Another classic selection from the Mad Professor. A Various Artists compilation featuring the Queens Of ARIWA. Smooth Lovers Rock meets Reggae head on as the ladies on ARIWA deliver
stunning vocal performances. Features Carroll Thompson, Aisha, Jah 9 and Jayzik. Mad Professor and ARIWA Records have been producing music and releasing
CDs and Vinyl for nearly 30 years with acatalogue of a good few hundred titles. Stunning LP artwork
quête:lady marga
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New pressing on black vinyl (500 units). Following the recently released and highly praised Trees 50th Anniversary box set on Earth Recordings, Trees reissue their debut album ‘The Garden of Jane Delawney’as a standalone release. It’s now over fifty years since Trees’ formation, a band who helped define ‘Acid Folk’, creating a sub-category in the lexicon of record dealers and music critics alike. “When we are talking about psych folk or acid folk, we are really talking about music like this by Trees” Stuart Maconie, BBC6 Music. Trees first album, ‘The Garden of Jane Delawney’ (1970) snuggles nicely into contemporary nu-folkies’ idea of the genre, and shares some of the pastoral-whimsy that characterised The Incredible String Band or Donovan, offset by some stunning interpretations of traditional material and Bias’ own songs. The record includes readings of ‘Lady Margaret’, ‘Glasgerion’, the old standard ‘She Moved Thro’ The Fair’, and the extended fade of the group’s own ‘Road’, presage the explosive instrumental duelling that would come to characterise the follow up album, ‘On The Shore’. // “The music’s arcane power remains intact” Mojo. // “A fantastic band” Record Collector. // “Spectacular” Uncut. // “Sublime” Shindig. // Timeless” Prog. // “It’s these two original albums that stand as pinnacles of form” The Wire. // Track listing: A1. Nothing Special A2. The Great Silkie A3. The Garden of Jane Delawney A4. Lady Margaret B1. Glasgerion B2. She Moved Thro' The Fair B3. Road B4. Epitaph B5. Snail's Lament
‘Their ability to harmonize together is stunning, their reedy voices coming together and pulling apart amid delicate fingerstyle guitar and concertina deployed in just intonation, which imparts a deeply resonant, almost glowing harmonic presence. It’s all quite subtle, and if you only listen to the way the voices of Cater and Rasten blend you might even miss it—but the full sonic spectrum is what distinguishes and, in certain ways, connects it to traditional practice… Although the album is pure balladry, unfolding with exquisite patience, each song contains nifty little flourishes or instrumental elements that set them apart, such as the slide guitar and wheezy bass harmonica on For the Ear That is No More, or the slow peal of trumpet on Death and the Lady, courtesy of Rasten’s partner in Pip and Oker, Torstein Lavik Larsen. (Peter Margasak, Nowhere Street).
‘All done with such grace and elegance, without a note wasted or any required. Wonderful… faultless and deeply considered’ (Glenn Kimpton, KLOF).
Three high English and Scottish ballads, and three original settings of European folk tales.
Matt gatefold cover; gloss spot varnish.
Check it out!
- A1: Eighteen Days
- A2: Sir Casey Jones
- A3: The Highest Tree
- A4: Deed I Do
- A5: Hide And Seek
- B1: Twig Folly Close
- B2: Lady Margaret
- B3: Cold Early Morning
- B4: Monday Morning’s No Good Coming Down
- B5: The Waterman’s Song To His Daughter
- C1: Seven Dials
- C2: Up The Hill
- C3: Quiet Joys
- C4: Would Be King
- C5: Stone Cold
- D1: Tell Me Tomorrow
- D2: Mary Anne
- D3: Dawn
- D4: Cod’ine
- D5: Flowers Of The Forest
“Released on Joe Boyd’s Hannibal label here was a band rooted in Thompson/Swarbrick Fairport but also a snatch of the Velvet Underground and a sprig of The Byrds. The Eighteenth Day Of May evoked a legendary era, and now they are a justifiably legendary band too.” – KLOF Mag
Beginning life as a trio in London, 2003, the original line-up consisted of Allison Brice (vocals, flute), Richard Olson (acoustic guitar) and Ben Phillipson (guitar, mandolin) before expanding the following year to include the rhythm section of Mark Nicholas (bass) and Karl Sabino (drums, autoharp) and finally Alison Cotton (viola).
This being the mid zeros, the independent music scene in the UK was reluctant to embrace a sun-dazed folk band but this, their sole album, has gradually feathered a bed of affection amongst international folk fans. Twenty years on, the album is now rightfully seen as a trailblazer for the myriad alternative/psych folk bands that emerged in its wake.
Andy Childs who signed the band originally takes up the story. “I first heard their music on a cover mounted CD with the much missed Comes With A Smile magazine and as far as I could tell no-one was making music like this anymore, certainly not with such panache and confidence. To my jaded ears it all sounded so uninhibited - old weird folk songs, Americana, original psych-folk, minimalist drones. Great melodies and all six of them could sing! A joyous, unfettered sound that could in one moment conjure up flashes of The Byrds and then effortlessly the spirit of Velvet Underground would drift through. They even covered a Spacemen 3 song. I loved the fact that they had the aplomb to tackle traditional folk songs like Lady Margaret and Flowers In The Forest and not be afraid to stamp their own identity on them.
Signing them to the Hannibal label was straightforward. If anything the album somehow sounds fresh and undated, even better than it did in the day when perhaps eclecticism was out of synch with the times; its subtleties have become more apparent.”
“Their rendition of Lady Margaret builds to a headswirling crescendo that challenges anyone who claims Shirley Collins, Buffy Sainte-Marie or Trees have recorded the definitive version and the hallucinatory The Waterman’s Song To His Daughter raises an already brilliant album to an unholy level” - IT’S PSYCHEDELIC, BABY Magazine
- A1: Snatcher – Feat. Oliver Howlett
- A2: – Downfall – Part.1
- A3: – Not Our War
- A4: – Heritage
- B1: – Bright Future
- B2: – The Iron Lady
- B3: – Master Plan – Feat. Oliver Howlett
- B4: – Don’t Be A Traitor Feat. Oliver Howlett
- B5: – Fuzzy Thatcher
- B6: – She Had To Be Believed
- B7: – War
- C1: – Broken Dreams – Feat. Oliver Howlett
- C2: – Num Confrontation
- C3: – Chaos
- C4: – Business As Usual
- C5: – Revolting
- D1: – Tears Don’t Lie
- D2: – Way Of Her Cross
- D3: Ambiguous Memories
- D4: – Downfall Part.b
Exclusive Record Store Day Double Gatefold LP. 100 % New original songs done by the psychedelic french garage duo The Liminanas & german-french music composer David Menke for the forthcoming Arte documentary "Thatcher's Not Dead" dedicated to Margaret Thatcher. The only physical edition done is the this Double LP for the Record Store day.
- A1: The Lady Caliph/La Califfa (From "Lady Caliph"/"La Califfa")
- A2: Encounter/Incontro (From "The Master & Margaret"/"Il Maestro E Margherita")
- A3: You Will See Me Coming Back/Mi Vedrai Tornare (From "Mi Vedrai Tornare")
- A4: For Love One Dies/Si Muore D'amore (From "For Love One Dies"/"D'amore Si Muore")
- A5: A Woman To Remember/Una Donna Da Ricordare (From "Maddalena")
- B1: This Kind Of Love/Questa Specie D'amore (From "This Kind Of Love"/"Questa Specie D'amore")
- B2: To Lydia/A Lydia (From "Listen, Let's Make Love"/"Scusi, Facciamo L'amore?")
- B3: Down The Ancient Staircase/Per Le Antiche Scale (From "Down The Ancient Staircase"/"Per Le Antiche Scale")
- B4: Children Ask Us Why/I Bambini Ci Chiedono Perche' (From "Why"/"I Figli Chiedono Perche")
- B5: Lullaby For Adulterers/Ninna Nanna Per Adulteri (From "Mother's Heart"/"Cuore Di Mamma")
- B6: Beyond The Grave Lovers/Amanti D'oltretomba (From "Nightmare Castle"/"Amanti D'oltretomba")
- C1: Reason, Heart, Love/La Ragione, Il Cuore, L'amore (From "Devil In The Brain"/"Il Diavolo Nel Cervello")
- C2: Veruschka (From "Veruschka - Poetry Of A Woman"/"Veruschka - Poesia Di Una Donna")
- C3: For Love/Per Amore (From "For Love"/"Per Amore")
- C4: Lullaby In Blue/Ninna Nanna In Blu (From "Cat O' Nine Tails"/"Il Gatto A Nove Code")
- C5: Trip With Anita/Viaggio Con Anita (From "Lovers & Liars"/"Viaggio Con Anita")
- D1: What Have You Done To Solange?/Cosa Avete Fatto A Solange? (From "What Have You Done To Solange?"/"Cosa Avete Fatto A Solange?")
- D2: The Two Seasons Of Life/Le Due Stagioni Della Vita (From "The Two Seasons Of Life"/"Le Due Stagioni Della Vita")
- D3: Maybe That's Enough/Forse Basta (From "Around The World With Peynet's Lovers"/"Il Giro Del Mondo Degli Innamorati Di Peynet")
- D4: Portrait Of An Author/Ritratto D'autore (From "The Invisible Woman"/"La Donna Invisibile")
- D5: Neighborhood Romance/Romanza Quartiere (From "Neighborhood"/"Quartiere")
The Crown is a drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix Original. The show tells the biographical story about the early reign of Queen Elizabeth II of the United Kingdom. The fourth season features Olivia Colman as Queen Elizabeth, as the story traces her life from her wedding 1947 to the present day. The main cast is further completed by Emma Corin as Lady Diana Spencer, Gillian Anderson as Margaret Thatcher, Helena Bonham Carter and Tobias Menzies as Prince Philip, and many more. Martin Phipps once again composed the haunting minimalistic soundtrack for this Golden Globe Award winning drama series. It is pressed on ‘royal’ purple marbled vinyl as a limited edition of 750 individually numbered copies and the package includes a 4-page booklet.
- A1: The Lady Caliph / La Califfa (Titoli) From 'The Lady Caliph' / 'La Califfa
- A2: Encounter / Incontro From 'The Master And Margaret' / 'Il Maestro E Margherita
- A3: You Will See Me Coming Back / Mi Vedrai Tornare (Titoli Di Coda) From 'You Will See Me Coming Back' / 'Mi Vedrai Tornare
- A4: You Die Of Love / Si Muore D'amore From 'For Love One Dies'/ 'D'amore Si Muore
- A5: A Woman To Remember / Una Donna Da Ricordare From 'Maddalena
- B1: This Kind Of Love / Questa Specie D'amore (Titoli) From 'This Kind Of Love' / 'Questa Specie D'amore
- B2: To Lydia / A Lydia From 'Listen, Let's Make Love' / 'Scusi, Facciamo L'amore?
- B3: Down The Ancient Stairs / Per Le Antiche Scale From 'Down The Ancient Stairs' / 'Per Le Antiche Scale
- B4: Children Ask Why / I Bambini Ci Chiedono Perche' (Titoli) From 'Why'/ 'I Bambini Ci Chiedono Perche
- B5: Lullaby For Adulterers / Ninna Nanna Per Adulteri From 'Mother S Heart' / 'Cuore Di Mamma
- B6: Nightmare Castle / Amanti D'oltretomba From 'Nightmare Castle' / 'Amanti D'oltretomba
- C1: The Reason, The Heart, The Love / La Ragione, Il Cuore, L'amore From 'Devil In The Brain' / 'Il Diavolo Nel Cervello
- C2: Veruschka From 'Veruschka, Poetry Of A Woman' / 'Veruschka, Poesia Di Una Donna
- C3: For Love / Per Amore From 'For Love' / 'Per Amore
- C4: Lullaby In Blue / Ninna Nanna In Blu From 'The Cat O' Nine Tails' / 'Il Gatto A Nove Code
- C5: Trip With Anita / Viaggio Con Anita From 'Lovers And Liars' / 'Viaggio Con Anita
- D1: What Have You Done To Solange? / Cosa Avete Fatto A Solange? From 'What Have You Done To Solange?' / 'Cosa Avete Fatto A Solange?
- D2: The Two Seasons Of Life / Le Due Stagioni Della Vita (Titoli) From 'The Two Seasons Of Life' / 'Le Due Stagioni Della Vita
- D3: Maybe That's Enough / Forse Basta From 'Around The World With Peynet's Lovers' / 'Il Giro Del Mondo Degli Innamorati Di Peynet
- D4: Portrait Of An Author / Ritratto D'autore From 'The Invisible Woman' / 'La Donna Invisibile
- D5: Neighbourhood Romance / Romanza Quartiere From 'Neighbourhood' / 'Quartiere
Passion is the fifth and final part of a series of five double vinyl releases that bring together some of Ennio Morricone’s greatest soundtrack music. Each collection centres on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. Passion once again reminds us that everything in Italian life is approached with gusto, energy and passion.
Passion is available as a limited edition of 3000 individually numbered copies on pink and purple marbled vinyl. The package includes a 4-page insert with liner notes written by Claudio Fuiano. The gatefold sleeve contains a diamond glitter foil spot varnish on the outside and images of iconic movie posters on the inside.
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