Omnitronic News

Rotary mixer with 3-band frequency isolator, VCR filter and FX loop

Filter section with resonance and sweep control for creative sound shaping 3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27) Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing

2 stereo input channels with gain control, clip LED, 3-way equalizer, FX Send and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
2 effects send/return paths
Dual analog VU meter
Direct outputs for Timecode applications
High-grade components ensure long life and excellent sound quality
Booth output with separate 2-way equalizer and level control
Record output, independent of the master
Fully assignable VCA crossfader with adjustable curve
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
Desktop console housing

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: 100 dB
Klirrfaktor: <0,05 % bei 1 kHz
Gain: Line -12 dB bis +12 dB
Phono -40 dB bis +5 dB
FX 20 dB
Mikrofon 55 dB
DJ Filter: Zuweisbar: LPF, HPF,
Isolator: Master Gain:- ∞ bis +9
Low/Mid 300 Hz, 18db/Okt , Butterworth
Mid/High 4000 Hz, 18db/Okt , Butterworth
Steuerelemente: Netzschalter, Quellen-Umschalter, Crossfader, Crossfader-Wahlschalter, Crossfade-Curve Schalter; Cue-Mix-Split-Funktion, Klangregelung
Status LED: Power, Masterpegelanzeige, Clip, CUE
Anschlüsse: Eingang: Line über 2 x Stereo-Cinch
Eingang: Line/Phono über 2 x Stereo-Cinch
Eingang: Mikrofon über 1 x 3-pol XLR/6,35mm Klinke (W) Kombibuchse Einbauversion
Eingang: AUX Returns über 2 x 6,3-mm-Klinke (sym.)
Ausgang: Timecode über 2 x Stereo-Cinch
Ausgang: Kopfhörer über 2 x 6,3 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Kopfhörer über 1 x 3,5 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Rec. über 1 x Stereo-Cinch
Ausgang: Booth über 2 x 3-pol XLR
Ausgang: Booth über 1 x Stereo-Cinch
Ausgang: Master über 2 x 3-pol XLR
Ausgang: Master über 1 x Stereo-Cinch
Ausgang: AUX sends über 2 x 6,3-mm-Klinke (sym.)
Kanäle: Eingangskanal: 2 x Stereo mit Line-Line/Phono Schalter über Cinch, Kanalregelung über Rotary-Drehregler, Regler 3-Band EQ, Quellen-Umschalter, Gainregler, CUE-Schalter, FX Routing Schalter
Mikrofonkanal: 1 x Mono über Kombibuchse (XLR/KLINKE), Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ, ON AIR Schalter
Master-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler
Booth-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ
Rec. Ausgang: 1 x Stereo über Cinch, Kanalregelung über Rotary-Drehregler
Kopfhörer-Ausgang: Stereo über Klinke, Kanalregelung über Rotary-Drehregler
Max. Pegel: Ausgang: +21 dBu
Material: Metall; Aluminium
Gehäusebauform: Tischpultgehäuse
Maße: Breite: 45 cm
Tiefe: 26 cm
Höhe: 16 cm
Gewicht: 5,50 kg

TRM-202MK3 ROTARY MIXER

Back to the roots For some time now, rotary mixers have been making a big comeback in the world of electronic dance music. The TRM-202 MK3 from Omnitronic offers the DJ all the classic features of a rotary mixer with its ALPS knobs (Blue Velvet RK27) and the built-in 3-band frequency isolator.

Smooth transitions
The high-quality components provide a good and appealing sound. The large knobs of both channels allow very smooth transitions, which are difficult to set with a conventional mixer (with faders). For both channels, you can switch between 2 x line & phono inputs or sources. A microphone input is also available. The isolator's kill characteristics completely eliminate bass, midrange, and treble for creative mixing

Classic Rotary Mixer With 2 Input Channels And Integrated 3-band Frequency Isolator For Djs
Gain Control, 2-way Equalizer (highs/lows) And Phono/line Switching Per Channel
Dedicated Boost And Kill Cut
Kill Cut Feature Allows Djs To Completely Remove Low, Mid And High Frequencies For Amazing Mixing
Vintage Alps Potentiometers (blue Velvet Rk27)
High-grade Components Ensure Long Life And Excellent Sound Quality
Dj Microphone Input With Separate Level Control
Prefader Listening To Input Channels And The Master Output Via Adjustable Headphones Output, With Cue Mix/split Function
12-digit Stereo Led Level Meter And Master Level Control
Booth Output With Separate Level Control
Inputs: 4 X Line And 2 X Phono (rca L/r), Dj Microphone (xlr) And Headphones (jack)
Outputs: Master And Booth (xlr/rca L/r), Record (stereo Rca)

Technical Specifications
Power Supply: 100-240 V Ac, 50/60 Hz
Gain:
Line: 20 Db
Phono: 60-75 Db
Mic: 44 Db
Max. Output Level: 22 Dbu
Frequency Range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/r Ratio:
Line: 85 Db
Phono: 77 Db
Mic: 80 Db
Thd:
Line: <0.03 %
Phono: <0.1 %
Frequency Isolator: - To +9 Db
Lows: 20 Hz To 300 Hz
Mids: 300 Hz To 4 Khz
Highs: 4 Khz To 20 Khz
Inputs:
Line: Rca L/r
Phono: Rca L/r
Dj Microphone: Xlr
Outputs:
Master: Xlr/rca L/r
Booth: Xlr/rca L/r
Rec: Rca L/r
Headphones Output: 6.3 Mm Jack (min. 32 Ohms)
Dimensions (w X D X H): 190 X 250 X 107 Mm
Weight: 2,7 Kg
Power Consumption: 6,5 W
Height: 10,7 Cm
Depths: 25 Cm
Width: 19 Cm

shipping to EU only!

Xone:96. The long-awaited follow-up to a genuine club classic.
A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.

It’s all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.

Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.

Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.

Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.
Xone96: You mixed. We listened.

Features:

• Type Analogue
• Channels 6 + 2
• EQ
o Channel 1-4, 4-Band EQ
o Channel A-B, 3-Band Parametric EQ
• USB Soundcards Dual 24 Channel (12 in / 12 out)
o Hi-Speed USB2.0 / Mac Class Compliant
o 32bit / 96kHz
o MIDI over USB
• Line Inputs 4 x RCA (CH 1-4)
o 4 x 1/4″ TRS (CH A-D) Mono/Stereo
• Phono Inputs 4 x RCA (CH 1-4)
o LN/PH Switch for DVS
• USB Inputs 6 x USB (CH 1-4 + CH A – CH B)
• Mic Input 2 x XLR
• Master Output 1 x XLR (Balanced)
• Master 2 Output 1 x 1/4″ TRS (Balanced)
• Booth Output 1 x 1/4″ TRS (Balanced)
• Record Output 1 x RCA (Un-balanced)
• Master Insert 1 x 1/4″ TRS
• MIDI Out 1 x 5-Pin DIN
• Send/Return I/O
o 2 x 1/4″ TRS Send
o 4 x 1/4″ TRS Return
o 1 x LN/Hi-Z Switch (SND1/RTNA)
o Filter 2 x VCF Filter
o HPF / BPF / LPF
o Adjustable Frequency & Resonance
o Assignable CH 1-4 + CH A-B
o CRUNCH (Controlled Harmonic Signal Distortion)
• X-Link 1 x RJ45
• Headphones 2 x 1/4″
o 2 x 3.5mm
o Split Cue Monitoring
• Channel Faders 60mm VCA / Replaceable
• Chanel Meters 9 Segment LED
• Channel Fader Curve 3 Types
• X-Fader InnoFADER / 45mm VCA / Replaceable
• X-Fader Curve 3 Types
• Earth Ground Terminals x 2
• Headroom 20dB
• AC Mains
o 100 to 240V
o AC 50/60Hz
o Consumption 45W max
o Mains Adaptor 3 pin IEC socket
• Height 109mm / 4.3″
• Width 336mm / 13.25″
• Depth 410mm / 16.2″
• Weight 7kg / 15.4 lbs.

shipping to EU only !

The industry standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound.

With its solid construction and easy to use interface, the 92 is on the riders of most of the world’s top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters.

With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ’s dream tool.

Features:

• 6 dual stereo channels – 4 phono/line, 2 mono/mic or stereo return
• 2 independent stereo mix outputs
• 2 aux sends for output to external FX units
• VCF system – 2 independent stereo filters with frequency and resonance controls
• 2 independent LFO’s for filter manipulation
• 4-band EQ – total kill on HF and LF, wide Q for cut, narrow Q for boost
• Booth output – dedicated output on TRS jack
• MIDI values can be output from 6 controls (e.g. crossfader, LFO)
• P&G easy change professional VCA crossfader
• Illuminated lightpipes showing status of performance controls
• Intelligent cue for pre or post EQ monitoring
• Monitor section includes post EQ switch, split cue and mix to cue balance
• 2 headphone outputs (1/4” and 3.5mm)
• Ducking control on mono/mic channel

Classic rotary mixer with 4 input channels and integrated 3-band frequency isolator for DJs Gain control, 2-way equalizer (Highs/Lows) and phono/line switching per channel Dedicated boost and kill cut Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing Vintage ALPS potentiometers (Blue Velvet RK27) High-grade components ensure long life and excellent sound quality DJ microphone input with separate level control
Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
12-digit stereo LED level meter and master level control
Booth output with separate level control Dual inputs for DJ microphone and headphones on the top and front panel

Inputs: 8 x line and 4 x phono (RCA L/R)
Outputs: master and booth (XLR/RCA L/R) and record (RCA L/R)

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Gain:
Line: 20 dB
Phono: 60-75 dB
Mic: 44 dB
Max. output level: 22 dBu
Frequency range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/R ratio:
Line: 85 dB
Phono: 77 dB
Mic: 80 dB
THD:
Line: <0.03 %
Phono: <0.1 %
Frequency isolator: - to +9 dB
Lows: 20 Hz to 300 Hz
Mids: 300 Hz to 4 kHz
Highs: 4 kHz to 20 kHz
Inputs:
LINE: RCA L/R
PHONO: RCA L/R
DJ microphone: XLR
Outputs:
MASTER: XLR/RCA L/R
BOOTH: XLR/RCA L/R
REC: RCA L/R
Headphones output: 3.5 mm jack and 6.3 mm jack (min. 32 ohms)
Dimensions (W x D x H): 247 x 330 x 107 mm
Weight: 4.05 kg
Power consumption: 7,2 W
Height: 10,7 cm
Depth: 24,7 cm
Width: 33 cm

R2 2-CHANNEL ROTARY DJ MIXER

Introducing the Headliner R2, a 2-channel rotary DJ mixer that
is perfect for DJ’s looking for precise control and a warm sound,
without breaking the bank. The R2 is packed with features, like an
analog filter and 3-band isolator EQs on each channel, and uses
only high-quality components, including genuine ALPS potentiometers.

Featuring two stereo channels with selectable Line and Phono
RCA inputs, each channel on the Headliner R2 comes equipped
with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a
filter activation switch.

The Master channel boasts an analog filter, headphone monitoring,
and output control section. The analog filter features selectable
High Pass / Low Pass Filter modes with Frequency and Resonance
controls, giving you precise control over your sound. Independent
Master and Booth outputs with volume controls, both with balanced
XLR and unbalanced RCA connectors, give you the flexibility to
connect to any sound system.

The Headliner R2 features genuine ALPS potentiometers, and a
sturdy metal enclosure with stained wood side panels for a classic
look that will complement any DJ setup. The modular internal
construction, coupled with the external power supply connected
via locking Mini XLR ensure superior audio performance.
The Headliner R2 is a reliable, high-quality mixer that will give
your DJ performances that classic vibe. Whether you’re spinning
house, techno, or classic funk/soul/disco jams, this fun little mixer
is the perfect addition to your setup.

• Two stereo channels with selectable Line and Phono RCA inputs
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED
• Master channel features analog filter, headphone monitoring and output control section
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls
• Genuine ALPS potentiometers
• Headphone Cue control section features volume control, mix control (Cue/Master), and split monitor switch
• High current headphone amplifier with dual 1/4” and 1/8” jacks
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs
• Additional Record output with unbalanced RCA jacks
• Dual LED level meters for the Master output
• Microphone input with level control on front panel
• Sturdy metal enclosure with stained wood side panels
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector and push-button power switch
• Measurements: 320 x 219 x 106 mm
• Weight: 2.8 kg

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: 100dB
Crosstalk: 100dB
Übersprechen: < -65dB
THD + N: < 0,05%
Kopfhörerausgang
Maximaler Ausgangspegel: 70mA/Kanal in 150Ω
Minimale Lastimpedanz: 32 Ohm/Kanal
Stromversorgung
Typ: Extern mit verriegelbarem Mini-XLR-Stecker
Eingangsspannung: 100-240v ~ 50/60Hz
Ausgangsspannung: +/-15V; 500mA
Spannungsbereich: 32 Ohm/Kanal

KEY FEATURES

• 2+1 Mixing channels
• 1 MICRO input
• 2 PHONO inputs
• 3 LINE inputs
• Master Output (HOUSE) on XLR and RCA connectors
• Booth Output on RCA connectors
• 6.3mm Jack and 3.5mm mini-jack Headphone Monitor Outputs
• 3 band full cut EQ for main channels and 2 band full cut EQ for MICRO/LINE channel
• 3 bands isolator (300Hz and 4KHz, -∞/+12dB, 4th order 24dB/oct )
• Maximum Output without distortions: 21dBV (23dBu)
• Mechanized from a solid block of aluminum knob, without visible screw. Ecler Unique design
• Alps Blue Velvet Potentiometers
• FX Send control and Pre/Post fader selector
• Screen-printed faceplate by selective anodizing
• Wooden side panels included

Audio Performances

Inputs Sensitivity nom/Impedance:
—
LINE : 0dBV/50kΩ
PHONO : -40dBV/50kΩ
MICRO : -50dBV/>1kΩ
FX RETURN : 0dBV/>6kΩ

Outputs Level/Minimum Load:
—
HOUSE (BAL) : 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (UNBAL) : 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (UNBAL) : 0dBV/2.2kΩ 1V *(+12dB 4V)
REC : 0dBV/10kΩ
HEADPHONES : 200mΩ/200Ω THD 1%
FX SEND : 0dBV/2.2kΩ

Frequency Response:
—
LINE : 10Hz÷30kHz -1dB
MICRO : 10Hz÷25kHz -1dB
PHONO : RIAA ±0.5dB
FX RETURN : 10Hz÷50kHz -1dB

THD-N:
—
LINE : 70dB @ 1kHz

Signal Noise Ratio:
—
LINE : >99dB
MICRO : >85dB
PHONO : >98dB
FX RETURN : >100dB

Max Undistorted Output Level:
—
HOUSE (Electr.BAL) : 21dBV (23dBu)
HOUSE (UNBAL) : 21dBV (23dBu)
BOOTH (UNBAL) : 21dBV (23dBu)

Trim control:
—
INPUTS 1-2 : ± 15dB
INPUT 3 : ± 20dB

Tone control Inputs 1-2:
—
BASS : +10/-30dB
MID : +10/-25dB
TREBLE : +10/-30dB

Tone control Input 3:
—
BASS : ± 15dB
TREBLE : ± 15dB

Tone control Isolator:
—
BASS : +12/-70dB
MID : +12/-40dB
TREBLE : +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
—
BASS : 200Hz
MID : 200Hz÷6.8kHz
TREBLE : 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
—
BASS : 300Hz
MID : 300Hz÷4kHz
TREBLE : 4kHz

Standard redefined The professional RMX-95 4+1 channel club mixer blurs the lines between analogue workflow and digital technology. The RMX-95 is a cutting-edge, extraordinarily versatile creative tool thanks to its dual-USB 2.0 interface, redesigned effects section, optional MIDI mapping of all controls and smooth integration of the djay Pro DJ software. The club mixer has a familiar and user-friendly interface, making it suitable for both professional and hobby DJs.

Surgical sound manipulation in every detail Will you go for ''Classic'' or ''Kill''? The RMX-95's 3-band EQ can be adjusted to allow maximum sound control for unique results. Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher and Transformer are just some of the many studio-quality effects included in the brand-new Beat FX unit. The dedicated FX frequency control (LPF/HPF) lets you apply the effects to a specific frequency range for a more unique sound. And that's not all: Each channel also features a bipolar filter unit (LPF and HPF) with real-time resonance adjustment. This allows for even more complex sound productions. Two digital displays show parameter changes in real time for precise control that goes beyond hearing. Connections galore The RMX-95 also excels in terms of connectivity: Four CD, two line, and two phono inputs are available on the four input channels. The separate microphone channel has two microphone connections (1 x jack, 1 x jack/XLR combination jack) and an additional AUX input. The master output offers RCA or balanced XLR cable connections. The booth output has two jack connections for stereo operation. However, it can also be used in mono mode.

A recording device can be connected to the Rec output via RCA jacks to record DJ sets regardless of the master output level. Last but not least, the DJ mixer has two jacks for headphones. Crisp cuts and smooth blending The adjustable curve of all faders provides DJs with the creative flexibility they want while mixing. Turntablists and scratch wizzards can also upgrade the crossfader with the contactless RMX innoFADER. Maximum flexibility: dual-USB audio interface Superior 24-bit sound quality is provided by the ten inputs and outputs of the high-quality dual-USB 2.0 interface. The two USB ports allow smooth transitions between DJs and maximum flexibility when using different setups in a single club night. In addition, the active USB hub enables the connection of additional USB devices. Fully digital architecture The RMX-95's digital architecture transforms the DJ mixer into an individually mappable MIDI controller. As part of this, the setup menu provides a wealth of customisable options, such as EQ frequency range, Neural Mix EQ mode, audio interface routing, and zone routing for the booth output. DVS-enabled for djay Pro & Neural Mix The RMX-95 works with Algoriddim djay Pro via plug and play. The DJ app's ground-breaking Neural Mix function lets you isolate beats, melodies, and vocals in the mix in real time. The RMX-95 supports djay Pro's advanced DVS integration with Mac, PC, iPhone and iPad.

The DJ software is also compatible with streaming services like Apple Music, Tidal, SoundCloud, Beatport and Beatsource. Indestructible design The club mixer's sleek black metal surface is not only eye-catching but also highly durable. The solid metal housing and hard-wearing metal shafts in all of the built-in potentiometers and switches provide a long service life, even with heavy club use. An internet connection and a separate Apple Music, Tidal, Beatport, Beatsource or SoundCloud subscription is required to use this service.

Professional 4+1-channel DJ club mixer - DUAL 10 In/Out USB 2.0 audio interface with superb, 24-bit sound quality

New Beat FX unit with multiple effects in studio quality: Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher,Transformer - FX frequency control (LPF/HPF) for manipulating effects in selected frequency band -

Sound filters: Bi-polar filter unit with LPF and HPF - Realtime resonance control for channel filters - Active USB hub to connect USB accessories
3-band EQ with adjustable behaviour (classic/kill) -

Two digital displays showing real-time information of parameter changes -

Digital mixer architecture with extensive adjustment options - Extensive setup menu, including:
- EQ frequency range (low, high)
- Neural Mix EQ mode
- Audio interface routing
- Booth output zone routing (matrix)
- Cue solo option
- RMX innoFADER compatible
- Adjustable linefader and crossfader curves
- MIDI-compatible control elements
- 2x High-retention USB 2.0 port, especially durable
- 2x Headphone outputs via 6.3/3.5 mm stereo jack with split cue
- 2x Mic inputs with dedicated MIC ON button
- Booth output in stereo or mono
- High-quality and hard-wearing, pure black metallic finish
- Sturdy construction in a metal housing with bolted metal shafts
- Kensington lock to secure the device
- Incl. instruction manual, power cord and USB cable

- Frequency Range: 20 Hz - 20 kHz +2/-3dB - Inputs: 7x line RCA, 2x phono RCA, 1x mic combo-XLR/jack, 1x mic 6.3mm jack (TR), 2x USB port - Outputs: master XLR (balanced), master RCA (unbalanced), booth (TRS) (balanced), rec RCA (unbalanced), 1x headphones 6.3mm jack, 1x headphones 3.5mm jack - EQ range classic at 70 Hz, 1 kHz, 13 kHz: -26 dB/+9 dB - EQ range isolator at 70 Hz, 1 kHz, 13 kHz: -90 dB (total kill)/+9 dB - EQ range mic at 100 Hz, 10 kHz: -12 dB/+ 12dB - EQ headphones at 100 Hz, 10 kHz: -29dB - Power Source: AC100-240V, 50/60Hz - Power Consumption: 29 W - Dimensions: 322(W) x 387(D) x 107.5(H) mm - Weight: 6.8 kg

dimensions (LxWxH) in mm
445x442x153

dimensions outerbox in mm
460x452x327

Introducing the Headliner R4, a 4-channel analog rotary mixer
designed to elevate your DJ experience. Continuing the
tradition of precision, warmth, and affordability, the R4 is
packed with enhanced features and top-notch components,
including genuine ALPS potentiometers, ensuring an unparalleled mixing experience.

Crafted with four Line inputs, three Phono inputs, and one
Mic input on four stereo channels. Each channel boasts
essential features like gain control with peak LED, a 3-band
isolator EQ, headphone cue selector, generous channel volume
knob, and a filter activation switch, granting DJs precise control
over their sound.

At the heart of the R4 lies the Master channel, equipped with
an analog filter, headphone monitoring, and a comprehensive output control section.

Seamlessly toggle between High Pass / Low Pass Filter modes
with Frequency and Resonance controls to shape your signature sound.

Featuring independent Master and Booth outputs, both
equipped with volume controls and balanced XLR and
unbalanced RCA connectors, the R4 ensures seamless connectivity across various sound systems. Dual LED level meters for the Master output facilitate precise monitoring and
adjustment of audio levels. Additionally, the mixer boasts a
dedicated Record output with unbalanced RCA jacks, and an
additional microphone input with level control located on the
front panel.

The Headliner R4 stands as a testament to precision and
warmth in the DJ realm. Whether spinning house, techno, or
the timeless funk/soul/disco beats, this versatile mixer elevates
your setup, ensuring your mixes stand out with exceptional
quality and control

• Three stereo channels with selectable Line and Phono RCA inputs and one channel with selectable stereo Line and mono Microphone.
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED.
• Master channel features analog filter, headphone monitoring and output control section.
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls.
• Genuine ALPS potentiometers.
• Headphone Cue control section features headphones volume control, headphones mix control (Cue/Master), and split
monitor switch.
• High current headphone amplifier with dual 1/4” and 1/8” jacks.
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs.
• Additional Record output with unbalanced RCA jacks.
• Dual LED level meters for the Master output.
• Microphone input with level control on front panel.
• Sturdy metal enclosure with stained wood side panels for a classic look
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector.
• Push-button power switch on rear panel

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: 100dB (A-Weighted)
Crosstalk: 100dB
Übersprechen: < -65dB
THD + N: < 0,05%
Kopfhörerausgang
Maximaler Ausgangspegel: 70mA/Kanal in 150Ω
Minimale Lastimpedanz: 32 Ohm/Kanal
Stromversorgung
Typ: Extern mit verriegelbarem Mini-XLR-Stecker
Eingangsspannung: 100-240v ~ 50/60Hz
Ausgangsspannung: +/-15V; 500mA
Spezifikationen:
Abmessungen: 320 x 310 x 106 cm / Gewicht: 3,5 kg

4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

OMNITRONIC TRM-422: THE ROTARY MIXER ON A NEW LEVEL
The desired child

Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

FULL CONTROL
Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.
The master output is available to the DJ in both XLR and RCA versions.

EFFECT WAYS
The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.


DVS INTEGRATION
The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

MONITOR SECTION
The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).


MICROPHONE INPUTS
The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

BACKUP SOURCE
With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.


ACTIVATABLE CROSSFADER
If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

SET RECORDING
The RCA record-out makes it easy to record your own DJ set.

FEATURES
4-channel rotary mixer with 3-band frequency isolator and filter section for DJs

3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27)
Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
Filter section with HPF, BPF, LPF, resonance and sweep control for creative sound shaping
4 stereo input channels with gain control, clip LED, 3-way equalizer and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
High-grade components ensure long life and excellent sound quality
16-digit stereo LED level meter, switchable between master and booth outputs
Booth output with separate 2-way equalizer and level control
PFL section with 16-digit stereo LED level meter, level control, PFL/master mix control and cue mix/split option
Fully assignable VCA crossfader with adjustable curve
2 effects send/return paths
4 direct outputs for Timecode applications
Inputs: 8 x line and 4 x phono (RCA L/R), 1 x front aux (mini jack)
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
483 mm rack installation possible with supplied mounting brackets
Desktop console housing

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz
Line 20 - 20000 Hz
Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line
>91,7 dB Microphone
THD: Line -68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls
Status LED: Power, master level meter, clip, CUE
Connections: Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version
Chanals: Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch,
Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm
Depth: 28,5 cm
Height: 10,5 cm
Weight: 5,74 kg

"analogis Phono-Pre-Amplifier »easy Phono«
MM-Cartridge only - RCA & DIN connectors
Gold plated RCA connectors, incl. Ground connection screw
External power supply unit"

Technical data:

Cinch & DIN 5-pin:
Input 5 mV / 100 kOhm 1 kHz. Max. Inpunt 30 mV
Output 450 mV / 100 kOhm / 1 kHz
Frequency range: 18 Hz – 20.000 Hz
External Voltage Distance: >50 dB.
Size: 100 x 65 x 35 mm
External Power Supply:
Primary 230 V~ / 50 Hzm / 8,7 W
Secundary 12 V= / 300 mA / 3,6 W
Stand By Power Consumption: <0,3

"analogis Phono-Vorverstärker »easy Phono«
MM-Entzerrer-Vorverstärker - Cinch & DIN Anschlüsse
Cinch-Anschlüsse vergoldet, inkl. Masseschraube
Externes Netzteil"

"Thorens Cinch-Phono-Cable
1.0 m with ground line"

"Thorens Cinch-Phono-Kabel
1,0 m mit Masseleitung"

shipping only to EU Possible !

WARM4 is Ecler's newest rotary analogue mixer, inspired by New York's Paradise Garage, described by François
Kevorkian as the "temple of music" and whose influence has significantly shaped some of today's best clubs.

Designed and manufactured in our Barcelona facilities, WARM4 is a mixer that keeps in mind the classic Ecler mixers structure, with completely redesigned circuitry and mechanics. This goes from the new PCB board that further improves noise level and dynamic range, to the front-plate screw potentiometers, carefully handassembled by our production team.

Keeping alive its innovative spirit since the first A4 mixer in 1971, Ecler introduces a dj tool never included in a mixer before: an analogue subharmonic synthesizer. Inspired by the original device installed in the Paradise Garage booth, we have created our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the dj can adapt it according to the recorded song and the features of the sound system.

In WARM4 you will also find the 4th order Isolator filter already included in WARM2, as well as 4 mixing channels, 3-band full EQ cut per channel and Alps metal shaft high quality potentiometers. Using your favourite external effects module has never been easier.

WARM4 offers you the opportunity to send the PRE/POST fader signal, as well as regulate and pre-listening to the amount of effects return.

WARM4 is specially designed for sound systems capable of reproducing this type of subsonic frequencies, clubs, festivals and events where subwoofers are of vital importance. Bring to your audience an unprecedented experience on the dancefloor and a different way of feeling the music.

Der WARM4 ist Eclers neuester analoger Rotationsmixer, inspiriert von der New Yorker Paradise Garage, die von François Kevorkian als "Tempel der Musik" bezeichnete und dessen Einfluss einige der besten Clubs von heute maßgeblich geprägt hat.

Der WARM4 wurde von ECLER Werk in Barcelona entwickelt und hergestellt und ist ein Mixer, der die klassische Struktur der Ecler-Mixer beibehält.

Ecler-Mixer erinnert, mit völlig neu gestalteten Schaltkreisen und Mechanik. Angefangen bei der neuen Platine, die den die den Rauschpegel und den Dynamikbereich weiter verbessert, bis hin zu den Schraubpotentiometern an der Frontplatte, die von unserem Produktionsteam sorgfältig von Hand montiert werden.

Produktionsteam.
Unter Beibehaltung des Innovationsgeistes, den Ecler seit dem ersten A4-Mischpult im Jahr 1971 an den Tag legt, stellt das Unternehmen ein DJ-Tool vor, das noch nie in einem Mischpult enthalten war.
Eingebaut ist: ein analoger subharmonischer Synthesizer. Inspiriert von dem Originalgerät, das in der Paradise Garage Kabine installiert war, hat ECLER eine eigene Schaltung entwickelt, welche es erlaubt, den Subharmonischen Generator auf verschiedene Frequenzen einzustellen, so dass der DJ ihn je nach dem aufgenommenen Song und den Eigenschaften des Soundsystems anpassen kann.

Im WARM4 finden Sie auch das Isolator-Filter 4. Ordnung, das bereits in WARM2 enthalten ist, sowie 4 Mischkanäle, 3-Band-Full-EQ-Cut pro Kanal und hochwertige Alps-Potentiometer mit Metallschafft. Die Verwendung Ihres bevorzugten externen Effektmodul war noch nie so einfach.

Der WARM4 bietet Ihnen die Möglichkeit, dass PRE/POST-Fadersignal zu senden, sowie sowie die Menge des Effekt-Returns zu regulieren und vor hören zu können.

Der WARM4 wurde speziell für Beschallungsanlagen entwickelt, welche in der Lage sind, diese Art von Unterschallfrequenzen wiederzugeben, für Clubs, Festivals und Veranstaltungen, bei denen Subwoofer von entscheidender Bedeutung sind. Bringen
Sie Ihrem Publikum ein noch nie dagewesenes Erlebnis
auf dem Dancefloor und eine andere Art, die Musik zu spüren.

PRODUCT OVERVIEW
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona.
Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

KEY FEATURES
• 4 Mixing channels.
• 4 PHONO inputs.
• 4 LINE inputs.
• 2 MICRO inputs.
• Master Output on XLR and RCA connectors.
• Booth Output on XLR and RCA connectors.
• Headphone Monitor Output on 6.3mm J ack and 3.5mm
mini-jack.
• 3 band isolator full cut EQ.
• 3 band isolator (300Hz and 4KHz, -∞ /+12dB, 4th order
24dB/oct ).
• Analogue Subharmonic Synthesizer for sub-bass
frequency reinforcement selectable per channel.
• Maximum Output without distortion: 21dBV (23dBu).
• FX Send control and Pre/Post fader selector per channel.
• FX Return control and PFL.
• Alps metal shaft high quality potentiometers.
• Mechanized from a solid block of aluminum knob, without
visible screw. Ecler Unique design.
• Wooden side panels included.

APPLICATIONS
• Night Clubs
• DJ s studios
• Itinerant DJ performances

WARM4
AUDIO PERFORMANCES
Inputs
Number of Inputs LINE 4 Stereo Unbalanced Inputs
PHONO 4 Stereo Unbalanced Inputs
MICRO 2 Mono Balanced Inputs
FX RETURN 1 Stereo Unbalanced Input
Connectors type LINE 1-2-3-4 RCA STEREO
PHONO 1-2-3-4 RCA STEREO
MICRO 3 XLR3-F
MICRO 4 Combo XLR3F-6.3mm TRS BAL
FX RETURN RCA STEREO
Inputs Sensitivity nom/Impedance LINE 0dBV/50kΩ
PHONO -40dBV/50kΩ
MICRO -50dBV/>1kΩ
FX RETURN 0dBV/>6kΩ
Performances
Frequency Response LINE 10Hz÷30kHz -1dB
MICRO 10Hz÷25kHz -1dB
PHONO RIAA ±0.5dB
FX RETURN 10Hz÷50kHz -1dB
THD+N LINE 75dB @ 1kHz
Signal Noise Ratio LINE >105dB
MICRO >90dB
PHONO >100dB
FX RETURN >110dB
Trim control INPUTS 1-2-3-4 ± 15dB
Tone control Inputs 1-2-3-4 BASS +10/-30dB
MID +10/-25dB
TREBLE +10/-30dB
Tone control Isolator BASS +12/-70dB
MID +12/-40dB
TREBLE +12/-70dB
Tone Filter cut frequency at -6dB
(slope 12dB/oct)
BASS
MID
200Hz
200Hz÷6.8kHz
TREBLE 6.8kHz
Isolator cut frequency at -6dB
(slope 24dB/oct)
BASS
MID
300Hz÷4kHz
TREBLE 4kHz
Analogue Subharmonic Synthesizer Input selective filter 50÷120Hz
Harmonics
synthesis
25÷60Hz
Max Output level +12dBV

Number of Outputs HOUSE 1 Stereo Balanced Outputs
1 Stereo Unbalanced Outputs
BOOTH 1 Stereo Balanced Outputs
1 Stereo Unbalanced Outputs
HEADPHONE 2 Stereo Unbalanced Outputs
FX SEND 1 Stereo Unbalanced
REC 1 Stereo Unbalanced
Connectors Type HOUSE XLR3-M STEREO
RCA STEREO
BOOTH XLR3-M STEREO
RCA STEREO
HEADPHONE J ack Stereo 6.3mm
J ack Stereo 3.5mm
FX SEND RCA STEREO
REC RCA STEREO
Outputs Level/Minimum Load HOUSE (BAL) 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (UNBAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (BAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (UNBAL) 0dBV/2.2kΩ 1V *(+12dB 4V)
REC 0dBV/10kΩ
HEADPHONES 200mΩ/200Ω THD 1%
FX SEND 0dBV/2.2kΩ
Max Undistorted Output Level HOUSE (Electr.BAL) 21dBV (23dBu)
BOOTH (Electr.BAL) 21dBV (23dBu)
HOUSE (UNBAL) 21dBV (23dBu)
BOOTH (UNBAL) 21dBV (23dBu)

MISCELLANEOUS
Control Mode Rotary with Alps Blue Velvet Potentiometers and Alps RK09L
potentiometers
Phantom Voltage 18VDC/5mA Max (Default ON)
Input VU-Meter LED 12 segments (-38dBV ÷ +10dBV)
House-Mix-Booth VU-Meter LED 12 segments (-30dBV ÷ +20dBV)
Subharmonic Output VU-Meter LED 3 Segments (-20dBV / 0dBV / +4dBV)
ELECTRICAL
Power Supply Internal
AC Mains Voltage 90-264VAC 47-63Hz
AC Main Connector 15A IEC inlet connector
Rated power consumption 39 VA
PHYSICAL
Operating Temperature -5˚C ÷ 45˚C / 23˚F ÷ 113˚F
Operating Humidity 20 - 90% RH (no condensation)
Storage Temperature -10°C ÷ 50˚C / 14°F ÷ 122˚F
Storage Humidity 1kΩ
FX RETURN: 0 dBV / >6kΩ
LEISTUNG:
—
Frequenzgang:
LINE: 10Hz÷30kHz -1dB
MIKRO: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: 75dB bei 1kHz
Signal-Rausch-Verhältnis:
LINE: >105dB
MIKRO: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim-Steuerung / Klangregelung für Eingänge 1-2-3-4:
EINGÄNGE 1-2-3-4: ±15dB
BASS: +10/-30dB
MITTE: +10/-25dB
HÖHEN: +10/-30dB
Trim-Steuerung / Klangregelung für den Isolator:
BASS: +12/-70dB
MITTE: +12/-40dB
HÖHEN: +12/-70dB
Klangfilter Cut-Frequenz bei -6dB (Flankensteilheit 12dB/Okt):
BASS: 200Hz
MITTE: 200Hz÷6.8kHz
HÖHEN: 6.8kHz
Isolator Cut-Frequenz bei -6dB (Flankensteilheit 24dB/Okt):
BASS: 300Hz÷4kHz
MITTE:
HÖHEN: 4kHz
Analoger Subharmonics-Synthesizer:
Selektiver Filter für den Eingang: 50÷120Hz
Harmonics-Synthese: 25÷60Hz
Maximaler Ausgangspegel: +12dBV
AUSGÄNGE:
—
Anzahl der Ausgänge:
HOUSE: 1 Stereo symmetrische Ausgänge / 1 Stereo unsymmetrische Ausgänge
BOOTH: 1 Stereo symmetrische Ausgänge / 1 Stereo unsymmetrische Ausgänge
KOPFHÖRER: 2 Stereo unsymmetrische Ausgänge
FX SEND: 1 Stereo unsymmetrischer Ausgang
REC: 1 Stereo unsymmetrischer Ausgang
Anschlusstypen:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO

KOPFHÖRER: Klinke Stereo 6.3mm / Klinke Stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Ausgangspegel / Minimale Last:
HOUSE (symmetrisch): 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (unsymmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (symmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unsymmetrisch): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
KOPFHÖRER: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximaler unverzerrter Ausgangspegel:
HOUSE (elektrisch symmetrisch): 21dBV (23dBu)
BOOTH (elektrisch symmetrisch): 21dBV (23dBu)
HOUSE (unsymmetrisch): 21dBV (23dBu)
BOOTH (unsymmetrisch): 21dBV (23dBu)
ELEKTRISCH
Stromversorgung: Intern
AC-Netzspannung: 90-264VAC 47-63Hz
AC-Netzstecker: 15A IEC-Einlassstecker
Nennleistungsaufnahme: 39 VA
SONSTIGES
Steuerungsmodus: Rotary mit Alps Blue Velvet Potentiometern und Alps RK09L
Potentiometern
Phantomspeisung: 18VDC/5mA max (Standardmäßig EIN)
Eingang-VU-Meter: LED 12 Segmente (-38dBV ÷ +10dBV)
House-Mix-Booth VU-Meter: LED 12 Segmente (-30dBV ÷ +20dBV)
Subharmonics Ausgangs-VU-Meter: LED 3 Segmente (-20dBV / 0dBV / +4dBV)
PHYSIKALISCH
Betriebstemperatur: -5˚C ÷ 45˚C
Betriebsfeuchtigkeit: 20 - 90% RH (keine Kondensation)
Lagertemperatur: -10°C ÷ 50˚C
Lagerfeuchtigkeit: <90% RH (keine Kondensation)
Installationsmöglichkeiten: Tisch- oder Rackmontage mit optionalen Zubehörteilen
Im Lieferumfang enthaltenes Zubehör: IEC-Kabel EU
Abmessungen (BxHxT): 34,0 x 8,1 x 37,2 cm
Gewicht: 5,32 kg
Versandabmessungen (BxHxT): 49,5 x 17,5 x 43,5 cm
Versandgewicht: 6,74 kg

Keep your CD player or Mixer clean and dust free when not in use with these official DMC Technics protective covers. These stylish, durable, fabric covers feature the Technics logo embroidered in gold, silver, or gun metal black thread.

Designed to fit various model CD Players and Mixers not just Technics.

Perfect at home, in the studio or in the club.

Classic Technics logo embroidered in black thread
Hard-wearing, durable fabric
Protects against dust and grime
Splash proof denier
Ideal for ugly or damaged plastic covers
Dimensions 18 x 14 x 6.75 inches (38.5 x 32.5 x 13.5 cm)
Official merchandise

"BT 26 Phono / Microfone Pre - Amplifier + UK-Power supply
and EU-Adapter"

Designed for use with any amplifier without a phono aux input
IC technology for low noise, high gain pre-amplification
Suitable for use with turntables with magnetic cartridges
Also suitable for use with stereo and mono microphones

TECHNICAL SPECIFICATIONS
Input Impedance: 50K ohms @ 1kHz
Input Level: 0.5mV Mic mode / 3mV Phono mode
Gain: 50 db Mic mode / 34 db Phono mode
Signal / Noise Ratio:
>48 db Mic mode / >55 db Phono mode
Freq. Response (Mic Mode):
+1db to -3 db / 70Hz - 20kHz
Equalisation (Phono Mode):
RIAA +1db to -3 db / 30Hz - 20kHz
Output Level: 150mV RMS
Load Impedance: >10K ohms
Overload Margin: 23 db
Crosstalk: 55 db
Supply Voltage:
12 - 15v DC 100ma. 1.3mm DC socket (centre + ve)

"BT 26 Phono-/ Mikrofon-Vorverstärker
mit UK-Netzteil und EU-Adapter Konzipiert für jeden Verstärker ohne Phono-Aux-Eingang Gefertigt nach RIAA-Spezifikation mit IC-Technologie für weniger Störgeräusche, High-Gain-Vorverstärkung
Auch geeignet für Mono- und Stereo-Mikrofone "

UDG CD Player/Mixer dust cover made from high quality material with exclusive UDG logo's printed in plastisol ink will be the best choice to protect your gears from dust and liquid drops.

Specification
Weight 0,10 kg / 0.22 lbs
EAN 8717228276187
Color Black
Outer Dimensions (W x H x D) cm: 45 x 32 x 13 | inch: 17.7 x 12.6 x 5.1
Inner Dimensions (W x H x D) Not Applicable
Material Water Resistant Nylon 210D
Protection Various equipment
Extra's UDG logo printed in plastisol
Fits CD Players/Mixers