TRULE Novedades

River Songs sees Al Wootton head deeper into esoteric rhythmic territory. Polyrhythmic hand percussion and bells are offset with modular synthesis and narcotic sound design that evokes the mysteries of the rainforest and the inherent psychedelia of nature. A heady dance floor river ride through unknown and uncharted spaces.

LIP017 welcomes Bochum-based artist Aleeks to Life In Patterns. Despite being born in the early 2000s, he is deeply inspired by the sound of that era, channeling its essence into a forward-thinking take on modern techno. He has already made a name for himself with releases on ARTS, Oktogon, and Rave Your Soul.

His mini album "Bloom" offers a fresh reinterpretation of old-school foundations. Blending early 2000s influences with contemporary techno aesthetics, the record delivers a modern edge while remaining rooted in the fundamentals-driving rhythms, percussion-heavy grooves, and powerful low-end energy. Rich chords and atmospheric pads add emotional depth, shaping a distinctive and immersive sonic identity.

Spanning eight tracks, "Bloom" moves effortlessly from peak-time intensity to ambient textures and functional club tools, capturing the full spectrum of Aleeks's sound and providing versatility for every moment of the night.

...Three years ago, we had our first contact with this mysterious being from another galaxy, and since then it has been spreading its AURA and relentless sound to everyone it has encountered. We don't really know where this is all heading, but a strange force pushes us to keep moving forward, spreading the sonic message of ALIEN RAVE in plastic format until it decides otherwise. We have no choice; the expansion continues...

Andre Zimmer returns to his home label Big Trouble Records for the 26th instalment. The Weight EP unfolds across four movements of smooth, driving house, tracing a line between tension and groove. Toronto carries direct influence from both Detroit and UK house at its core. With that, Zimmer delivers an EP that reflects his home city, while balancing the sounds of his new home, Berlin. The record emphasizes balance between cities, feeling, function and weight. “Music that continues to move me forward, staying true to what I love, without excess.”

Packed with live classics and brimming with his frenetic brand of mutated, electronic, anti-pop, this album marks the next step in Anklepants' march to world domination.

Anklepants' act gets a reaction from everyone that witness it. The hysteria surrounding him has gained momentum since the release of his 12' vinyl 'SPEEK You Little Re-facéé' on Love Love in 2013, propelled by a European tour last year with Otto Von Schirach and his sensational Boiler Room set. The 'SPEEK You Little Re-facéé' vinyl single served as a taster of what was to come with its 2 bombastic extended cuts (both also featuring here). Now, having sown the seeds of his message around the world, his debut album has arrived on Vinyl and CD.

The CD version of this album comes with a second disc containing reworkings of Anklepants' original tracks by other artists similarly carving their own paths through the modern übergründé, including Eomac, Valance Drakes, Kraig Grady, Lenkemz, Monster X, Bintus, FUKNO + more.

Pryma's sixth release is also the debut album from Audio Labour, the new alias of Dani Labb and Montei.

For the second installment of Gabu on vinyl, Baloo and Carlo take control with Lately, delivering their signature deep sound through two tracks recorded in their studio in Berlin.

Both tracks are elevated by standout remixes: first by Tour-Maubourg, with a subtle deep version of Lately, and Black Loops, who brings his fine take on Peanut Butter.

On June 5th, Tectonic Recordings will release Beatrice M.’s debut LP, Sinking, on a vinyl triple pack and digital download. The vinyl edition will be split across 3 separate 12” vinyl releases, packed in matching printed disco bags. This is part 2 of 3.
Beatrice M. pushes the needle forward for a sound and scene that nestles among a niche that blends UK dubstep, techno, and the golden era of tech house. The Paris-born artist is in their mid-20s and has been building up a grassroots following and plenty of momentum over the last few years, through their Bait label and its output of sonically resonant artists, alongside numerous remixes and collaborative and solo releases for labels such as Tectonic, Tempa, and Rinse. There are plenty of accolades coming in for Beatrice's work too, with notable DJ mixes for respected heavyweights such as Mixmag as well as featuring in Resident Advisor’s best mixes of 2025.
Beatrice is known for making deep explorations into the history of the scenes that have interested them, tracking and highlighting connections between dubstep, tech house, jungle and beyond across various self-produced, one-off radio shows, often taking a journalistic approach to subjects of true passion. They travel across Europe on a packed-out DJing schedule, avoiding air travel, and doing it mainly by train. Many of the LP's tracks started life as sketches put together on these long journeys, as the sights of different countries rolled past the window.
Having taken inspiration from Tectonic artists such as 2562, the label – a home to music that was originally placed in the dubstep-techno crossover spectrum—feels like the perfect place to host Beatrice M.'s debut album Sinking, beginning a new chapter for this kind of sound.
Given Beatrice M.’s reputation as a prolific collaborator, the LP naturally features a few heavy-hitting joint efforts. Bristol-based Sir Hiss features on the subby, 140bpm techno thumper ‘Juice’, while the LP title track, ‘Sinking’, brings forward Beatrice M.’s fresh take on influences from Tectonic’s past in a bass-driven 4/4 number that demands physical movement. ‘Dear Dubstep’ allows a moment to reflect, placing us in a spacious aqua-cave where atmospheric sounds are punctuated by wumping sub-bass, before we surface with ‘Help’ to catch our breath in the melancholy of the moment.

Special UK Import - Straight from the Stay Up Forever Headquarters !! Low Quantity available. The 8th Triple A brings Ben Fraser’s floor smashing ACID LOVE EP to the table…4 tracks of pounding psy-tinged Acid Techno for acid lovers everywhere…

Balearic London's very own Ben Gomori presents his first extended play since his 2024 debut album 'Collapsing Time', collecting an array of sensual sounds across four tracks. 'It's Always Sunny Above The Clouds' is a punchy collaboration with German powerhouse Lauer, powered by bright piano and synths paired with '80s acid house drums and a thick melodic bassline. 'Mucho Gusto!' goes full Italo, bouncy energy matched to an anthemic horn sample. 'Fun As Fk' makes great use of rising star Caio Cenci's infectious guitar licks over a phat-bottomed groove and camp '80/90s sample synths, and 'Inner Luv' slows the tempo for a chuggy flamenco-flecked bliss-out.

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release no less than four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib, this unforgettable recording (which is in fact the fruit of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)…

The cover of Funny Funky Rib Crib is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals). But on the record, the whole group, inspired and frenetic, tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. But, on both sides of the album the group also moves into a calmer groove, full of blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!!!

A deeper dive into the mind of the mysterious man who gave us Niggajazz at the top of the pandemic. Although only a six song ep, the title song gained traction for its jazz bop, house appeal. The follow up, New World Order is the first full length from the artist and displays a wider scope of that exact sound. Written and produced in 2021 NWO comprises tunes for the floor as well as the ride. With lush ballad Black Apple, The Common Suicides latin flare, The Torus’ obscurity and Ota Benga with its tribute to the worlds most renown human zoo attraction, this release is complete and advanced from the introduction received prior. We are pleased to present New World Order in a time when most needed to reflect and absorb carefully. We hope you enjoy it as much as we do!

Dexstar recordings returns for its 4th release, with Acid techno legend DDR. Prepare you self for a journey through pounding dark acid techno finishing with a hard techno staple.

Precious Bloom producer Dea returns on the Rush Hour Store Jams imprint with a fresh four tracker... tip!

The idea for Fairlight began shortly after Aradea Barandana purchased a Yamaha DX1 synthesizer. While exploring its presets, one sound in particular—called Fairlight sparked the initial concept for the EP. From there came the desire to create an Italo wave inspired track that would feel fresh to contemporary ears while still referencing the character of early electronic music.

Rather than following the traditional structure of dance music where drum machines and synthesizers lock into repetitive synchronized patterns the EP approaches composition more like a narrative. The music gradually unfolds, allowing melodies and harmonies to evolve so the listener is encouraged to stay with the piece from beginning to end.

Some of the harmonic ideas draw inspiration from Baroque music, particularly chromatic ascending progressions and voice-leading techniques. In contrast, other moments introduce playful bubblegum-inspired synth lines, adding lightness and color to the overall sound.

The result is a small collection of tracks that sit between nostalgia and experimentation where vintage synthesizers meet a compositional approach that values movement, surprise, and a sense of musical journey.

The British duo Andrew Eggleton and Daniel Hird, better known as Definite Grooves, return to Groove Culture with a new vinyl release that is pure energy for the dancefloor. Titled "Alive", this EP perfectly captures the essence of the label: delivering high-quality dance music curated with exceptional detail.

The record opens with the title track "Alive", a vibrant anthem that immediately sets the duo's intentions: solid grooves and infectious atmospheres. It follows with "Everyday (Move My Soul)", a track that, as the name suggests, hits all the right notes thanks to an impeccable rhythmic section and irresistible soul-infused warmth.

Side B keeps the momentum high with "Feel It", a track designed to keep the club moving during peak moments, while the closing is entrusted to "Don’t Do Disco". Despite the ironic title, the track plays with sophisticated house sounds, reaffirming the technical mastery of Eggleton and Hird.

In short, "Alive" is a must-have for vinyl collectors and DJs looking for that distinctive, elegant, and powerful sound that only Definite Grooves can deliver under the Groove Culture umbrella.

Dele Sosimi Afrobeat Orchestra - Too Much Information (Remixes)

2026 Repress on Black Vinyl!

Dele Sosimi Afrobeat Orchestra - Too Much Information (Remixes)
​
2026 Repress on Silver Vinyl!

Peach Discs continues into 2026 with a deeply jacking record from the king of the live house jam Demuja. If you've seen him on the 'gram you'll know just how incredibly prolific he is – the tracks that make up this EP were whittled down, tweaked and finessed from close to 100 demos, and we're thrilled with what we've put together, together. In his own words, the EP is "a little love letter to the dancefloor that lives within the idea of a long, sweaty night out. All the tracks were made at very different stages – some produced a while ago, others more recently – and I hope that’s part of what makes the EP interesting as well."

The "title.txt" EP embodies a pure distillation of Demuja's sound– rooted in classic house techniques with a dubbed-out sensibility and, the record's five tracks all stem from live-jams bashed out with focused intention in his Austrian studio on a plethora of drum machines, synths and effects units.

Things kick off with probably the wiggliest of the lot, as "Stop Asking Me" worms a long-range bassline around snappy, stripped-back drums before leaning towards techno (can you hear a snare on the 2 and the 4 cos i can't) on "Oldhead," as its dusty samples drag it back towards house, with a sprinkling of dubstep flavour tucked away in the breakdown. The A-side wraps up in a dubbed-out mode with "Say No More's" deep, modulating textures wrapping themselves around skippy, insistent percussion.

Those dub sounds carry over onto the B-side's "Tool 6," as classically filtered chords peek through the mix (though that bassline is definitely talking tech-house), and Pulse brings it home with strutting drums, disembodied vox and arcing synthlines.

We've also thrown in two bonus tracks you won't find on the 12" but will be available to those that pick up a copy of the record through the Peach Discs Bandcamp. Tasked with picking one fave each, Gramrcy went for "Almost Cherry," a barreling ride across an insistent Reese bassline reminiscent of Samuel L Sessions' best bombs, while Shanti chose the wiggling, diva-wailing "Art of Failing."

GP04 is brought to you by DJ Ali, the Lebanese-Australian artist based in Melbourne. In this EP, Ali explores the realms of percussive Techno, showcasing his distinctive use of melodies, vocals, and irresistible rhythms. Transformation EP is a collection of tracks where the perception of time is manipulated and stretched into a parallel realm. Come on board & enjoy the journey!