Search:joe quarterman
- 1
We stumbled onto Al Muntzie’s under the radar soul beauty ‘Die Happy’ after conducting an interview with Joe Quarterman for a feature on our website.
It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. ‘Die Happy’ was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco.
Initial research didn’t shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself.
“I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to ‘Die Happy” and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians.
Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (EU). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done.
The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art.” We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves. Produced by the legendary Joe Quarterman
- A1: The Grand Jury - Music Is Fun To Me (Instrumental)
- A2: The Grand Jury - Music Is Fun To Me (Vocal)
- A3: South Side Coalition - (Don't You Wanna) Get Down Get Down (Don't You Wanna)
- A4: Chocolate Syrup - We've Got To Get Together (Brotherly Love) (Brotherly Love)
- A5: Three Ounces Of Love - Disco Man (Part 1 & 2)
- B1: Crystal Image - Gonna Have A Good Time (Instrumental)
- B2: Crystal Image - Gonna Have A Good Time (Vocal)
- B3: Lenny Welch - A Hundred Pounds Of Pain
- B4: Prophecy - What Ever's Your Sign (You Got To Be Mine) (You Got To Be Mine)
- B5: Prophecy - What Ever's Your Sign (You Got To Be Mine) (You Got To Be Mine)
- B6: The Dramatics - No Rebate On Love
- B7: The Electric Ladies - Nothing Between Us
In the mid-70s, Bob Shad’s cult New York Jazz label Mainstream Records turned to the burgeoning underground Disco scene and released a handful of great singles produced by the likes of Tommy Stewart, Jimmy Roach or Bert DeCoteaux. Featuring artists from the early Disco hotbed including South Side Coalition, Chocolate Syrup and Three Ounces of Love, these singles, proving Shad's great flair, accompanied the rise of the New York club and block party culture that was going to revolutionise the musical landscape a few years later. Most of the singles are officially reissued here on vinyl for the first time, with Three Ounces of Love's "Disco Man" full mix previously unissued on vinyl. Remastered by Colorsound Studio in Paris, with liner notes by Charles Waring and artwork by Thomas C. Bradley
Funk and Soul in the early 70s were mutating to a new sound spearheaded by such labels as Philadelphia International Records (PIR), Scepter and Salsoul: Early Disco was taking off and Its sound was earthier and more urban, mixing the nascent Disco beat with strong funk and soul elements. New York was at the epicentre of the phenomenon, thanks to its thriving club scene and also to a new wave of DJs from the Bronx who started playing the music at block parties along with James Brown and Mandrill. bubbling under was a cohort of small independent labels that released some great music on 7" singles to meet the growing demand. Industry veteran Bob Shad and his label Mainstream Records started investigating this new scene and asked his circle of independent producers to bring him their latest production for release. For the occasion, he set up two sub labels, IX Chains and Brown Dog.
Among the producers who'd heard Shad's call were Tommy Stewart who came up with The South Side Coalition's funky '(Don't You Wanna) Get Down Get Down' in 1975 and Prophecy's 'What Ever's Your Sign' a year later. Seasoned arranger/producer Bert DeCoteaux (Patti Austin, Maxine Brown, The Main Ingredient) brought Lenny Welch's soulful 'A Hundred Pounds of Pain' and the superb mid-tempo instrumental 'Nothing Between Us' by The Electric Ladies. Arranger Jimmy Roach came with his latest single with The Dramatics ('No Rebate on Love') whom he'd worked with at Volt and with Three Ounces of Love on their aptly titled single 'Disco Man,' whose unissued long version merging Side 1 and 2 is released here on vinyl for the first time. The sister group would go on to sign with Motown in 1978 and release their sole album self-titled 'Three Ounces of Love.'
Other highlights on 'Mainstream Disco Funk' include The Grand Jury's 'Music is Fun To Me' with its languid funky rhythm arranged by Ted Bodnar, a producer and studio engineer who'd work with Sir Joe Quarterman, Blair and Al Johnson. Also featured on the set is Crystal Image's superb 'Gonna Have a Good Time (part 1 & 2) which typifies the blend of urban funk, glitzy strings and metronomic beat that were signature elements of early Disco.
The style would keep getting more commercial over the years and reach overkill in the late 70s but the block party scene which more than embraced this breakbeat-filled genre would soon morph into hip hop in the second half of the 70s with the help of a few key industry figures such as Sylvia Robinson (Sugar Hill Records). By that time, Bob Shad had ceased releasing records and relocated in Los Angeles but he left behind a small treasure trove of superb obscure singles which are now making their LP debut on 'Mainstream Disco Funk' for the delight of all funk and disco lovers.
- A1: Barry White - Change
- A2: George Mccrae - I Get Lifted
- A3: Andre Maurice - You're The Cream Of The Crop
- A4: Sir Joe Quarterman & Free Soul - I’ve Got So Much Trouble In My Mind (Part 1 & 2)
- A5: Isaac Hayes - Theme From Shaft
- B1: James Brown - Funky Men
- B2: The Whispers - And The Beat Goes On
- B3: Syl Johnson - Ms Fine Brown Frame
- B4: Sweet Thunder - Everybody’s Singin’ Love Songs
- B5: Incredible Bongo Band - Apache
- C1: Manu Dibango - Soul Makossa
- C2: Curtis Mayfield - Toot An' Toot An' Toot
- C3: Al Jarreau - The Same Love That Made Me Laugh
- C4: Stretch - Why Did You Do It?
- C5: Black Ivory - I Keep Asking You Questions
- C6: Bobby Byrd - Back From The Dead
- D1: Cymande - Brothers On The Slide
- D2: Clarence Reid - If It Was Good Enough For Daddy
- D3: The Jimmy Castor Bunch - The Mystery Of Me
- D4: Uncle Louie - I Like Funky Music (Feat Walter Murphy)
- D5: Joe Bataan - Rap-O Clap-O
- D6: Imagination - Music & Lights
Freestyle Records in association with Rare Sounds USA present a stellar repress of Speedometer's 2003 debut LP This Is Speedometer.
Originally released on Clive Johnson's Blow It Hard (started after the demise of the well-loved weekly Soho club night of the same name, and home to the New Mastersounds first releases alongside choice cuts from JTQ and others) This Is Speedometer showcased the sounds of one of the UK's premier acts in the deep funk scene of the early noughties for the first time on the long player format.
Starting out back in 1999, Speedometer started out as an instrumental quartet gigging in small clubs in the Southeast of England, paying homage to classic funk tunes by artists such as The Meters and The JB's. The band soon expanded and began writing original material, adding the highly regarded horn section and vocalists in 2001, which enabled them to deliver the powerhouse deep funk sound on display here. In addition to their own albums, singles and live shows, Speedometer have backed many US funk & soul legends including Sir Joe Quarterman, Eddie Bo, Marva Whitney, Sharon Jones & Lee Fields and more.
Now coming up on 20 years since it's original release, you can now marvel at Speedometer's classic, original soul-funk sound thanks to a sparkling new cut. Dig in!
d 04: Just Keep On (Doin the Do) feat. The Speedettes
- A1: Sir Joe Quarterman & Free Soul - (I've Got) So Much Trouble In My Mind (I've Got)
- A2: Eugene Blacknell & The New Breed - Dance To The Rhythm
- A3: Mavis John - Use My Body
- A4: Betty Wright - All Your Kissin' Sho' Don't Make True Lovin
- A5: Gil Scott-Heron - Lady Day & John Coltrane
- B1: Oby Onyioha - Enjoy Your Life
- B2: Incredible Bongo Band - Apache
- B3: Patrice Rushen - Music Of The Earth
- B4: Lonnie Liston Smith & The Cosmic Echoes - Expansions
- B5: Millie Jackson - I'm Free
- 1






