Factor City kicks off its third decade in full swing, led by Undo solo and accompanied by its usual partners Casiowaves and Vicknoise.
It all began in 2003 when Undo & Vicknoise laid the foundation for the label with "Noctámbula," and over the years, they continued to collaborate closely, managing the label and producing "hits" such as "Orca" or "Happy Monday." From 2011 onward, following an amicable parting, Undo began to run the label solo while maintaining the same spirit and distinctive sound of the Barcelona-based label, always at the forefront of dance music produced in Spain.
Now, in 2024, in a "digital” world where fewer and fewer things can be touched with our fingers and where 100,000 songs are uploaded to Spotify every day, Factor City is charting a different course and starts a new decade on the dance floors by returning to vinyl releases and persisting in their low key and relaxed approach, releasing few and carefully curated records from their artists each year.
“Ciudad Futura” opens with "Good Times," a track by Undo that radiates joy and positivity. An euphoric ride through landscapes of analog synthesizers and drum machines. The second track on side A is signed by Undo & Vicknoise, who hadn't produced together in 15 years. And we hope they won't take as long to get back in the studio together after hearing the fantastic track "Electric Rainbow." A delightful slice of electro-disco. The B side is signed by the recent combo of Undo and Casiowaves. The first track, "Secret Worlds," follows in the wake of their recent releases on Factor City and Melodize with that winning combination of retro 80s and 90s synths with vocoders and a more contemporary production. Closing out the record is "Astralia," a vibrant "power synth pop" anthem adorned with FM synths and acid-tinged melodies. Thanks for listening!
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On their eponymous debut, Super American Eagle deliver manna for heavy rock fans craving ergine detours into noise, psych and sludgy dank, herbal grooves. A union delivered via chance, Brent DeBoer of The Dandy Warhols, Dave Mudie from the Courtney Barnett band and Bob Harrow of Immigrant Union, played an impromptu Immigrant Union NYC show as a three-piece. That night the chemistry was undeniable and so Super American Eagle soon took flight. Known for the individual talents they bring to other’s bands, the trio take control of the destination, reveling in the creative liberty that beats at the heart of the project. From a lightening moment of musical connection Super American Eagle have built a thrilling, fuzz-filtered debut of urgent and essential psych and super heavy rock vibes.
- A1: Main Menu Music
- A2: Quadratank - Battle
- A3: Quadratank - Menu
- A4: Yars Revenge - Main
- A5: Yars Revenge - Main Alt
- A6: Yars Revenge - Menu
- B1: Neo Breakout - Vs Music
- B2: Neo Breakout - Level Music
- B3: Neo Breakout - High Score
- B4: Neo Breakout - Menu
- B5: Vector Sector - All Levels
- B6: Haunted House - Title
- B7: Haunted House - Title Alt
- B8: Hated House - Secret Room
Have you played Atari today ?
Atari 50: The Anniversary Celebration takes players on an interactive journey through 50 years of video games, including a specially curated list of more than 100 playable classics and six entirely new titles from the award-winning team at Digital Eclipse.
For this unique project, Atari teamed up with composer Bob Baffy, who worked on many classic video game soundtracks, to compose rearranged classic themes and new tracks.
Microids Records is proud to bring you this unique soundtrack that captures the heart and soul of ATARI and a whole generation of gamers!
Andi Otto’s Bangalore Whispers gets finally repressed. The psychedelic track which he recorded together with the Indian singer MD Pallavi in 2016 has become a hit in the downtempo scene around the globe (“Saaaa - resa nisa”). Pingipung press a new edition of the much sought after single on the occasion of their 20th label anniversary. In this 2022 edition the original track is paired with the Peter Power remix which has not seen the light of day on vinyl before.The Brazil-based producer slows the track down a notch and adds even more space. A perfect tune both for the dancefloor or meditation.
Demenz ist ein Dieb. Die bösartige Krankheit raubt ihren Opfern erst Stück für Stück ihr Gedächtnis, dann ihre Identität, schließlich Familie und Freunde - und oft genug sogar ihre Menschenwürde. Die in Los Angeles ansässigen Electro-Forscher THIEF nehmen auf ihrem vierten Album "Bleed, Memory" das Thema "Erinnerung" sowohl lyrisch als auch musikalisch unter die Lupe, was sich wie ein roter Faden durch das gesamte Album zieht. Der Kopf des Soloprojekts, Dylan Neal, wurde zu diesem Album durch das Schicksal seines Vaters inspiriert, der nach der Diagnose einer Demenz von leichter Vergesslichkeit und Verwirrung unaufhaltsam zu akuten Episoden von falschen Erinnerungen, Wahnvorstellungen, Visionen und seltsamem Verhalten überging. Das macht "Bleed, Memory" zu einer sehr persönlichen Schöpfung. Durch die harte Erfahrung begann Neal damit, erst seine eigenen Erinnerungen zu hinterfragen und dann mit der Erforschung, wie sie seine Identität und Realität formen. Erinnerung besteht nicht nur aus den Geschichten, die wir uns selbst und anderen erzählen. Neal vergleicht sie mit Geistern, die keine physische Existenz haben und dennoch unter denen Schrecken verbreiten, die an sie glauben. Das Rückgrat von THIEF bilden wieder einmal gesampelte sakrale Gesänge. Einige wurden beim Wühlen in digitalen Kisten gefunden und gesampelt, andere in verschiedenen orthodoxen Kirchen aufgenommen. Diese Samples wurden gedehnt, geschnitten, verstümmelt, umgeformt und gepitcht, um letztlich so wie jedes andere Instrument zu funktionieren. Neal hat "Bleed, Memory" bewusst so gestaltet, dass es gespenstisch klingt. Eine der Techniken, die er zur Erzielung dieses Effekts einsetzte, ist "Granular Synthesis". Der verstärkte Einsatz der Methode auf diesem Album bedeutet, dass Samples in kleine Audioschnipsel zerlegt wurden, die kaum mehr als 100 Millisekunden andauern. Dieser einzigartige Ansatz, der musikalische Elemente aus Ambient, Industrial, Chormusik, Black Metal und Trip-Hop sowie andere Einflüsse zu einem neuen Klangerlebnis verschmelzen lässt, hat THIEF unter Eingeweihten längst Kultstatus verschafft. Den Großteil des Albums hat Neal wieder einmal in seiner Wohnung aufgenommen und abgemischt. Für das Mastering konnte er erneut John Greenham gewinnen, der mit Künstlern von THE LOCUSTS über KATY PERRY bis hin zu DEATH GRIPS zusammengearbeitet hat und für sein Mastering für BILLIE EILISH im Jahr 2019 mit drei Grammy Awards ausgezeichnet wurde. Mit "Bleed, Memory" liefern THIEF eine verstörende und doch wunderschöne künstlerische Betrachtung eines grausamen Leidens, die gleichzeitig Emotionen wie Wut, Melancholie, Trauer und Verlust als lyrisches, musikalisches und visuelles Gesamtkunstwerk verarbeitet. Aber Vorsicht! Dieser Geist aus Klängen wird lange in der Erinnerung seiner Hörer spuken!
A playful, funky album, born from the desire to be live again; a playful and funky band that will tour extensively in Belgium and the Netherlands from April. First single 'Walk On Red, Stop On Green' sets the tone of this new album. A simple structure, over which a web of
rhythm is woven using instruments from old drum machines: the Roland CR-78, in dialogue with live drums and percussion. Lots of sax, tenor and baritone! A pumping bass. A frisky pizzicato violin. Vocals based on the 'Boy Scout Trail' principle; the leader sings and the others repeat. And then of course the classic keyboards: the Fender Rhodes, the Hohner Clavinette D6, the L-100 Hammond organ. And many analogue synthesizers: a rippling Juno-106 draws the path to be followed, which is crossed with phrases from other museum
pieces: Crumar's Stratus, Farfisa's Synthorchestra, Sequential's Prophet-10. Or the Casio Club M-100, which is actually a toy, but has been subtly coloring SKC's songs for years! In addition to his own work, also covers of Prince (The Future), Dez Mona and Alain Bashung.
We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.
The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.
EAN 8718969212229
Color Silver
Weight 4,55 kg / 10.01 lbs
Outer Dimensions (W x H x D) 49 x 42.3 x 21 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D) 48 x 41.3 x 20 cm | 18.9 x 16.2 x 7.9 inch
Material Aluminum
Protection Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & foam on lid
Two side strong butterfly lock & solid metal hinges
Rubber feet at the bottom for support in standing
Extra's Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers
Replacement pick & pluck foam is available to purchase
Rear cable access hole with cover
Fits Technics SL-1200MK7, SL-1200MK6, SL-1200 MK5, SL-1200 MK4, SL-1200 MK3, SL-1200 MK2, SL-1200GR, SL-1200GAE,
Denon VL12 Prime,
Pioneer PLX-1000, PLX-500,
Reloop RP-8000 MK2, RP-8000 Straight, RP-8000, Reloop RP-1000M, RP-1000 MK2, RP-2000 MK2, RP-2000 USB MK2, RP-4000 MK2, RP-7000, RP-7000 MK2, RP-7000 MK2 GLD, RP-7000 MK2 Silver,
Audio Technica LP120-USB, LP120XUSB, LP1240-USBXP, LP1240-USB, LP140XP, LP3, LP5, LP7, LPW40WN,
Stanton STR8-150 M2, ST-150 M2, T.52, T.55 USB, T.62 M2, T.92 M2 USB,
Mixars STA, LTA,
Vestax PDX-3000, PDX-3000Mix, PDX-3000MKII,
or similar size turntable
Dogs Of War is the twelfth studio album by the heavy metal band Saxon, released in 1995. This one marked a period of changes for Saxon, both in their sound and lineup. Thanks to early ‘90s albums like Solid Ball Of Rock and Forever Free, Saxon convinced many skeptics that they still have plenty of quality heavy metal to offer and after a three-year recording hiatus, the band returned to glory with the massive-sounding Dogs Of War. Once past its thunderous opening title track, Dogs Of War delivered a slew of improbably memorable and distinctive numbers, including ""Big Twin Rolling (Coming Home),"" ""The Great White Buffalo"" and ""Demolition Alley."" It was also the last album with longtime guitarist Graham Oliver as a member of the classic formation, who left shortly after the album release. Dogs Of War is available is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print.
Dogs Of War by Saxon, released 12 April 2024, includes the following tracks: "Don't Worry ", "Hold On ", "Demolition Alley ", "Give It All Away " and more.
This version of Dogs Of War comes as a 1xLP. This release comes with (a) Insert(s).
The vinyl is pressed as a gold disc.
NOTURNALL. This is the name of this young group that, in less than 10 years on the road, is considered one of the biggest and most important bands in Brazilian Heavy Metal history. Starting in 2014, its brief, but intense history brings some legends of the so-called “Brazilian metal scene” that left their marks on worldwide renowned bands: Shaman, Angra and Project46. They also have in their line-up legendary North American guitarist Mike Orlando, who sold hundreds of thousands of album copies with ADRENALINE MOB and was listed a top 100 guitar player of all time and also a top 10 superstar of the year 2008 by Guitar Player Magazine.Iconic concerts, bold tours, thrilling music videos and guest appearances by Heavy Metal legends from all over the world, such as Michael Kiske (Helloween, Unisonic), Mike Portnoy, James Labrie (Dream Theater), Russell Allen (Symphony X, Adrenaline Mob), Michael Romeo (Symphony X), Edu Falaschi, among others, consolidate the band as a true jewel of Brazilian Heavy Metal. In 2022, after almost 2 years away from stage, Noturnall started the year with a nostalgic concert in SESC 24 de Maio, presenting classic songs. Noturnall released their fourth studio album, entitled Cosmic Redemption, showcasing the band’s best shape and also featuring as special guests: guitarist MARTY FRIEDMAN and bassist DAVID ELLEFSON (both former MEGADETH), founding SYMPHONY X guitarist, MICHAEL ROMEO, the internationally renowned prog metal drummer, MIKE PORTNOY (ex-DREAM THEATER, THE WINERY DOGS, SONS OF APOLLO), who previously toured with the band and appeared in the video for the single “SCREAM! FOR!! ME!!!”, and lastly Brazilian MPB legend, NE Brazilian MPB legend, NEY MATOGROSSO.
Cosmic Redemption by Noturnall, released 12 April 2024, includes the following tracks: "Shallow Grave", "Shadows (Walking Through) (Feat. Michael Romeo)", "Tempo Não Para (Feat. Matogrosso)" and more.
This version of Cosmic Redemption comes as a 1xLP.
The vinyl is pressed as a opaque disc.
"Message From The Country was the fourth and final studio album by The Move, a British rock band that consisted of Roy Wood, Jeff Lynne, and Bev Bevan. After the release of this final studio album, the trio went on and founded Electric Light Orchestra. The influence of The Beatles runs through most of the songs stylistically, while still sounding like the first ELO album, which was recorded during the same lengthy recording sessions as Message From The Country. The Move generated what was, song for song, their most complex and challenging album. Message From The Country is available as a limited edition of 1000 individually numbered copies on white coloured vinyl. "
Message From The Country by The Move, released 12 April 2024, includes the following tracks: "No Time", "Until Your Moma's Gone", "The Minister", "The Words Of Aaron" and more.
This version of Message From The Country comes as a 1xLP.
The vinyl is pressed as a white disc.
- Who Is Dot
- The Rancher
- Run
- Lorraine
- Horror
- Munch
- S5: Murder Theme
- Dot Part Deux
- Dot (Moving)
- Linda
- Fargo Season 5 Main Theme (Secret Suite)
- Fargo Season 5 Main Theme
- Fargo Season 5 Main Theme (Harp)
- Slow Tension
- Toxic (Feat. Lisa Hannigan)
- Simple Gifts
- Timpani Suite
- Kidnap
- Ranchers Open
- Fargo Metal
- Drums And Tennis
- Strip Club
"Fargo Year Five is the fifth season of the hit series Fargo, which premiered on November 21, 2023, and consisted of ten episodes. This season is set in Minnesota and North Dakota and follows the typical Midwestern housewife Dorothy “Dot” Lyon (Juno Temple), whose mysterious past comes back to haunt her after she lands in hot water with the authorities. The season has been met with positive critical reviews, receiving three nominations for Golden Globe Awards. Just like the first four seasons of Fargo, the music of the fifth season was created by Jeff Russo. For his work on Fargo, he won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special in 2017. Russo is also known as one of the founding members of the band Tonic. Fargo Year Five is available as a limited edition of 1000 individually numbered copies on white coloured vinyl and includes a 4-page booklet. "
FARGO YEAR 5 by Jeff Russo, released 12 April 2024, includes the following tracks: "Run", "Horror", "S5 Murder Theme", "Dot (Moving)" and more.
This version of FARGO YEAR 5 comes as a 2xLP. This release comes with (a) Booklet.
The vinyl is pressed as a white disc. Another vinyl is pressed as a white disc.
The nineties are often described as a hedonistic decade, a party decade when all arrows pointed upwards. In music culture, first things that comes to mind is the peak of club music, big-mouthed and drunken British rock bands, extreme Black Metal, and the high-energy "Scandi-rock" - a scene that the Euroboys members themselves were part of, in bands like Gluecifer, Team Spirit, Fair Fuck and Turbonegro. "Soft Focus" broke out from the noise after the nineties, and started introducing new vibes in the rock genre. With inspiration from the music scene that grew out of Laurel Canyon and California in the early seventies, Euroboys came up with a rock album that was soft on the edges, warm sounding with bittersweet melodies. Today, names like Fleetwood Mac, Eagles and David Crosby are of course gods on the retro sky, but it wasn't like that in 2004. This first time on vinyl reissue of "Soft Focus" has been remastered from the original tapes, and also features two bonus tracks that resurfaced in the process, mixed and released for the first time.
The second studio album from UK Alternative artist Cosmo Sheldrake. Following 2018's "Much Much How How And I" which has sold over 100,000 units globally and embarked 250m streams on DSPs, Cosmo continues to take the listener onto a journey into his musical world with a brand new 21 song release.
Eye To The Ear by Cosmo Sheldrake, released 12 April 2024.
This version of Eye To The Ear comes as a 2xLP in a(n) Gatefold Sleeve packaging.
In 2004 Sarkom released their only demo before signing to a label. Now, 20 years, several albums and EPs later, this hidden gem will be released on vinyl for the first time ever! This will be a one time pressing, limited to 250 hand numbered copies, just like the original demo back in the days! In addition to regular black vinyl, it will also be released as picture disc, limited to only 100 copies! No remixing, editing or remastering - the songs on the vinyls will sound exactly as cold, grim and necro as for 20 years ago!
"Demo 2004" by Sarkom includes the following tracks: "Passion for Suicide" and more.
repressed !
Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island.
Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea.
I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told.
The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings.
Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you.
Album support from: Gilles Peterson, Skream, Laurent Garnier, Patrick Forge, Jean-Claude (IF), Soulclap, Joszif, Makoto, Breach, Flight, dBridge, Doc Scott, Trevino, Craig Richards, John B, Klaus
Fiehe. Mr Scruff....
User-friendly control layout
Building on expertise accumulated over many years as the top international manufacturer of DJ equipment, Pioneer has carried out an in-depth investigation into turntable users' needs in order to produce a user-friendly control layout. This makes it possible to enjoy intuitive DJ play without ever losing your way.
High-torque*1 direct drive system*2
Thanks to its high-torque direct drive system, the 'PLX-1000' provides stable rotation that can withstand use in venues such as clubs, achieving starting torque of at least 4.5kg·cm and reaching the fixed rotation speed within just 0.3 seconds (at 33 1/3 rpm).
*1 Torque: The strength of rotational force acting around a fixed axis of revolution.
*2 A system that directly connects the motor and turntable. Directly conveying the motor's rotational force to the driver ensures that loss is minimized and enables highly efficient energy transfer.
Tempo control with variable width selectable from three levels
The variable width of tempo can be selected from ±8%, ±16% and ±50%, and these wide-ranging tempo controls expand the possibilities of DJ play. Also, simply pressing the 'RESET' button instantly reverts to the fixed rotation speed at ±0%.
MAIN SPECIFICATIONS
Turntable
Drive method Quartz lock servo type direct drive
Motor 3-phase brushless DC motor
Braking system Electronic brake
Rotation speed 33 rpm, 45 rpm
Rotation speed adjustment range ±8%, ±16%, ±50%
Wow and flutter 0.1% or less WRMS (JIS WTD)
S/N ratio 70 dB (DIN-B)
Turntable Aluminium die-casting diameter: 332 mm
Starting torque 4.5kg·cm or more
Start time 0.3 seconds (at 33 rpm)
Tone arm
Arm type Universal type S-shape tone arm,
gimbal-supported type bearing structure, static balance type
Effective length 230 mm
Overhang 15 mm
Tracking error Within 3 degrees
Arm height adjustment range. 6 mm
Stylus pressure variable range 0 g to 4.0 g (1 scale 0.1 g)
Proper cartridge weight 3.5 g to 13 g (single cartridge)
- When shell weight is used: 3.5 g to 6.5 g
- When only balance weight is used: 6.0 g to 10 g
- When sub weight is used: 9.5 g to 13 g
Main unit
Main unit weight 13.1 kg
Maximum dimensions
(W x D x H) 453 x 353 x 159 mm
Output RCA × 1
Included accessories Turntable, turntable sheet, slip mat, slip sheet, dust cover, balance weight, head shell, sub weight, head shell, shell weight, adapter for EP record, power cord, Audio cable, ground wire, operating instructions
Haupteigenschaften
Was ist in der Packung?
PLX-1000
Netzkabel
Audiokabel
Erdungsleitung
EP/Single-Puck-Adapter
Turntable-Sheet
Slip-Mat und Sheet
Staub-Cover
Headshell
Balance-, Sub- und Kopfgewichte
Bedienungsanleitung
Technische Daten
Breite
453 mm
Höhe
159 mm
Tiefe
353 mm
Gewicht
14,6 kg
Turntables
Antriebsart
Direktantrieb mit Quartz-Lock und Servo
Platte
Aluminiumguss: 332 mm Durchmesser
Motor
Bürstenloser Dreiphasen-Gleichstrommotor
Bremssystem
Elektronische Bremse
Drehgeschwindigkeit
33⅓-45 rpm
Dreh-Einstellungsbereich
±8, ±16, ±50 %
Gleichlaufschwankungen
4,5 kgf・cm
Anlaufzeit
Innerhalb 0,3 s (bei 33⅓ Upm)
Tone Arm
Tonarm
Universeller S-Tonarm
Kardanisch aufgehängte Lagerung
Statisch balanciert
Overhang
15 mm
Effective Length
230 mm
Trackingfehler
Innerhalb von 3°
Height Adjustment Range
6 mm
Variables Auflagegewicht
0-4 g (1 Teilstrich = 0,1 g)
Cartridgegewicht einzeln
2,5-12 g (montagematerial im Lieferumfang)
Anschlüsse
Ausgänge
1 ANALOG (Cinch)
Keyboardist and composer Carl Moore originally wrote, recorded and pressed only 100 (!) copies of these tracks, grabbing a quick moment of studio time during a tour of Japan in the early 1980s. Moore’s purple patch saw him becoming peers with artists such as Phyllis Hyman, Jean Carn, Janet Jackson and ‘The King of Gospel’, James Cleveland.
Carter Lake is an energetic 2 minutes 30 second blast of pure dance floor joy, that looks back at carefree days, teenage love and love lost. Moore’s voice soars, and showcases his love for the powerful stylings of jazz and gospel. On the flip, Must Be The Beat sees him explore very different textures and could easily be a long lost Prince recording found in the vaults in Paisley Park. Sounding like something jammed late at night, this one is perfect for the afterhours when there are 30 sweaty dancers left on the floor at 5am that just don’t want to go home!
This is the first release on Sweet Free Association, a new label founded by Sam Don, the DJ and curator responsible for the recent lovers rock and UK soul comps For The Love of You and Just A Touch. Born out of the wish to find another way of sharing ‘the fruits’ from his Free Association radio show and parties, these impossibly rare disco tracks are now available to a wider audience for the first time, as the vast majority of the original copies have been long lost.
Mastered at The Carvery, the lo-fi recordings have been skilfully lifted by Frank Merritt to sound big in the club, while retaining the original charm in the sound that made the tracks stand out to Sam in the first instance.
- A1: Tension (Y Rioland/M. Goldfeder)
- A2: Like The Wind You Are (J P. Decerf/M.c. Cartier)
- A3: Queens Club (Y Rioland/J.m. Hauser)
- A4: Benson's Way (J P. Savelli/F. Rimbert)
- A5: Cap York (B Cohen/M. Houari)
- A6: Sensitive (J P. Savelli/F. Rimbert)
- B1: Young Flesh For You (G Granier/M.c. Cartier)
- B2: Malika's Moon (G Granier/R. Cerri)
- B3: Disco Ma Non Troppo (L Melki)
- B4: Digital (Y Rioland/M. Goldfeder)
- B5: Kenny's Castaways (Y Rioland/J.m. Hauser)
- B6: Love Within You (G Granier/M.c. Cartier)
2024 Repress
Farfalla Records presents its new compilation Amplitude - The Hidden Sounds of French Library. 12 tracks exclusively recorded for professional use between 1978 and 1984 in France.
Dive into the universe of the early 1980s with colorful sounds and catchy rhythms from talented musicians from the French scene, composing and arranging both for library music and variety, and accompanying big names in French music.
The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists.
First, Twardowski created music based on samples from Japanese albums. Then MCs KANETSUGU (JP) and Prykson Fisk (PL) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion).
An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market.
This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.
Dwell Time II is the second part of a three-part project on Past Inside The Present from T.R. Jordan. Each of the albums was made using the same material in the same time frame, and they are all part of one overarching and coherent suite that he refers to as "musical composting." This is the cassette tape version and it is full of grainy, fluttering howls, soft warbling pads, pastoral references like flowing streams and mossy rocks and plenty of grand spatial elegance that harks back to the likes of Hiroshi Yoshimura and early Brian Eno experiments. Another immersive offering from this fine label, then.




















