Buscar:a vol i

Estilos
Todo
Kissin’ Dynamite - Not The End Of The Road

Die 2007 gegründete deutsche Heavy-Metal-Formation KISSIN DYNAMITE hat sich mehr als nur einen
Namen in der Szene gemacht: Mit sechs Studioalben und diversen Chart Erfolgen (#7 in den GERAlbumcharts mit dem 2018er Full-Length Ecstasy) etablierte die Band ihren Trademark-Stil - geprägt
von modernen Sounds, wuchtigen Hymnen und eingängigen Hooks, gepaart mit 80er-Jahre-StadionrockAttitüde und einem außergewöhnlichen Look. Nun steht die Kombo in den Startlöchern bereit, ihr Napalm
Records-Debüt Not The End Of The Road zu veröffentlichen und mit 12 kraftvollen Tracks den Weg des
Metal im Jahr 2022 zu ebnen.
Produziert, aufgenommen und gemischt wurde das neue Studioalbum von Sänger Hannes Braun selbst, der
auch schon mit Bands wie SANTIANO, THE KELLY FAMILY oder BEYOND THE BLACK gearbeitet hat.
Das Mastering übernahm Jacob Hansen in den Hansen Studios, der Grammy Award nominierte Produzent
ist bekannt für seine Arbeit mit Bands wie VOLBEAT und vielen mehr.

Reservar21.01.2022

debe ser publicado en 21.01.2022

21,72
Koichi Matsukaze Trio feat Ryojiro Furusawa - At The Room 427

The ninth album in BBE Music's J Jazz Masterclass Series presents ‘At the Room 427’ by Koichi Matsukaze Trio Featuring Ryojiro Furusawa, a rarely heard exemplar of post-modal power bop and free jazz. Delivered by a trio playing with an intensity and energy that draws on classic Eric Dolphy and mid-era Coltrane but definitely with its own particular vibe, At the Room 427 is an exemplar of febrile improvised jazz that could only come from Japan. This deluxe reissue sees a welcome return to the J Jazz Masterclass series for saxophonist Koichi Matsukaze. Originally issued in 1976 on the cult ALM label, At the Room 427 is the debut album from one of the most exciting and forward-thinking instrumentalists to emerge in the mid 1970s. Matsukaze's distinctively angular, deconstructive style adds an unpredictable quality to the session that is balanced by the muscular bass of Koichi Yamazaki and the kinetic drumming of Ryojiro Furusawa, who provides a sound footing for Matuskaze’s fiery solos and free-form chemistry. The album opens with the epic Acoustic Chicken, a 20-minute tour de force of dynamic and explosive interplay. Featured on J Jazz: Deep Modern Jazz From Japan volume 3 and written by Furusawa, Acoustic Chicken's strong melody lines and scorching sax finely mesh with the driving rhythm section. Furusawa’s Elvin Jones-like rolls and batteries of percussion are underpinned by Yamazaki’s driving and rounded bass. At the Room 427 also includes a radical deconstruction of the Billie Holiday classic Lover Man and three more original compositions by Matsukaze. The album was recorded live in November 1975 before a small audience in – as the title states – Room 427, a classroom in Chuo University, the alma mater of both Matsukaze and Furusawa. However, despite the rudimentary surroundings, the recording by Yukio Kojima, founder of ALM, manages to give the listener the feeling of being in the room itself, up close to the band, bristling with an intense energy. This reissue of a long-lost rarity of post-bop/free playing maintains the exceptionally high standard set by the previous releases in the BBE Music J Jazz Masterclass Series. As with all releases in the series, At the Room 427 comes with full reproduction artwork and extra sleeve notes, with artist interviews and biographies. The J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

Reservar21.01.2022

debe ser publicado en 21.01.2022

40,13
Comeback Kid - Heavy Steps (white) LP

Over the last twenty years Comeback Kid have been hailed as one of the major counterparts when it has come to shaping and pioneering both the Canadian and international modern punk and hardcore sound and scene alike.
After having released their first demo in 2002, before quickly drawing the attention of Facedown Records for the release of their debut, Turn It Around, the last twenty-one years have seen the band produce some of the most acclaimed records within the genre. Signing to Victory Records (Thursday, Refused) for 2005’s career defining records, Wake The Dead and Broadcasting, the five piece have undoubtedly over the years been able to balance a DIY ethos and dependability, with that of a humanitarian ethos, and genre defining musicianship which has broken down the boundaries of hardcore, and transcended the genre onto a global stage. With a back catalogue that would produce some of the most seismic and influential anthems to transverse across both punk and hardcore, 2017’s signing to Nuclear Blast Records (Hatebreed, Madball, Slayer) saw the release of powerhouse heavy hitter, Outsider.
Arguably noted as a record and turning point in both sound and the band’s career, this release would be a definitive moment in pioneering a new path of which an entire generation of new artists within the genre would follow, thus solidifying Comeback Kid next to the likes of NOFX, Terror, and Converge as both major headliners, and forefathers to set the course for what it means to be one of the most adverse punk bands of the 21st century. “We’re a hardcore band, but we don’t feel like we belong to any particular sect of that,” states Neufeld alongside band members, Jeremy Hiebert (guitar), Stu Ross (guitar), Chase Brenneman (bass), and Loren Legare (drums). “We don’t want to be limited in any sense and prefer to work on our own terms.”
Now one of the most volatile leaders within the global heavy music community and continuing to break down boundaries and champion new territories, Comeback Kid’s seventh studio album, Heavy Steps is solidifying the band’s revolutionary status.
Returning to their roots, literally, by recording in Winnipeg and co-producing with John Paul Peters (Cancer Bats, Propagandhi) as well as collaboration with prominent mixer Will Putney (Knocked Loose, Every Time I Die, Four Year Strong), Heavy Steps is no longer a prerequisite to realizing Comeback Kid’s influence on modern punk, but a delivery of pure anthemic chaos, sheer speed and force. It is a statement of intent. “It’s about hitting the ground running, not knowing when or where the ground could break from underneath you.” summarizes Neufeld. “It's heavy steps on thin ice. Heavy steps on hollow ground.”

Reservar21.01.2022

debe ser publicado en 21.01.2022

24,75
Ludovico Einaudi - Underwater 2x12"

Ludovico wollte schon seit mehreren Jahren ein Solo-Klavieralbum schreiben, brauchte aber das richtige Umfeld, um sich voll und ganz darauf einzulassen.

Lockdown gab ihm diese Gelegenheit. Er nahm die Isolation von seinem normalen, geschäftigen und komplexen Zeitplan an, um einen Ort der Einfachheit zu finden. Dies ist also eine positive Sicht auf Lockdown und Isolation; er nutzt diese seltene Gelegenheit, um die einfache Schönheit des Songschreibens in seiner reinsten Form zu erleben. Keine Technik, keine äußeren Einflüsse, nur Ludovico und sein Klavier.

Infolgedessen ist das Thema des Albums die Freiheit von den typischen Grenzen unseres täglichen Lebens. Dies wird in der Metapher ”Underwater” ausgedrückt. Ein freier und offener Raum, in dem man sich bewegen und erforschen, schweben, innehalten, sich in 3 Dimensionen bewegen kann usw. Ich persönlich denke, dass ein Vogel, der durch die Lüfte fliegt, auch als Metapher für dieses Gefühl der Freiheit funktioniert.

Ich nenne es Songwriting und nicht Komposition, es war ein neuer Ansatz für mich: Beim Komponieren denkt man nach und erforscht, vergleicht und ist ehrgeizig. Wenn man ein Lied schreibt, ist es wie Atmen, die Form ist kurz. Ein Lied ist wie die Schönheit eines einzelnen Atemzugs - eine Welle, die kommt und geht. Es ist schön, wie es ist - es braucht nichts anderes.“

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

31,05

Ültimo hace: 3 Años
Pfirter - Altered States 2x12"

What is techno if not a powerful conduit for energy? The movement of a sequence, the surge of an effects rush, the respondent reaction in every individual dancer and the moving mass of the crowd as a whole. Whether the frequencies transmit directly into the brain through the intimacy of a headphone reverie, reverberate through the architecture of a space or fill the formless void of the open air, techno’s potency to initiate and stimulate energetic events is profound. This is something Pfirter understands intimately, having spent more than 15 years exploring ways of manipulating the energy on a dancefloor.

Of course, energy is not just about volume and aggression. Tonality, spatial processing and composition can have just as profound an effect as the thump of the kick drum. On his new album Altered States, Pfirter proves that point by zeroing in on the cerebral, psychedelic elements of his craft across 10 incisive tracks. The Argentine producer consciously approached his second album (following 2019’s The Empty Space) with a minimal mindset, using a very focused set of drum machines and synths to achieve a consistency across the record. Captured over a short burst of creativity, it’s the sound of an artist pushing a limited array of tools as far as possible. Despite this concise palette, it’s not an album that repeats itself, but rather an extended trip that flows from one detailed, textured immersion to the next.

The dense, febrile waves of hard-oscillating ripples in ‘A Future In Chaos’ and the sparkling, off-key chimes adorning ‘Yearn’ all speak to Pfirter’s gift for extravagant, surrealist expression within his tracks. ‘Altered States’, by way of contrast, succeeds in its absolute immediacy – a piledriving statement of bleep-driven intent. ‘Boiler’ and ‘Convergence’ land somewhere in between, coiling around kinked rhythmic incantations which still push forwards with precision while offering a different angle from which to approach the dancefloor. Cementing the idea of the whole album as a listening experience, Altered States is bookended by ‘Venus’ and ‘Dissolution’, two minimal exercises in drone-oriented mood setting.

Pfirter understands the role of his music, and his own instincts as a performing artist. It’s crafted to be captivating for DJs as much as the attentive listener. Spanning linear rhythms and broken beats, moments of calm and writhing intensity, Altered States offers a multitude of energetic possibilities in the mix or as a standalone piece of music. Ultimately, it’s a masterful return from a leading light of the contemporary techno scene.

This is MindTrip!

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

21,30

Ültimo hace: 3 Años
Gwendoline - Après C'est Gobelet! LP

Gwendoline, is a duo-antihero of the Rennes indie scene. Sensitive loosers and jaded start-up nation greats, Micka and Pierre shape their own style, a dark shlag wave in a percussive and poetic spoken-word style, with counter discussions as their primary source of inspiration, looking at those around them. Between fatalistic lyrics, self-deprecation, sarcasm and bitterness of the world's mediocrity, their sincere cold-wave is the symbol of a disenchanted youth and the perfect soundtrack to protest.

In 2017, they recorded their first album by locking themselves up for a fortnight to compose everything in one go, feeding off their daily environment in Rennes, numerous evenings spent at the bar and the anxieties of our time. At first self-produced on Bandcamp, this album "Après c'est Gobelet!" is pressed in confidence on vinyl in June 2020 on the Spanish indie label Dead Wax Records, whose stocks run out before the end of the year and which is now unavailable in France.

At the end of 2020, Gwendoline has also seen the doors of the Trans Musicales open to her, a favourite of Jean-Louis Brossard, for a live show at the Ubu, captured by FIP & Culturebox and accompanied by Maëlan and Romain, their stage accomplices.

Written without pretension and ambition, the duo is surprised by the interest shown in the project, between their programming at the Transmusicales, and the feedback from the press including major international media (KEXP, France TV, Les Inrocks, Post Punk Magazine...).

A video clip was released in April 2021 to illustrate one of their flagship tracks, the heady and heady "Chevalier Ricard", which was also a favourite of Franck Vergeade, music editor of Les Inrockuptibles (January 2021).

Gwendoline is the project from Micka (a.k.a. Mikoune) and Pierre (a.k.a. Daniel).

Based in Rennes, musically influenced by the classic cold wave which originated in their country, precarious and aimless, they shape Gwendoline to their own image.

Pure DIY ethics, quick recordings at their home studio.

Dark lyrics, self-mockery, criticism, sarcasm derived from the world’s mediocrity.

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

18,87

Ültimo hace: 4 Años
Zucchero - Discover 2x12"

Zucchero

Discover 2x12"

2x12inch3898347
Blue Wrasse
14.01.2022

DISCOVER" is the new album by ZUCCHERO "SUGAR" FORNACIARI. It is the first cover album of Zucchero’s career, who stripped and restyled in his own iconic view, Italian and international music masterpieces. The first single will be "Follow you follow me", an engaging reinterpretation of one of the first great worldwide Genesis’ hits.  “DISCOVER” unites Zucchero’s two musical souls of the best Italian melodic tradition and the deepest Afro-American roots. Also important are the collaborations with BONO in "Canta la Vita" (Italian version with Italian written lyrics by Zucchero of Bono's song "Let Your Love Be Known"), with ELISA in "Luce (Tramonti a Nord Est)", and with MAHMOOD in “Natural Blues”, Moby's version of Vera Hall's song “Trouble So hard”. Also included is the intense duet" Ho visto Nina volare " with FABRIZIO DE ANDRÉ.Reviews Daily Express, Daily Mail, Uncut, Sunday Times, Telegraph Ads Sunday Times, Uncut. LP Version.

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

36,26

Ültimo hace: 4 Años
Lucy / Rrose - The Lotus Eaters

Whereas many electronic producers aim at being the most prolific in their genre, or the most extreme, Lucy and Rrose have wisely chosen to be the most consistently curiosity-provoking representatives of their craft.


Whereas many electronic producers aim at being the most prolific in their genre, or the most extreme, Lucy and Rrose have wisely chosen to be the most consistently curiosity-provoking representatives of their craft. Their decision to team up as a production duo for the newest Stroboscopic Artefacts EP may have seemed inevitable, given their shared responsibility for shifting techno's focus towards the facilitation of profound psycho-acoustic effects. And yet, even those who saw this coming will still be in for a wild ride.

Lucy's skill as a studio technician - displayed capably over his trilogy of full-length albums - has always been enhanced by his skill as a storyteller and as an artist with reverence towards myths and the pull of the unknown. This sonic personality is a perfect complement to the scientific severity of Rrose, for whom the electronic pulse beat and subsonic massage permit entry to a febrile psychic landscape whose contents are never entirely what the individual listener might expect or be prepared for.

As with both of the artists' solo offerings, these recordings feel as much like the branching off point for new creative acts rather than as objects to be passively enjoyed. As such, the opening "Chloroform" is a somewhat ironic title for a piece that is anything but anesthetic: at high volumes, its monstrous low-end surge and prickly, scintillating sonic ephemera are very likely to bring attention to otherwise imperceptible phenomena. "Peeling" continues in this style with a more urgent tempo, developing its own cascade of sensory impressions from seemingly unstable deep-bass loops, injections of intentional surface noise, and pitch-shifted / harmonizer-effected phantom phrases.

"Stained Glass," maybe the most straight-ahead piece on the record, is still a potent distortion of the mundane primed with shivering bell tones, tamed feedback and hints of speaker cones fraying. The climactic "Foil Gardens" is an elegant study in harmonics whose time-dissolving ability nods to the works of composers like Charlemagne Palestine or Eliane Radigue, without being a pure homage to either. The undertow of distortion beneath the glistening tone waves, in particular, provides a distinct update to the legacy of so-called
tonal 'minimalism'.

The end result here is a record that feels uncannily lifelike: an organism that always seems on the verge of a heuristic breakthrough, and whose full potential may not even be known by its creators.

Words by Thomas Bey William Bailey

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

9,45

Ültimo hace: 11 Meses
Yotam Avni - Tehillim

The Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July, he returns with a new set of tracks that fit perfectly into the label's overall aesthetic of evolving hyper-reality, while also being a strong personal statement. With both his S.A. debut and this new offering, Avni shows himself to be a truly 'progressive' musician: a creator whose musical techniques are informed by his creative disposition and not the other way around, an individual who seems to be using the richness and differentiation of human experience in order to let yet more of it arise.

The new record begins with the galloping rhythm of "Tehillim", bringing a whole inventory of struck wood and metal elements into play, and leading listeners on an adventurous voyage through liturgical chanting and volcanic eruptions of synthesizer magma, all the while being accented with nimble percussive fills that convey the improvisational feel of classic bebop drummers. The following "Orma," while more stripped down in terms of individual elements, continues down the same path with clever spatial arrangements, and with tonal and percussive elements that seem snatched out of their buys urban environments and placed under austere laboratory investigation: this holds true for the isolated bits of sax and vaguely middle-Eastern percussive accents that the improvisational feel of classic bebop drummers. The following "Orma," while more stripped down in terms of individual elements, continues down the same path with clever spatial arrangements, and with tonal and percussive elements that seem snatched out of their buys urban environments and placed under austere laboratory investigation: this holds true for the isolated bits of sax and vaguely middle-Eastern percussive accents that distinguish this track, and which leap out mischievously from their carefully controlled setting.

"Shlok" begins with a deep subterranean kick pattern and percolating bell tones that, while first bringing to mind recent efforts from Planetary Assault Systems, soon transform into something much unique to Avni's imagination - smooth arcing vocals and contrasting shades of nocturnal ambience turn this into a very sinuous and sultry piece of rhythmic music. Once the listener has been lured in by this siren song, the closer "Even" brings the EP's most forceful and demanding beat - though its heavy punch is tempered with a sense of contemplative sophistication. Once the insistent beat is overlaid by a shimmering latticework of piano, breezelike pads, and concentrated string plucks, it testifies to Avni's ability to create tracks that are loaded with emotional nuance and defy easy description.

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

9,03

Ültimo hace: 19 Meses
Various - The D-Vine Spirituals Records Story. Volume 1

The first installment in the D-Vine Spirituals Story. The Memphis gospel label that took the South by storm in the late 60's-early 70's is finally getting it's due with the reissue treatment that the Bible & Tire imprint is known for. Gritty, raw and real sacred soul from a time when the sound of gospel music was at its peak and most contagious. The collection consists of legendary artists like Elizabeth King, Elder Jack Ward & The Gospel Four and The D-Vine Spiritualetts to name just a few. This is Sacred Soul gospel from D-Vine Spirituals Records.

Reservar14.01.2022

debe ser publicado en 14.01.2022

22,06
Various - The D-Vine Spirituals Records Story. Volume 2

The second installment in the D-Vine Spirituals Story. The Memphis gospel label that took the South by storm in the late 60's-early 70's is finally getting it's due with the reissue treatment that the Bible & Tire imprint is known for. Gritty, raw and real sacred soul from a time when the sound of gospel music was at its peak and most contagious. The collection consists of legendary artists like Elizabeth King, Elder Jack Ward & The Gospel Four and The D-Vine Spiritualetts to name just a few. This is Sacred Soul gospel from D-Vine Spirituals Records.

Reservar14.01.2022

debe ser publicado en 14.01.2022

21,22
Krissy Matthews - Pizza Man Blues

Released on Ruf Records in 2021, Pizza Man Blues is a snapshot of the
moment those certainties were snatched away
The Blues Boy of Matthews’ 2006 debut album has been around the block, and
the genre-crossing songs he now recounts on Pizza Man Blues are written from a
place of hard- won maturity. “This last year, we’ve all had to adapt to
circumstances,” refects Matthews. “I’ve been forced off the road, but I’ve tried to
keep the engine alive, keep earning, not lose my passion. I’ve done so many jobs,
like pizza and fower delivery driver, tree surgeon assistant, volunteering for the
NHS. These songs are all about the experiences I’ve had.”The opening charge of
Mayday would make Motörhead’s Lemmy nod approval, serving a feral fuzz lick
and a speaker-ratting chorus that asks the big questions. From the bruised organ
lines of Can’t Keep Us Apart to the thrilling torn-up guitar tone and Stax-worthy
brass on Anti-Social Media, these are songs that defy genre at every turn. “I just
wanted a ‘Krissy Matthews’ vibe,” he shrugs. “This album was the result.” But as
the indelible chorus of Grateful fades – ‘You’ve got to be grateful for what you’ve
got/ even if it ain’t a whole lot’ – it’s that sentiment that resonates. “Being a
professional world touring musician, in a pandemic, with a girlfriend in another
country, during Brexit, is not ideal,” Matthews considers. “But I’ve still found lots
of things to be grateful for and I’m a very lucky man. The only way to get through
hard times is to focus on the good times…”

Reservar14.01.2022

debe ser publicado en 14.01.2022

45,17
Eric Hilton - Ceremony 2x12"

Begleiten Sie Thievery Corporation-Mitbegründer Eric Hilton auf eine gechillte Reise durch den Weltraum mit seinem neuen Album Ceremony: 13 Tracks voller gefühlvoller, interstellarer Psychedelia. Zu den kosmischen Ereignissen gehören die ersten beiden Singles 'Forming Star' und 'Who Are You?' sowie das sternenklare Finale 'Fade Into Forever'. Treten Sie ein in den Groove-Nebel mit Eric Hiltons neuem Solowerk 'Ceremony'.

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

26,85

Ültimo hace: 2 Años
MÒLO SÂYAT - HADAEQ

Mòlo Sâyat

HADAEQ

12inchZEPLP054
ZEPHYRUS RECORDS
07.01.2022

Mòlo Sâyat is the meeting of souls of Lebanese singer Pl Seif and some European instrumentalists. Their repertoire has established its base camp around the Mediterranean Sea without renouncing their sporadic visits deep inland. Led by an ear cravingthe beauty of contradictions, the band composes songs in Arabic, Italian and Romani language. Voices and instruments rise up together to invoke a chimeric and colourful folklore and to transport the listeners into a voluptuous inner-world.

No en stock

Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.

18,87

Ültimo hace: 4 Años
Infected Rain - Ecdysis

Infected Rain

Ecdysis

12inch8815786
Napalm Records
07.01.2022

Seit ihrer Gründung im Jahr 2008 hat sich die moldawische Progressive Modern Metal-Macht INFECTED
RAIN rund um Multi-Talent und Frontfrau Lena Scissorhands zu einem der aufregendsten Szene-Acts
entwickelt. Mit ihrem frenetisch gefeierten 2019er Album „Endorphin“ gewann die Band weltweit eine
treue Fanbase für sich, welche sich nun mit Spannung auf den heiß erwarteten Nachfolger, „Ecdysis“,
freuen darf. Vom ersten Ton an elektrisiert das Album mit messerscharfen Riffs, kosmischem Elektro,
Lena‘s Schatzkammer an stimmlichen Fähigkeiten sowie lyrisch tiefgehenden Themen, die von Depression
und Verlassenheit bis hin zur allumfassenden Realität reichen. Die Band scheint eine Metamorphose zu
durchleben, während sie gekonnt Extreme Metal mit progressiven Groove und dunklen, eindringlichen
Melodien verbindet.
Erneut von Voluta Valentin produziert, demonstriert „Ecdysis“ auf sehr erfolgreiche Weise ultramoderne
Brutalität, ohne dabei auf Emotion und Melodie zu verzichten – und präsentiert INFECTED RAIN auf
einer neuen Ebene, der sich langjährige Anhänger der Band und zahlreich neue Fans ebenfalls anschliessen
dürften

Reservar07.01.2022

debe ser publicado en 07.01.2022

21,81
Power Paladin - With the Magic of Windfyre Steel

Imagine deserted volcanic wasteland, freezing winds and the all-embracing darkness of the longest winters on this planet: The obvious inspiration for rather vicious and somber tunes for lonely evening hours that the biggest part of Iceland’s heavy music scene is known for. Who would even dare to think of tales about brave warriors and mystical creatures coming from such an island? Power metal seemed like a fairytale until 2017 when Reykjavík based sextet POWER PALADIN (originally founded as PALADIN) rose in quest of carrying out their uplifting tunes and finally proving everyone wrong. On an island known for its musical doom and gloom, they are the midnight sun. “Iceland has such a great representation of extreme metal. We didn’t feel we had much to add to that scene so why shouldn’t we do the complete opposite?” the band recall their origins. A truly wise decision! Their first live performances and demo releases were of such good reception that they were booked for Iceland’s main underground festivals, Eistnaflug and Norðanpaunk, and subsequently played at one of the country’s biggest music events, Iceland Airwaves, in 2019. Highly praised as a “standout” act by The Reykjavík Grapevine, POWER PALADIN kept crafting material at Windfyre Studios, composing their 9-track strong debut album titled »With The Magic Of Windfyre Steel«. The opus is a historical landmark for both the group and Atomic Fire Records, being the label’s first full-length release since its recent founding. “We actually started to write some of these tunes in the very beginning of our band history and captured them over the course of about two years at various places: at Ingi’s bedroom, at Atli and Bjarni’s workplace, at a cabin outside Reykjavik etc.”, POWER PALADIN say about their approach to songwriting and recording. And while self-producing such a splendid album has been no easy quest, it almost reads like a part from Joseph Campbell’s »The Hero’s Journey«:“So we went through a whole lot of trials, but that’s why we’re even happier and prouder of this record now!” Mixed by Haukur Hannes at Mastertape Studios (AUÐN, DYNFARI etc.) and mastered by Frank de Jong at Hal5 Studio (BLEEDING GODS etc.),
” they explain. The group’s love for fantasy games and books from authors such as Brandon Sanderson and Joe Abercrombie doesn’t remain unnoticed either: James Child (Astral Clock Tower Studios) translated that inspiration into the album’s adventurous artwork. »With The Magic Of Windfyre Steel« gets the listener's attention immediately. Air guitar-provoking lead single 'Kraven The Hunter‘, a track that’s frequently been aired via Iceland’s radio stations prior to the album’s release, peaking at position #1 of X-977’s chart, sets the right tone for this 51-minute venturesome ride. A ride that ranges from songs in the vein of the opening track like 'Creatures Of The Night' to rather aggressive bangers such as the second single 'Righteous Fury' and 'Ride The Distant Storm'. In the end, critics might say that “only a ballad is missing” to deliver all ingredients for a great heavy metal album. But does a power metal saga whose first chapter has just been written need one at all? Well, we will find out in chapter 2...

Reservar07.01.2022

debe ser publicado en 07.01.2022

23,74
Power Paladin - With the Magic of Windfyre Steel

Imagine deserted volcanic wasteland, freezing winds and the all-embracing darkness of the longest winters on this planet: The obvious inspiration for rather vicious and somber tunes for lonely evening hours that the biggest part of Iceland’s heavy music scene is known for. Who would even dare to think of tales about brave warriors and mystical creatures coming from such an island? Power metal seemed like a fairytale until 2017 when Reykjavík based sextet POWER PALADIN (originally founded as PALADIN) rose in quest of carrying out their uplifting tunes and finally proving everyone wrong. On an island known for its musical doom and gloom, they are the midnight sun. “Iceland has such a great representation of extreme metal. We didn’t feel we had much to add to that scene so why shouldn’t we do the complete opposite?” the band recall their origins. A truly wise decision! Their first live performances and demo releases were of such good reception that they were booked for Iceland’s main underground festivals, Eistnaflug and Norðanpaunk, and subsequently played at one of the country’s biggest music events, Iceland Airwaves, in 2019. Highly praised as a “standout” act by The Reykjavík Grapevine, POWER PALADIN kept crafting material at Windfyre Studios, composing their 9-track strong debut album titled »With The Magic Of Windfyre Steel«. The opus is a historical landmark for both the group and Atomic Fire Records, being the label’s first full-length release since its recent founding. “We actually started to write some of these tunes in the very beginning of our band history and captured them over the course of about two years at various places: at Ingi’s bedroom, at Atli and Bjarni’s workplace, at a cabin outside Reykjavik etc.”, POWER PALADIN say about their approach to songwriting and recording. And while self-producing such a splendid album has been no easy quest, it almost reads like a part from Joseph Campbell’s »The Hero’s Journey«:“So we went through a whole lot of trials, but that’s why we’re even happier and prouder of this record now!” Mixed by Haukur Hannes at Mastertape Studios (AUÐN, DYNFARI etc.) and mastered by Frank de Jong at Hal5 Studio (BLEEDING GODS etc.),
” they explain. The group’s love for fantasy games and books from authors such as Brandon Sanderson and Joe Abercrombie doesn’t remain unnoticed either: James Child (Astral Clock Tower Studios) translated that inspiration into the album’s adventurous artwork. »With The Magic Of Windfyre Steel« gets the listener's attention immediately. Air guitar-provoking lead single 'Kraven The Hunter‘, a track that’s frequently been aired via Iceland’s radio stations prior to the album’s release, peaking at position #1 of X-977’s chart, sets the right tone for this 51-minute venturesome ride. A ride that ranges from songs in the vein of the opening track like 'Creatures Of The Night' to rather aggressive bangers such as the second single 'Righteous Fury' and 'Ride The Distant Storm'. In the end, critics might say that “only a ballad is missing” to deliver all ingredients for a great heavy metal album. But does a power metal saga whose first chapter has just been written need one at all? Well, we will find out in chapter 2...

Reservar07.01.2022

debe ser publicado en 07.01.2022

29,12
Power Paladin - With the Magic of Windfyre Steel

Imagine deserted volcanic wasteland, freezing winds and the all-embracing darkness of the longest winters on this planet: The obvious inspiration for rather vicious and somber tunes for lonely evening hours that the biggest part of Iceland’s heavy music scene is known for. Who would even dare to think of tales about brave warriors and mystical creatures coming from such an island? Power metal seemed like a fairytale until 2017 when Reykjavík based sextet POWER PALADIN (originally founded as PALADIN) rose in quest of carrying out their uplifting tunes and finally proving everyone wrong. On an island known for its musical doom and gloom, they are the midnight sun. “Iceland has such a great representation of extreme metal. We didn’t feel we had much to add to that scene so why shouldn’t we do the complete opposite?” the band recall their origins. A truly wise decision! Their first live performances and demo releases were of such good reception that they were booked for Iceland’s main underground festivals, Eistnaflug and Norðanpaunk, and subsequently played at one of the country’s biggest music events, Iceland Airwaves, in 2019. Highly praised as a “standout” act by The Reykjavík Grapevine, POWER PALADIN kept crafting material at Windfyre Studios, composing their 9-track strong debut album titled »With The Magic Of Windfyre Steel«. The opus is a historical landmark for both the group and Atomic Fire Records, being the label’s first full-length release since its recent founding. “We actually started to write some of these tunes in the very beginning of our band history and captured them over the course of about two years at various places: at Ingi’s bedroom, at Atli and Bjarni’s workplace, at a cabin outside Reykjavik etc.”, POWER PALADIN say about their approach to songwriting and recording. And while self-producing such a splendid album has been no easy quest, it almost reads like a part from Joseph Campbell’s »The Hero’s Journey«:“So we went through a whole lot of trials, but that’s why we’re even happier and prouder of this record now!” Mixed by Haukur Hannes at Mastertape Studios (AUÐN, DYNFARI etc.) and mastered by Frank de Jong at Hal5 Studio (BLEEDING GODS etc.),
” they explain. The group’s love for fantasy games and books from authors such as Brandon Sanderson and Joe Abercrombie doesn’t remain unnoticed either: James Child (Astral Clock Tower Studios) translated that inspiration into the album’s adventurous artwork. »With The Magic Of Windfyre Steel« gets the listener's attention immediately. Air guitar-provoking lead single 'Kraven The Hunter‘, a track that’s frequently been aired via Iceland’s radio stations prior to the album’s release, peaking at position #1 of X-977’s chart, sets the right tone for this 51-minute venturesome ride. A ride that ranges from songs in the vein of the opening track like 'Creatures Of The Night' to rather aggressive bangers such as the second single 'Righteous Fury' and 'Ride The Distant Storm'. In the end, critics might say that “only a ballad is missing” to deliver all ingredients for a great heavy metal album. But does a power metal saga whose first chapter has just been written need one at all? Well, we will find out in chapter 2...

Reservar07.01.2022

debe ser publicado en 07.01.2022

29,12
LA DISPUTE - PANORAMA

La Dispute

PANORAMA

12inch276444
Epitaph Europe
07.01.2022

Düster-sphärischeAlbum der Post-Hardcore-Experimentierer La Dispute voll morbider Poesie. Panoramaist - gute zehn Jahre nach deren Debütalbum - die neueste Veröffentlichung derUS-amerikanischen Post-Hardcore-Band La Dispute. Die fünfköpfige Gruppe ausMichigan steht für einen komplexen, kompromisslosen und experimentellen Stil undwird ihrem guten Ruf auch mit Panorama wieder mehr als gerecht. Mit ihrerVermischung und Weiterentwicklung von Elementen des Jazz und Blues, Screamound Progressive Rock steht die Band stilistisch niemals still und bleibt dochimmer charakteristisch. Tragendes Element auch des jüngsten Albums sind dieanspruchsvollen Texte und der unverkennbare Gesang von Frontman Jordan Dreyer,der Spoken Word Passagen, Gesang und Screaming nahtlos ineinander übergehenlässt. Auf "Panorama" erzählt er von einer düster-morbiden und zugleichzutiefst persönlichen Reise, einer Autofahrt von seinem Heimatwort in denseiner Freundin die an verschiedenen Unglücks- und Unfallorten vorbei führt. Zudiesen intensiven Inhalten passt der musikalische Stil des Albums, der die energiegeladeneDynamik des Hardcore-Punks mit den introspektiven Elementen des Emo mischt undmit melodischen, zuweilen fast sphärischen Strukturen verbindet, die Panoramaätherischer und entrückter als frühere Veröffentlichungen der Band klingenlassen. Das Album erscheint als CD und LP, sowie als limitierte Sonderpressungin farbigem Vinyl.

Reservar07.01.2022

debe ser publicado en 07.01.2022

21,22
Artículos por página
N/ABPM
Vinyl