Cop Tears
The Rules Of The Game

TTT114
The Trilogy Tapes
66- John Dunstaple, Quam pulchra est (mid-15th c.)
- Johann Sebastian Bach, Chorale #351, “Wenn mein Stündlein vorhanden ist” (c.1735)
- Valentin Silvestrov, Children’s Music, No. 1, III: Gratitude (1973)
- Francesca Caccini, S’io men vò (1618)
- Michael Pollard, selections from Piano Sonata After a Conversation with Jonathan Gean (2016)
- Guillaume de Machaut, Puis qu’en oubli (mid-14th c.)
- Valentin Silvestrov, Children’s Music, No. 1, II: Modern Dance (1973)
- Gabriel Fauré, Le parfum impérissable, Op 76 no. 1 (1897)
- Friedrich Nietzsche, Das “Fragment an sich” (1871)
- Camille Saint-Saëns, Le carnaval des animaux, IV: Tortues (1886)
- Peggy Seeger, Of All the Beast-es (1957)
- Erik Satie, Prière (c.1895)
- Alma Mahler, 5 Lieder, No. 1, “Die stille Stadt” (1910)
Pure loveliness. Proper music-making,
DIY Classical, but nothing slapdash or posey. Intimate and tentative, seamed with risk, occasional mis-steps, dodgy tuning, minor technical fuck-ups; but driven by gripping, stilled dedication and deep musical understanding.
Double bass, electric guitar, flute, melodica, singing; recorded at home in NYC, on dodgy gear, with snug, woody, shhshh-ing, analogue-style ambience.
The trio hovers between cheerful relish - who’s that giggling at the back - and hushed, humble reverence, basking in the processes of musical communion and learning. They play like they are gingerly passing on a precious, fragile gift; but without prissy conceit.
Luminous selections from the last six hundred years - John of Dunstable meets Friedrich Nietzsche - are lovingly arranged by the group, with a bent for stripped-to-the-bone, emotionally restrained sublimity, steady as she blows.
Very warmly recommended. Soul food.
