The second in Jazz Room's occasional Pure Latin releases this Underground Masterpiece first emerged in 1980 and is an outstanding example of the Classic Era Nu Yorican El Barrio Underground Sound! If you dig the Tata Vasquez LP on Jazz Room then this is for you.
Featuring the Afro-Cubano Salsaero Jazz Heavyweights of the day including Chocolate Armenteros, Jose Mangual, Mauricio Smith and Orestes Vilato and a huge seven man Percussion Section it really blasts out the Afro-Latin message.
A part history of the Afro-Cuban Music Journey from the Hinterlands of Cuba via Havana and eventually arriving in Jazz Age New York it is a welcome addition to the Jazz Room Catalogue (as well as being Jazz Room Head Honcho's favourite albums).
Floor filler cuts for Latin Lovers with "Esa Brujeria" always turning up the heat.
Search:101
- A1: A Kiss For The Whole World X
- A2: (Pls) Set Me On Fire (Pls)
- A3: It Hurts
- A4: Leap Into The Lightning
- A5: Feed Your Soul
- A6: Dead Wood
- B1: Jailbreak
- B2: Bloodshot
- B3: Bloodshot (Coda) (Coda)
- B4: Goldfish
- B5: Giant Pacific Octopus (I Don't Know You Anymore) (I Don't Know You Anymore)
- B6: Giant Pacific Octopus Swirling Off Into Infinity
- A1: Ana Frango Elétrico – Saudade
- A2: Pedro Fonte – Clichê
- A3: Bala Desejo - Lua Comanche
- A4: Ava Rocha - Boca Do Céu
- A5: Exército De Bebês - Avós Da Experiência
- A6: Thiago Nassif - Soar Estranho (Feat. Arto Lindsay, Vinicius Cantuária & Gabriela Riley)
- B1: Negro Leo – Mulato
- B2: Mari Romano – Amélie
- B3: Rosabege - Sigo Num Site / Mármore
- B4: Dora Morelenbaum - Vento De Beirada
- B5: Cadu Tenório & Juçara Marçal - Candombe - La Cacundê Iauê
- B6: Jonas Sa – Gigol?
- C1: Troá – Bandeide
- C2: Marcelo Callado - Simbora (Feat. Silvia Machete)
- C3: Ovo Ou Bicho – Moços
- C4: Lê Almeida - Apreço Antigo
- C5: Vovô Bebê - Briga De Família (Feat. Ana Frango)
- D1: Joana Queiroz - Dois Litorais
- D2: Raquel Dimantas - Flecha Azul
- D3: António Neves & Thiaguinho Silva - Das Neves
- D4: Letrux - Dorme Com Essa
- D5: Os Ritmistas - Sambolero
The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.
‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.
‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.
This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.
- A1: Dotlights - Come In & Stay
- A2: Bao, Broken Transient - Mantilla
- A3: Poldoore - Warmer Days
- A4: The Doppelgangaz - Dole Out
- A5: Afroham - Satisfaction
- A6: Flavors, Floridomi, Chief - Softly Spoken
- A7: C Y G N - Time To Chill
- B1: Birocratic, Soren Sostrom - Want To
- B2: Nymano, Suuna - Moving On
- B3: Sofasound - The Loveliest Dream
- B4: Chromonicci - Northern Lights
- B5: Invention - Igloo Palace
- B6: G Mills - Long Grain Game
- B7: Oddfish - Pine Away
- C1: Moderator, Thomas Prime - Drowning Eyes
- C2: Psalm Trees - I Go To Rio
- C3: Odyssee, Lucid Green - Slowly
- C4: Parkbench Epiphany - Ether
- C5: Kendall Miles - Avalanche
- C6: Masked Man - Fuyez
- D1: Yoann Garel, Aphrow - Soul Reflection
- D2: Blue Wednesday - Window Seat
- D3: Stan Forebee - Swirl Solstice
- D4: Mama Aiuto, Hm Surf - Napping Bell
- D5: Swum, Takeo - Long For
- D6: Less People - Special Person
Cozy up for winter with our newest Chillhop Essentials seasonal compilation 2022. The calming and laid-back lofi instrumentals welcome winter leaves and comfy hoodies. It's time for some coffee or tea and an evening to relax. All the song project features an impressive list of producers.
- A1: Snatcher – Feat. Oliver Howlett
- A2: – Downfall – Part.1
- A3: – Not Our War
- A4: – Heritage
- B1: – Bright Future
- B2: – The Iron Lady
- B3: – Master Plan – Feat. Oliver Howlett
- B4: – Don’t Be A Traitor Feat. Oliver Howlett
- B5: – Fuzzy Thatcher
- B6: – She Had To Be Believed
- B7: – War
- C1: – Broken Dreams – Feat. Oliver Howlett
- C2: – Num Confrontation
- C3: – Chaos
- C4: – Business As Usual
- C5: – Revolting
- D1: – Tears Don’t Lie
- D2: – Way Of Her Cross
- D3: Ambiguous Memories
- D4: – Downfall Part.b
Exclusive Record Store Day Double Gatefold LP. 100 % New original songs done by the psychedelic french garage duo The Liminanas & german-french music composer David Menke for the forthcoming Arte documentary "Thatcher's Not Dead" dedicated to Margaret Thatcher. The only physical edition done is the this Double LP for the Record Store day.
RSD 2023
- A1: Heaving Earth
- A2: Prayer Of Hatred
- A3: Bil Ur-Sag
- B1: Nothing Is Not
- B2: Chambers Of Dis
- B3: Disturbance In The Great Slumber
- C1: Umulamahri
- C2: Hellspawn: The Rebirth
- C3: Covenant Of Death
- C4: Hymn To A Gas Giant
- D1: Invocation Of The Continual One
- D2: Ascent Trough The Spheres
- D3: Hymnos Rituales De Guerra
- D4: Tropper
Formulas Fatal to the Flesh is the fifth full-length studio album by death metal band Morbid Angel. The Satanic-themed lyrics of previous albums had been replaced with lyrics about the Old Ones, which would become the primary source of Morbid Angel's lyrical content from this point on, and has some lyrical content written in Sumerian. This is the first album to feature singer/bassist Steve Tucker, replacing David Vincent. The title refers to the biblical symbol of the Antichrist. The letter "F" is the 6th letter of the alphabet; therefore, it could be read as "6ormulas 6atal to the 6lesh" or 666 for short, the number of the Beast. The album stands out as a landmark for the brutal death metal genre that developed in the late nineties. This 25th Anniversary edition is limited to 300 units and comes as 2 LP Purple Vinyl
Bei vorliegendem Album haben wir es wohl mit einem der beliebtesten und stärkste Death-Metal-Alben aller Zeiten zu tun. Bis auf Chuck Schuldiner besteht MASSACRE aus den selben Mitgliedern wie die Metal-Götter: DEATH. An Bord sind Rick Rozz (Gitarre), Terry Butler (Bass), Bill Andrews (Drums) und Kam Lee (Vocals), sie predigen den Old School Death Metal in Reinkultur und hauen auf ihrem Debüt „From Beyond“ einen Hammer-Song nach dem anderen raus. Diese farbige Vinyl erscheint exklusiv zum RSD 2023, mehr als 30 Jahren nach Entstehung (März 1991) auf Gift-grünem Vinyl.
10th Anniversary des 'Back to the Roots'-Klassikers der Emo-Core Götter Architects als Picture-Vinyl. Zurück zu sich selbst zu finden, kann so simpel sein und gleichzeitig so komplex klingen. “Daybreaker” ist ein schlaues, kunstvoll zerkratztes Album, dessen subtile Schönheit entschlüsselt werden möchte. Exemplarisch wirkt “Alpha Omega” wie ein brillantes Kaleidoskop, das je nach Blickwinkel neue Facetten offenbart, bei dem Störgeräusche als Stilmittel funktionieren und die Gitarren heftig am stählernen Käfig rütteln wie eine Furie, die ihren Zwinger sprengen möchte.
Blue Room: The 1979 VARA Studio Sessions in Holland features two recordings of trumpet/vocal icon Chet Baker captured in glorious stereo at the legendary VARA studio 2 in Hilversum, the Netherlands for the KRO radio program Nine O’Clock Jazz. The April 10, 1979 session features pianist Phil Markowitz, bassist Jean-Louis Rassinfosse, and drummer Charles Rice; and the November 9th session features pianist Frans Elsen, bassist Victor Kaihatu, and drummer Eric Ineke. Both sessions were originally produced by Edwin Rutten, and are produced for release officially for the first time by “jazz detective” Zev Feldman and Frank Jochemsen. The limited-edition 2-LP set (and deluxe 2-CD edition) includes an elaborate booklet with photos by Veryl Oakland, Jean-Pierre Leloir, Christian Rose and others; liner notes by Dutch journalist Jeroen de Valk, plus essays by Feldman, Jochemsen, and Rutten; and interviews with Baker bandmates Phil Markowtiz, Jean-Louis Rassinfosse and Eric Ineke, as well as trumpeters Randy Brecker and Enrico Rava, and pianist Enrico Pieranunzi. Transferred from the original KRO radio tape reels and mastered for vinyl by legendary mastering engineer Bernie Grundman
Boppin’ In Baltimore: Live at the Left Bank is a previously unissued recording of saxophone master Sonny Stitt captured live at the Famous Ballroom in Baltimore, MD on November 11, 1973, for the Left Bank Jazz Society. Recorded by Left Bank founder Vernon Welsh, Boppin’ In Baltimore is an official release in cooperation with the Sonny Stitt Estate and features an all-star rhythm section of pianist Kenny Barron, bassist Sam Jones and drummer Louis Hayes. The deluxe limited-edition 180-gram 2-LP set includes an extensive booklet with rare photos by Christian Rose, Raymond Ross, Tom Copi, Burt Goldblatt and others; liner notes by acclaimed jazz critic Bob Blumenthal; and interviews with Barron, Hayes and saxophone icon Charles McPherson, Muse Records founder and producer Don Schlitten, and an archival interview with Sonny Stitt himself from the early 1970s conducted by Marc Vasey in Canada. The vinyl edition is mastered for vinyl by legendary mastering engineer Bernie Grundman.
Erstmalig auf Vinyl! Suzis 2006er Album hatte es bis dato nicht auf Vinyl geschafft, und erscheint hiermit auf blau und weißem Splattervinyl im Gatefold Sleeve. Produziert von Andy Scott (The Sweet) und mit einem Gastauftritt von Jeff Beck. Mit Linernotes zu jedem Track von Suzi höchstpersönlich!
Zum 50. Bandjubiläum erscheint der Klassiker von 1992 hiermit erstmalig auf Vinyl! Anstatt seinerzeit die eigentlich geplante 'Best Of' abzugeben, haben The Residents eine Collage ihrer wichtigsten Tracks eingepielt, bei der Teile unterschiedlicher Songs bunt miteinander vermengt wurden.
'Holding A Wolf By The Ears' was From Autumn To Ashes fourth album, originally released in 2007, and their final studio record ahead of their hiatus in 2008. This record is also the only one without the band's original lead vocalist Ben Perri. As part of our ongoing collaboration with Vagrant Records - in celebration of their 25th anniversary - we're pressing this record to vinyl for the very first time, in a stunning orange / white / blue tri-colour striped colourway.
- A1: Jackie Mittoo – El Bang Bang
- A2: Ken Boothe & Stranger Cole – Arte Bella
- A3: The Wailers – (I'm Gonna) Put It On
- A4: The Skatalites – Addis Ababa
- A5: Roland Alphonso – President Kennedy
- B1: Joe Higgs – (I'm The) Song My Enemies Sing
- B2: The Skatalites – Beardsman Ska
- B3: Delroy Wilson – I Want Justice
- B4: Tommy Mccook's Orchestra – Sampson
- C1: The Ethiopians – I'm Gonna Take Over Now
- C2: Tommy Mccook – Freedom Sounds
- C3: The Maytals – Marching On
- C4: The Skatalites – Exodus
- D1: Rolando Alphonso – Look Away Ska
- D2: Don Drummond – Don Cosmic
- D3: Rolando Alphonso – Scambalena
- D4: Andy & Joey – You're Wondering Now
Soul Jazz Records’ new 20th anniversary one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Record Store Day 2023 of Soul Jazz Records’ classic Studio One Ska.
A blistering collection of non-stop Ska classic tunes from Clement ‘Sir Coxsone’ Dodd’s legendary Studio One Records, Jamaica's foundation label of reggae music. Featuring classic cuts from the originators of Ska alongside a heavy dose of superb rarities from the might vaults of 13 Brentford Road - pure fire!
Studio One Records and the seminal in-house band The Skatalites created and defined Ska in the process making Jamaican music famous throughout the world. This compilation features classic vocal and instrumental tracks from The Skatalites, Bob Marley and The Wailers, Delroy Wilson alongside super-rare tracks from the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and many more.
Clement ‘Sir Coxsone’ Dodd’s musical empire was founded on Ska, the first explosive and most exciting music to come out of the newly independent Jamaica, which soon spread across the world. This album is a celebration of the music of Studio One Records’ seminal Ska releases and features a who’s who of the most important artists and musicians in the history of reggae. Studio One is often described as both the University of Reggae and the Motown of Jamaica.
“Every side collected here is a classic” All Music
“Utterly brilliant collection of Ska music. Essential stuff” Q
“Ripping Ska compilation. The sound is tremendous as well thanks to Studio One recording techniques - already superior at the birth of Reggae - and Soul Jazz mastering.
It's a superior Studio One Ska compilation what's not to like?” The Face
"Soul Jazz's exemplary Studio One series continues." The Wire
"There are a million ska compilations around, but this
selection outshines them - yet another
blinder from Soul Jazz." Wallpaper
"This shows the Soul Jazz Records vault
digger’s gold standard of quality.”
Mojo
- A1: Liquid Liquid - Optimo
- A2: The Contortions - Contort Yourself
- A3: Konk - Elephant
- A4: Implog - Holland Tunnel Dive
- B1: Chain Gang - Son Of Sam
- B2: Bush Tetras - You Can't Be Funky
- B3: Material - Reduction
- B4: Mars - Helen Forsdale
- B5: Lizzy Mercier Descloux - Wawa
- C1: Theoretical Girls - You Got Me
- C2: Konk - Baby Dee
- C3: Mars - 3-E
- C4: Bush Tetras - Too Many Creeps
- D1: Arto / Neto - Pini, Pini
- D2: Alan Vega - Bye Bye Bayou
- D3: Implog - Breakfast
Soul Jazz Records’ new 20th anniversary one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Record Store Day 2023 of Soul Jazz Records’ New York Noise: Dance Music from The New York Underground 1978-82.
‘New York Noise is a comprehensive look at the post-punk and no wave era, a short period in time whose influence is still immeasurable and sensed today.’ The Guardian
‘One of the most satisfying archival collections, Soul Jazz’s compilation New York Noise 1978-1982, gathers far-reaching tracks from such diverse acts as Liquid Liquid, Material, and Glenn Branca.’ Pitchfork
This new 2023 edition features classic New York post-punk, punk funk, synth wave and no wave tracks from Arthur Russell/Dinosaur L, James White and the Contortions, The Theoretical Girls, Mars, Konk, Material, Bush Tetras, Lizzy Mercier Descloux alongside rare tracks by the likes of Alan Vega (Suicide), Chain Gang and Implog.
‘New York Noise’ sums up the point in time and space where dance music and punk rock first met as New York’s No Wave artists such as Glenn Branca, James White alongside new york dance music’s experimental pioneers such as Arthur Russell (Dinosaur l), Bill Laswell (Material), and Konk created new musical art forms out of this union.
‘Compilations like this are necessary because they document bygone fragments of time and keep them alive for younger generations. Compilations like
this are dangerous because they tend to fall in the hands
of young bands who spend more time looking behind
than ahead.’ All Music



















