"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.
Compilation, concept and production by Fizzé, Orsett & Fischer
Analog mastering by Tim Stollenwerk
Drawings, obi strip and insert layout by Anne-Marie Gratton
The record cover represents the acrylic painting "Till" by Alex Rabus
Buscar:7 record cover
- A1: Garbage Day #3
- A2: Get-U-Now
- A3: What A N*Gga Know?
- B1: Sweet Premium Wine
- B2: Plumskinzz (Loose Hoe, God & Cupid)
- B3: Smokin’ That S*#%
- C1: Contact Blitt
- C2: Gimme
- C3: Black Bastards!
- D1: It Sounded Like A Roc
- D2: Plumskinzz (Oh No I Don’t Believe It!)
- D3: Constipated Monkey
- D4: F*#@ Wit’ Ya Head
- D5: Suspended Animation
Black Vinyl[30,67 €]
Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early ‘90s rap group whose work still goes criminally under-appreciated to this day.
Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining – Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single “What A N*gga Know”, the slippery, bass-driven “Get U Now”, and the album’s title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw – many times both, concurrently – the tracks gave the MC’s the springboard they needed to express themselves clearly.
Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X – now the sole remaining member of the group – was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album’s provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.
E-control and Electrodefender , two mates and fans of the old arcade classics gamemachines decided to produce a vinyl split ep together.
For this, e-control provided two of his unreleased electro tracks from 2001 and electrodefender 3 of his recent tracks that he arranged and recorded in the years 2021-2022.
The EP is strictly limited to 150 copies in black vinyl and has a playing time of 30 minutes. Rootsy oldschoolelectro in the style of the early 80s into the early 90s.
The A side of the label is numbered with a stamp and there are two stickers of the two music makers on the cover.
Limited edition LP release for DAYTIME TV’s debut album ‘nothing’s on but everyone’s watching’: Following up the rapturously received CD release of their debut album, DAYTIME TV are proud to release a very limited- edition vinyl release of the album to coinside with a slew of live activity and support from Radio 1, BBC Scotland (TV),
Scruff of the Neck and more. The album’s lead single ‘little victories’ garnered incredible support from: Spotify (New Music Friday, All New Rock, The Rock List (incl. playlist cover) and many others), Apple Music (New Music Daily, The New Rock, New In Rock, New In Alternative), BBC Radio 1, Amazing Radio (B-List) and Scruff of the Neck (the band headlined the Scruff of the Neck stage at this year’s The Great Escape).
Six Nine Records Ltd. UK proudly presents Soul Basement’s first vinyl
release on the label containing two tracks from the exquisite and
digital only EP “Do No Wrong”; “Take Me Back” and “Trying Hard (Feat. Lana Gordon)”. Soul Basement was founded in 1997 by Fabio Puglisi (who has been the core of the band since then) and they are acclaimed worldwide for their superb songwriting and unique sound, where they extremely skillfully blur the lines between musical genres.
Definitely not to be missed as it is a limited UK press with full colour
printed picture cover!
Two rarities from Deadmau5’s illustrious collection get a much deserved repress. First up ‘People Are Still Having Sex’, a cover version of the 1991 original by LaTour that was produced in Deadmau5’s mid-2000s heydays and has never been released on vinyl before. Trademark big beats and electrified synths lay the foundation for the looped-up hook vocal to run wild.
On the flip the twisted, tribal channelling John Made remix of 'Desynchronized' from 2009 that has previously only ever been available on a bootleg release, now officially released for the first time.
Limited 150 Pieces Hand numbered Marble/Grey/Black - Craftpack Cover with glued Patch - Infosheed - Stickers - Butter Rug ( Bombtrap Logo ) Kicking things off on the A-Side is an brutal technoish interpredation & exclusive vinyl only version of the italian guy I-ROBOTS track “Frau” by ILLNURSE........ Current releases from I-Robots OPILEC MUSIC and iLLnurse RAW ......followed by the renowned Columbian Artist Filmmaker the owner of his Label Body Musick who’s welcomed to our Bombtrap Camp for the first time. His productions are demanding, multi-layered and spread a morbid atmosphere that we appreciate very much. We could not decide and so there are 2 nasty dance floors monsters of him on it...... current releases Tartarus Records ......In case you weren't awake, "Endless" by the Georgian Downwell from Tiflis conjures up the distorted depths of screaming vocals and sub-splitting kicks for a wake-up call..... current releases Persephonic Sirens ( Ancient Methods ) , X-IMG , HEX Techno movement and Deviate records ...and this is where "Body Theory", from Lyon based guy NƵM 99 seamlessly picks up. The whipping hi-hats and polyrhythmic surfaces kicks you into your own afterlife...... current releases Persephonic Sirens ( Ancient Methods ) and Flesh or Die ( Rave Or Die ) .....the closing "LIES" comes from our mate Delectro also from columbia and he get you a KO finish with his EBM killer vision of a post apocalyptic view of the future of the world. current releases on Dame-Music and Industrias Mekanikas so play it loud and attack your crowd. peace
Long lost and much sought after Private Press from Western Massachusetts band Forest. A distinctive Acid-Jazz / crossover AOR / Soul sound, think Mother Earth jamming with Tim Buckley. This re-issue comes with 6 previously unreleased tracks. Forest was a rarity at the time in a band that consisted of two drummers, Gary Stevens and Bob "Rox" Girouard . The band was a well seasoned touring band who shared the bill with the likes of The Fabulous Rhinestones, The James Montgomery Band, Zonkaraz to name a few. The album covered various styles from blues to acid-jazz with the aim of securing a major record deal. Many of Forest’s alumni have gone on to highly successful careers in music: Jim Kimball relocated to Nashville to work alongside Faith Hill and Reba McIntyre, Bill Holloman with Danny Gatton, The Gatlin Brothers, Nile Rodgers and Chic, The Fab Faux and Bruce Springsteen, and Wes Talbot founded a music production library called The FRESH Music Library.
Nous'klaer audio presents Oceanic's debut album Choral Feeling. A rhythmically diverse electronic album full of sonic explorations and beautiful moments, all bound together by a sense of colour. The album touches on the core of what music can be for: a sense of togetherness, finding meaning in moments, a way to cope with loss and soundtracking dreams about a different future. The music on this album reflects that in the most personal way. Each track consists almost entirely of his friends' voices, recorded and transformed into the sounds you'll hear. No, you can But how Just think of anything How can it just be anything Why does it need to be more Because they're afraid of it. They're not afraid of the words Then what are they afraid of The power behind the words How can words have power If you say something, only you, maybe I can hear it. Perhaps someone sitting over near that tree can hear it too. If we say it together, maybe we can reach past that tree and reach that rock. But if us and a million others say them same thing, all at the same time. Then every tree and every rock everywhere will hear us. Trees and rocks don't have ears. No they don't but they do. Why don't they just cover their ears Because then they need to do that every time we use our voice. And use them we did and use them again we shall. They got tired of covering their ears, so they decided to cover our mouths. Won't they hear us now? We're safe here. For how long will we be safe? For now. Perhaps until later. Just try. Read the words like I've written, but do so like the birds in the trees. You are my sunshine A little louder You are my sunshine, my only sunshine, you make me happy When skies are grey You'll never know dear How much I love you Please don't take my sunshine away Beautiful. Shall we go teach the others When will we have enough to free ourselves We'll always have more than they do. We only need to not forget I'll never forget Sing it again. Artwork by Bob Verhoeven. Text by Gregory Markus.
- A1: Dogs - Je Suis Une Calamite
- A2: The Barracudas - Toutes Les Nuits
- A3: The Kids Are Alright
- A4: Le Supermarche
- A5: Behind Your Sunglasses
- A6: Pas La Peine
- A7: Le Garcon De New York
- A8: You Can't Sit Down
- A9: Malhabile
- B1: With A Boy Like You
- B2: Nicolas
- B3: Teach Me How To Shimmy
- B4: Boy From New York City
- B5: C'est Embetant
- B6: Velomoteur
- B7: Jen Ferais Bien Mon Quarte-Heure
- B8: Down At Lulu's (Feat Les Calamites)
- B9: Down In The Boondocks (Feat Les Calamites)
18 track compilation of cult '80s French rock band Les Calamités,
includes their biggest hit "Vélomoteur" and tracks with the bands the
Dogs and The Barracudas Available as a digipak CD with 36-page booklet and vinyl with 8 page booklet and download code, with liner notes in French and English. Wouldn't it do them justice to rid Les Calamités (literally "the calamities") of the embarrassing phrase "girl band", durably stuck to their skins and plaited skirts? It's nothing but a pink puffy cloud obscuring their true importance as a "band" full stop, as well as their fleeting though mind-bending trajectory. In just a few months after going on stage with a handful of original songs recorded here and there, they became, from Dijon to Rouen, Paris to Toulouse, Bordeaux to Strasbourg, the darlings of an uncompromising rockers' demanding scene. Tolerated by some, maybe, they were also consecrated, certainly (should they have needed the accolade). The trade-off was a succession of quick and distinctive verse-choruses for which the adjectives "fresh" and "light" seemed to have been invented again.
They delivered just as many covers, which gave an idea of the origins of their songwriting: one foot in the fifties (on the dancefloor), the other in the sixties (in the garage). All of this leading to their final hit, a successful incursion in the top sales with a popular song for everyone to hum at ease, from seaside campsites to the cool kids of the capital.
Everything the Calamités touched, with their classy, rigorous, casual ways - plus just enough amused detachment - turned into gold.
In the wake of a 2020 edition of Movement in the City's second album Black Teardrops (1981), Sharp-Flat Records returns with a prequel by way of a reissue of the band's self-titled debut from 1979.
As the 1970s were drawing to a close, the epic Black Disco studio project with its signature pairing of drum machine and organ had run it course. After delivering a killer trilogy of cosmic lounge outings dating back to 1975, the group yearned for funkier grooves and the core trio of composer Pops Mohamed on organ with Basil Coetzee on tenor sax and Sipho Gumede on bass decided to hire a drummer and rebrand as Movement in the City. In contrast with the New Age detachment of Black Disco, Movement in the City was conceptually grounded in the bleak social realism depicted on its photographic album covers and leaned into the vivid sensibilities of library music from the era. Blending Cape jazz with funk and soul, the group's output evokes a soundtrack for South African city life at the outset of the 1980s while nodding allegorically to the subterranean movements that were in the course of shaking the cage for political change.
With its cast of jazz fusion all-stars, Movement in the City is the manifesto of a band in transition - a bold and slick first offering that delivers a modern South African sound capable of both the funky exuberances of "Mister Lucky" as well as the down-home pathos of "Blue Sunday." Restored from its original tape masters and released in partnership with As-Shams Archive and Pops Mohamed, this rare artefact of South African jazz history is back in print for the very first time since its original 1979 release.
- A1: Sjecanje (Memory)
- A2: Maglica (Nebula)
- A3: Cudesna Panorama (Magical Panorama)
- A4: Prizma (The Prism)
- A5: Sanjivi Glasnik (Dreamy Messenger)
- A6: Zlato Mozaika (Mosaic Gold)
- B1: Iza Oriona (Behind The Orion)
- B2: Prerija (Prairie)
- B3: Konjanici (Horsemen)
- B4: Istocni Pravac (East Direction)
- B5: Sjecanje Na Istok (Memory Of The East)
- B6: Refleksija (Reflection)
Deluxe limited edition vinyl LP of the unpublished Nenad Vilovic lost synth-masterpiece Prizma. The Yugoslavian and Croatian disco and pop chart-maker and once a Split International Music Festival headman (also in groups Grupa ST, Mladi Batali, etc.), producer of Dino Dvornik, Ambasadori, Oliver Dragojevic, Meri Cetinic, Leo Martin and many more, recorded this space-prog-electronica album in complete secrecy. It was refused in the 1980s by major Yugoslavian record labels for being too experimental, but it is actually a game changer in the field of socialist YU electronica. Miha Kralj, Laza Ristovski, Igor Savin and Kornelije Kovac now have company in the field of complex analog synthesizer concept albums, with this one being finally released by Fox & His Friends Records after 37 years of being shelved. Every instrument on this album has been played by Vilovic himself. This rare piece of vinyl is cut by Pauler Acoustics, mastered by Antony Ryan and features exclusive cover design by Eric Adrian Lee. The studio master is here presented in its entirety; no track was replaced or changed its order. This is how it was imagined to be released in 1985, when Nenad Vilovic played all instruments, produced, composed, arranged, recorded and even sang on the whole thing. However the title "Prizma" may suggest, this is not a structuralist concept album, but a conceptual use of his studio, instruments and musical knowledge. It mixes the ethnic, electronic, geographical and ambient roots of the crowned festival producer, hit-maker and fast-skilled studio musician who spent all of his money on new machines and his musical progress.
The album began to take shape duringJanuary 2019.
It has been recorded live by Matt Bordin ad Inside Outside
Studio, in Veneto, Italy. The choice of this method is due to the
desire to avoid the use of any post-production tool, to
maintain a natural sound and a hard impact on the listener.
"Robox" is made of nine instrumental songs characterized with
A furious post-punk full of violent and high impact riffs.
The artwork has been realized by Lacy Faery: nine monstrous
creatures, everyone of which portrays a song.
The cover art is the final portrait: the representation of
Dante's infernal journey, here embodied by the Robox, who
goes through the nine circles of Hell and faces the ancestral
traumas that affect the human psyche during its
trasformative path.
On Oct. 14th "Hard Pop" - first official single, published along
with a video - has been released.
The video has been realized by Mauro Romanzi in the ''lounge''
room of the Astro Club in Fontanafredda.
In few days the video reached more than 10k views on Youtube.
A red suite, a robot mask, violent riffs and
furious post-punk: this is Robox.
Francesco “Cesco” Cescato – Bass
Carlo Veneziano (One Dimensional Man, Orfaust, Julinko) – Guitar
Franz Valente (Il Teatro Degli Orrori, Buñuel, Snare Drum Exorcism) – Drums The Robox project was born out of the idea of making music that points towards future and innovation. This music wants to escape
from the monotony and from general music trends of the music industry.
The band uses the sound as a carrier for the lightning of the senses, to give a strong emotional shake to whoever listens to it.
After a long period made of musical experiences and geographical
distance, the Robox project starts to take shape in 2016.
During this period the songs start to sound defined, also because of
the practice coming from the first live shows.
Cesco, struck by a vision, since the first gigs starts to go on stage with a specific outfit: a bright red suite and a golden mask, evoking the image of a robotic man, the Robox: a superhero that fights the eternal struggle between instinct and reason.
Born and raised in the heart of the French Alps, and now residing in Paris, DJ Physical’s sound is one of a harsh romance. Perhaps it was the beauty and serenity of the snow-covered mountain tops and the ferocious nature of French techno moulding together that spawned his ‘Raw Poetry’ aesthetic; an emotive blend of dark and light that feels like it could belong in concert halls and theatres as well as underground clubs. Now the Parisian local serves up five deadly cuts of brooding electro and techno for 1Ø PILLS MATE.
‘Not So Human’ delivers the influence of trance on the contemporary techno soundscape, but doesn’t over-do it. Trance-licked, not dominated, the uncompromising cut of wave-driven techno is the perfect accompaniment for when you want to take things up a notch. ‘Sex Club’ maintains DJ Physicals’ fascination with Raw Poetry - brimming with breaks-driven breakdowns, spine-tingling atmospherics and low-pressure basslines that highlight the variety of influence the emerging producer brings to the table.
Acid synth-lines and lively trance-inspo create an altogether lighter mood as we flip the record on ‘Mortal Dance’, before ‘Easy Dancer’ changes its tune altogether with a pounding cut of progressive, freaky electronica.
Closing the release is ‘Go Further’ - misty electro, Southern-trap samples and those distinctive, high-culture ambient interludes creating a sense of emotive mystery. A well-rounded release with plenty of left-turns, this is DJ Physical’s ‘Raw Poetry’ at its finest.
Taken from the forthcoming album ‘Prom Nite’. The opening single of ‘Prom Nite’ is a sermon perfect for log cabin lock-ins and losing yourself across the Balearics: 'Feel Like Home' is spirited, euphoric and thoroughly satisfying, not to mention an advertising executive’s dream. London’s House Gospel Choir, endorsed by Annie Mac and The Blessed Madonna, provide the salvation that everyone is looking for right now, their heavenly harmonies aligned to Yoda’s gentle grooves and keys leading you to the light, encouraging the linkage of arms and for its soulful soothing properties to wash over you. Cover Art by ENDLESS..
SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.
Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.
The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.
With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.
SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.
Melancholia is a made-up medical condition manifested in an incessant moment of reflection. The newest album is a soundtrack to different stages of it and the accompanying feelings. The extremes of those got illustrated by Wojtek Łebski who designed the graphic identity of the album.
"I wrote this music during the last 3 years which for me and to many others were the most bizarre time on the planet we live. Lots of dilemmas, problems, ups and downs, self-doubt and permanent anxiety I transformed into different frequencies of sound. From the very first song, you can hear my fascination with the bass and half-step music scene. Thanks to Mr Envee who mixed the album, it sounds exactly how I imagined - deep and worm. Welcome to the journey." - says the author.
Teielte is a very important person to U Know Me Records - his debut album was the first one in the history of the label. To honour the album properly, the "Melancholizm" was labelled with the number UKM 100 and it will be released exactly 12 years after the famous debut of Taielte's album "Homeworkz".
The album will be released in two versions - classic black LP and limited colour LP. What's special about the limited edition is that every copy is different and is numbered by hand (100 copies). Also, both versions have different covers designed by Wojtek Łebski
Shine Grooves: "This story began in 2008, at that time I dreamed of launching my own music label and was searching for something unique. I was looking for music in different sources and came across the Frunk29's tracks, this is how I met Marat Shainsky, his release was the first on the Biotronic Records (the label I owned in the mid-00s). Later Marat introduced me to his friend - Sergey Lazarev, aka Lazzich and we immediately put together the next release for the label. It was wonderful and hypnotizing music I had never heard before. After some time we prepared the material for the first Biotronic Vinyl, which was authored by Lazzich, but the release did not happen, due to certain circumstances. And now, 15 years later, the idea comes true, we release the Lazzich mini-album on the Hanagasumi 04. Although Sergey is no longer with us, but his music will live forever. Thanks to everyone who took a part in the search for materials, archives, projects, sketches. Special thanks to Shipulina Yana for providing information and cooperation, Marat Shainsky for the advice and tracks searching, Matvey Andreenko for giving me the large media archive of Lazzich's works, Denis Rooter for designing the cover, Semen Pupyshev for mixing the found Sergey's Reason-projects".




















