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The second release from Los Angeles based theroomintheback.

Label head JJ delivers a dusty four track EP ready for the floor.

Welcome to the music of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, KRUST.

Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

Last summer saw youANDmedelivered his “Diva 2022” mix of "PPPPP" a track that would ignite dancefloors across Ibiza and become one of the smashes of the summer in the process. The label was always certain the record was a hit and the response that followed justified their faith.

The track went on to be championed across the globe by the likes of Ame, Dixon, Matthias Tanzman and Pete Tong (Radio 1) leaving a succession of dancefloors demolished in its wake. Fast forward to 2023 and the Cult brings in a smorgasbord of house music’sfinest to breathe fresh verve into what is rapidly becoming a future house classic.First, comes the unmistakable dancefloor call of the “Diva” mix, with its fierce retro vocal and contagiously looping house sound. Its raw undeniable groove shook dancefloors for a reason the first time around and here it is to do the damage all over again. Next, house music legend Ian Pooley hops on board to serve up a delicious slab of fat analogue deepness.


A rework for the real house heads, it drenches the original vocals in reverb and creates a tough sub-laden groove bound to work deeper floors. House music’s producer of the moment Cinthie delivers a red-hot reinterpretation that ups the bpm count and zones in on the drums. The Berlin-based producer creates a colossal house-breaks crossover that is bound to tear apart dancefloors. Reese subs fill out the lows while organs deliver the original rave flavour and take the track into orbit.


Finally, Tel Aviv’s Yotam Avni turns out a remix that delivers shades of the pure old-school house with piano stabs sitting alongside deep chords before he puts his tougher-edged modern techno stamp onto it. Rhythm Cult is on a roll now returning with one of the most hyped tracks of 2022. This package delivers the goods with fresh remixes for 2023 from some of the best in the industry who are now added to the label's impressive roster.

Portage Garage Sounds is proud to present the label's first LP, "Capturing Animals" (PGS 017) by Charles Trees. Recorded over a two year period, Capturing Animals preserves the isolation and individual atomization experienced by all over recent years as well as the jubilance of humanity's reconnection.

The 11 track album presents itself as an interconnected work--the listener is guided through the album's narrative and sequential structure effortlessly by Trees' arrangement and showcase of his production and composition talents. The album offerses glimpses of early Detroit techno, flashes of EBM, drips of acid (and full-on doses in "FRQDNK"), stripped-down electro, UK RNB, prominent vocals (as heard in "Stave I" and a Sophie cover), and composed works of live strings.

Capturing Animals is a high point for Trees' and Portage Garage Sounds. The raw talent and dedication is unmistakable. The artist and the label are moving onto higher ground and reaching upwards.

Nice Coordinated Outfit is a journey through history to a time before the internet and social media and before inner city gentrification, when Fitzroy was the beating heart of Australia's avant-garde music and culture. Musically, it showcases the band's incredible range from deep minimal dub to bizarre electronica with elements of shoegaze and experimental noise.

Back then, High Pass Filter were the kings of the Fitzroy underground. Dark, weird improvisers who aimed for something new each performance. Whilst electric guitars and rock n roll dominated Australian airwaves and stages, High Pass Filter were pioneering a sonic revolution in the shadows. The band's indefinable sound saw them sharing lineups with artists from hardcore and punk luminaries like Fugazi and The Boredoms and to dub heavyweights such as Lee Scratch Perry and The Mad Professor.

Next up on OGE we have a hot 3 tracker by Ray Mono which includes an enchanting remix by Texas's CHKLTE 12" Vinyl Only

red marbled vinyl

Tensal M is already here with 4 tracks of fiery rhythms and explosive textures, infernal arpeggios and overwhelming sound for this new Ep presented with a beautiful design and a crystal clear & solid red vinyl.

TN Edits 001
Is based on an old jazz and child song from Denmark with danish child vocals - and now cult classic from Lotte Kærså - titled: "Prøv og Gør li'som Jeg" rediscovered by a dj collective from UK, heavily plaid by eclectic dj's and on the acclaimed collection.

The take on an edit is a straight up techno remix from the Danish techno wizard and genius Bjørn Svin doing his edit of the edit for the first and one time only.

Capturing the soul from the original this is a classic and a hands in the air floorfiller!

TN Edits 001
Is based on an old jazz and child song from Denmark with danish child vocals - and now cult classic from Lotte Kærså - titled: "Prøv og Gør li'som Jeg" rediscovered by a dj collective from UK, heavily plaid by eclectic dj's and on the acclaimed collection.

The take on an edit is a straight up techno remix from the Danish techno wizard and genius Bjørn Svin doing his edit of the edit for the first and one time only.

Capturing the soul from the original this is a classic and a hands in the air floorfiller!

Berlin-based dark electronic music duo NNHMN – creates moody, dark electronic dance music infected with haunted synth sounds, eerie ambiences and mysterious female vocals. NNHMN have built up a local following and has been appreciated by numerous alternative festival organizers. The night-infused, arps-driven production is undeniably entrancing.

The newest 8-track album titled – Circle Of Doom – mirrors the state of the world we are living in. The album encapsulates eight existential tracks for the modern body music lover – body music – for the contemporary listener that is not necessarily drowned in the faraway past only, who is aware of electronic music genres that are flourishing in the world right now.

Live expect smokey electro-pop, a gloomy but sexy atmosphere, trancey techno, the fever of dance peaks and vocals that might put you into happy hypnosis or nostalgic ecstasy.

Repress !

For the 10th installment of his Black Aroma Eps, Patrick Gibin leaves the edit duties to 3 masters of the scene: Red Greg, Specter and Luca Trevisi aka LTJ Xperience deliver 5 special edits for this release on Blend it! Records.

The Udacha label might have been away for a while but is now back with a vengeance. First up for this return is a new long player by the mighty fine Kurvenschreiber quarter, which is made up of Sergey Komarov, Vlad Dobrovolski, Ilya Sadovski and Alexey Grachev. These sound artists have been excelling in their field for some 10 years now and use synths as well as found sound objects to create their work. Magnetic tape loops, various instruments, pre-recorded loops, shortwave radios, transformers and much more give rise to this unique record which mixes up Boolean jazz, kurventronika and post-rock.

Kinn turns the Post-Rock continuum inside out with his sophomore album, Dogtooth.

Shifting focus between his present self and his misled teenage years, 'Dogtooth' sees London born and raised sound art graduate Fred Lomas contemplate the vulnerability of youth, addiction and suicide as Kinn. Unabashed in their creative ambition, Kinn's tongue-in-cheek 'dread-voyeurism' is underpinned by a palpably sincere vulnerability that seeps through their dynamic and rewardingly dense records.

An insight into Fred's formative years can be unraveled from his nickname "Dread", originally given to him by his parents. Growing up in North London as a 'constantly out of the house' youth, Fred only had eyes on any counterculture he could find to defy the city's notorious empty capitalist centric mainstream culture, skateboarding, graffiti, and terrible punk bands which would only last 1-3 rehearsals (max). As a teenager he experienced the notorious 2011 Tottenham riots, which is often referenced in the artist's output and greatly informed their sensibilities. Barely an adult, he was confronted first hand with concepts of constant hostility and corruption which were seemingly welded to his surroundings, corruption formed by high rises and international political scandals taking place only a short journey away.

Even today, Dogtooth reflects on this contrast of community and anger and surmises it to be part and parcel of modern metropolitan life, looking to peel away the bad looking for meaning, comfort and ways of goofing off amidst oppressive forces, sirens and snake oil salesmen everywhere.

The Intergalactic Research Institute for Sounds is proud to present Requiem for Robots. For this latest transmission, Florina Speth aka Schloss Mirabell joined forces with a group of robots that were built by Kay Sievers (versioduo.c..). The musical question this record states is: “Who animates what?”

The physical body of these robots consists of a wooden cuboid, a single string around which a round, internally strung bow revolves, and a motorized finger which can press down the string. They produce sounds that are very similar to the cello. They display unusual characteristics such as motor noises, infinite sounds or sometimes scratchy and gruff qualities. In addition, there is the extraordinary level of kinetic expression created by the bow circling around the string. Taken together, precisely these peculiarities form a unique instrument profile, a character which is emphasized in the presented project.

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg'' at Clemens Hagen when she was 11. She won several prizes and was part of orchestras such as the Bayerisches Landesjugend Orchester and Salzburger Junge Philharmonie. Always keenly interested in contemporary music, she loves bridging experimental arts with science. She composes and works with cello and cello robots. She regularly collaborates with Dasha Rush, Hüma Utuku, Nicholas Bussmann, Lucile Desamory and Larissa Lackner.