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Spacey Jane haben ein großes Jahr vor sich. Mitten in einer Reihe von internationalen Konzerten (im April auch in Deutschland), von denen einige US-Shows bereits Monate im Voraus ausverkauft sind, bereiten sich die vier Musiker auf die Veröffentlichung ihres am im Juni erscheinenden zweiten Albums vor.

“Here Comes Everybody” war der Arbeitstitel von Wilcos bahnbrechendem Album “Yankee Hotel Foxtrot” (eines der Lieblingsalben der Band). “Here Comes Everybody” wurde zu Beginn des ersten Lockdowns im Jahr 2020 zum Leben erweckt und enthält die bereits veröffentlichten Tracks "Lunchtime", der auf der aktuellen australischen Triple J Hottest 100 auf Platz 12 landete, und "Lots of Nothing", das den 3. Platz belegte.

Spacey Jane haben ein großes Jahr vor sich. Mitten in einer Reihe von internationalen Konzerten (im April auch in Deutschland), von denen einige US-Shows bereits Monate im Voraus ausverkauft sind, bereiten sich die vier Musiker auf die Veröffentlichung ihres am im Juni erscheinenden zweiten Albums vor.

“Here Comes Everybody” war der Arbeitstitel von Wilcos bahnbrechendem Album “Yankee Hotel Foxtrot” (eines der Lieblingsalben der Band). “Here Comes Everybody” wurde zu Beginn des ersten Lockdowns im Jahr 2020 zum Leben erweckt und enthält die bereits veröffentlichten Tracks "Lunchtime", der auf der aktuellen australischen Triple J Hottest 100 auf Platz 12 landete, und "Lots of Nothing", das den 3. Platz belegte.

Roxy Music veröffentlichen am 10. Juni eine neue Half-Speed gemasterte Version ihres Albums “Siren“. Das Album wurde 1975 veröffentlicht und brachte die Singles ”Love Is the Drug” und ”Both Ends Burning” hervor, die auf Platz zwei bzw. 25 der britischen Singles-Charts landeten. ”Love Is the Drug” wurde Roxy Music’s meistverkaufte Single in den USA und erreichte Platz 30 der Billboard Hot 100. “Siren“, ein fesselndes Werk von Roxy Music, zieht einen bei jedem Hören immer mehr in seinen Bann. Das Album wurde von Miles Showell in den Abbey Road Studios neu gemastert. Um die verbesserte Audioqualität widerzuspiegeln, wurde das Artwork überarbeitet und mit einer glänzenden Laminierung versehen, sodass das Album nicht nur eine Schallplatte, sondern ein Kunstwerk ist.
“Siren“ erscheint als 1LP.

Australian musician, composer and producer Ex Ponto aka Ivan Mašić has self-released dozens of albums with improvisation collective, Council of Elders, and experimental no-wave band, Wunderlust.

For his Offen Music debut Ex Ponto is constructing an alternative civilization of grace, post-sarcasm and intuitive response.

„In A Quarry...Far, Far Away“ is a 15 minutes long wandering with Joseph and August Norster around The Quarry, Beech Forest, Victoria, Australia, January 27, 2020.
Life affirming „Golden Hours“ is an alternative to the general wait for extinction and completition of a suicide program out there. An ode to the moments when sunlight turns magical.
„Shed 14“ is a personal reminiscence of the legendary club in Melbourne.

"Robot Hive/Exodus" is the second of initially four albums reimagined and individually curated by a band member, in this case Dan Maines, and reissued as part of the Clutch Collector's Series. The first album in this new series was Blast Tyrant, curated by Jean-Paul Gaster. TheRH/E artwork is in the vein of the original "Blast Tyrant" yet strikingly different. The vinyl release is remastered and manufactured on 180-gram colored vinyl which in turn is stored in extra heavy sleeves. The gatefold jacket is printed on metalized polyester paper, and each album includes a numbered insert autographed by the band. As an extra special element this 2xLP includes a 7" with two tracks: "What Would a Wookie Do?" and "Bottoms Up, Socrates". These two songs were originally among the 16 songs written and recorded for Robot Hive/Exodus back in 2005 but were left off the final album for time purposes. We are glad to have these recordings return home as part of the RH/E Collector’s Series limited to 7,500 units worldwide.

Robot Hive/Exodus (Ltd. Collector's Series/2LP+7"):
- The 12" colors are "Metallic Silver" with "Metallic Gold"
- Bonus 7" with two additional tracks
- Remastered Audio
- Limited Edition
- 2xLP 180g Colored Vinyl
- Artist Autographed Numbered Insert

Here is a quote from Dan, who quarterbacked this project re the two tracks on the 7" (the 7" is black vinyl in its own sleeve):

"What Would a Wookie Do?", and "Bottoms Up, Socrates" were among the 16 songs written and recorded for Robot Hive/Exodus back in 2005. For time purposes these two were left off the final album. We are glad to have these recordings return home as part of the Robot Hive/Exodus Collector’s Series.

Two Jay Glass Dubs reworkings of "Jungle Shuffle" from Laura Agnusdei's debut album "Laurisilva". This limited white label 12" has been screenprinted by Jonas Ranson with three different slogans selected by the artists – green, orange or purple prints, 100 copies of each.

"Escapism" is the second album produced by Piotr Rajski also known as Pepe.. Once again, he offered us music that is hard to close in one genre and is best described by the artist himself:
At the time of creating this album, the world was absolutely dominated by the pandemic turning our lives upside down. Writing new music has became a way to escape from disturbing reality.

According to Paweł Bartnik who also mixed and mastered my first album "Afterimages", the second one is more colourful and vivid. I think he described well the idea I had in mind while recording the new tracks. I wanted them to stay in that dreamy tone which can't be referred to only one genre.

The record was pressed on 180g vinyl.

Limited version was made in 100 copies - each vinyl record has a different splatter color! "Very Limited Surprise Edition"

I found "Escapism" a great opportunity to combine my UK inspirations ("Vanity Fair", "WQRWY") and rap fascinations from Money Sex Records or Tartelet Records ("Realizm Magiczny"). While working on the album my biggest inspirations were i.a. Madlib, D'Angelo, Samiyam, Ras G, Jai Paul and Overmono.
I'm extremely happy I could create some of the songs with such talented people as Moo Latte, Kasia Siepka from Byty, Paulina Przybysz, Immortal Onion, Baasch and Wuja HZG. Everyone's unique personality enriched the sound and compositions on the album.

The cover was designed by Beata Śliwińska "Barrakuz" and it's based on the summer photo taken by Kuba Olachowski. It's worth mentioning that it was created using analog collage technique.

And where did the title come from?
The songs on the album are for me the way to escape from the pandemic and explore new musical areas. I just wanted to forget about all the laws, quarantines and restrictions. Imagination turned out to be the perfect cure for this.

TEN PERCENT is the debut studio album recorded by Philadelphia-based disco group DOUBLE EXPOSURE. Originally released in 1976 on the Salsoul label, the album reached #40 on the US R&B chart (#129 on the Billboard 200). The album features the title track, which peaked at #2 on the Hot Dance chart, #54 on the Billboard Hot 100 and #63 on the Hot Soul Singles chart. Also featuring the singles “Everyman (Has to Carry His Own Weight)” (#8 US Dance), and “My Love Is Free” (#15 US Dance), as well as the group’s incredible rendition of the Four Tops “Baby I Need Your Loving.” Out of print for over 25 years, this limited-edition reissue contains updated cover sleeve artwork and is pressed on opaque light green vinyl!

Repress !

Post-punk milestone, back in print on vinyl and CD in its original form. Many fans consider it their finest hour. Vinyl includes a digital download card and Sonic Youth poster!! Daydream Nation was Sonic Youth's sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their '100 Greatest Albums of the 1980s'; Spin listed it at #13 on their '125 Best Albums of 1985-2010'; Rolling Stone put it at #45 on their '100 Best Albums of the Eighties' list and #328 on their '500 Greatest Albums of All Time.' It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006. 2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

First Word Records continues its series of special collaborative releases for it's 15th anniversary with an absolutely firing double-header from 14KT and Tall Black Guy.
On this limited 7" vinyl, the two renowned US beat-makers revisit two of their previous First Word singles, turning out flips of each other's tracks, also featuring a multitude of talent, in the form of Moonchild, Muhsinah, Stro Elliot and James Poyser of The Roots.

Following on from the first volume in 14KT's jazz project 'IAMABEENIE', here he flips TBG and Moonchild's collab, 'I Will Never Know', originally from Tall Black Guy's 2017 sophomore album 'Let's Take A Trip'. The original neo-soul bump is transformed into a deliciously epic latin affair, drenched with deep Brazilian vibes throughout - this is one to draw for at those steamy get-downs; a slinky slab of dancefloor fire.

Tall Black Guy returns to First Word for the first time in a minute, and takes on the Muhsinah-lead joint 'The Power Of Same', the lead single from 14KT's 2019 acclaimed album, 'For My Sanity'.

As to be expected, TBG delivers his unmistakable blend of dope dubbed-out spacey soul and boom bap kicks & snares, complete with guitar licks from Stro Elliot, and keys from James Poyser. Two of the dopest producers in the game, this one is completely 1000% essential.

‘Director’ is the follow up to Chrome Canyon’s
2012 debut ‘Elemental Themes’.
Chrome Canyon is a composer for film and TV,
including the HBO Max / Cartoon Network series
‘Infinity Train’.
‘Director’’s lead track, ‘Broken Theme’, was used
in an iPhone 13 Pro advert.
Vintage synths were used to create ‘Director’,
including the PE-1000, which was Korg’s first
polyphonic instrument, and the Chroma Polaris,
which was the second synth made by
Fender/Rhodes.
Chrome Canyon’s music is greatly influenced by
scores that are as revered as the films they
soundtrack: ‘Tron’, ‘Blade Runner’, ‘Metropolis’,
etc. His new album, ‘Director’, arrives ten years
after his Stones Throw debut ‘Elemental Themes’,
and is his vision of a soundtrack to an unmade
film.
The ten pieces across ‘Director’ are intended spark
vivid, cinematic imagination. The album was
recorded between downtown LA and the
Californian desert and is inspired by the drama of
the natural landscape.
For fans of Ben Frost, Mica Levi, Kyle Dixon &
Michael Stein, Trent Reznor.
Radio - Radio 1, KCRW, 1Live, Byte FM.
Online - Music Radar, Music Tech, Fifteen Questions, The
Vinyl Factory.

DAF (Deutsch Amerikanische Freundschaft) is an influential German electropunk band from Düsseldorf (Germany). The band claimed not to target anything while writing lyrics, but to surround around Delgado-López’s fascination with the sound of particular words. While recording their album Für Immer, the band split up. After four years the band got back together and released 1st Step To Heaven , which was (and still is) their only album in English. DAF received a lot of acclaim after this release. John Peel called them “the Grandfathers of Techno” and House music pioneer Adonis stated that the album was “House before there was House”.

1st Step To Heaven is available as a limited edition of 1000 individually numbered copies on gold coloured vinyl and includes an insert.

Ltd to 100 copies

Melancholic energy blast from Gran Canaria’s cult trio, MINIATURa, helmed by Eduardo Briganty.

Formed in Las Palmas in 2007 and with three records under their belt, Music Box (2007), La Huida Concéntrica (2012) and Estrategias de Perdición (2015) the trio now unleashes its fourth album with a distillation of Briganty's musical and artistic references, coming like a cross of concept album and an unintentional imaginary soundtrack to a David Lynch flick – an island version of a depressed or irate David Lynch.

Featuring deep rock workouts to somnambulant ballads, Geometría Prohibida (Keroxen, 2022) presents itself like a statement from the band, a crystallization of the bands intentions with a concise and precise 26mins of masterfully produced music showcasing the kind of restrain you’d expect from past giants like Joy Division, Neu! or Scott Walker.

The hallmarks of krautrock and shoegazing/dream pop haunt this record like a benevolent force, another unique reference of music made through an insular lens of remoteness that Keroxen drives to showcase to the world.

MORE unobvious Island music to the outer world.

Bleeding Hearts’ Riches to Rags is a remarkably solid collection of rock ’n’ roll songs featuring the guitar work of Bob Stinson, founding member of the Replacements. Upon Stinson’s untimely death, this 1993 recording was shelved (not even a cassette was circulated) and remained the stuff of legend among Replacements fans. The album is upbeat, catchy Minneapolis rock, with hooks galore and Bob’s ever present bright chords shining through. This Record Store Day album is pressed on Red Vinyl with liner notes from Grammy Award Winning journalist Bob Mehr, who wrote the definitive biography Trouble Boys: The True Story of the Replacements. He describes Riches to Rags as “the final piece to the puzzle of Bob Stinson’s musical career”. The remaining members of Bleeding hearts plan to play shows to celebrate the release of Riches to Rags. Cover Photos by Dan Corrigan who took the iconic photo on the cover of The Replacements - Let It Be album.

The ‘3000 Volts of Holt’ album was the third in a series of records that launched John Holt into the UK charts in the 1970’s. To say that every home had a copy of a 1000 Volts and many 2000 Volts of Holt might be an overstatement but it certainly felt that way, as all good radio stations and parties seemed to have these tracks on permanent rotation.’3000 Volts of Holt’ was the more roots sounding of the three albums but still carried that sweetened string sound that set these recordings together.

Superchunk’s Incidental Music: 1991-1995 is the band’s second compilation of singles, B-sides, and EPs, originally released in 1995 shortly after their landmark album Foolish. It collects fan favorites from soundtracks such as “Shallow End” and B- sides like “On the Mouth,” as well as covers of The Magnetic Fields, The Verlaines, The Chills, and even Motörhead. AllMusic’s Fred Thomas says it all: “Incidental Music is an essential piece of the Superchunk discography and a snapshot of the band as it transitioned from the scrubby radiance of its early days into the more nuanced songwriting machine it became throughout the mid-’90s.” Exclusively for Record Store Day 2022, the double LP makes its first reappearance on vinyl since its original release, with LP1 on opaque green and LP2 on opaque orange housed in a gatefold jacket.

The team at Diskotopia are extremely proud to present London via Tbilisi producer Sseq's debut self-titled LP. Sseq has been honing his craft over the past several years releasing music as part of the Body Thrills duo as well as DJing and playing live at Georgian clubs and festivals before making his move to the UK. Here on his stunning self-titled debut LP, Sseq materializes twelve abstracted and microcosmic jewels of interdimensional techno alchemy. The compositions bend and weave, flutter and spiral across synthetic textures and abstract rhythmic expressions that at once beguile and inspire. Sseq's sound is like an interstellar interpretation of what a sentient Buchla synth might dream of in zero gravity. RIYL Actress, Beatrice Dillon, Patten, Drexciya, Pole, and Björk-era Mark Bell productions. Sseq's debut LP was mastered by Dominic Clare at Declared Sound and will be available as a limited-edition cassette.

"Escapism" is the second album produced by Piotr Rajski also known as Pepe.. Once again, he offered us music that is hard to close in one genre and is best described by the artist himself:
At the time of creating this album, the world was absolutely dominated by the pandemic turning our lives upside down. Writing new music has became a way to escape from disturbing reality.

According to Paweł Bartnik who also mixed and mastered my first album "Afterimages", the second one is more colourful and vivid. I think he described well the idea I had in mind while recording the new tracks. I wanted them to stay in that dreamy tone which can't be referred to only one genre.

The record was pressed on 180g vinyl.

Limited version was made in 100 copies - each vinyl record has a different splatter color! "Very Limited Surprise Edition"

I found "Escapism" a great opportunity to combine my UK inspirations ("Vanity Fair", "WQRWY") and rap fascinations from Money Sex Records or Tartelet Records ("Realizm Magiczny"). While working on the album my biggest inspirations were i.a. Madlib, D'Angelo, Samiyam, Ras G, Jai Paul and Overmono.
I'm extremely happy I could create some of the songs with such talented people as Moo Latte, Kasia Siepka from Byty, Paulina Przybysz, Immortal Onion, Baasch and Wuja HZG. Everyone's unique personality enriched the sound and compositions on the album.

The cover was designed by Beata Śliwińska "Barrakuz" and it's based on the summer photo taken by Kuba Olachowski. It's worth mentioning that it was created using analog collage technique.

And where did the title come from?
The songs on the album are for me the way to escape from the pandemic and explore new musical areas. I just wanted to forget about all the laws, quarantines and restrictions. Imagination turned out to be the perfect cure for this.

“This 45 marks the label's 100th 45 and what better way to celebrate it than with a 45 from arguably our most prominent artist, Durand Jones & The Indications. This mix of "Power To The People" was the first new recording by the band after their self-titled album had been released. I distinctly remember hearing it for the first time and just feeling like we were hearing the next phase for the guys. I was behind the counter at Plaid Room, with my laptop plugged into the speakers so we could listen. There was no one in the store, just Bob and I. And when it finished playing Bob said, "Where can I pre-order?" So what you're hearing on this 45 is the original demo mix that was sent to us, with little to no reverb on Durand's vocals, a marching band kick drum in the mix, and no synth. Something about the dry falsetto vocal of Durand's voice made it feel like he was right in your ear. Such a special recording to all us."

The psychedelic French garage duo The Liminanas and german-french music composer & sound engineer David Menke wrote together 2 OST for documentaries . “The Ballad Of Linda L” for the Arte eponymous documentary about the life of Linda Lovelace. And “The Devil Inside me” for the Netflix serie “Monsters Inside : The 24 Faces Of Billy Milligan” . 100% new music, fuzz guitars & garage rock. Both are physically released for the first time as this 2 X Vinyl set, gatefold , collecting the 2 Ost.

VINYL 1 - OST THE BALLAD OF LINDA L
FACE A
1. Prologue 2. Deep 3. Doin' It 4. The Ballad Of Linda L. 5. 80's Score Pt. A 6. 80's Score Pt. B
FACE B
1. Friends On Fire 2. Desolation 3. Romance 4. Punky Disco 5. Linda’s Lament 6. Get up to fight

VINYL 2 - OST THE DEVIL INSIDE ME
FACE A
1. Them 2. Waiting For You 3. Losing Control 4. A Shot Of Whiskey 5. Strange Girl 6. Meeting Morrison 7. Back To Amanda 8. Oh Lord
FACE B
1. Love Around Us 2. Illusion Song 3. USA Motorbike 4. Surfing 5. The Devil Inside Me 6. Savages 7. West Coast 8. Suicide Solution