Dark Grey Vinyl[31,05 €]
Blue Vinyl[31,05 €]
Brown Vinyl[31,05 €]
Black Vinyl[31,05 €]
Grey Vinyl[30,67 €]
Green Vinyl[31,05 €]
Light Blue Vinyl[31,05 €]
Light Red Vinyl[31,05 €]
LIGHT GREY VINYL[31,05 €]
Orange Vinyl[31,05 €]
Red Vinyl[31,05 €]
Purple Vinyl[31,05 €]
Turquoise Vinyl[31,05 €]
Yellow Vinyl[31,05 €]
White Vinyl[30,46 €]
BARRO #12 – Nebula Circuit (with remixes by Orlok 101 & Abraxas)
Limited to 200 units. Exclusive distribution: Melting Pot Records
The label BARRO returns with its twelfth release, reaffirming its commitment to vinyl culture and uncompromising club music.
This time, the spotlight is on Nebula Circuit, delivering a series of tracks that navigate between EBM, techno, and electroclash, all sharply designed for the dancefloor.
BARRO #12 vinyl release features four tracks:
• Three original productions by Nebula Circuit, where electronic darkness merges with tense rhythms and incisive basslines.
• A remix by Orlok 101, pushing the material into an even more abrasive, machine-driven territory that strengthens the label’s underground identity.
A Statement of Intent:
With this release, BARRO consolidates its place within the darker, more combative spectrum of electronic music. BARRO #12 is crafted for DJs, collectors, and all underground devotees — a punk-spirited record with a clear mission: the dancefloor.
BARRO #12 – available soon on vinyl and digital.
The above references have already been supported by artists such as Dave Clarke, Phase Fatale, The Hacker, Lokier, NX1, Unhuman, Alienata, Reka, and many more.
Percussive P (who has previously released on the label with FR037 & our remix on THCFR001) is a top quality producer who I wish had more music/releases out there. I used to play a tune of his called "Gunsmith" a lot in sets, as well as a lot of his collabs with Kid Lib which I was a big fan of. I'd previously collaborated with him on a tune for Dublinquents a few years ago and I was quite keen on doing a new collaboration with him for Meeting Of The Minds, so he sent me some tracks he had started, I picked my favourite to work on and that led to "Impatience".
Fluid Haunts is a solid producer who I was familiar with, but it wasn't until his music was drilled into my head by Dwarde who was playing a few select tunes from him in every single b2b set we had together, that I started to really appreciate his skills. Dwarde would play "Not Your Ordinary Love Song" without fail, in any given moment and time, and it would always get a great reaction from the crowd, so I had to get in touch to see if he'd be up for working with me & thankfully he was! We ended up making "Pineapple Soup" together & I can't remember why it's called that, I think he named the tune ????
Hobzee is one half of Silent Dust (him & Zyon Base) & I used to chat regularly with him and trade music with him on AOL Instant Messenger (showing my age here!) a long while back. He got back in touch with me about wanting to work on music together and he had an early version of "Sunspots" done. It was very promising sounding so I was quite keen to get involved with him on it and I'm grateful that I was able to get him on Future Retro London after many many years of IM chats!
Usually, I limit my collaborations on Meeting Of The Minds to producers that are fairly established and already somewhat known to other people, but for those who don't know who Eff is, she is a potentially familiar face to anyone who has attended a Future Retro London event, as she has been on the door for every single one. One day after a Distant Planet event in Bristol, she mentioned to me that she had an idea for a track inspired by a PFM tune and she already had the title in mind for it, which is "Wavebreak". I was curious about how this would sound in reality, so we met up to work on the tune & she said it was pretty much like how she had envisioned it & I liked how it sounded, so I thought it would be worth putting out on a future Meeting Of The Minds release, which ended up being this one.
Big up to all the artists involved on this edition of Meeting Of The Minds, it's quite a long and arduous task putting together each one, which is why there was such a gap between Vol. 9 & 10 and Vol. 11 & 12. I plan on getting the series back into something more regularly occurring, so hopefully I can actually stick to that plan!
Cat Can Do presents Emotional/Apres on vinyl. Two emotionally charged tracks that will move you from the very first second. A perfect blend of Detroit Techno with Acid influences, hypnotic sequences, and an immersive energy that keeps you locked in throughout. Special edition with printed cover!
Color Vinyl[28,15 €]
After a storied first year as a band releasing and touring behind their critically acclaimed debut album Today, Galaxie 500 closed out 1988 with a quintessential performance at New York City’s famed CBGB with every bit of their signature intimacy and autumnal bombast on display. The unusual bill which also included Sonic Youth, B.A.L.L. and Unsane was a benefit show for the zine shop See Hear.
Captured here in a raw but inspired board mix by Kramer and restored and mastered from the analog source by Alan Douches at West West Side Music, CBGB 12.13.88 is a live snapshot of a Galaxie fully formed, punctuating the end of their first chapter while poised to step into their next with On Fire the following year.
After a storied first year as a band releasing and touring behind their critically acclaimed debut album Today, Galaxie 500 closed out 1988 with a quintessential performance at New York City’s famed CBGB with every bit of their signature intimacy and autumnal bombast on display. The unusual bill which also included Sonic Youth, B.A.L.L. and Unsane was a benefit show for the zine shop See Hear.
Captured here in a raw but inspired board mix by Kramer and restored and mastered from the analog source by Alan Douches at West West Side Music, CBGB 12.13.88 is a live snapshot of a Galaxie fully formed, punctuating the end of their first chapter while poised to step into their next with On Fire the following year.
Die Stimmungsgaranten sind zurück – auf farbigem Vinyl! Mit der Saragossa Band – Original Hits & Remixes erscheint eine ganz besondere Ausgabe für alle Fans von Kult-Partyhits.
Seite A bietet die beliebtesten Klassiker der legendären Band in ihren Original Versionen:
Agadou
Zabadak
Big Bamboo
Se Me Quieres
Auf Seite B wird es modern: Frische, brandneue Remixe dieser Klassiker bringen den typischen Saragossa-Sound ins Hier und Jetzt – perfekt für heutige Dancefloors, Sommerpartys und gute Laune nonstop!
Claremont 56 founder Paul ‘Mudd’ Murphy has been in a rich vein of creative form of late. Having released his first solo album in 18 years in 2024, the effervescent and picture-perfect 'In The Garden of Mindfulness', Murphy is well on his way to finishing solo LP number three – a set you’ll be able to hear in full later in 2025. To get us in the mood, he’s offering up a two-track taster featuring instrumental takes on cuts that will appear as full-vocal songs on the final album. Both were written with, and feature instrumentation by, regular collaborator Michele Chiavarini, an Italian musician, producer, composer, and arranger who has long been part of the Claremont 56 family.
Up first is ‘Mahalo (12" Instrumental Mix)’, a languid and emotion-rich groover built around a smooth, mid-tempo jazz-funk-goes-disco groove – think crispy drums, delay-laden hand percussion and rubbery bass guitar – and all manner of ear-catching musical details. As the track unfolds, you can expect to hear lilting strings, warming electric piano chords, mazy synth solos, heady horn-style blasts and glistening, eyes-closed guitar licks. It’s a genuinely superb slab of musically rich dancefloor warmth. The track that follows, ‘Mata Ne’, is an altogether dreamier and more dub-influenced affair. Featuring some sublime piano playing from Chiavarini, it sees Murphy layer simmering strings, cascading guitar licks, spacey synths and blissed-out melodic motifs atop the kind of chunky, dubby groove that has long been one of his aural trademarks. Offering positivity and melancholia in equal measure, ‘Mata Ne’ is Mudd at his most musically majestic. His forthcoming album will be worth waiting for.
Yellow Vinyl
'70s Disco Music wan’t just Abba or Studio 54. In the same way that punk or glam rock were evolving at the same time, the "disco" phenomenon generated a plethora of obscure and bizarre studio projects which remained unknown for decades, despite often being more inspired and creative than the few ones that reached stardom and sold millions of copies. 45 rpm singles that remained unsold, sitting in junkshops all over the world for decades hide forgotten gems, revealing genius and avant-garde only guilty of not being at the right place at the right time. Whether it's Moroder-oriented proto synth-wave, groovy space-disco or acid afro funk, volume 1 of the Cosmic Discotheque series is all about rediscovering those forgotten treasures while setting your dancefloor on fire!
EP 2 Green Vinyl[25,17 €]
12" RED Color Vinyl / With Black Solid Jacket and Large Sticker
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening
Der Disco-Klassiker I Will Survive erstrahlt in neuem Glanz! Diese exklusive 12“ Maxi Single auf farbigem Vinyl bringt frischen Schwung auf den Plattenteller — mit brandneuen, clubtauglichen elektronischen Remixen.
Renommierte Produzenten wie Block & Crown, Robbie Rivera, Makin Bakin und Bekim! verpassen dem legendären Song ein modernes Sound-Upgrade, perfekt für den Dancefloor. Die Remixe verbinden den ikonischen Spirit des Originals mit zeitgemäßem House- und Clubsound — ein Must-have für DJs, Vinyl-Liebhaber und alle, die den Klassiker neu erleben wollen.
CD:
1. Appear Disappear
2. Systemized
3. Blue Me Away
4. Hey Amour
5. Blackwater
6. Tu en ami du temps
7. Intertidal
8. Mes yeux de tous
9. Shie that drone
10. Off the Radar
Single Sided Repress!
We've watched the movies, seen the photos, heard the stories. As in all of New York City, crime was as rampant in the subway as it was on the streets. Thefts, robberies, shootings and killings were a frequent reality throughout the 1970s. In 1979, a group of angered residents led by Curtis Sliwa began taking crime prevention into their own hands, donning red berets - looking very much like a gang and calling themselves the Guardian Angels. This funky track produced by the Legendary Patrick Adams and uptown empresario Peter Brown is an ode to what was hapenning at the time. Like many of the P&P records of the time, this wasn't dance music for flashy downtown clubs, it was the real uptown funk! With bass as heavy as rolling stock, and field recordings from the subway tannoy echoing along almost empty train carriages late at night, Margo Williams's vocals supply the inner city funk menace with some almost ethereal soul.' At a crossroads between funk, soul and an emerging Hip Hop culture this track apealled to both the disco crowd and the bravado of the uptown b-boys.
Domino hat heute die Wiederveröffentlichung von Pete Shelleys ersten beiden Soloalben "Homosapien" und "XL-1" für den 6. Juni 2025 angekündigt. Beide Alben erscheinen in einem Gatefold-Cover mit dem restaurierten Original-Artwork, einer zusätzlichen Disc mit B-Seiten, Dubs und erweiterten Mixes sowie neuem Bildmaterial und Sleeve Notes vom renommierten Autor Clinton Heylin. Beide Alben werden erstmals seit 2006 wieder auf CD veröffentlicht.
Die Alben markieren einen entscheidenden Wendepunkt in Shelleys Karriere, als er sich nach den Buzzcocks musikalisch neu erfand. Mit Produzent Martin Rushent entwickelte er einen elektronisch geprägten Sound, der sich radikal von seinen Punk-Wurzeln unterschied. "Homosapien" wurde 1982 veröffentlicht und sorgte für Kontroversen: Die BBC verbannte den Titelsong aus homophoben Gründen, doch in den Gay-Clubs wurde er zur Hymne. 1983 erschien "XL-1", auf dem Shelley noch weiter in elektronische und experimentelle Klangwelten vordrang. Er blieb zeitlebens ein Künstler, der musikalische Grenzen auslotete. Seine Soloalben zeugen von einem unermüdlichen Innovationsgeist, der weit über die Punk-Bewegung hinausging.
Die Neuaufl age von "Free Jazz Goes Underground" bringt das erste Studioalbum Udo Lindenbergs und seiner damaligen Band Free Orbit zurück. 1970 aufgenommen, fängt dieses Kult-Album die freigeistigen, politischen und visionären Botschaften der damaligen Generation ein. Es verbindet die musikalischen Strömungen der 60er – von Jazz, Rock und Soul bis hin zu sozialkritischen Texten – und spiegelt die rebellische Atmosphäre der Hippie-Zeit wider.
„Was wir ganz dringend brauchen, ist, dass diese gewaltige Revolutionsenergie, diese alle mitreißende Aufbruchsstimmung in ein neues Morgen,
genauso stark ins Massenbewusstsein kommt wie damals!“ (Udo Lindenberg)
Die Neuaufl age enthält neue Linernotes sowie eine freie Übersetzung der originalen Songtexte von Udo Lindenberg und Beatrice Reszat. Die limitierte Sonderedition erscheint als 2 LP (12“ und 10“ Vinyl) und als CD mit dem Originalalbum. In einer handnummerierten Aufl age von nur 1.999 Exemplaren enthält die Vinyledition zusätzlich drei Bonustracks von Udo Lindenbergs späterem Album Lindenberg.
Ein einzigartiges Zeitdokument, das die revolutionäre Energie der 60er Jahre in Texten und Musik von Udo Lindenberg und Frank St. Peter aufgreift – jetzt in hochwertiger, überarbeiteter Form endlich wieder erhältlich.
