Ambassade’s 2019 ‘Duistre Kamers’ album was a huge favourite here at Optimo Music towers so we jumped at the chance to release the follow up; ‘The Fool’.
Following hot in the heels of the acclaimed ‘Young Birds / Palette’ 12” on Optimo Music, ‘The Fool’ is destined to be another Cold Wave, Synth, New Industrial, Experimental …whatever you want to call it …classic. We asked Ambassade to tell us a bit about the album – Born from several years of research and contemplation on the human mind ‘The Fool’ can be understood as a reflection to the dark energies – natural, political, human and otherwise – that are released when it comes to religion, greed and power.
Historically, some rulers have used religion to legitimise their power. We were also inspired by wanting to examine what negative impact religion can have from the fact that it’s always dominated by men.
This was pursued by exploring a wide range of diverse and unusual types of instruments that took on a new approach of tonal expression, with the use of detuned choral and voice samples, droned tape loops and DIY metal and found percussion. It’s from these diverse sources that the process of creativity keeps persistently mutating. This process was focused through the enigmatic electronic and percussion composition from the band which alternates between foreground and background for the haunting vocal performances.
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- A1: Nonpareil Of Favor
- A2: Wicked Wisdom
- A3: For Our Elegant Caste
- A4: Touched Something's Hollow
- B1: An Eluardian Instance
- B2: Gallery Piece
- B3: Women's Studies Victims
- B4: St. Exquisite's Confessions
- C1: Triphallus, To Punctuate!
- C2: And I've Seen A Bloody Shadow
- C3: Plastis Wafers
- D1: Death Is Not A Parallel Move
- D2: Beware Our Nubile Miscreants
- D3: Mingusings
- D4: Id Engager
- 1: 70 For String Quartet
- 1: 2 Below They Dwell
- 1: 3 .2205 For String Quartet
- 1: 4 Five Winters
- 1: 5 Flickering Lights
- 1: 6 .404 For String Quartet
- 1: 7 Dreaming Of The North-West-Passage
- 1: 8 .800 For String Quartet
- 1: 9 Heel, Narcissus
- 1: 0 Hymn For The Common People
- 1: Glorious Times
- 1: 2 The Lion Hides In High Grass
- 1: 3 Debt Of Honor
- 1: 4 Blood Money
- 1: 5 The Machinists
- 1: 6 Snake Pit
- 1: 7 To Be A Mountain
- 1: 8 A Palace Made Of Lies
- 1: 9 Scratch My Back And I'll Scratch Yours
- 1: 20 The Bazaar
- 2: 1 Dance Of The Fireflies
- 2: All Hands On Deck
- 2: 3 They're Waltzing In
- 2: 4 Abandon Ship
- 2: 5 Momentum
- 2: 6 Her Majesty Arrived
- 2: 7 Babylonian Towers
- 2: 8 Man Is Wolf To Man
- 2: 9 Industrial Accidents
- 2: 10 The Fixed Star
- 2: 11 A Pile Of Dust
- 2: 1 Fair Winds And Following Seas
- 2: 13 Welcome To Brightsands
- 2: 14 Seed Of Change
- 2: 15 In The Belly Of The Beast
- 2: 16 Conqueror Of Clouds
- 2: 17 Wanderlust
- 2: 18 Cannonade
- 2: 19 Aeronautical Engineering
- 2: 0 The Great Depression
- 2: 1 We Take Back What's Ours
- 2: New World Dawning
Nach dem Erfolg des offiziellen Anno 1800-Vinylsoundtracks feiern Black Screen Records und Ubisoft Mainz die populäre Aufbausimulation mit "The Four Season": Der opulente zweite Soundtrack entführt in die lebendigen musikalischen Welten der vier Erweiterungssets des Spiels und erscheint pünktlich zum 25jährigen Jubiläum der Traditionsmarke am 31.03.2023, natürlich auf audiophilem 180g Doppelvinyl. Alle neuen Musikstücke werden zur gleichen Zeit auf Spotify verfügbar sein. Das Album wird erneut in wunderschönem Klappcover mit Artworks von Ubisoft Mainz ausgeliefert und kommt mit kostenlosem Download-Code für den digitalen Soundtrack, inklusive 8 Bonustracks. Musikalisch dokumentiert die Doppel-LP nicht nur die enorme inhaltliche Abwechslung der vier Anno 1800-"Seasons", sondern auch die stilistische Bandbreite der Komponisten Steffen Brinkmann, Jochen Flach, Armin Haas, Alexander Röder, Tilman Sillescu und Matthias Wolf (Dynamedion). Die Stücke erzählen von versunkenen Schätzen und reichen Ernten, von Expeditionen in die Arktis und ins gefährliche Land der Löwen, von der Eroberung des Reichs der Lüfte oder dem überwältigenden Ausblick von den majestätischen Dächern der Stadt. Kurzum: Die Welt von Anno 1800 und der facettenreichen Spielerweiterungen wird als akustische Reise erlebbar gemacht. Anno 1800 ist eine von Ubisoft Mainz entwickelte und von Ubisoft veröffentlichte Aufbausimulation, in der Spieler die industrielle Revolution anführen, Metropolen errichten und mit Diplomatie, Handel oder Krieg um die Vorherrschaft wetteifern. Das erfolgreiche PC-Strategiespiel begeistert mehr als 2,5 Millionen Spieler auf der ganzen Welt mit einer Kombination aus bewährten Spielelementen, innovativen Neuerungen und dynamischem Spielverlauf in einer der spannendsten Epochen der Menschheitsgeschichte.
French electronic producer Blutch is back with another supremely trippy EP “Condate” on home label Astropolis Records, featuring a remix from Azo.
This Brittany native has a broad, borderless sound that mixes up electronica, breakbeat, house and IDM with stirring emotional undercurrents that range from nostalgia to melancholy. Last year he served up his superb ‘Terre Promise’ album on the label, and once again, it combined a raft of different sounds on one majestic record. He again shows off his ability to layer captivating melodies over compelling rhythms on this fresh new EP which extends his LP released last year with a more dancefloor suite. "Condate" is the original name of the city of Rennes in Brittany, France, where he lives. A city he loves passionately. The tracks featured in this EP are mainly taken from his live act "Terre Promise". The cover artwork also comes from the audiovisual live act: a motion design work made by Romain Navier, mixing landscapes from Brittany and hallucinated 3D creations, dressing Blutch's stage with a fabulous work around the album's theme. These tracks represent the more festive part of the live show, just as Blutch's love for Rennes is also linked to its festive character.
First single ‘Condate’ is a physical cut driven by a slick breakbeat. Melodic rain falls down the face of the track as booming bass roots you to the dance floor, and once again, the whole track is doused in heavenly synth work and subtle waves of euphoria.
‘Condate’ is a perfectly impactful EP, both physically and emotionally. The EP drops on the 24th March (vinyl/digital).
Melanie Martinez is set to release her new album ‘Portals on March 31st, with the first track off the album, ‘DEATH’ set to release alongside the official music video on March 17th.
Melanie Martinez's creative drive and talents have always distinguished her from other musicians. Her compelling music and visual art have created a rabid global fanbase with over 8.4 million followers on Instagram, 11.4 million subscribers on YouTube, 6.3 billion global streams, and 2.4 billion official YouTube views. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over 3.5 billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby. As of 2020, every song on Cry Baby is RIAA certified Gold or higher, including the 2X Platinum “Dollhouse” and the Platinum “Pity Party,” “Carousel,” “Mad Hatter,” and “Soap.”
Melanie’s sophomore album and film, K-12, is another ambitious triumph with debuts at #3 on the Billboard 200 Chart, #1 on the Billboard Alternative Album Chart, #1 on the Billboard Soundtrack Chart, and a nomination for “Top Soundtrack” at the 2020 Billboard Music Awards. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle. Since releasing her K-12 album last September, Melanie has released 13 new music videos from the project which have now garnered over 100 million views collectively.
Standard Black Vinyl LP w/ Foil stamped jacket, printed inner sleeves + DL card. Legendary Tacoma, Washington mathcore/hardcore/metal band Botch's debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band's debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the release of their final EP, An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023. 25th anniversary re-issue of Botch's critically lauded debut album. Botch have their first live performances in over 20 years for early 2023. Botch have been included on "Most Influential lists" by outlets like Decibel, Rock Sound, Alternative Press, A.V. club + more
- A1: Angekommen
- A2: Erste Parade
- A3: Das Kreuzzeichen
- A4: Zweite Parade
- A5: Ritenuto
- A6: Afrika
- A7: Dritte Parade
- A8: Ein Verschlossenes Zimmer
- A9: Der Himmel Der Dritten Nacht
- A10: Die Spiegel
- A11: Tanz Im Freien
- A12: Galoppade I
- B1: Vierte Parade
- B2: Der Verpatzte Tanz
- B3: Mittag
- B4: Eine Ruderpartie
- B5: Parkanlage
- B6: Was Die Liebe Kann
- B7: Galoppade Ii
- B8: Doppelter Abschied
- B9: Funfte Parade
- B10: Unsere Worte
- B11: Grosses Panorama
A reissue of Nikolaus Utermöhlen’s »Karlsbad« album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.
The recordings of this album were made for the "Georgette Meunier" film by Tania Stöcklin and Cyrille Rey-Coquais. Issued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.
- A1: Time? One Of The Most Complex Expressions?
- A2: Ian Fish U.k. Heir (Moonage Daydream Mix 1)
- A3: Hallo Spaceboy (Remix Moonage Daydream Edit)
- A4: Medley: Wild Eyed Boy From Freecloud
- A5: All The Young Dudes
- A6: Oh! You Pretty Things (Live)
- A7: Life On Mars? (2016 Mix - Moonage Daydream Edit)
- A8: Moonage Daydream (Live)
- B1: Medley: The Jean Genie / Love Me Do / The Jean Genie (Featuring Jeff Beck)
- B2: The Light (Excerpt)
- B3: Warszawa (Live Moonage Daydream Edit)
- B4: Quicksand (2021 Mix - Early Version)
- B5: Medley: Future Legend / Diamonds Dogs Intro / Cracked Actor
- C1: Rock ?N' Roll With Me (Live)
- C2: Aladdin Sane (Moonage Daydream Edit)
- C3: Subterraneans
- C4: Space Oddity (Moonage Daydream Mix)
- C5: V-2 Schneider
- D1: Sound And Vision (Moonage Daydream Mix)
- D2: A New Career In A New Town (Moonage Daydream Mix)
- D3: Word On A Wing (Moonage Daydream Excerpt)
- D4: Heroes? (Live Moonage Daydream Edit)
- D5: J. (Moonage Daydream Mix)
- D6: Ashes To Ashes (Moonage Daydream Mix)
- E1: Cygnet Committee/Lazarus (Moonage Daydream Mix)
- E2: Memory Of A Free Festival (Harmonium Edit)
- E3: Modern Love (Moonage Daydream Mix)
- E4: Let's Dance (Live Moonage Daydream Edit)
- E5: The Mysteries (Moonage Daydream Mix)
- E6: Rock ?N' Roll Suicide (Live Moonage Daydream Edit)
- E7: Ian Fish U.k. Heir (Moonage Daydream Mix 2)
- F1: Word On A Wing (Moonage Daydream Mix)
- F2: Hallo Spaceboy (Live Moonage Daydream Mix)
- F3: I Have Not Been To Oxford Town (Moonage Daydream A Cappella Mix Edit)
- F4: Heroes": Iv. Sons Of The Silent Age (Excerpt)
- F5: ? (Moonage Daydream Mix Edit)
- F6: Ian Fish U.k. Heir (Moonage Daydream Mix Excerpt)
- F7: Memory Of A Free Festival (Moonage Daydream Mix Edit)
- F8: Starman
- F9: You're Aware Of A Deeper Existence?
- F10: Changes
- F11: Let Me Tell You One Thing?
- F12: Well You Know What This Has Been An Incredible Pleasure?
- D7: Move On (Moonage Daydream A Cappella Mix Edit)
- D8: Moss Garden (Moonage Daydream Edit)
Nach der Veröffentlichung der 2CD-Version des Albums Moonage Daydream im letzten Jahr, wird der Soundtrack nun am 31. März als 3LP Vinyl veröffentlicht.
"Moonage Daydream" beleuchtet das Leben und Genie von David Bowie, einem der produktivsten und einflussreichsten Künstler der jüngeren Musikgeschichte.
Auf Spielfilmlänge nimmt uns Brett Morgen mit in die Welt Bowies, erforscht anhand von großartigem, vielfältigem und nie zuvor gesehenem Filmmaterial, Live-Auftritten und Musik (Morgen sichtete vier Jahre die Archive des David Bowie Estates) seine kreative, musikalische und spirituelle Reise.
Durch den Film führt uns dabei die Erzählerstimme von David Bowie selbst.
Das Begleitalbum zu "Moonage Dream" enthält Songs aus Bowies gesamter Karriere, darunter bisher ungehörtes Material, speziell für den Film und dieses Album angefertigte Mixe und Gesprächspassagen Bowies.
Zu den Highlights des Tracklistings zählen ein bisher unveröffentlichtes Live-Medley von "The Jean Genie / Love Me Do / The Jean Genie", aufgenommen beim berühmt-berüchtigten letzten Ziggy-Stardust-Konzert im Londoner Hammersmith Odeon 1973 und mit Jeff Beck an der Gitarre. Weitere Raritäten sind eine frühe Version
des Hunky-Dory-Favoriten "Quicksand" und eine bisher unveröffentlichte Live-Version von "Rock 'n' Roll With Me", mitgeschnitten bei der legendären "Soul Tour" 1974.
On the heels of his already critically acclaimed (yes, already!) retrospective, World Spirituality Classics 3: The Muslim Highlife of Alhaji Waziri Oshomah, Alhaji Waziri Oshomah — the Oyoyo King, the Godfather of Afemai Music, the Etsako Super Star, Mr. Please Please Please, Mr. Dynamite — returns with Vol. 2.
Along with the other four volumes of the series, Vol. 2 is now available—for the very first time!—as part of a complete set (in a box): Vol 1 - 5 (1978 - 1985) (November 4, 2022).
Waziri hails from a small part of Edo State in southern Nigeria called Afemailand, known for being a harmonious region where Muslims and Christians live—and dance—together. And there, as a devout Muslim and an exemplar of religious piety in his community, Waziri’s music fuses Etsako/Afemai folk styles with pan-Nigerian highlife and pop to create a sublime vehicle for his Islamic philosophy that gets everyone—Muslims, Christians, whoever—on the dancefloor.
Vol. 2 focuses on Waziri’s illustrious mid-career output—the music he created during the years leading up to and after he performed his first hajj. Every song here (one of which you might recognize from The Muslim Highlife) strikes his signature balance of traditional music, highlife, and funk, as he entreats you to stay on the straight and narrow, though there’s nothing straight about his beat.
On and off the record…
This is the second of the five-part Volume Series, which was recently compiled for the first time in the limited-edition box set, Vol. 1 - 5 (1978 - 1984) (November 4, 2022).
This release follows World Spirituality Classics 3: The Muslim Highlife of Alhaji Waziri Oshomah (September 23, 2022).
The Muslim Highlife of Alhaji Waziri Oshomah, received an 8/10 from Uncut, ★★★★ from MOJO, and has been called “therapy, worship, ecstasy” by Pitchfork (7.2).
Release supported by archival and new video content.
Alhaji Waziri Oshomah will play select shows—along with his wife and musical collaborator Madam Hassanah Waziri—in the U.S. and Europe throughout 2023. l He can perform sets as long as 3-4 hours! (Depending on the financial strength of the village).
Sings in English and local languages and is regarded as #1 Singer in all of Edo State.
Meshuggah wurden 1987 im schwedischen Umeå gegründet, vom legendären Rolling Stone-Magazin bereits als "eine der zehn wichtigsten Hard- und HeavyBands" bezeichnet, und haben sich den Respekt und die Bewunderung von Fans und Musikern gleichermaßen
verdient.
Es ist unmöglich, über Experimental- oder Avantgarde-Metal zu sprechen, ohne diesen wirklich bahnbrechenden Act zu erwähnen: MESHUGGAH mischen ultra-komplizierte rhythmische Muster mit
massiven Riffs und aggressiven Growls und kombinieren
Death Metal, Mathcore, Thrash und Progressive Metal, um ihren einzigartigen Stil zu kreieren.
Das Jahr 2023 markiert nun das 15-jährige Jubiläum des Meilensteins der Band: "ObZen"
- A1: Rain - Billy Talbot
- A2: You Will Never Know - Nils Lofgren
- A3: It's Magical - Ralph Molina
- A4: Song Of The Seasons - Neil Young
- A5: Cherish - Billy Talbot
- B1: Fill My Cup - Nils Lofgren
- B2: Look Through The Eyes Of Your Heart - Ralph Molina
- B3: The Hunter - Billy Talbot
- B4: Go With Me - Nils Lofgren
- B5: Just For You - Ralph Molina
DIE MITGLIEDER VON CRAZY HORSE KÜNDIGEN "ALL ROADS LEAD HOME" AN, EINE MUSIKALISCHE REISE FÜR DIE HEUTIGE ZEIT
Mitwirkende: Ralph Molina, Billy Talbot, Nils Lofgren
& Neil Young
ALL ROADS LEAD HOME ist ein Album, das gleichermaßen aus purer Inspiration und der veränderten gesellschaftlichen Situation heraus
entstanden ist: Während der Pandemie nahmen Molina, Talbot und Lofgren in regelmäßigen Abständen neue Songs auf, jeweils mit anderen Musikern und an wechselnden Orten - so, wie es die
pandemischen Bedingungen zuließen. Anders als sonst, konnten sie nicht im Trio mit Neil Young arbeiten, was Herausforderung und Chance zugleich war, denn so mussten die Musiker zwangsläufig
schauen, wohin die neuen individuellen Konfigurationen führen würden. Sie führten, wie so vieles in der Zeit, zunächst einmal: nach Hause.
Dort, wo sich für uns alle das soziale Leben der Zeit abspielte. Die drei Crazy-Horse-Mitglieder nahmen jeweils drei Songs getrennt voneinander und mit unterschiedlichen Musikern auf. Und schauten dann, wie sie all das zu einem wundersamen Konsens unvergesslicher Musik zusammenfügen konnten. Das Kunststück gelang. Ein Album wie dieses hat man von der Band noch nie gehört.
- A1: Genesis (Feat. Brasstracks)
- A2: Playing God
- A3: The Audacity (Feat. Anomalie)
- A4: Reverie
- A5: Abc (Feat. Sophia Black)
- A6: Memento Mori (Feat. Killstation)
- A7: Fuck Around And Find Out (Feat. $Not)
- B1: All Falls Apart
- B2: Neurotica
- B3: Chimera (Feat. Lil West)
- B4: Bloodbath (Feat. Chino Moreno)
- B5: Ego Death (Feat. Steve Vai)
Endlich auch auf Vinyl erhältlich: das neue Album der amerikanischen Progressive Metal-Sensation.
Keinem anderen Metal-Act gelingt auf so meisterhafte Weise das Beherrschen von Melodien sowie die einzigartig faszinierende Verschmelzung mit Hip-Hop-Rhythmen und düsteren Sounds - und das, ohne sich der Krücke von Mitsing-tauglichen Hooks bedienen
zu müssen. Das nun vierte Studioalbum der Band "Remember That You Will Die" enthält Kollaborationen mit $not, Chino Moreno (Deftones), Brasstracks, Steve Vai und Produktionen von den Gitarristen Tim Henson & Scott LePage sowie Beiträgen von Rodney Jerkins (Michael Jackson, Destiny's Child, Lady Gaga), JUDGE (Migos & Marshmello, blackbear, Young Thug) und vielen weiteren Hochkarätern.
The "Punctual Problems" EP is the first solo release of Paul Prier, who has already accompanied artists such as Charlotte Gainsbourg, Christine & The Queen or Woodkid on stage or in the studio.
The record is in perpetual balance between a learned music, inspired harmonies and an impeccable production and the desire to propose a pop record accessible to all.
Ex-member of the electro-pop duo Toys and decisive stage man on the keyboard for Charlotte Gainsbourg, Christine & The Queens and Woodkid, Paul Prier is the brand new signature of the Research and Development house (Jacques, Miel de Montagne, PPJ). With his first EP "Punctual Problems", the Parisian finally presents himself alone, with the audacity to turn his phobias into strengths and the elegance to make them light.
We can better appreciate what Punctal Problems means - and what drives its engine. All the technique (his classical and jazz training), the hard work (an obsession with detail that is the lot of arrangers), the erudition (always ready to talk about harmonies with Stevie Wonder or choruses with Thundercat), are here only to serve the beauty of simple and limpid melodies, that we will hum everywhere. Inner dialogues, self-critical and tender at the same time, disguised as love songs so that everyone can project themselves into them. "It's harder to make a really good, sophisticated pop song that speaks to everyone than an ultra-codified jazz song reserved for a niche. In pop, anything goes, so it's all a matter of dosage. That's why Paul Prier can do a hundred versions of a song before he finds the right one... and too bad if it's the first.
- A1: Never Seen A Girl Like Me
- A2: Sugar Town
- A3: Alright
- A4: Two Motorbikes
- A5: Tropics
- A6: On A Saturday Night At Home
- B1: Likagurl
- B2: Fish At Sea, Right?
- B3: Gettin
- B4: Mad
- B5: Fat-Mad-N-Gone
- B6: I Wanna Go To La
Yellow Vinyl[30,46 €]
ShitKid is the project of 24-year- old Åsa Söderqvist who made her debut last spring with a self-titled debut EP, which quickly propelled her into being one of the most talked about new acts in Sweden. The three-track ShitKid EP was released via the Stockholm based label PNKSLM Recordings in the spring of 2016 to great acclaim, reaching far beyond its lo-fi confines to find fans at the likes of The FADER, Pigeons & Planes and SPIN internationally, while her debut single "Oh Please Be A Cocky Cool Kid" appeared on national TV in Sweden the morning after it was released. An expanded version of the debut EP was released in the summer of 2016, which saw ShitKid playing several Swedish festivals before making her debut international appearances in the fall, alternating between playing to full houses in London and monthly shows in her new hometown Stockholm. Now ShitKid is ready to announce her long-awaited debut lp - titled "Fish" it's due for release on June 2 via PNKSLM Recordings on vinyl, cd and digitally. Recorded during the same sessions as "EP 2"it's another step on ShitKid's musical journey - offering up a sound that's clearer than the lo-fi murkiness of the debut EP but still very much the opposite to the slick pop dominating the musical landscape today. ShitKid will be doing select festival shows during the spring, leading up to a UK and EU tour around The Great Escape ahead of the album before spending the summer on the road with slots at ex Roskilde Festival announced already, with a lot more UK and EU dates TBA. Fish is written, recorded, performed and produced by Åsa Söderqvist and mixed by Simon Skeleton.
ShitKids lo-fi indie/punk rock debut LP Fish polarised music fans across the world.
Most the reviews came in either 5/5 or 1/5, which is just the way we like it. Athrilling start of a great career that included shows all over the world and makingIggy Pop a fan. This repress contains two bonus tracks and is a part of thePNKSLM 10 year anniversary repress series featuring represses of some of theSwedish label's sold out key releases.
- A1: Jazz Is Merely The Negroes Cry Of Joy & Suffering
- A2: Introit- Joy N’ Suff’rin
- A3: Jazz Is The Musical Expression Of The Triumph Of The Negroes Spirit
- A4: Kyrie Eleison- Lawd Hav’ Merci
- B1: This Endless Repetition Is Like A Chain Around The Spirit. And Is A Reflection Of The Denial Of A Future To The Negro In The American Way Of Life
- B2: Dias Ire- Chain Around The Spirit
- B3: Another Restraining Factor In Jazz Are The Changes
- B4: Tuba Mirum- The Changes
- C1: The Negro Experiences The Endless Daily Humiliation Of American Life Which Bequeaths Him A Futureless Future
- C2: Rex Tremendae –Futureless Future
- C3: The Negro Transforms America’s Image Of Him Into A Transport Of Joy!
- C4: Recordare-Recall The Joy 02:06
- C5: Jazz Reflects The Improvised Life Thrust Upon The Negro
- C6: Confutatis-Repression
- C7: Through Spirituals, Through The Blues, Then Through Jazz We Made A Memory Of Our Past And A Promise Of All To Come
- C8: Lacrimosa- Weeping Our Lady Of Sorrow
- D1: Because Jazz Is The One Element In American Life Where Whites Must Be Humble To The Negro
- D2: Offerturium-Hostias-Humility
- D3: Only When Whites Have Paid The Price In Suffering To Be The Negroes Equal
- D4: Sanctus- Holy, Holy, Holy
- D5: The Jazz Body Is Dead But The Spirit Of Jazz Is Alive
- D6: Agnus Dei-Jazz Is Dead!
- D7: Lux Aeterna – Eternal Light (Angel Bat Dawid) / My Rhapsody (Severson-Leist) Feat. Marshall Allen & Knoel Scott
- D8: Long Tone For Rayna Golding (A Binti Zawadi Our Future)
Requiem for Jazz is a 12-movement suite composed and arranged by Angel Bat Dawid, inspired in part by dialogue from Edward O. Bland’s 1959 film “The Cry of Jazz.”
The original form of the music was premiered at the 2019 edition of the Hyde Park Jazz Festival in Chicago, where Angel conducted a multigenerational fifteen-piece instrumental ensemble (all Black musicians from Chicago’s creative music community) alongside a four- person choir (featuring singers from Black Monument Ensemble), dancers, and visual artists in performance.
Angel mixed and post-produced recordings from the performance – adding interludes, vocals and additional sounds, as well as transcribing a piece from “The Cry of Jazz” film. The final movement of Requiem for Jazz features Marshall Allen and Knoel Scott of the Sun Ra Arkestra. Their contributions were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.
The final Requiem for Jazz work in album form is an immersive 24-track, double LP experience. The physical package is a deluxe, heavyweight gatefold jacket with liner notes by South African writer Nombuso Mathibela, artwork by Damon Locks, and a large fold out poster designed by Jeremiah Chiu, featuring poetry written by Angel Bat Dawid in dedication to all of her collaborators on the project. Additionally, there is a limited Thy Kingdom Come purple color vinyl edition of Requiem for Jazz available for the first pressing only.




















