expected to be published on 28.11.2025
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expected to be published on 28.11.2025
- A1: throwing words
- A2: admit defeat
- A3: daddy
- A4: heaven sold
- A5: 4/7, hello?!
- A6: you don't know your name
- B1: they stay
- B2: the cake
- B3: queens of lefty
- B4: blanks
- B5: boat song
Mit ihrem Debütalbum »time will tell« setzen FALSE LEFTY den nächsten Meilenstein. Das Duo – Veva (AT) Stehend am minimalistischen Drumset und Tom (GB) an der drei-saitigen Gitarre – bleibt seinem Credo treu: Reduktion bis aufs Maximum. Bittersüße Melodien treffen auf rohe Energie und schaffen ein Soundgewitter zwischen Alternative Rock, Indie und Post-Punk. Kein Füllmaterial, keine Kompromisse, sondern ein eigener Sound, der nach internationalem Erfolg schreit. Man hört Einflüsse von Bands wie The Cure, Radiohead gewürzt mit einer Prise Sex Pistols, doch FALSE LEFTY verwandeln sie in ihr eigenes Gebräu – roh, direkt und voller Haltung. Mit stampfenden Rhythmen, gekonntem Songwriting und dieser besonderen Mischung aus Urgewalt und fragiler Melancholie. Immer kraftvoll, immer unverwechselbar.
expected to be published on 28.11.2025
expected to be published on 28.11.2025
expected to be published on 28.11.2025
expected to be published on 28.11.2025
expected to be published on 28.11.2025
- A1: When You Gonna Learn? 3:47
- A2: Too Young to Die 3:23
- A3: Blow Your Mind 3:55
- A4: Emergency on Planet Earth 3:35
- A5: Space Cowboy 3:37
- B1: Virtual Insanity 3:49
- B2: Cosmic Girl 3:47
- B3: Alright 3:42
- B4: High Times 4:09
- B5: Deeper Underground 4:44
- C1: Canned Heat 3:46
- C2: Little L 3:57
- C3: Love Foolosophy 3:46
- C4: Corner of the Earth 3:54
- C5: You Give Me Something 3:24
- D1: Feels Just Like It Should 4:32
- D2: Seven Days in Sunny June 3:58
- D3: (Don't) Give Hate a Chance 3:49
- D4: Runaway 3:45
- D5: Radio 4:12
2LP 140g col vinyl
»High Times – Singles 1992–2006« erschien 2006, erreichte Platz 1 der Charts und wurde mit Dreifach-Platin ausgezeichnet. Die Tour Edition 2025 erscheint als stahlfarbenes Doppel-Vinyl mit Kunstdruck, Booklet und einem von fünf zufällig beigelegten Sammler-Laminaten mit dem Buffalo-Man-Icon.
Das Album umfasst 20 Songs, darunter den Nummer-1-Hit »Deeper Underground«, sieben weitere Top-10-Titel wie »Virtual Insanity«, »Cosmic Girl« und »Canned Heat« sowie weitere bekannte Singles wie »Seven Days in Sunny June« und »Space Cowboy« viele davon feste Bestandteile der aktuellen Live-Shows.
expected to be published on 28.11.2025
- A1: Alles was ich weiß 3:27
- A2: Dazwischen 2:58
- A3: Bitte sei vorsichtig 2:35
- A4: Arsenalplatz 2:55
- A5: Wieder zurück feat. Edwin Rosen 3:58
- A6: Simson S51 2:09
- B1: Aufstehen 2:28
- B2: Sonnenbankflavour 1:45
- B3: Wann trennt ihr euch 3:06
- B4: Dein Herz 2:55
- B5: Ohne Regen keine Blumen 3:18
- B6: Wie immer ist 3:28
- B7: Dieses eine Lied 2:23
expected to be published on 28.11.2025
- A1: Tattoo
- A2: Sleepwalker
- A3: I Parade Myself
- A4: Unburden
- A5: Better Him Than Me;
- B1: Something 99
- B2: Showtime, Valentine
- B3: Unburden, Unbound
- B4: The Dark Ride
- B5: I Absolve You
- B6: Shrinkwrapped
"Shrinkwrapped", das sechste Studioalbum von Gang Of Four, feiert 2025 sein 30-jähriges Jubiläum mit seiner ersten Vinyl-Veröffentlichung - remastered. Das Album wurde von Andy Gill und Jon King geschrieben und von Andy produziert. Einige der elf Tracks sind auf dem Soundtrack zum Film "Delinquent" von Peter Hall zu finden, darunter der Gang Of Four-Live-Favorit "I Parade Myself" und die Single "Tattoo". Das Album markierte eine Rückkehr der Kultband zu alter Form.
PRESSE:
- "Eine atemberaubende Sammlung von Lärm und Leidenschaft." – NME
- "Die härtesten Agitpopper des Punks sind zurück … mit zusätzlicher Hook und ihren typischen funkigen Grooves." – Vox
- "Dass Shrinkwrapped ein Kracher ist und ein Kracher wäre, egal wer es gemacht hat, ist ein Grund zum Feiern. Dass Andy Gill wieder ein gefährlicher Gitarrist ist, ist ein besonderer 'Stoppt die Presse, der verlorene Sohn kehrt zurück'-Kick." – All Music
expected to be published on 28.11.2025
- A1: Ghost Of Your Guitar Solo A2 I Ate Too Much At The Fair
- A3: Someone Get The Grill Out Of The Rain A4 Inappropriate
- A5: Gentleman’s Jack B1 Another Place
- B2: Infinity Pool B3 Catholic Priest
- B4: Ghost Of Your Guitar Solo 2 B5 Live Jack
Mj Lenderman is the project of Asheville native, Jake Lenderman, whose 'Boat Songs' was released to wide acclaim on Dear Life Records in 2022. Now Dear Life is proud to offer a vinyl reissue of MJ's 2021 label debut, 'Ghost of Your Guitar Solo,' a collection of nine songs recorded and performed entirely by
Lenderman, and one live band track. The record was written and recorded quickly, songs often being fully constructed and recorded within frenzied single day sessions. Songs were born out of freewheeling jam sessions with his roommates, with Lenderman often freestyling lyrics that would later become the
foundations of the finished songs. Lenderman would write 20 disconnected lines a day, scrapping most of them but preserving a few to be used later. This process aided in what became an extremely prolific writing period for the artist in the spring of 2020. The record sounds like country music being played by a noisy punk band, unkempt and imperfect like the characters in his songs. Here, Lenderman broadened his lyrical scope beyond solemn introspection, adding humor to scenes larger than his own life. He points to authors Harry Crews and Larry Brown as inspirations, both of whom were southern, self-taught writers who balanced empathy, humor, and darkness. This leads to the erosion of the line that separates humor and sadness. The resulting songs are about over-
indulgence and drug/alcohol abuse, full of self-loathing and pity while celebrating the absurdity of it all.
expected to be published on 28.11.2025
- A1: Pulsating Protoplasma
- A2: Dead Body Love
- A3: Miscarriage
- A4: In The Vault
- A5: Rip You Without Care
- A6: Festered Offals
- A7: For God Your Soul Live
- A8: Bonesawer Live
- A9: Pungent Stench Live
- A10: Miscarriage Live
- A11: Extreme Deformity Live
expected to be published on 28.11.2025
expected to be published on 28.11.2025
expected to be published on 28.11.2025
- A1: Prologue Dawn
- A2: Lucifer, Son of the Dawn
- A3: Abode of Demons
- A4: Blessed Sacrifice
- A5: Fallen Angels vs. Knights of the Zodiac
- A6: Angelus Bell
- A7: Gold Mantis
- A8: Last War of the Gods
- B1: Arrow of the Sun
- B2: Epilogue Paean of Lights
- B3: Labyrinth of Fantasy (outtake version)
- B4: Knights of the Zodiac (outtake version)
- B5: Destined Decision (outtake version)
- B6: Forever Knights of Hope (outtake version) (Knights of the Zodiac Legend -Dream Adventurer instrumental music)
This vinyl features the music from the 4th film in the Saint Seiya saga. It also includes 2 tracks from the Asgard TV series (tracks 11 and 12), one piece from the soundtrack of the 3rd film Abel, and a variation of a track from the Poseidon arc (track 13). Finally, the last track is once again a variation combining two themes from both Asgard and Poseidon.
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- A1: Perot ft. Seth Troxler & John Camp
- A2: World Keeps Changing
- A3: Midtown Mirage ft. Taylor Bense & John Camp
- A4: Bond ft. Taylor Bense, John Camp & Dillon Cooper
- A5: NRG
- A6: Real Job ft. Taylor Bense
- B1: Hat Down ft. No Regular Play
- B2: $1000 ft. Taylor Bense
- B3: Hold Dear
- B4: Carousel ft. No Regular Play
- B5: Sometimes It's About Us ft. John Camp & Michael Feinberg
A DJ, producer and prolific collaborator, Greg Paulus’s musical career has led to a truly enviable discography. Born in Minnesota and now an essential part of New York’s sprawling musical landscape, Paulus has taken the foundations of an organic childhood education by his father, the composer Stephen Paulus, and seen it blossom into an unpredictable musical journey encompassing house, soul, jazz and hip-hop.
While touring as a trumpet player with indie band Beirut, as well as in Matthew Dear’s live ensemble, back home he was helping to redefine New York’s underground dance scene as one half of No Regular Play. Alongside childhood friend Nick DeBruyn, the pair brought their deeply musical sound to no less than fifty countries across the world. A decade on, and Paulus arrives on Seth Troxler’s Slacker 85 imprint for his long-awaited debut solo LP, ‘Close To Home’, a deeply felt long-play celebration of his personal cornerstones; family, trust and hope.
From the opening, organic swell of ‘Perot’, arranged with Seth Troxler himself alongside John Camp, ‘Close To Home’ introduces itself as a focused, conscious trip, it’s languid trumpet spilling over into the reflective ‘World Keeps Changing’, which introduces Paulus’s philosophy of music as a constant. ‘Midtown Mirage’ meanwhile leans into the idea of the city itself as a collaborator, resisting pressure and finding its own restful groove. Back over the river, ‘Bond’ roots itself in Brooklyn with a contribution from resident Dillon Cooper, flipping rap standards amid psychedelic flourishes.
Paulus nods toward his dancefloor form on ‘NRG’, a slinky, lo-slung club groove that seamlessly evolves to meld the artist’s nocturnal and studio instincts. In contrast, ‘Real Job’ switches the tempo on Paulus’s MPC to embody an old-school, beatdown flavour, subtly teased out alongside composer and sound designer, Taylor Bense. Doubling down on this languorous groove, ‘Hat Down’ introduces a full-scale No Regular Play reunion, the first of two collaborative tracks that recall the duo’s imperial phase of confidently minimal productions, while evolving their craft.
Following a few missed calls made with love taken from Paulus’s answering machine on ‘$1000’ the minimal, reflective arrangement of ‘Hold Dear’ finds the artist stripping back his layered sound for a skittering, vulnerable exploration of intimacy and life’s devotions.
For a memorable finale, Paulus recruits jazz prodigy Michael Feinberg to deliver upright funk on the deliciously rich ‘Sometimes It’s About Us’. A purely celebratory collage of bopping rhythms and vocals, sharply plucked guitars and archive samples, ‘Close To Home’ concludes with Paulus leading his friends, ensemble and many influences in rare harmony.
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- A1: The All Star Sextet - Fallonology
- A2: Victor Feldman Big Band - Elegy
- A3: Kenny Graham's Afro-Cubists - Dance Of The Zombies
- A4: Steve Race Bop Group - Vertigo
- A5: Shake Keane & The Michael Garrick Quartette - Regrets
- A6: Tommy Whittle Quintet - 12 By 5
- A7: The Dill Jones Trio - Deep Forest
- B1: Wilton Gaynair - The Way You Look Tonight
- B2: The Don Rendell Sextet - Thames Walk
- B3: Ronnie Ball Trio - Thou Swell
- B4: Stan Tracey Trio - Boo-Bah
- B5: Dizzy Reece - Riviera
- B6: The Eddie Thompson Trio - Eddification
- B7: Harry Klein Quartet - Darn That Dream
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s.
Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period.
Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: New Art in Britain 1945-1965.credits
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- A1: Johanna (reprise)
- A2: Every Day A Little Death
- A3: Pretty Women
- A4: Children Will Listen
- A5: Loving You
- A6: Finishing The Hat
- A7: Send In The Clowns
- B1: Losing My Mind
- B2: In Buddy's Eyes
- B3: Take Me To The World
- B4: The Ballad Of Sweeney Todd
- B5: Being Alive
- B6: Sunday
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- A1: Improvisation in Abu-Ata (Golha-ye Rangarang #204)
- A2: Improvisation in Sigah (Golha-ye Javidan #140)
- A3: Improvisation in Shur (Golha-ye Rangarang #182)
- A4: Improvisation in Homayun (Barg-e Sabz #150)
- A5: Improvisation in Bayat-e Zand (Yek Shakheh Gol #169)
- A6: Improvisation in Dashti (Barg-e Sabz #174)
- A7: Improvisation in Abu-Ata (Golha-ye Rangarang #201)
- B1: Improvisation in Bayat-e Turk (Barg-e Sabz #177)
- B2: Improvisation in Afshari (Barg-e Sabz #94)
- B3: Improvisation in Dashti (Golha-ye Rangarang #200B)
- B4: Improvisation in Abu-Ata (Barg-e Sabz #35)
- B5: Improvisation in Sigah (Golha-ye Rangarang #193)
- B6: Improvisation in Bayat-e Turk (Golha-ye Javidan #136)
- B7: Improvisation in Dashti (Golha-ye Rangarang #162B)
Cassette[9,66 €]
A collection of stunning Persian-tuned piano pieces cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965...
Morteza Mahjubi (1900-1965) was a Iranian pianist & composer who developed a unique tuning system for the piano which enabled the instrument to be played in all the different modes and dastgahs of traditional Persian art music. Known as Piano-ye Sonnati, this technique allowed Mahjubi to express the unique ornamental and monophonic nature of Persian classical music on this western instrument - mimicking the tar, setar & santur and extracting sounds from the piano which are still unprecedented to this day.
An active performer and composer from a young age, Mahjubi made his most notable mark as key contributor and soloist for the Golha (Flowers of Persian Song and Poetry) radio programmes. These seminal broadcasts platformed an encyclopaedic wealth of traditional Persian classical music and poetry on Iranian national radio between 1956 until the revolution in 1979.
Presented here is a collection of Morteza Mahjoubi's stunningly virtuosic improvised pieces broadcast on Golha between the programme's inception until Mahjoubi's death in 1965 - mostly solo, though at times peppered with tombak, violin & some segments of poetry.
The vast collection of Golha radio programmes was put together thanks to the incredible work of Jane Lewisohn & the Golha Project as part of the British Library's Endangered Archives programme, comprising 1,578 radio programs consisting of approximately 847 hours of broadcasts.
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Deftones' iconic album 'Around The Fur' is a perfect blend of heavy, aggressive riffs and hauntingly beautiful melodies. Released in 1997, this album solidified the band's unique sound and established them as one of the most influential bands in the alternative metal scene. With songs like "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)", Deftones showcase their ability to seamlessly combine intense energy with poignant lyrics. The album's raw, emotional vocals and powerful instrumentals create an intense listening experience that has stood the test of time. 'Around The Fur' is an essential addition to any rock music collection.
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- A1: Electric Light Orchestra– Mr Blue Sky
- A2: Sweet– Fox On The Run
- A3: Aliotta Haynes Jeremiah– Lake Shore Drive
- A4: Fleetwood Mac– The Chain
- A5: Sam Cooke– Bring It On Home To Me
- A6: Glen Campbell– Southern Nights
- A7: George Harrison– My Sweet Lord
- B1: Looking Glass– Brandy (You're A Fine Gril)
- B2: Jay & The Americans– Come A Little Bit Closer
- B3: Silver (10)– Wham Bam Shang-A-Lang
- B4: Cheap Trick– Surrender
- B5: Cat Stevens– Father And Son
- B6: Parliament– Flash Light
- B7: The Sneepers– Guardians Inferno
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»Chronotopia« is the second album by composer-performer Elisabeth Klinck. After collaborating closely with artist Oscar Claus to blend her violin playing with electronic soundscapes and field recordings on her 2023 debut Picture a Frame (Hallow Ground), Belgian electroacoustic artist Elisabeth Klinck now turns inward. On Chronotopia, she takes a more song-oriented approach, embracing her voice as a vital counterpart to her violin, intertwining their sounds like threads in a dynamic, multicolored fabric. The record marks an essential turning point in her artistic evolution and opens up a rich internal world. It is a tapestry of sound, emotion, and curiosity spun from—both literally and figuratively—her growing voice.Klinck, who works as a composer and performer in theater, wrote the pieces between tours and recorded the album in the same place as its predecessor, the Spanish Pyrenees. Though the outside world isn’t as explicitly reflected in the recordings as it was the case on »Picture a Frame,« her sophomore album responds to the outside world by capturing both the expansive serenity of the mountains and the frenetic pulse of life on the road. Eschewing her previous, more atmospheric and abstract approach, Klinck creates a landscape that is built on the song and filled with intimacy. Her music feels at once vulnerable and deeply human, balancing the rawness of improvisation with the careful precision of melody-led composition.Klinck describes »Chronotopia« as a playful exploration of time—its fluidity, its constraints, and its influence on how we navigate the world. These notions reverberate through her melodies and lyrics, which dance between moments of shimmering clarity and messy, beautiful chaos. These contrasts are further accentuated by the cunning interplay of voice and violin, which itself reflects the artist’s fascination with duality and transformation. Recorded in both organic and controlled environments, »Chronotopia« blurs the lines between intuition and design. The »time space« into which Klinck invites her audience is a place where sound becomes touch, time bends like light, and every moment carries the thrill of discovery
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Following three acclaimed albums, a string of sought-after 45s, and collaborations with vocalists including Yurika and Sophia Solompon, championed by esteemed tastemakers such as Gilles Peterson, Cerys Matthews, and Jeremy Sole, "Nadir" finds Sababa 5 at their enigmatic and irresistible. Sababa 5"s latest album, "Nadir", delves into a darker, more sophisticated, and cinematic fusion of psychedelic soul and Middle Eastern rock. The title, Nadir, is an astronomical term referring to the point on the celestial sphere directly beneath an observer, diametrically opposite the zenith. Metaphorically, it signifies the lowest point or a moment of adversity. This duality resonates with the band"s exploration of contrasting musical themes-melding the cosmic and the terrestrial, the ethereal and the grounded. The name encapsulates the album"s essence, reflecting a journey through deep, introspective soundscapes that are both otherworldly and rooted in raw, earthly grooves.
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Order now and we will order the item for you at our supplier.
Order now and we will order the item for you at our supplier.
Jeder, der sich ein wenig mit aktueller elektronischer Musik auskennt, hat den Namen Mechatok, alias Emir Timur Tokdemir, schon einmal gehört. Er machte sich einen Namen durch weltweite Tourneen und eine Reihe von Veröffentlichungen und Kooperationen mit einigen der innovativsten Künstler*innen des letzten Jahrzehnts - darunter Drain Gang (Bladee, Ecco2k, Whitearmor, Thaiboy Digital), Charli XCX und Lorenzo Senni. Oft zurückhaltend im Ausdruck, verbreiteten sich diese Arbeiten sowohl in der Underground-Szene als auch im angrenzenden Mainstream und prägten dabei subtil die Entwicklung von experimentellem Pop und Clubmusik. Tokdemir versteht Mechatok als eine Art Avatar, der es ihm ermöglicht, neue Facetten seiner selbst zu erforschen und dem kreativen Prozess Offenheit und Freiheit zu verleihen. Als Inspirationsquellen nennt er Künstler wie Daft Punk und Gorillaz: zeitlose Figuren, die das Konzept des künstlerischen Projekts selbst zu einem Kunstwerk erhoben. Nach Jahren der Klangforschung als Mechatok präsentiert er nun "Wide Awake" - sein fast schon kaleidoskopisches Debüt-Soloalbum. Die Platte kristallisiert eine sehr persönliche Reise heraus und etabliert Mechatok nicht nur als herausragenden Kollaborateur, sondern als unbestreitbaren Solo-Künstler, der seine Vision voll im Griff hat. Durch die Mechatok-Persona findet er Ausdrucksformen, die paradoxerweise intimer - und zeitloser - wirken. Alles auf "Wide Awake" wird durch eine verspielte, aber zutiefst intuitive Klangwelt und eine Reihe haikuartiger, zentraler lyrischer Themen zusammengehalten. Das Album stellt Fragen nach der Möglichkeit von Authentizität und dem Status von Selbstausdruck im Zeitalter algorithmischer Vereinheitlichung. Mechatok vermeidet utopische Lösungen und entscheidet sich stattdessen dafür, mit seltsamen Mehrdeutigkeiten zu leben und deren schöpferisches Potenzial zu nutzen. Mit Features von Bladee, Ecco2k, Isabella Lovestory, Tohji und anderen deckt "Wide Awake" ein breites emotionales und stilistisches Spektrum ab, bleibt dabei aber stets durch Tokdemirs präzise Vision gefiltert. Das Ergebnis ist ein sorgfältig komponiertes elektronisches Pop-Opus - eine Sammlung süchtig machender, persönlicher Mantras; Fragmente, die gleichzeitig flüchtig und dauerhaft erscheinen.
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Wewantsounds is delighted to reissue Fairuz"s classic album Chat Iskandaria released on Relax-in in 1987. The album sees The Lebanese Diva going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, The album - curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes (Fr/En) - has been newly remastered by Colorsound Studio in Paris.
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Born At Midnite ist das Nebenprojekt von Amery Sandford und David Carriere. Das in Montreal ansässige Duo begann Ende 2018 gemeinsam zu komponieren, wobei sie sich strikt an das ,Post-Party"-Prinzip hielten und jeden Song innerhalb eines Abends fertigstellten oder verwarfen. Mit Samplern, Bandmaschinen und einem improvisierten Ansatz beim Songwriting schafft das Duo eine unheimlich vertraute Atmosphäre durch eine ungeschliffene Linse aus dünnem Eis. Die Gruppe spielt mit dem allgegenwärtigen Narzissmus und der Selbstgefälligkeit unserer Zeit und näht dabei eine Art ,Produktplatzierungs-Punk" zusammen, der nicht gesponsert ist. Amery Sandford ist bildende Künstlerin und eine unkomplizierte Popsängerin. Vor kurzem veröffentlichte sie ihr erstes Soloalbum ,Amery - Continue As Amery". David Carriere ist Produzent, Songwriter und Gitarrist in den Bands TOPS und Marci. More of the same dope shit for your wimpy little ear holes.
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Red Axes return with LOUD—their most explosive record to date. Blending post-punk grit, indie-rock swagger, and their signature electronic pulse, the duo deliver 13 tracks packed with raw energy, twisted hooks, and fearless experimentation. LOUD is restless, fearless, and wildly diverse - showcasing a band that never stands still.
Following over a decade of groundbreaking releases and genre-defying sets at Coachella, Glastonbury, Sónar, and Berghain, LOUD showcases Red Axes’ ever-evolving sound and genre-defying legacy. Drawing inspiration from acts like Amyl and the Sniffers, Viagra Boys, and The Brian Jonestown Massacre, Red Axes channel their roots in psychedelic rock into something gritty, loud, and deeply addictive.
Lead single Home "La La La” captures the hazy feeling of a night spiralling out—equal parts bliss and breakdown. From distorted riffs to hypnotic grooves, each track pushes Red Axes into thrilling new territory. From the surf-rock energy of “Church Avenue” to the pounding chaos of “Lava Lava,” LOUD spans moods, genres, and states of mind—but always hits hard.
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- A1: Cookin' The Books
- A2: I'm Comin' Home To You (feat Stella Angelico)
- A3: Only Words (feat Natalie Slade)
- A4: No Bread For You
- A5: Away From My Heart (feat Wilson Blackley)
- A6: Brighter (feat Stella Angelico)
- B1: Ms Fat Booty
- B2: Give A Little Bit More (feat Stella Angelico)
- B3: Phoenix
- B4: The World Is Cold (feat Mantra & Jane Tyrrell)
- B5: New Yorker
Hot off the griddle, Cookin' The Books is the long awaited new album from Australia's kings of Hammond soul, Cookin' On 3 Burners. Their first studio LP in six years finds the trio in top form - deep in the pocket, wide in scope, and stacked with heavyweight collaborators. With a 27-year legacy, global tours, and over 2 billion streams (including the international smash This Girl), Cookin' On 3 Burners remain a defining force in vintage soul, funk, and groove.
Cookin' The Books features a collection of killer collaborators including electrifying live vocalist Stella Angelico, acclaimed soul artist Natalie Slade (Steve Spacek, Katalyst, Simon Mavin), hip hop mainstay Mantra alongside Jane Tyrrell (The Herd), rising alt-soul voice Wilson Blackley, and a sweeping string arrangement from composer/violinist Tamil Rogeon (Aloe Blacc, The Dandy Warhols).
Across the record, the group shifts seamlessly between gritty instrumentals and lush vocal cuts - from the cinematic funk of "Only Words", to the break-beat heavy title track "Cookin' The Books", the bumping bounce of "No Bread For You", and the introspective soul of "Phoenix". Every track reflects the group's deep funk DNA while carving out bold new territory.
With airplay from BBC6's Craig Charles, support from tastemakers (Wax Poetics, Dusty Groove, Rolling Stone Australia), and a world tour booked for 2026, this release is a must-stock for deep funk, soul, and cinematic groove audiences.
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- A1: Dick Dale & His Del-Tones - Misirlou
- A2: The Coasters - Down In Mexico
- A3: Keith Mansfield - Funky Fanfare
- A4: The Tornadoes - Bustin' Surfboards
- A5: Nick Perito - The Green Leaves Of Summer
- A6: Dee Clark - Hey Little Girl
- A7: Zarah Leander - Davon Geht Die Welt Nicht Unter
- A8: Joe Tex - The Love You Save (May Be Your Own)
- A9: Link Wray And His Ray Men - Rumble
- B1: The 5 6.7.8's - Woo Hoo
- B2: Annibale E I Cantori Moderni - Trinity (Titoli)
- B3: Charlie Feathers - Can't Hardly Stand It
- B4: David Hess - Now You're All Alone
- B5: Joe Tex - I Gotcha
- B6: Elvin Bishop - She Puts Me In The Mood
- B7: Jim Croce - I Got A Name
- B8: Johnny Cash - I Walk The Line
Die Musik aus Quentin Tarantinos Filmen ist längst Kult - und mit der neuen farbigen Vinyl-Edition von Tarantino Sounds wird diese legendäre Soundwelt jetzt noch einmal besonders zelebriert. Die Compilation vereint ikonische Tracks aus Tarantinos gesamtem filmischen Werk: von Pulp Fiction über Kill Bill bis Once Upon a Time in Hollywood. Mit dabei sind musikalische Größen wie Dick Dale, Johnny Cash, Joe Tex, The Coasters, The 5.6.7.8"s, Dee Clark, Keith Mansfield und viele mehr. Tarantino Sounds entführt in eine Welt aus Surf-Rock, Soul, Rockabilly und Retro-Vibes - genau wie Tarantino sie liebt und inszeniert. Nach der erfolgreichen Veröffentlichung der Standard-CD und der schwarzen Vinyl-Ausgabe folgt nun die farbige Sammleredition - exklusiv für den deutschen Markt und streng limitiert. Ein besonderes Highlight: Die Farbe des Vinyls ist eine Überraschung! Erst beim Auflegen auf den Plattenspieler zeigt sich, welche Farbe du erwischt hast - jede Edition ist ein Unikat und macht das Sammlerlebnis noch spannender.
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Anlässlich des zehnjährigen Jubiläums des ätherischen Albums ,Moonlust" von The Holydrug Couple freut sich Sacred Bones Records, eine Special Art Edition auf Vinyl mit brandneuem holografischem Regenbogen-Laminat-Artwork zu präsentieren. Moonlust wurde ursprünglich 2015 veröffentlicht und markierte eine mutige Weiterentwicklung für das chilenische Duo. Das Album vermittelt ein Gefühl von Sehnsucht und Transparenz und taucht ein in eine spacige, psychedelische Dream-Pop-Welt, umhüllt von romantischen Synth-Leads, popigen, distanzierten Vocals und halluzinogenen Klanglandschaften. The Holydrug Couple sind dafür bekannt, ihre eigene Realität zu erschaffen, und haben eines der revolutionärsten psychedelischen Alben des letzten Jahrzehnts geschaffen. Mit Songs wie ,If I Could Find You (Eternity)", der Sie auf eine zarte Reise durch den Weltraum mitnimmt, getragen von Ives Sepúlvedas Gesang und kaleidoskopischen Synthesizern, und ,Atlantic Postcard", durchdrungen von lebhaften Arpeggio-Ambient-Klängen, ist ,Moonlust" ein Muss für alle Liebhaber des psychedelischen Rocks.
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- A1: Bad Boys
- A2: Say Say Say
- A3: Gold
- A4: Who's That Girl?
- A5: The Lovecats
- B1: Change
- B2: Don't Talk To Me About Love
- B3: Shiny Shiny
- B4: The Safety Dance
- B5: Calling Your Name
- C1: Blue Monday
- C2: Iou
- C3: (Hey You) The Rock Steady Crew
- C4: Double Dutch
- D1: All Night Long (All Night)
- D2: Give It Up
- D3: She Works Hard For The Money
- D4: Gloria
- D5: Break My Stride
- E1: Temptation
- E2: (Keep Feeling) Fascination
- E3: Love On Your Side (Rap Boy Rap)
- E4: Robert De Niro's Waiting
- E5: Apollo 9
- F3: Why?
- F4: That's The Way (I Like It)
- G1: It's A Miracle/Miss Me Blind
- G2: What's Love Got To Do With It
- G3: I Feel For You
- G4: White Lines (Don't Do It)
- H1: Whatever I Do
- H2: You Think You're A Man
- H3: Jump (For My Love)
- H4: Dr Beat
- I1: The Reflex
- I2: The Riddle
- I3: What Is Love?
- I4: Absolute
- I5: Pearly-Dewdrops' Drops
- J1: The Killing Moon
- J2: Das Testament Des Dr Mabuse
- J3: Two Tribes (Annihilation)
- F1: Relax
- F2: High Energy
Black Vinyl[86,13 €]
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- A1: Fake Love ft. Julia St. Louis
- A2: Tonight I’m Ready For Love ft. Stefano Grassi
- A3: Keep Your Head Up ft. Julia St. Louis
- A4: Guajira ft. Manuela Ravaglioli & German Leguizamon
- A5: Candlelight ft. Laura Fedele
- B1: Pressure (Disco Experience Club Remix) ft. Julia St. Louis
- B2: Longe De Voce ft. Toco
- B3: Todo Mundo Vai ft. Toco
- B4: Step Into My Life ft. Laura Fedele
- B5: Vento Doce (Sunrise Remix) ft. Toco
Schema Records proudly presents PRELUDE, Stefano “S-Tone Inc.” Tirone’s tenth album in his 30-year career. It is available from October 10th, 2025, in the usual digital/streaming formats, as well as LP (10 tracks) and CD (15 tracks); the latter contains, in addition to the tracks on the vinyl, the singles already released on 7” (“In the Sand”, “Tudo Pra Ela”) and remixes of “Pressure”, “Vento Doce” and “Longe De Voce”.
Various different styles harmoniously coexist in “Prelude”: the soul, funk, disco and house tracks embellished by Julia St. Louis’s black voice and Laura Fedele’s jazz-blues timbre alternate with Latin and Brazilian atmospheres in the tracks that host the precious collaboration with Toco, up to a stunning reinterpretation of Santana’s “Guajira” performed by Manuela Ravaglioli, a long-time S-Tone Inc.’s guest vocalist, and German Leguizamon, an Argentine artist with a brilliant career in the 90s dance music.
The title “Prelude” is a double homage: to the legendary homonymous American record label that defined the New York disco sound between 70s and 80s, and to Eumir Deodato’s masterpiece released on CTI in 1973, a sublime example of cross-genre fusion that has always been a source of inspiration for the refined and cosmopolitan blend of music styles that has made S-Tone Inc.’s sound unique and that is firmly reaffirmed in this new record.
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- A1: Anything to Say You're Mine
- A2: My Dearest Darling
- A3: Trust in Me
- A4: A Sunday Kind of Love
- A5: Tough Mary
- A6: Next Door to the Blues
- A7: Don't Cry Baby
- A8: Fool That I Am
- B1: I Just Want to Make Love to You
- B2: At Last
- B3: All I Could Do Was Cry
- B4: Stormy Weather
- B5: Girl of My Dreams
- B6: Spoonful
- B7: It's a Crying Shame
- B8: Something's Got a Hold On Me
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- A1: One Battle After Another
- A2: The French 75
- A3: Baktan Cross
- A4: Baby Charlene
- A5: Perfidia Beverly Hills
- A6: Mean Alley
- B1: I Need The Greeting Code
- B2: Ocean Waves
- B3: Guitar For Willa
- B4: Battle After Battle
- B5: Sisters Of The Brave Beaver
- C1: Like Tom Fkn Cruise
- C2: Operation Boot Heel
- C3: Avanti Q
- C4: River Of Hills
- C5: Greeting Code Reprise
- C6: Trust Device
- C7: Trio For Willa
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Order now and we will order the item for you at our supplier.
Order now and we will order the item for you at our supplier.




































![Etta James - At Last! [limited Edition]](https://www.deejay.de/images/l/3/0/1191430.jpg)


