, he created 'incongruous sound collages, that gradually slip towards noisy or disturbing sounds intended to replace the music of others', within its broadcasts'. Then, armed with a large accumulation of 'machines I found at low prices, with an unknowing of quite how they function' he sought the help of friends Yan Hart-Lemonnier and Eric Lumbleau (from the hugely respected 'Mutant Sounds' blog, and his project Vas Deferens Organazation).

Then, having released what he describes as two 'rather talkative' LPs by taking again 'the concept of it's emissions: Hallucinatory slogans and Electro punk', Grancher, then released with ERR.REC, leading in turn to the PY full length here.

A fabulous LP hugely recommended to all kraut heads, experimental electronic sound collages, motorik grooves and minimal synth all figure strongly. To use one final quote from Grancher; 'Abandon any idea of listening comfort; this record leads you into a dangerous race that will be impossible to jump on'.

300 copies on vinyl only, released 2nd week of March.

DownloadCode Included !

Musique par Andrew Chalk & Timo van Luijk

avec:

Tom James Scott - piano

Jean-Noël Rebilly - clarinette

Daniel Morris - guitare pedal steel

Mastered & cut by Rashad Becker at Dubplates & Mastering, Berlin 0417.

Having been entranced by both Andrew Chalk's work with MIRROR (and back to his solo works as FERIAL CONFINE, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc ) and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and hear their duo project ELODIE. The project formed in 2010, and has spanned eleven beautiful albums already, to date.

"Vieux Silence" for Ideologic Organ is their first release presented outside of their own record publishing nook, Faraway Press & La Scie Dorée. However this is not the first encounter between Ideologic Organ & ELODIE, they performed at a night in London I curated in February 2012, alongside Jessika Kenney & Eyvind Kang. Elodie's performance was among the most delicately engaging and savant I have witnessed... so very quiet, with snow falling in London outside Cafe Oto's windows, the audience palpably entered a high intensity listening focus. The impression of this vivid memory is striking, considering how spare each of the individual elements present that night were.

"Vieux Silence", and ELODIE in general provoke a visual imagination in an instant, perhaps filtered through aged watercolour, tape grain, antique lenses, forgotten levels of listening and observational patience. On this gorgeous album Chalk & van Luijk also collaborate with piano, pedal steel and clarinet (played by , Tom James Scott, Daniel Morris and Jean-Noel Rebilly, respectively).

Each detail carefully considered and colouring step by step, like an impressionist watercolour.

- Stephen O'Malley, Les Lilas 2017

Modularz 25 Produced by South American Techno Queen Adriana Lopez who now resides in Barcelona. The Colombian born Producer & DJ has been putting out music on Modularz for a few years as well as her own imprint Grey Report. This is her first full EP on Modularz and were very happy with the results. Four driving techno cuts that are made for non stop mixing. All the tracks on the ep are great for the club or the warehouse.

Enjoy.

Ryjel was a band from suburban Pittsburgh, PA, that started out in the mid-1970s performing classic rock covers. The band was approached by a local entrepreneur who wanted to cut a single for the disco market, but a lack of financing scuttled the proposal. Nevertheless, the band was able to record a dozen of its original tunes in a professional studio for possible release, and among those songs were "Heart's On Fire" and "Baby Don't Stop."

Both tracks were recorded some 50 years ago having remained unreleased to this day. It needed the investigative work of the Tramp Records crew to discover them. Finally they are available on a strictly limited 45 RPM single release. In addition, the full length version of "Heart's On Fire" will soon be released on the upcoming Tramp Records compilation titled "CAN YOU FEEL IT Vol.5 - Modern Soul, Disco & Boogie 1977-88".

Blue Hour is the most recent release from Friday Night Plans, recently signed by Modern Obscure Music. The project marks FNP's shift from their 'pop' roots towards a more experimental and ambient sound. Friday Night Plans is pioneered by singer/songwriter Masumi who has collaborated on this project with acclaimed Japanese producer Ena. Together, they have created a collection of songs that represents the quiet introspection and emotions of the AM hours, using improvisation during the production process to create a cyclical record that is described as 'dreamlike'. Masumi attributes the project to a journey consisting of fragments of memory through each song; a reflection of how nostalgia and recollection connects us to emotions.

Komatssu, Lefrenk, Vema Diodes y Celine Arnauld comparten este various artists de cuatro cortes para el tercer disco de Undancel.

La tercera referencia del sello discográfico de Undancel se caracteriza por una fase de transición entre varios sonidos. Representado un punto «ni aquí ni allí» donde la identidad o el estado anterior se disuelve antes de alcanzar uno nuevo, cuyo nombre LIMINAL.
Cuatro cortes en vinilo de 12″ de varios artistas más una canciones extra en formato digital con código de descargas en su interior.

A1_KOMATSSU_DESTRUCTOR DE MUNDOS: En activo desde 2005, Komatssu es el proyecto más personal de Héctor Sandoval (Tensal y 50% del reconocido proyecto Techno Exium). Un proyecto cimentado sobre la fusión natural entre la IDM más melódica, el Electro, el Breakcore y el avant-techno espectral que concibe el sonido como catalizador de emociones, dando lugar a un imaginario sonoro sumamente personal.

A2_LEFRENK_INDECENT: Lefrenk es un productor y DJ coruñés con más de 20 años de experiencia y más de 100 lanzamientos.
También es profesor en Fanzine School.
En el ámbito editorial, destaca como cofundador del sello Deep Different junto a Ikke Alra y fundador de Knerfel, su sello centrado en el techno.
Su trabajo se distingue por la fusión de texturas sonoras orgánicas e innovación digital, lo que refleja una constante evolución personal y creativa. Siempre innovando, Lefrenk ha expandido su influencia a través de colaboraciones dinámicas y actuaciones en directo junto a figuras de renombre de la industria.

B1_VEMA DIODES_MINDNIMALIST: Productor con raíces en el Baix Llobregat, cuya identidad se define por la experimentación técnica. Su trabajo es una exploración constante de la síntesis, donde las máquinas dictan el mensaje.
Desde sus primeras producciones en 2002, ha refinado un sonido que transita del electrobass crudo a estructuras más complejas y horizontales, fusionando la calidez analógica con la precisión digital.
Fundador del sello ÚTIL Records, Gente Seria Viste Chándal y Dialecto Periférico, plataforma desde la que reivindica el sonido de máquinas icónicas como la TR-808, tratadas con distorsiones y texturas de corte industrial.
Entiende el electro no como un género rígido, sino como un proceso de «electrificar» la señal. Su música es un equilibrio entre ritmos sintéticos y pinceladas de IDM, buscando siempre una narrativa sonora avanzada.

B2_CELINE ARNAULD_GLITCHED DANCE SYSTEM: Celine Arnauld es el nombre artístico de Pablo Miranda Caballero, artista y productor de música electrónica especializado en géneros como el IDM y el glitch con texturas ambientales. Recientemente, ha creado los alias DJ Don’t Sleep, donde da rienda suelta a la vertiente más rave del jungle y el breakbeat, y Paul Basscoigne, donde explora el electro, el acid, el IDM y el braindance.
Ha publicado su música en varios sellos, como EVEL, Clean Error, Dynamic Form, Mahorka, Hypnotica Colectiva, EC Underground, Dead Trax, Not 4 Human Consumption, New York Haunted, Point Source Electronics Arts, Moatun 7, Polygon Network, Colorsquad Records, Opal Tapes y Zabra Records.

Mastering by Verbo Studio Mix & Mastering.

Design by Beatriz Albaladejo.

Liminal – Undancel 03

Spaceships on the Blade is the 2022 solo album from San Francisco legend, entrepreneur and rapper, Larry June. The 20-track album features the singles, “Private Valet,” & “In My Pockets,” and sees production from a wide range of producers such as, The Alchemist, Jake One, DJ Khalil, Cardo, DJ.Fresh, Chuck Inglish, Turbo & more. Enlisting the help from fellow rap luminaries such as 2 Chainz, Babyface Ray, Curren$y and more, Spaceships on the Blade shows that Uncle Larry always has an eye on expanding and diversifying income steams and will continue to do numbers for a long time. Good Job, Larry. 2xLP, Black Vinyl, Widespine Jacket, Printed Sleeves.

Around 1970, musician, music producer, and entrepreneur Fernando Arias founded the record label Discos Fernando Arias (Difa) in Lima, the capital of Peru. This label was crucial for the musical production, promotion, dissemination, and development of Peruvian tropical music; more specifically, the so-called “carretero style”, so named because it was rooted in the famous Central Highway (Carretera Central) of Peru, which crosses the country from west to east, from the coast to the jungle, through the Andes mountain range. This style is defined by sudden changes from ballad to fast and aggressive tropical music, with electric guitar lines drenched in fuzztone, reverb, and wah-wah. To this must be added the plaintive, melancholic vocal style characteristic of Andean Peruvian music.

N.O.B.A. returns on Vibes Addikt with a raw and hypnotic vinyl only release, crafted for the most intense moments on the dancefloor. Blending driving techno energy with dark trance influences, the track unfolds through pounding kicks, razor-sharp synths and relentless tension before descending into an enchanting break layered with haunting Gregorian chants. A cinematic and almost mystical sequence before the track erupts back into full-force rave energy.

Following the identity and collector spirit of previous Vibes Addikt releases, this 10’’ edition fully embodies the label’s vision: dynamic, emotional and entirely dedicated to vinyl culture. No digital format, no streaming platforms — only pure analog pressure for DJs and collectors chasing rare weapons for the dancefloor.

Français

Vibes Addikt, le label de N.O.B.A. — régulièrement soutenu par des artistes tels que Charlotte de Witte, Amelie Lens, Klaudia Gawlas, Thomas Schumacher et bien d’autres — dévoile une nouvelle sortie ultra exclusive : un vinyle 10’’ pressé à seulement 150 exemplaires dans le monde.

N.O.B.A. revient sur Vibes Addikt avec une vinyl only release brute et hypnotique, pensée pour les moments les plus intenses du dancefloor. Entre techno frontale et influences trance sombres, le morceau déploie des kicks massifs, des synthés acérés et une tension constante avant de plonger dans un break envoûtant porté par des chants grégoriens hantés. Une séquence presque mystique et cinématographique, avant le retour d’une énergie rave explosive.

Dans la continuité de l’identité et de l’esprit collector des précédentes sorties Vibes Addikt, cette édition 10’’ incarne pleinement la vision du label : dynamique, emotionnel et entièrement dédiée à la culture vinyle. Aucun format digital, aucun streaming — uniquement la puissance du son analogique pour les DJs et collectionneurs en quête de pièces rares.

bisbarra /bis ba.ra/ n. (Gal.): An area or territory of imprecise limits with shared ethos.

The new imprint casts off with:
Lakej
NWHR
Carmelo Ponente
Bartig Move

Four tracks plus two textural locked grooves
"held by the pulse, we dissolve in it"

R&B outsider Zsela joins forces with inc. no world's Daniel Aged and film composer Taul Katz on '4 Dreams', a billowing ambient-neoclassical hallucination that'll tickle fans of Mary Lattimore, Malibu, Nala Sinephro, Gigi Masin. If you only know Zsela thanks to her dramatic 2024 debut album 'Big For You', the mostly beatless, fully reflective '4 Dreams' might come as a surprise. But look a little further back in her catalogue and things will fall into place; remember 'Angels Pharmacy' and Remembrance' from Actress's 'Karma & Desire'? That was Zsela on vocals, so she's got priors. '4 Dreams' started life as the soundtrack to 'Seven Heavenly Senses', an art exhibition from last year at Paris's Hôtel de la Marine, but has since taken on a life of its own. Zsela's breaths are stretched and sculpted into warm, washing biomechanical pads on the opening dream, left to weather tinny arpeggiated FM synths and muggy bass drones. So far, so predictable. But Zsela muddles proceedings with her confident delivery, layering her voice into jazzy, R&B inflected key changes that keep you guessing. Imagine an astral plane answer to Dawn Richard's ambient-inflected pop and you'll have some idea of where this is headed.

Then 'Dream 2' takes an unexpected diversion, the vocals replaced by swirling harp flourishes and the kind of floating synth stabs that draw a core logic from classic Ambient - Harold Budd, Laraaji et al - then adding extra colors just where necessary. And on 'Dream 3', faint, almost folk-y strings enter the frame, calling out from beyond the horizon, almost blotted out by a synth part that's in the thrall of Gigi Masin's legendary 'Clouds' - the track that ended up being repurposed by Björk on 'It's In Our Hands'. Zsela, Katz and Aged keep that momentum for the final track, too, letting cinematic strings echo around subtle synths and vanishing rhythms, hitting those hypnagogic, tranquil notes that so much contemporary ambient music seems to avoid. 'Cause at its heart, '4 Dreams' is deeper than that, a record that's entrenched in jazz, soul and classical minimalism rather than throwaway numbing music, of the contemporary variety.

H- side is etched
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.

Michael Forzza unveils Obscure, a two-track EP navigating the darker edges of atmospheric techno with precision and intent.

A) Obscure is a peak-time weapon built on powerful percussive drive and a commanding groove. The rhythm pushes forward with controlled intensity, locking the dancefloor into motion. As the track evolves, the rhythmic pressure gradually recedes, allowing a shadowed melodic atmosphere to emerge in the final moments, adding depth and contrast without losing its dark identity.

B) Torture ventures into a more industrial realm. Dense textures, mechanical tension and hypnotic repetition shape its core, creating a sustained rhythmic strain. Then, when the pulse finally withdraws, the structure opens into a striking melodic finale, transforming the track into a suspended, almost cinematic closing atmosphere.

With OBSCURE, Michael Forzza explores the fragile line between impact and introspection, pressure and release. A release crafted for intense peak-time moments and the shadows that follow.


Français

Michael Forzza dévoile Obscure, un EP deux titres qui explore les territoires les plus sombres de la techno atmosphérique avec précision et intensité.

A) Obscure est un véritable track peak time, porté par une puissance percussive affirmée et un groove implacable. La tension rythmique s’installe et maintient le dancefloor sous pression, avant de s’effacer progressivement en fin de morceau pour laisser émerger une atmosphère sombre et mélodique, apportant profondeur et contraste.

B) Torture s’aventure dans une dimension plus industrielle. Textures denses, tension mécanique et répétition hypnotique construisent une montée intense. Puis, lorsque la pression rythmique disparaît, le titre bascule vers une finale mélodique surprenante, transformant l’énergie brute en une atmosphère finale plus immersive.

Avec OBSCURE, Michael Forzza joue sur l’équilibre entre impact et relâchement, puissance et émotion. Un EP taillé pour les heures sombres et les dancefloors exigeants.

Following the release of Doble Vida , on which they flirted with North American influences, Gustavo Cerati recorded the demos for Cancion Animal in his flat, drawing inspiration from Argentinian rock bands of the 1970s, such as Pescado Rabioso, Vox Dei and Color Humano. The album topped the Argentinian album chart, and the single "De Musica Ligera" also made an impact, being regarded as an anthem of Latin rock and rock en espanol. The song continues to gain new fans daily and has amassed 700 million streams on Spotify to date. This makes it the band's most streamed song. All of this makes Cancion Animal an essential cornerstone album in Argentinian rock culture. Cancion Animal is available as a limited edition of 2000 individually numbered copies on crystal clear vinyl and includes an insert

Gente Seria Viste Chándal ataca de nuevo con el Volumen 7, esta vez con motivo del supercoche Renault 5 Copa Turbo. Como siempre, motivos que hemos vivido en nuestros barrios.

En el Vol. 7 encontrarás 6 cortes de puro electro, que van desde el New Old School hasta el sonido más espacial o contundente, con un guiño/homenaje a los padres de todo esto: los robots alemanes.

Da Vektah_ Chandalwerk – No hace falta decir nada más; solo con escuchar, lo entenderás. Todo un homenaje a Kraftwerk.

Sace2_ La malla (The Mesh) – Un grande del New Old School, con una canción cargada de ritmos electro-funk, voces con pitch y mensaje directo.

David Pasajero_ The Knight of the Revolution – Canción combativa y muy espacial que invita a coger la nave y viajar por el universo musical.

Carlos Native_ Sculpture – Temazo con subgraves que te penetran hasta el fondo de la médula. Delays, leads y pads y voces místicas… todo un rompe-pistas.

Slit Observes_ Biodex – Este dúo gallego nos entrega un tema contundente y pistero, con bajos punzantes y mucha mala leche. Este dúo promete.

Gerard Braions & The Bandit_ Cortocircuito en la ciudad – Toda una declaración de intenciones. Electro-rap que promete ser (y será) un nuevo himno para nuestra escena.
“Si no escucho electro me da ansiedad”. The Bandit y Gerard Braions lo han vuelto a hacer.

Soft Spoken Secret continues its journey bridging underground sounds across continents. For SSS002, Tokyo-based Rio Kawamoto delivers an extraordinary two-track EP featuring his signature prowess with a remix from Jay Tripwire adding his twisted minimal touch. Built for late-night floors and intimate settings alike, this release further entrenches SSS as a label rooted in timeless grooves.

● Written & Produced by: Rio Kawamoto
● Remix by: Jay Tripwire
● Mastering by: Marco/Analogcut
● Artwork by: スシザワ
● Design by: Carranza

Pioneer of the electronic scene and co-creator of iconic projects like Age Of Love and BBE, Bruno Sanchioni returns with the fourth installment of his acclaimed series: Capture EP 4.
This new chapter delivers four powerful and hypnotic tracks, each crafted with the precision and flair that define Sanchioni’s legacy. With deep grooves, acid-tinged lines, and a finely tuned sense of progression, the EP invites listeners into an immersive and energetic sonic journey.

Capture EP 4 further cements Sanchioni’s reputation as a master of electronic storytelling—pushing boundaries while staying true to the spirit of the underground. A compelling addition to his ever-evolving discography, and a must-have for those who seek depth and intensity on the dancefloor.

French:

Pionnier de la scène électronique et co-créateur de projets emblématiques tels que Age Of Love et BBE, Bruno Sanchioni revient avec le quatrième volet de sa série acclamée : Capture EP 4.
Ce nouvel opus dévoile quatre titres percutants et hypnotiques, façonnés avec la précision et la sensibilité sonore qui font la marque de Sanchioni. Entre grooves profonds, lignes acidulées et constructions immersives, cet EP embarque l’auditeur dans un voyage aussi intense qu’élégant.

Avec Capture EP 4, Bruno Sanchioni confirme une fois de plus son statut de maître de la narration électronique — explorant de nouveaux territoires tout en restant fidèle à l’ADN de l’underground. Un disque incontournable pour les amateurs de sons authentiques, profonds et puissants.

Útil Records vuelve con su referencia número 7, un split ep que comparten Bad Pad de Barcelona y Spectrums Data Forces de Granada.

Bad Pad (Cyberdom y The Bandit) firman dos tracks desenfadados, con una particular visión del electro en la que cabe cierta experimentación. Exploración de pads, bajos cuadriculados siguiendo lineas rítmicas bien marcadas que construyen estructuras matemáticas. Devoción por el mundo gatuno, cambios de vida y sensibilidad.

Spectrums Data Forces nos entrega tres tracks contundentes. Tres armas de gran calibre con ritmos duros y sincopados, cargadas de energía y distorsión, acompañadaspor potentes líneas de sintetizador arpegiadas, arreglos que evocan paisajes apocalípticos, melodías que transmiten sensibilidad y secuencias repetitivas que harán vibrar cualquier pista de baile.

En definitva, un disco muy completo que no deberías dejar escapar.
Edición limitada 300 copias.

Con todo el freestyle que el funk puede tener Igor Gil conocido como Mailu nos entrega su debut álbum en 12” “Martian Princess Arrives”
Nada nos hace más felices en Sofa Tunes que descubrir nuevos artistas al gran público, aunque Mailu ya es de la casa hace muchos años. Las primeras impresiones sobre la tierra de esta ordinaria princesa marciana están recogidas en clave de funk electrónico en un maravillosos 12” cuyo artworks corre a cargo de la ilustradora Elena Vera. Una plástica más propia de Herbie Hancock, Clavinet o Rhodes, Slap Bass son los ingredientes que Mailu este maravilloso teclista ha utilizado para poner banda sonora a este aterrizaje marciano.
Esta colección de 10 tracks nos trasladan al lounge bar más bizarro de la galaxia. 10 temas con abruptos finales extraidos de los cálidos lives del artista navarro.
1er Single: Que asco “Original Mix”

Karol G, is a Colombian singer. Considered as one of the most influential reggaeton and urban pop artists, she has received awards including a Grammy, six Latin Grammy Awards and five Billboard Music Awards. She was recognized as Woman of the Year and with a Rulebreaker Award at Billboard Women in Music, with the Spirit of Hope Award at the Billboard Latin Music Awards.

If you asked KAROL G, “What would the album that best represents your Latin community sound like?” — she’d answer with her fifth studio album, TROPICOQUETA.

After its first year of existence, the young Madrid-based label Darkhorse Music takes a confident step into the physical format with "Foundation." A release that lays the groundwork for both the musical and aesthetic identity of the label, crafted by some of its most prominent members.

Tarek, Iron, Dreadmaul, and Offish are responsible for creating this intense journey with four stops through the universe of broken rhythms. Breakbeat, Jungle, Halftime, and Techstep are some of the genres that resonate between the grooves of this bomb. (ES) Tras su primer año de vida, el joven sello madrileño Darkhorse Music da un paso en firme al formato físico con "Foundation".

Un lanzamiento que sienta las bases de la identidad tanto musical como estética del sello de la mano de algunos de los mas notorios miembros del equipo. Tarek, Iron, Dreadmaul y Offish son los encargados de confeccionar éste intenso viaje de 4 paradas por el universo de los ritmos rotos. Breakbeat, Jungle, Halftime o Techstep son algunos de los géneros que resuenan entre los surcos de ésta bomba.

The Nursery Records is the label and sound garten of producer/botanist DJ Houseplants. A home for gardeners, conservationists, dancers and music lovers alike, The Nursery Records sound envelops it’s listeners in lush yet familiar bioacoustics encouraging people to photosynthesize together like plants reaching for the sun – opening and thriving from the positivity of the music.

The first release on the label is none other than DJ Houseplant & Harriet Brown’s fan-favorite, Couldn’t Catch My Breath. An electro and heavily bass-entrenched tune, it is a sublime take on an RnB cult classic that will have you confident and feeling yourself. A fan once profoundly wrote, “it’s the most perfect blend of bliss, emotion, nostalgia, comfort, sensuality, melancholy, vulnerability, energy, build, atmosphere and euphoria all wrapped up in 4 minutes.” Like a healthy and flowering plant, DJ Houseplants hopes this tune will help ground you and develop new roots for the sunny days ahead

Dave Davis, a legendary name in Belgian electronic music, made his mark with classics on Bonzai Records, including the iconic "Transfiguration." Known worldwide for his DJ sets and as a vocalist under the alias JD Davis (Chab’s "Closer to Me," David Guetta’s "The World Is Mine"), he now teams up with ID10-T, a Swiss producer making waves with his raw, no-compromise techno style.

This release features two tracks crafted for peak-time dancefloors:

• "Insane": A dark, powerful underground techno bomb with deep basslines, sharp textures, and relentless energy. Built to shake the walls and ignite the crowd.
• "RDH": A groovy jackin’ techno weapon, combining bouncy bass, funky patterns, and infectious rhythms. A fresh yet respectful nod to classic techno foundations.

With this electrifying collaboration, Vibes Addikt continues to push boundaries, showcasing a cross-generational vision that fuses rave culture heritage with modern sound design.

Français

Vibes Addikt, le label de N.O.B.A reconnu pour sa ligne artistique mêlant techno et trance de manière percutante et novatrice, présente sa nouvelle sortie : un single explosif signé Dave Davis & ID10-T.

Dave Davis, figure incontournable de la scène électronique belge, connu pour ses classiques sur Bonzai Records — notamment l’intemporel "Transfiguration" — et pour ses prestations aux quatre coins du globe, s’associe ici au producteur suisse ID10-T, talent émergent dont le style se distingue par une techno brute, percutante et sans concession. Dave Davis est également connu sous son alias JD Davis, voix emblématique de titres cultes tels que "Closer to Me" de Chab ou "The World Is Mine" de David Guetta.

Ce single comprend deux titres taillés pour les dancefloors les plus exigeants :

• "Insane" : Un banger techno underground, sombre et puissant, construit pour retourner les clubs à coups de basses profondes, de textures métalliques et d'une tension hypnotique. Ce morceau capte l’essence même de la rave moderne : brut, direct, sans artifice.
• "RDH" : Une véritable arme jackin’ techno, groovy et irrésistible, mêlant rythmiques incisives, bassline bondissante et arrangements funky, qui captiveront autant les puristes que les amateurs de sonorités plus organiques. Un hommage contemporain aux racines du genre, avec une touche résolument actuelle.

Cette sortie marque une nouvelle étape dans l'évolution de Vibes Addikt, toujours en quête de projets audacieux et authentiques. Avec cette collaboration intergénérationnelle, le label affirme une fois de plus son engagement envers une techno de caractère, entre héritage rave et innovation sonore.

Kaba & Hyas continue their musical exploration at the crossroads of Rap and House by announcing their 3rd opus “Wooferz Only”, a 7-track EP to be released in early February on H3 Records and Entreprise.

The two comparses establish their club music more than ever, reviving sensations of hectic nights from Detroit to Manchester, and hammering home the markers of the style they've made their own. Like a block party MC, Kaba chants incisive, edgy lyrics, set to the energetic rhythms of Hyas, obviously at the center of the game.

Solid on their feet, Kaba & Hyas have not hesitated to step out of their comfort zone, exploring new styles (Juke, Baltimore...), collaborating with a jazz pianist on a couple of tracks, or hosting their first French featuring with thaHomey on the track “Magic Stick”.

After a spring/summer tour packed with dates including Nuits Sonores, Macki Music Festival and Ed Banger Party, the duo followed up their winter season with appearances at the MaMa Festival and the Transmusicales de Rennes. In peak time, we'll have the chance to see them perform “Wooferz Only” at La Maroquinerie for their first headline show on April 10, 2025.

The label say:

"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.

Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."

The Mekanik label, led by the tireless Manu Kenton, returns strongly with a new, strikingly effective EP: "Metronome." Available as a colored vinyl limited edition and in digital format, this project brings together four finely crafted techno productions for clubs and thrill-seekers.



Between explosive buildups, hypnotic grooves, and acidic textures, the "Metronome EP" delivers a concentrated dose of raw energy and sonic mastery. True to his identity, Manu Kenton once again demonstrates his ability to combine power, tension, and efficiency, always with a signature recognizable among thousands.



A key figure of the legendary Lagoa club in Menin, Manu Kenton continues his path here, chaining projects with a consistently strong artistic coherence.

On the visual side, this collector's vinyl stands out with its revamped "Yolk effect" in luminous green tones, adding an original and modern touch to this new chapter of the Mekanik label.



Français



Le label Mekanik, piloté par l’infatigable Manu Kenton, revient en force avec un nouvel EP redoutablement efficace : "Metronome". Disponible en vinyle coloré en édition limitée et en version digitale, ce projet rassemble quatre productions techno ciselées pour les clubs et les amateurs de sensations fortes.



Entre montées explosives, grooves hypnotiques et textures acides, "Metronome EP" offre un concentré d’énergie brute et de maîtrise sonore. Fidèle à son identité, Manu Kenton y affirme une fois de plus sa capacité à allier puissance, tension et efficacité, toujours avec une signature reconnaissable entre mille.