- 1: The Circle
- 2: Bones
- 3: Dancing Shadow
- 4: Fog To Fog
- 5: The Strange
- 6: Tempest
- 1: Light And Shadow
- 2: The Lantern
- 3: Borderland
- 4: Despair
- 5: War Band
- 6: Rowan And The Cloud
quête:3d!t
- 1: Good Lickin
- 2: Sex Angel
- 3: Demi Mure
- 4: The Kids In Six
- 5: Pine Spirit
- 6: Six Angle
- 7: Bedrock
- 8: Ratworm
- 9: Mahalo
- 10: Gone Fishn
- 11: Yeah, Nice
- 1: We Are Getting On The Move (Good Moving)
- 2: Do The Shake In Music
- 3: Don't Stop Formular
- 4: Happy Joe
- 5: Hay! Mr. Man (I'm Your Superstar)
- 6: Oh! Jah
- 7: Getting Into The World
- 1: Fragments
- 2: Higher Places
- 3: Deja Vu
- 4: Come To The Garden
- 5: Drifting
- 6: Paper Flowers
- 7: Microscope
- 8: Stupid Things
- 9: Summertime
- 10: Manifest
- 11: Leave Me Out
- 12: Wildflower
- 1: L'alliance Des Rats
- 2: Entwined Concondrum
- 3: Diapsalmata
- 4: Eros N
- 5: The Renouncer
- 1: L'alliance Des Rats
- 2: Entwined Concondrum
- 3: Diapsalmata
- 4: Eros N
- 5: The Renouncer
- 1: Bitch School
- 2: The Majesty Of Rock
- 3: Diva Fever
- 4: Just Begin Again
- 5: Cash On Delivery
- 6: The Sun Never Sweats
- 7: Rainy Day Sun
- 8: Break Like The Wind
- 9: Stinkin' Up The Great Outdoors
- 10: Springtime
- 11: Calm Caravan
- 12: Christmas With The Devil
- 13: All The Way Home
- 1: Too Late To Call
- 2: Careful What You Wish For
- 3: Don't Mess Me 'Round
- 4: Comin' Home
- 5: Last Laugh
- 6: Good By Johnny
- 7: Nothing That I Want
- 8: Out Of Time
- 9: Inside
- 10: Tonight We Go
sferic land a debut album of thizzing and blown-out ambient trap x dub techno vapours from XTCLVR.
Produced under trying circumstances, Ukraine’s XTCLVR wrests an escapist sense of hazed beauty on a compelling maiden voyage for bleary-eyed specialists sferic, written and recorded during long nights under curfew and occasional shelling. Vocals are there, but mostly unintelligible, disrupted by a persistent offbeat churn and fragmentary instability, a paradoxically lush but anxious sound that reflects broader butterfly effects of war and its ripples of socio-economic fuckery on one level, and simply a trippy soundtrack to the afters on another.
Ten smudged shots unfurl across a 3D stereo space in gyring and shearing motion, cryptically shielding and scrambling a message meant to be deciphered by your sixth senses. A vocoder is diffused in aerosolised designs on the rugged lean of ‘Perspective’, setting up a chain reaction that buckles to more fraught feels on ‘Allergen’ and the ruptured raptures of a ‘Storm Shadow’ recalling Nazar’s recent sound design spheres for Hyperdub.
BSW948 lends nervous bars laced into the warped matrix of ’Night Shift Cut’, and OB3TH perfuses the iridescent dub techno of ‘The Wise Mystical Tree’, whilst Indy lends to the ambient drill of ‘Acid Flavour’, and closer ‘Dead Smoke’ perhaps best betrays, even if metaphorically, a feeling of psychic distress in its dank, submerged mire.
The OM Q.Bert on the SH-4 Black headshell is a practical and convenient solution for our customers who wish direct and easy mounting and replacement on their S-shaped tonearm.
Features:
Universal mount fitting a wide range of S-shaped tonearms
Ultra high output
Low wear characteristics
Q.Bert neon printed logo on the top of the headshell
Stylus Type Spherical
Tracking Force 3.0 g
Output Voltage 11 mV
Frequency Range 20-18.000 Hz
Technische Daten:
Output voltage at 1000Hz, 5cm/sec. - 11 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 22 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 980 μm
Compliance, dynamic lateral - 12 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 2 - 4 g
Tracking force recommended - 3 g
Tracking angle - 20°
Internal impedance, DC resistance - 1.680 Ohm
Internal inductance - 920 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-400 pF
OM cartridge weight incl. extra weight - 5 g
Replacement stylus unit - Q.Bert




















