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Plug Trax is a Lithuanian-born techno and house producer currently based in Amsterdam. Deeply influenced by the iconic 90s Detroit techno movement, his sound combines a rhythmic, raw aesthetic with machine-driven intensity. Known for his classic sampling approach and swing-infused grooves, Plug Trax strikes a balance between timeless underground sounds and a forward-thinking edge.
Release Spotlight: Groovelicious EP on Gars Records
"Groovelicious EP" captures Plug Trax’s signature blend of gritty drum patterns, vintage-inspired chords, and percussion-driven energy, crafted for purists of the genre. The EP features two dynamic remixes by rising talents Octavio Octavio from Argentina and Gockel from Germany who bring fresh perspectives that enhance the EP’s raw, dancefloor-ready appeal.

Inner Zone returns to space•lab with an immersive EP exploring the meeting point of deep techno and progressive minimalism, shadowy rhythms and spatial resonance.

Folded Realm opens the release with a hypnotic pulse, drawing from the darker edges of the Inner Zone sound with precision and restraint. Goa’s Kohra steps in on remix duties, transforming the original into a tunnelling techno weapon — dense, focused, and primed for the floor.

Spiral Form is a slow-burn evolution, unfolding in layers of submerged textures and flickering synth work. Closing the EP, Fallout breaks formation with a menacing, breakbeat-driven excursion through scorched sonic terrain.

UK sound system culture stays strong with the heavyweight new 7” release from Vibronics and veteran roots vocalist Tann-I Browne, dropping now on the SCOOPS label. Titled “COLD WORLD”, this is a hard-hitting vocal and dub cut.
A first-time collaboration between these two UK reggae powerhouses, “COLD WORLD” is a potent slice of UK Roots Vocal + Dub, driven by Tann-I Browne’s unmistakably rich and powerful voice and reality-driven lyrics. The production is signature Vibronics: an up-tempo, militant stepper riddim laced with deep bass, crisp percussion, and the unmistakable touches of future dub.
The B-side version strips it down and dubs it out in true Vibronics style—ready for sound system play at full power.
This release is pressed on 7” vinyl and presented in a full-colour printed SCOOPS label sleeve, making it a collector’s item as much as a sound system weapon.

Burnski's Pilot takes flight once more with another journey into the heart of minimal and tech house, this time with Joolmad at the buttons. He is a UK artist making bold moves on the likes of Pillz and TSOL where he has showcased a contemporary take on the classic tech sound. 'Superlative' opens up here with bouncy drums and steel percussion to get things moving then 'Wobbler' gets more playful with some twisted acid lines and silky synth wisps that keep things trippy. 'Gone For' is more of a straight up driver with thudding kicks and warped sirens and 'Yurgen' has a woozy late night fluidity to it.

WRWTFWW Records is happy to announce the self-titled debut from Throwing Shapes, a new collaborative project featuring harpist Méabh McKenna, percussionist Ross Chaney, and label mainstay composer/producer Gareth Quinn Redmond. The immersive electronic meets traditional album is available on limited-edition LP housed in a heavyweight sleeve and including a beautiful mini-poster designed by artwork creator Stina Sandström. It is also available digitally.

A hypnotic, texturally rich exploration in sound led by the striking timbre of the Irish wire strung harp, Throwing Shapes weaves intricate instrumental tapestries with ambitious electronic synthesis and arrangements. The result is an immersive soundscape that feels rooted yet experiential and through which a unique vocabulary emerges - cinematic harp driven avant electronic conjuring lush sonic worlds that evoke both heritage and futurism.

Gareth Quinn Redmond's previous albums, Laistigh Den Ghleo, a ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, his tape loops wonder Ar Ais Arís, and his collaborative effort with Albert Karch, Warszawa, are still available on WRWTFWW Records - complete the collection…again and again!


Points of interests

- For fans of ambient, minimalism, environmental, experimental, electro-acoustic, traditional Irish instruments, synth, cinematic harptronica, Satoshi Ashikawa, Erik Satie, Midori Takada, Albrt Karch, ambient supergroups, mini posters inside record sleeves, heritage, futurism, and meditative journeys.

- Super limited edition vinyl of Méabh McKenna, Ross Chaney, and Gareth Quinn Redmond collaborative effort Throwing Shapes with an artwork by Stina Sandström.

Jay York is up next for the third release on Toca with his first solo EP, Viaje. This release marks a significant evolution in his sound, with elements of a deeper and headier approach to his infamous tool driven production style.

"New Juke Swing" marks SHONIIA's debut in the Juke/Footwork genre, where he fully embraces the rhythmic freedom that defines the style. Centered around sampling, the release weaves together a rich palette of New Jack Swing, R&B, and soul samples, layered over rapid, broken Chicago rhythms built primarily on the genre's staple drum machines - the RolandR70 and 808 - and spiced with looping vocal phrases.

The album doesn't reject the genre's rules - it plays with them. You'll hear breakbeat elements (MY MUSIC), signature clipping and lo-fi textures (KEEP FREAKY, LOOK AT ME), and even drill influences (HUNG UP AGAIN). The final countdown in DROP ITDOWN LIKE THIS can be read as both a tribute to the cyclical nature of beat-driven music - a core part of the producer's background - and a hint at a possible continuation of the series.

Identified Patient returns to Dekmantel for a third time with his Reset EP. The future-facing four tracker is another mutant fusion of bass and techno with low-end power with cerebral sound designs.

Job Veerman debuted on the Dekmantel UFO Series in 2019, returned in 2020 and has lit up the festival several times with transportative sets that balance power with precision. Like his productions on the Nerve Collect label, he co-runs with Gamma Intel, they are leftfield explorations of genre and tempo that find strange sensuality in often abstract ideas. Once again here, the Dutchman draws on eclectic influences to craft music that sounds like no one else but remains anchored by magnetic rhythms.

Opener 'Light' kicks off with a fuzzy synth line that slithers between syncopated drums. Whispered vocals drift through the mix as lurching basslines swell and collapse beneath them. The groove disassembles and reassembles in waves, propelled forward by bursts of glitchy, off-kilter percussion that's unsteady yet seductive. 'Scales' is a slow, menacing descent into rhythmic darkness. It sounds both ancient and futuristic with ghoulish vocalisations and filtered synths flickering like a badly wired circuit. There's a rave tension lurking throughout, but always in the shadows.

'Internal Pace' drives on but rides fluid, wobbly bass while tightly looped hits build the pressure. Layers of static and subtle distortion add grit to this unrelenting heads-down roller. Finally, 'Return' is a kinetic, razor-edged ride where jungle breaks collide serpentine melodies. Ethereal female coos drift in and out, brushing against spat-out vocal fragments so that tension crackles throughout this hallucinogenic trip.

With Reset, Identified Patient reaffirms his status as a singular voice who twists sound into evocative new worlds.

Since their debut, The Frail Tide in 2007, Australian Progressive Death Metal powerhouse BE‘LAKOR has made a huge impact on the international metal scene, turning heads with their technical-driven yet melodic songwriting. Now, almost 15 years later, the legendary five-piece returns with their new album Coherence (out October 29 via Napalm Records), proving themselves to be on top of their game with their most ambitious project yet! Eight tracks on Coherence display BE’LAKOR’s impressive spectrum of musical abilities, ranging from 12-minute-long journeys on “Much More Was Lost” to the atmospheric, fully instrumental “Sweep of Days”. Coherence is full of details that reveal more and more with every listen of the album: BE’LAKOR are not afraid to focus on extensive, cohesive songwriting while still managing to keep the listener on their toes.!

Don your bandanas, leather jackets and distressed jeans, because heavy metal is about to shine brighter than ever as Swedish newcomers BOMBER bring back the hottest era in hard rock history. Asserting their own trademark blend of 70s and 80s inspired classic and hard rock with catchy hooks, top-notch guitar solos and a vibrant aesthetic, BOMBER brings you their debut album, Nocturnal Creatures, via Napalm Records! After explosive live shows in Sweden and a subsequent tour of Germany, the hard rockers prove that the glorious era of rock isn’t over and that they’re already setting the highest standards on Nocturnal Creatures. On ten powerful tracks, BOMBER turns the night into an intoxicating adventure that convinces both old and new fans of the prominent classic and hard rock genre. Album opener and title track “Nocturnal Creatures” opens the gates with epic storytelling and interludes the following passionate ride through “Zarathustra”. With fiery vocals, melodic guitars and untamable drum-play, the track gets the listener’s pulse pumping, while “Fever Eyes” ensnares with wistful weeping choirs and guarantees a quickly increasing temperature. “Black Pants Magic” emerges into an unforgettable high-class rock experience through its industrious and catchy hook, while songs like “A Walk Of Titans (Hearts Will Break)” and “You’ve Got Demons” surprise with dynamic melodies and Anton Sköld’s powerful voice. On “The Tiger”, BOMBER send their listeners right into the eye of a raging thunderstorm of riffs driven by brilliant grooves, while “Kassiopeia” sets the strings on fire with its marvelous solos. Bursting album closer “Aurora” presents Nocturnal Creatures’ crowning achievement, bringing the 40-minute escapade to the edge of the world. With their new studio album, Nocturnal Creatures, the rising stars of Sweden establish a milestone in the legacy of hard rock that leads the once so majestic genre to new glory – marked by their very own special vision!

High Focus Records is delighted to announce the return of Verbz & Mr Slipz on ‘THE WAY FWD’, the anticipated full-length follow up to their 2019 LP ‘Radio Waves’.

An album fuelled by evolution, ‘THE WAY FWD’ pays respect to the signature sonics that are synonymous with the duo; the dust laden, sample driven boom bap energies are present throughout, with a greater focus on arrangement, form and musicality this time around.

Sourcing from the many adventures both Verbz & Slipz have been on in the five years separating the 2 x LPs; experiments across genres and BPMs informing the direction of travel before they completed the circle, ‘THE WAY FWD’ combines new spirit with a dizzying timelessness; Slipz’ sophisticated brushstrokes informing Verbz’ penmanship across 12-tracks of true introspection.

With features from Cappo, Cam Thomas and additional vocals from India Shan, ‘THE WAY FWD’ has all the makings of a classic release, especially if it ends up being Verbz & Mr Slipz’ last collaborative contribution to the genre…

Following some best-selling 12's on Manchester's Sperchen label, Psychederek returns with his latest EP 'Thinkin' Bout U', a four-part musical journey that blurs the boundaries between disco, new age, and Balearic bliss.

Across shimmering synthscapes, sun-drenched pads, and euphoric saxophone lines from collaborator Lewis Foster, the journey begins with Part 1 (Mercury) - an ambient opener evoking the late 80's Ibiza sound.
Part 2 (Venus) dives into the baggy-psych realm of Psychederek's sound, merging effects-drenched guitars with motorik drums in a swirling fusion of Madchester and Krautrock.
The energy picks up with Part 3 (Mars), a cosmic disco banger driven by the punchy snap of the LinnDrum, layered with analog warmth from the Prophet 6 and Moog Grandmother.
Closing out with Part 4 (Jupiter/Reprise), the EP circles back to its ambient roots...

Drawing inspiration from Manuel Gottsching and 808 State, this finale leans into improvisation, letting the saxophone, synth, and guitar weave freely into one expansive, hypnotic soundscape.

This debut on Psychederek's brand new label and event series Via Jupiter, 'Thinkin' Bout U' is a vibrant, genre-blurring statement limited to only 250 vinyl copies. Housed in a white card sleeve (every sleeve sprayed by hand so each sleeve is one of a kind) designed by Ben Brumpton.

1982 was a decisive year for The Fall. Their critically acclaimed album ‘Hex Enduction Hour’ was released in March on Kamera Records, closely followed by ‘Room To Live’ in September of that year. ‘Hex Enduction Hour’ was the fourth studio album by The Fall, building on their lo-fi production and featuring a two-drummer line-up. The album was recorded in Reykjavik, Iceland and Hitchin, Hertfordshire. Featuring the classic line-up of Mark E. Smith alongside Steve Hanley (bass), Craig Scanlon (guitar), Karl Burns (drums), Paul Hanley (drums) and Marc Riley (guitar). This is another fine addition to Cherry Red’s series of deluxe Fall re-issues – “Fall Sound Archive”. ‘Hex Enduction Hour’ and ‘Room to Live’ are also available on a 7-CD boxset – “1982” Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics. “They are always different; they are always the same.” John Pee

The second installment in the SEMPLATE series arrives with force, presenting "Clones" — four-track EP by British duo Evasion & Conman. Run of 200 copies on transparent red / black splatter vinyl. Across the record, Evasion & Conman navigate the spaces between drum and bass, jungle, and breaks, crafting a sound that is both raw and futuristic.

The journey begins with A1 “Closure”, a heavy workout at 165 bpm, driven by pounding drums and a sparse, stripped-back propulsion. On A2 “Nashi” at 147 bpm, unveil perhaps the most lush cut on the EP — a rolling jungle track rich with textured breaks and atmospheric washes. Flipping to the B-side, B1 “Acid Reflux” sits at 140 bpm, swirling with eerie synths and snarling bass that push into darker territory. Finally, B2 “Clones” fires off at 170 bpm, delivering a vision of futuristic broken drum and bass: fractured rhythms, stark bass hits, and cybernetic touches.

2026 Repress


Psychedelic Krautwave wrapped in analog warmth, raw guitar bursts, and machine-driven pulse, carried by a mesmerizing voice. Songs that stretch time, reject convenience, and crave the real. A romantic revolt against the daily noises that numb and distract – slow, honest, and widely aware. For those who still long to long and refuse to get comfortable. Changing Rules is the third studio album by Berlin-based duo AFAR – a sonic manifesto of presence, eruption, and resistance.

Daniel Monaco Band is an international group led by Italian bassist Daniele Labbate. Blending jazz, funk, house and disco with live energy, their debut EP ‘Get Naked and Fly’ captures years of collaboration and experimentation. The result is a warm, analog-driven sound crafted by seasoned session musicians who’ve toured the world and are now channeling their creativity into original music as a group.

Lead track ‘Love Ago’ delivers modern disco with the authenticity of the golden era, ‘Mimouna’ has a psychedelic edge, with the WHODAMMANY remix taking the original into a more electronic direction. ‘The Devil Left Dancing’ takes a subtly off centre path, nodding to Brazilian influences, while the title track ‘Get Naked and Fly’ is raw and instinctive blending live instrumentation with electronic sensibilities.

The project is a testament to what happens when musicians trust each other enough to explore freely without chasing perfection. A live band speaking house, funk and jazz with one voice — analogue, soulful, and free.

Personnel : Percussion by Yannick Van Ter Beek, Drums by Robin van Rijn, Sax by Alessandro Russo, Guitar by Simone Cesarini and Bass by Daniele Labbate.

Designed by Bradley Pinkerton.

Often touted as a "masterpiece of jazz-funk live albums," The Wooden Glass's 1972 live recording proves it's more than just hype. Featuring vibraphonist Billy Wooten who previously played with Grant Green, this record was recorded at Indianapolis' The 19th Hole club and captures the essence of fusion driven by soulful 60s influences. Wooten's gentle melodies contrast with the gritty, distorted sound of Harold Cardwell's powerful drumming and Emmanuel Riggins' Hammond organ while the energetic performance from the band, including guitarist William Roach, creates a tapestry of intensity and dreamlike vibes. It's raw, electrifying, high-energy jazz.

SCHWERT AUS HOLZ“ klingt euphorisch, leicht und positiv. Bei aller Holz-Melancholie, erlauben es sich die DONOTS, sämtliche Songs neu zu denken mit anderem Vibe, neuen Rhythmen, alternativen Melodien und trotzdem immer mit genügend Grip und auch Drive - denn schnelle Songs wie der Live-Klassiker „Dead Man Walking“ oder der heimliche Sommerhit „Problem kein Problem" treten auch auf dem Akustikalbum durch den Holztisch. Frischen Wind pusten aber nicht nur die neuen Arrangements durch das DONOTS eigene Heavy Kranich Studio, in dem die Songs in diversen Sessions neu gedacht und recorded wurden. Die DONOTS haben sich alte Freund:innen und Wegbegleiter für diverse Gänsehautmomente eingeladen.

So ist aus dem DONOTS Hit „Stop The Clocks“ ein Duett mit Campino von Die Toten Hosen geworden, während Kuddel von Holst (ebenfalls Die Toten Hosen) ein wunderschönes Gitarrensolo zum ersten neuen englischsprachigen DONOTS Song in 13 Jahren eingespielt hat. Frank Turner darf in der Neuauflage von „So Long“ selbstredend nicht fehlen, Chuck Ragan von Hot Water Music und Matt Hensley von Flogging Molly empfehlen sich mit Reibeisenstimme und Akkordeon und Shitney Beers singt auf ihre wunderbare Shoegaze Art und Weise das Intro zu „Keiner kommt hier lebend raus“.

Die Vorab-Singles „Allein zu allein“ und „Problem kein Problem“ haben schon diverse Herzen eingesammelt und das „SCHWERT AUS HOLZ“ dürfte sämtliche restlichen Herzkammern fluten - auch auf der restlos ausverkauften Vorab-Akustik-Tour zum Albumrelease. It’s a love thing…

To All That We Lose And All We Fight For is the debut album by Vera Logdanidi - the
culmination of nearly two decades of musical evolution. Her journey began in the world of drum & bass and jungle, gradually expanding into deep explorations of house, dub techno, and techno. Over the years, Vera has performed on leading stages across Ukraine and internationally, while also mentoring a new generation of DJs and producers, hosting radio shows, and supporting the scene through her label and community work.

This album was written during a time of deep upheaval. The outbreak of full-scale war forced Vera to leave behind a well-established life and begin again on the international stage. While the music often feels dreamy and introspective, To All That We Lose And All We Fight For is a profoundly personal record - a sonic refuge shaped by grief, uncertainty, and resilience.

The album doesn't follow formulas; it's driven by intuition, texture, and a genuine connection to sound. It's rich, emotional, and occasionally unexpected. The tracks form the core of Vera's current live set, which has resonated at major festivals such as Draaimolen or Strichka - captivating audiences with its depth and subtle, immersive energy.

The cover art, created in close collaboration with Vera's longtime visual team, is a real
photograph - not a digital effect. It captures the tension between anxiety and hope: a glance back, and a step forward into the unknown. This visual metaphor reflects the emotional landscape of the album - the fragility of what's been lost, and the courage to embrace what lies ahead.

This release also marks a new chapter for Rhythm Buro Records - one that moves towards music that is more personal, intimate, and unconstrained by expectations.

To All That We Lose And All We Fight For is released alongside another important Rhythm Buro release: RB011 - Your Curves EP by Na Nich. Ukrainian producer Oleksandr Pavlenko, formerly known as Sunchase, returns to his roots in broken beats and bass music, blending them with house and techno sensibilities. The four-track EP ranges from deep grooves to melancholic late-night moods - a compelling counterpoint to Vera's album and a testament to the label's evolving identity.
Order RB012 n

Celebrating 50 years since the release of the iconic Cathedrals album, U.S. disco legend D.C. LaRue returns with never-before-released remixes of all four original classics—pressed on strictly limited vinyl.
Top contemporary disco producers The Reflex, Dr. Packer, and Mannix breathe new life into LaRue’s 1976 masterpiece:
The Reflex (Stevie Wonder, Cerrone) delivers dancefloor-driven edits using digitized analog multitracks.
Dr. Packer (First Choice, Loleatta Holloway) reinvents one of LaRue’s biggest hits with fresh, soulful energy.
Mannix, head of Dafia Records, adds deep, dubby textures to complete this dynamic remix package.
Each track is respectfully reimagined—maintaining the emotional depth of the originals while enhancing clarity, rhythm, and relevance with modern production.
Bonus: Includes two standout remixes from LaRue’s second LP The Tea Dance—"Overture" (The Reflex) and "O Ba Ba" (Mannix).
These remixes aren’t just nostalgic—they’re timeless. Essential for collectors, DJs, and anyone who lives for disco.
Grab your copy before it’s gone.