“Música Para Caminar” is the new album by 80%Baul, and the record that confirms his definitive leap from revelation to legend. Following the critically acclaimed debut Ayer y Ahora, this release positions 80%Baul alongside the great names of Spanish post-punk, standing shoulder to shoulder with seminal acts such as Décima Víctima and Parálisis Permanente. Rooted in a dark, introspective sensibility, Música Para Caminar also connects seamlessly with the vitality of today’s Spanish underground, aligning with the current wave of forward-thinking artists, including labelmates like Yvgoslavia. But this album is not defined by sound alone. Once again, 80%Baul surprises with songs that function as poems—bleak, incisive reflections on a decaying, dystopian present. More than music, Música Para Caminar is a statement: music with intention, depth, and meaning—an artistic vision that transcends genre and cements 80%Baul as one of the essential voices of contemporary Spanish post-punk. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).
Buscar:80
- A1: Loco Mosquito
- A2: Ambition
- A3: Knocking 'Em Down (In The City)
- A4: Play It Safe
- A5: Get Up &Amp; Get Out
- A6: Mr. Dynamite
- A7: Dog Food
- A8: I Need More
- A9: Take Care Of Me
- A10: I'm A Conservative
- A11: I Snub You
- A1: La Famille & Caron Wheeler - Dancer (Vocal Mix)
- A2: Clarity - The Way U Make Me Feel
- A3: Distance - Just One More Kiss (Feat Janey Hallett)
- B1: Pause - It's Just Amazing
- B2: Roy Hamilton & Capiche - Turn Up The Music
- B3: Rick Clarke - Gonna Make You Happy (Feat Jill Francis)
- C1: Candy Mckenzie - Remind Me
- C2: Eddie Capone's Treatment - I Won't Give You Up (Feat Diane Jones)
- C3: T J. Johnson Band - I Can Make It (Good For You)
- D1: Private Funk-Shun - All That I Wanted Was You
- D2: Purely Fizzycal - Make A Move
- D3: Gold In The Shade - I Really Love You So
Azzurro 80's new album—his first ever on LP—is a beautifully faded Polaroid that, like a true flashback, plunges listeners into the heart of the 1980s. It's a sonic journey that captures the essence of a decade, distant yet vividly etched in our collective memory.
The Roman producer unleashes his sonic vision with even greater intensity than before, weaving through dreamy italo-disco, electric atmospheres, soundtrack-worthy synth-pop, and boogie-funk grooves.
Each track opens a window onto an era the artist experienced only fleetingly as a child, yet he evokes it with a powerful and refreshingly original touch. Much like a classic library music record, these tracks conjure a wealth of images, scenes, and visual sequences—perfect soundtracks for imagined films or evocative advertising campaigns: as seductive as a perfume ad, as desirable as a car commercial, and brimming with the bright future the 80s promised.
It's no surprise that cinematic references spring to mind even before musical ones. The album echoes the dreamy atmospheres of early 80s Italian cinema, particularly films like Carlo Verdone's "Acqua e Sapone" (1983) and Carlo Vanzina's "Amarsi Un Po'" (1984). Meanwhile, flashes of New Romantic aesthetics and hints of electro-funk transport you to a neon-lit dance floor where a DJ is spinning the vinyl copy of Flashback.
Azzurro 80's new album is a vibrant, energetic work, balancing groove and emotion in equal measure and infused with a sense of nostalgia that feels remarkably contemporary.
Available May 9th on LP and Digital from Four Flies Records!
- A1: Christy Y Ogbah - Advice
- A2: Johnny O Bazz - Xmas Eve
- A3: Mike Umoh - Look At Me
- B1: Mike Umoh - Shake Your Body
- B2: Bindiga - Disco Connection
- B3: Christy Christy - Aimiuug Wia
- C1: Bindiga - Perfect Disco Machine
- C2: Bassey Black And The Natty Messiah - On My Mind
- C3: Christy Ogbah - Azomonfe
- D1: Godfrey Odili - You Do Good For Yourself
- D2: Eunice Mokus Arimoku - Ariro
Humphrey Aniakor started Duomo Sounds after a trip to Milan. The idea was to produce a new sound for the emerging generation. A sleek funky but refined, Nigerian disco sound. This compilation captures all of that intention with a broad array of artistes. The music is sometimes sung in local Nigerian languages and sometimes in English but always with an African Accent. Modern grooves for an African market.
After several months spent hanging out at studios in Los Angeles and New York, observing the musicians, producers and engineers at work. He went to nightclubs to study what kind of sonic textures made the crowd move. And when he felt he had gotten the hang of it, he returned to Nigeria to set up his record label. A label that would showcase the au courant, cosmopolitan face of the Nigeria’s emerging young generation. That would encompass the boundlessness of imagination, focus, persistence and craftsmanship. That would deliver music that touched the soul.
There was hardly a shortage of available musical talent by 1980, as Duomo was preparing to launch. The seventies had seen a massive flowering of bands offering a wide array of sounds and styles. But 1980 proved to be the year that would change the topography of the music landscape and its approach to packaging talent. Artistes like Mike Umoh (erstewhile drummer with Bongos Ikwue and the Groovies), Bindiga (Ghanian afrofunk musicians), Christy Ogbah (who worked as a policewoman) bring their personal artistry to create the new sound.
And he would call it—what else?—Duomo. Duomo Sounds Limited.
This combination created high-quality Nigerian music but it also marked the end of bands as the focal point for the popular music marketing. After Okotie’s breakthrough, it became clear that the eighties would be the era of the solo artist. And this would lead to the fracture of established bands as members opted to roll the dice on solo careers.
We, at UDG have further fined-tuned already a great design concept
of our flight case into one specially for the most discerning DJ/
producer. Constructed from aluminum thus providing an extremely
stable structure with lighter weight compared to traditional flight
cases.
The UDG Ultimate Record Cases are designed to keep your vinyl
protected from accidental damage when you transport it to and
from gigs. They’re compact and lightweight yet tough enough to
keep your valuable records safe.
FEATURES
• Fits approximately up to 80 12"/LP vinyl records
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several additional rivets for improved solidity
• Capacity will depend on the thickness of the records & their packaging
Made from 80 0,5l (16oz) recycled plastic bottles, the SOLID BLAZE PACK 80 is a lightweight daypack designed with a minimalistic footprint to accommodate your DJ/production essentials and daily needs.
The SOLID BLAZE PACK 80 is crafted from only the highest quality materials, such as a water-repellent RPET 900D shell and YKK® AquaGuard® zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. The interior layout features numerous compartments, pouches and zippered pockets for organization and quick access. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 80.
Fabrics made from recycled PET plastic bottles (Global Recycling Standard certified)
Outer material crafted from roadworthy and water-repellent RPET 900D Polyester (with eco-friendly water- based PU-coating)
Lining made from RPET TC Polyester
Lockable dual PVC-coated YKK® AquaGuard® zippers (padlock not included)
Separate compartment incl. padded laptop (up to 17“) and tablet sleeve (This compartment also fits 12” records)
Numerous internal pouches, compartments and zippered pockets to organize smaller gear
Quick-access front-compartment
Hanging mesh pocket for headphones or camera storage
Expandable side-pocket for bottle storage
Comfortable air channel back padding with hidden document pocket
Contoured and ergonomic riveted shoulder-straps with metal buckles
Adjustable chest-strap
Trolley-Sling
Cabin luggage compatible
+ Outer dimensions: 49 x 32 x 20 cm / 19.25“ x 12.5“ x 7.8“
+ Inner dimensions: 45 x 30 x 8 cm / 17.75“ x 11.75“ x 3.5“
+ Weight: 1,3 kg / 2.8lb
+ Color: black/grey (Item-No.: 47893 / EAN:4041212478931)
After the successful 7-inch release of Agip, Roman producer and composer Azzurro 80 is back on Four Flies with another triple-single that continues his love affair with dreamy synth-pop and Italian Eighties culture and society.
"Notte Inchiesta", on side A, could be the title music to an imaginary '80s investigative/true-crime program broadcast on late-night television. Clearly reminiscent in mood and texture of the soundtracks of late-70s/early-80s Italian detective-action films, it brings back the jazz-funk, post-prog and fusion overtones that characterized the music of those films. In short: a contemporary-retro sound nestled somewhere between Goblin's funk-oriented recordings, Azymuth's "Jazz Carnival", and electronic disco with a sprinkle of new wave.
Side B opens with "Equilibrio", which could serve as additional, more dynamic music for the same TV program mentioned above. The style is once againelectronic jazz-funk, but here we have abreak built upon a trail of notes chasing each other.
In contrast, "Sambuca", the single's closer, is deliberately nostalgic and melancholy. Perfectly suitable for visual narratives of an Italy that no longer exists, it sounds like one of those great Italian soundtrack themes that are able to convey tension and calm at the same time. The track is titled after the anise-flavoured liqueur that Italians often drink after their espresso, because "making references in my music to things that are part of our national popular culture is really important to me", as the artist has explained.
"Onyeabor 80" draws equal influence from War, William Onyeabor, and Isaac Hayes. This steady groover is sure to keep the dance-floor moving! On the flip side we have "Bongo Grove", an Incredible Bongo Band influenced, upbeat horn-driven anthem. This one features Mitchum Yacoub on Bongos. Members of The Sure Fire Soul Ensemble, Mestizo Beat, and Mitchum Yacoub exploring new tones and directions!
- Walking Distance
- E.s.p
- Strange Thing
- Harmony In My Head
- Why She's A Girl From The Chainstore
- I Believe
- Fiction Romance
- Breakdown (Live)
- Love Battery (Live)
- Real World
- I Don't Know What To Do With My Life
- Airwaves Dream
- Ever Fallen In Love (With Someone You Shouldn't've?)
- Orgasm Addict
- Running Free
- Are Everything
- What Do You Know
Buzzcocks - Total Pop 1977-80: Rare, Live And Great Diese Compilation vereint rare Studioaufnahmen und energiegeladene Live-Versionen aus der Hochphase der Buzzcocks und zeigt, warum die Band als Pioniere des britischen Punk gilt. Mit kompromisslosem Sound und scharfem Songwriting ist das Album ein authentisches Zeitdokument der späten 70er.
- A1: Dj Nuts - Tire O Calundu (Remix)
- A2: Criolo; Daniel Ganjaman; Mario C - Abertura (Remix)
- A3: Emicida; Nave; Rael - Saudação Ao Rei Nagô (Remix)
- A4: Pupillo Feat Rogê - Obaluaye (Remix)
- A5: Marcelo D2; Mario C; Lucio Maia; Pupillo - Lembarenganga (Remix)
- A6: Mix Master Mike - Tire O Calundu (Remix)
- A7: Tropkillaz - Damurixá (Remix)
- A8: The Gaslamp Killer; Mophono - Agô (Remix)
- B1: Pedro Dom; Zilladxg - Rei Zumbi (Remix)
- B2: Cut Chemist - Abertura (Remix)
- B3: Taso - Saudação Ao Rei Nagô (Remix)
- B4: Mexican Institute Of Sound - Preto Velho E Yayá (Remix)
- B5: Ricardo Imperatore - Obaluaye (Remix)
- B6: Kassin - Agô (Remix)
- B7: J Rocc; Mario C - Tire O Calundu (Remix)
Firing remix package of cuts from two legendary album's from Brazil's Orquestra Afro-Brasileira. Feat
Two albums - Obaluayê (1957) and Orquestra Afro-Brasileira (1968) - were enough for Orquestra Afro-Brasileira to mark its history in music forever. Born in 1942 in Rio de Janeiro by its founder Abigail Moura, it remained active until 1970 and, in 2021, was revived by the only living member of the original line-up at the time, Carlos Negreiros, when the third and final album in the orchestra's career, entitled 80 years, was released by Amor in Sound/Night Dreamer. Today (31) the album gets its remix version with tracks signed by names of the caliber of Marcelo D2, Criolo, Pupillo, Emicida, Rael, Cut Chemist, Mexican Institute of Sound, among others.
Aiming to keep the legacy of the Orquestra Afro-Brasileira alive, the album 80 Anos (Remixes) reaffirms the group's relevance as a creative source for different generations of musicians and listeners, based on new interpretations produced by artists who are also fans of the orchestra. According to Mario Caldato Jr., the album's musical director, "it was a great joy when I got to know the work of the Afro-Brazilian Orchestra and, soon after, had the honor of meeting and working with Carlos Negreiros. Producing 80 Anos alongside him was a gift and being able to look back on it, having the remix album to celebrate this legacy, is really wonderful."
For Amor in Sound - Mario and Samantha Caldato's record label - this release faithfully represents their values: Respect for memory, diversity, friendship and the possibility of creating new worlds. Made in a totally collaborative way, the album is born as a historical record, interpreted by great names in current music and, above all, great friends. “Being able to do this is indescribable, the value of relationships makes up and continues the legacy of the Orquestra Afro Brasileira,” says Samantha.
The project brings together Brazilians Criolo, Emicida, Rael, Marcelo D2, Lucio Maia, Pupillo, Rogê, Tropkillaz, Kassin, Pedro Dom, Zilladxg, Nuts, Daniel Ganjaman, Imperatore and Nave, as well as international DJs and producers such as Mix Master Mike, Cut Chemist, Gaslamp Killer, J Rocc, TASO, Mexican Institute of Sound and Mophono.
For RSD 2025 the influential band will be releasing a new double LP edition of their Nine Sevens box set of 7" records first released in 2018. Combining the run of early singles with more obscure later period tracks underlines the strength in depth that Wire had. This is pop art as art/pop and an exploration of the blank canvas of pop culture and how far that canvas can be stretched going from three minute constructs to ambient washes. The 7" single was always the ultimate artefact and statement with the A side being the band momentarily paused in time and distilled and freeze-framed into the forever with less than three minutes of electric sound. These "sevens" released from 1977 to the end of that decade, signpost the band's remarkable development from their brilliantly monochromatic early phase to the textured complexity of the almost psychedelic unzipping of their sound and vision. In some ways the compilation of Nine Sevens onto a double album makes for quite a weird documentation of the band in this period. The first disc, to some extent, follows the script of a singles / greatest hits collection but the second one goes wildly off-piste and ends up somewhere quite far from where the collection started. A conventional Greatest Hits collection, besides being conceptually a bit naff would, if strictly based on charting singles, consist of only one song! A Best Of is subjective and somewhat pointless in the age of the Spotify playlist that anyone can make. The only thing really that these tracks have in common (besides being by Wire) is that they were released or destined to be released on 7" by Wire in the period 1977-1980. - Nine Sevens is both title & elevator pitch!' Wire always understood the language of pop and also the artfulness of playing with it, deconstructing it and reassembling it into new and thrilling shapes. Decades later, these adventures into sound are like slices of delicious, perfect pop/noise and hits from a parallel universe. Track list:Side A1 Mannequin 2 Feeling Called Love 3 12XU 4 I Am the Fly5 Ex-Lion Tamer 6 Dot Dash *7 Options R * Side B 8 Outdoor Miner (single version) * 9 Practice Makes Perfect 10 A Question Of Degree * 11 Former Airline *12 Map Ref. 41ºN 93ºW Side C 1 Go Ahead * 2 Our Swimmer * 3 Midnight Bahnhof Café * 4 Second Length (Our Swimmer) **5 Catapult 30 ** Side D (154 EP) 6 Song 1 * 7 Get Down 1 + 2 * 8 Let's Panic Later *9 Small Electric Piece * * previously unreleased on vinyl album ** recorded in 1980 but not released until 2014
We, at UDG have further fined-tuned already a great design concept
of our flight case into one specially for the most discerning DJ/
producer. Constructed from aluminum thus providing an extremely
stable structure with lighter weight compared to traditional flight
cases.
The UDG Ultimate Record Cases are designed to keep your vinyl
protected from accidental damage when you transport it to and
from gigs. They’re compact and lightweight yet tough enough to
keep your valuable records safe.
FEATURES
• Fits approximately up to 80 12"/LP vinyl records
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several additional rivets for improved solidity
• Capacity will depend on the thickness of the records & their packaging
- A1: Acid Bath
- A2: Better Off Dead
- A3: Putrefaction Process
- B1: Desire
- B2: Somnambulist
- B3: Come To Me (V2.0)
- B4: The Mirror (Re-Mastered)
- C1: Pesticide
- C2: Massacre
- C3: Ignorance
- C4: Euthanasia
- D1: Decoder
- D2: Violator
- D3: State Of Emergency
Mach Dich bereit, Suicide Commando’s “Construct x Destruct” zu erleben wie nie zuvor! Zum ersten Mal erscheint diese kultige Platte von 1998 auf Vinyl, jetzt außerdem mit vier zusätzlichen Bonustracks. Entdecke jeden dunklen, stampfenden Beat von Johan Van Roys rohem, industriellem EBM-Sound neu und sichere Dir mit dieser limitierten Vinyl-Edition von „Construct x Destruct“ ein Stück Geschichte der elektronischen Musik.
- A1: Blondie - Call Me – (Theme From "American Gigolo") (Original 12” Version)
- A2: Grace Jones - Love Is The Drug (Long Version)
- A3: Loleatta Holloway – Love Sensation (A Tom Moulton Mix)
- A4: Stephanie Mills - Never Knew Love Like This Before (12” Mix)
- B1: Lipps Inc - Funkytown (12" Version)
- B2: Liquid Gold – Dance Yourself Dizzy (12” Mix)
- B3: The Spinners - Working My Way Back To You / Forgive Me Girl (12” Version)
- B4: Change – The Glow Of Love (Long Version)
- C1: Visage - Fade To Grey (12" Version)
- C2: Sheila & B Devotion – Spacer (Full Length Version)
- C3: Earth, Wind & Fire - Let's Groove (Holiday Version Remix)
- C4: Odyssey - Going Back To My Roots (12" Version)
- C5: Dollar - Hand Held In Black And White (Extended Version)
- D1: Olivia Newton-John - Physical (Long Version)
- D2: Haircut 100 - Favourite Shirts (Boy Meets Girl) (12" Version)
- D3: Spandau Ballet - Glow (12" Version)
- D4: The Specials – Ghost Town (Extended Version)
- E1: The Human League - The Sound Of The Crowd (12'' Version)
- E2: Duran Duran - Planet Earth (Night Version)
- E3: Talk Talk - Talk Talk (Extended Mix)
- F1: Soft Cell - Torch (Extended Version)
- F2: Japan - Life In Tokyo (1982 12" Extended Version)
- F3: Gary Numan – Music For Chameleons (Extended Version)
- F4: Simple Minds - New Gold Dream (81/82/83/84) (German 12'' Remix)
- H1: Carly Simon – Why (Full Length Version)
- H2: Rockers Revenge - Walking On Sunshine
- H3: Shalamar – A Night To Remember (12” Mix)
- H4: Kool & The Gang - Get Down On It (Original 12" Extended Version)
- I1: Abc - The Look Of Love, Pt 1 (Special Remix)
- I2: Bananarama - Shy Boy (Extended Version)
- I3: Heaven 17 - Let Me Go (12'' Extended Version)
- I4: Bow Wow Wow - Go Wild In The Country (12" Version)
- I5: Altered Images - See Those Eyes (12" Version)
- I6: Bucks Fizz - My Camera Never Lies (Extended 12” Version)
- J1: Tears For Fears - Pale Shelter (Long Version)
- J2: Blancmange - Living On The Ceiling (Extended Version)
- J3: Associates – Love Hangover (Extended Version)
- J4: Visage - The Anvil (Dance Mix)
- J5: Ultravox – Reap The Wild Wind (Extended Version)
- J6: Orchestral Manoeuvres In The Dark - Extended Souvenir
- G1: The Boys Town Gang – Can’t Take My Eyes Off You (Extended Version)
- G2: Patrick Cowley Feat Sylvester – Do You Wanna Funk (Remix)
- G3: Donna Summer – Love Is In Control (Finger On The Trigger) (Dance Remix)
- G4: Evelyn "Champagne" King - Love Come Down (12" Version)
xd H2 Rockers Revenge - Walking On Sunshine feat. Donnie Calvin (12" Version)




















