quête:ac in records

"There's scarcely a more towering figure in modern jazz — save Miles and Coltrane — than Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him. It also doesn't hurt that he appeared on (and had great influence over the direction of) Kind Of Blue and that two of his trio’s LPs from the Village Vanguard in 1961 are both stone-cold classics.
Evans is joined here by bassist Chuck Israels and drummer Larry Bunker for this 1965 recording. The album includes the heart-wrenching ""Who Can I Turn To?"" alongside ""If You Could See Me Now"" and Johnny Carisi's ""Israel.""
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging."

What do you get when you combine "Canada's Dopest Female MC" (Exclaim Magazine) with Canada's Best Kept Secret? You get FREE: the debut collaborative MC/Producer project between Juno-nominated Hip Hop Artist Eternia and the criminally slept on Juno-Award Winning Hip Hop Producer Rel McCoy.

The first full-length release for Eternia since the critically acclaimed "At Last" with producer MoSS (Fat Beats Records), Eternia returns with all the slice & dice super-lyricism audiences have grown to expect from her, as well as a depth and simplicity that can only be attributed to the maturation of her certified veteran MC status. Rel McCoy expertly provides some of the most sophisticated, moving, soulful & dynamic production we've heard Eternia rhyme on, in the same vein as a Pete Rock or a Hi-Tek but with a sonic stamp all his own.

FREE is the sonic equivalent of a baptism: a first step towards wholeness and liberation. The album holds the tension between rebirth, faith and peace of mind juxtaposed with the day-to-day realities of anxiety, fear, uncertainty and failed relationships.

One of the most legendary LPs from Uruguay remains a hidden treasure in the rest of the world. It is the first LP by singer Diane Denoir. Diane was a regular in the “Conciertos Beat” (“Beat Concerts”) of Montevideo's 1960s scene where she performed with Eduardo Mateo on guitar (leader of El Kinto, one of the most influential bands in "candombe beat", and the ones who coined the term), Roberto Galletti on drums and Antonio Lagarde on double bass. Diane was also Mateo's muse throughout the early years of his career, he wrote several songs for her, among them “Esa tirsteza,” “Y hoy te vi,” and the classic “Mejor me voy.” Eduardo Mateo would become one of the biggest names of all times in Uruguay's musical scene. Diane, instead, found herself outside the country when the military coup installed a non constitutional government in Urugay in 1973 and was wisely advised by friends not to go back home to avoid trouble with the new dictatorial regime. A brave defendant of Human Rights, she had been very active against torture, thus becoming a target for the dictatorial regime military intelligence. She exiled in Argentina and Venezuela, and she later settled in Europe and didn't perform in public or record again until recent years when she returned to her home country.



On her eponymous 1972 debut album, Diane fused all her influences in one solid sound through songs created by Uruguayan songwriters (Eduardo Mateo, Urbano Moraes –bassplayer for El Kinto,– Daniel Amaro, Giuso Bellanca), plus Argentinian lyricist Edgardo Lisi. She had released a couple of 7" between 1966 and 1970, but it is her debut album –which would be her only one until her 2008 comeback– that made her legend grow among future generations of music lovers.



It's hard to name artists in the same dimension as Diane Denoir for reference, but be sure that you will love this LP if you like the candombe beat scene of El Kinto, Tótem or the Fattorusso brothers (Hugo and Osvaldo) in their post Los Shakers works, but also the bossa nova sound and even artists of their own like Vainica Doble.



Very limited edition, only 500 copies made. Remastered sound. Comes in upgraded artwork, gimmick cover with printed inner sleeve.

‘Mehldau can truly translate his thoughts and feelings into complex and lasting music. He is one of those people whose brain and fingers and musical ability is all one beautiful entity.’ – Jamie Cullum

Nonesuch Records releases Brad Mehldau’s Jacob’s Ladder on 2 x 140g black vinyl on June 17th . The album features new music that reflects on scripture and the search for God through music inspired by the prog rock Mehldau loved as a young adolescent, which was his gateway to the fusion that eventually led to his discovery of jazz. Featured musicians on the album include Mehldau’s label mates Chris Thile and Cécile McLorin Salvant, as well as Mark Guiliana, Becca Stevens, Joel Frahm, and others. The album’s first single, ‘maybe as his skies are wide’, builds off an interpolation of one portion of Rush’s classic ‘Tom Sawyer’.

Mehldau explains, “We are born close to God, and as we mature, we invariably move further and further away from Him on account of our ego. Jacob’s Ladder begins at that place closer to God with the voice of child, and then moves into the world of action. God is always there, but in our discovery and conquest, and all the joys and sorrows they bring, we may lose sight of him. He sets a ladder before us though, like in Jacob’s dream, and we climb towards him, to find reconciliation with ourselves, to stitch up all those worldly wounds and finally heal. The record ends with my vision of heaven – once again as a child, His child, in eternal grace, in ecstasy.

“The musical conduit on the record is prog,” Mehldau continues. “Prog – progressive rock – was the music of my childhood, before I discovered jazz. It matched the fantasy and science fiction books I read from C.S. Lewis, Madeleine L’Engle and others at that time, aged ten through twelve. It was my gateway to the fusion of Miles Davis, Weather Report, Mahavishnu Orchestra and other groups, which in turn was the gateway to more jazz. Jazz shared with prog a broader expressive scope and larger-scale ambitions than the rock music I had known already.

“The prog from Rush, Gentle Giant, and Emerson, Lake and Palmer here only hints at the genre’s conceptual, compositional and emotional range. These bands and others have continued to influence newer groups that bring prog impulses into the arena of hard rock and screaming math metal, like Periphery, whose music is included here, and also inspired the screaming vocals on ‘Herr und Knecht.’ I tried to avoid a direct tribute approach to all the songs, and opted in some cases for excerpts, or reworking of themes.”

Although Brad Mehldau is best known as a jazz composer and improviser, he has made several albums that fall outside of the mainstream jazz genre, including his 2001 Largo, produced by Jon Brion. Wide-ranging in texture and big in scale, it features woodwind or brass ensembles are on several tracks, as well as a heavy emphasis on powerful drums. In 2010, Nonesuch released his second collaboration with Brion, Highway Rider, which includes performances by Mehldau’s trio – drummer Jeff Ballard and bassist Larry Grenadier – as well as drummer Matt Chamberlain, saxophonist Joshua Redman, and a chamber orchestra led by Dan Coleman. Mehldau also orchestrated and arranged the album’s fifteen pieces for the ensemble.

Mehldau’s 2014 collaboration with Mark Guiliana, Mehliana: Taming the Dragon featured Mehldau on Fender Rhodes and synthesizers and Guiliana on drums and effects, playing twelve original tunes – six by the duo and six by Mehldau. His 2019 album Finding Gabriel featured performances by him on piano, synthesizers, percussion, and Fender Rhodes, as well as vocals. Guest musicians included Ambrose Akinmusire, Sara Caswell, Kurt Elling, Joel Frahm, Mark Guiliana, Gabriel Kahane, and Becca Stevens, among others.

"To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records and UMe will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favorite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.
Assembled by Mark Linett and Alan Boyd, the team behind 2013's GRAMMY® Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf's Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”
The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.
The expanded edition of Sounds Of Summer will be available in a variety of formats, including a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature color printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph. "

Indie-pop singer-songwriter, composer and producer Australia’s Ben Lee releases his 14th solo studio album “I’m Fun!”. The new album features guests Zooey Deschanel, Christian Lee Hutson, Money Mark, Megan Washington, Georgia Maq, Eric D Johnson.

On the album, Ben Lee says “This album, this moment in my career, is all about balancing some hard-earned wisdom from a 30-year long career with the vigor and energy of youth. That’s why it was as important to me to collab with artists like Jon Brion and Money Mark who I’ve both known for over 2 decades, as much as people like Shamir and Georgia Maq who are young and lit up with creative adrenaline. I like being a generational bridge between freaky artists. They are my tribe!”
Even before the launch of his solo career, Ben attracted attention in his teens as a member of the Sydney band Noise Addict. Following the band’s demise in the mid-90s, he began issuing a string of acclaimed solo albums while taking part in several side projects, including The Bens (Ben Folds, Ben Kweller, Ben Lee).

In his 30-year music career, Ben Lee has been gloriously prolific and unpredictable. The 4x ARIA award winning artist boasts an enviable catalogue including ‘Grandpa Would’ 1995, ‘Something To Remember Me By’ [1997], ‘Breathing Tornados’[1998], 2x ARIA Platinum album ‘Awake In New Sleep’[2005], ‘Ripe’ [2007], ‘The Rebirth of Venus’[2009], ‘Deeper Into Dream’ [2011] which have collectively spawned a multitude of chart hits, including “Cigarettes Will Kill You”, “Gamble Everything For Love”, “We're All in This Together” and “Catch My Disease”

This HOT double-A side features the 70s Torch dancer 'HERE I GO AGAIN' - with it's crashing backbeat and fabulous 'call-to-the-floor' intro. The song was originally released in the USA by Atlantic Records in 1969, to little acclaim at the time, but later spiraled to No.11 in the UK pop charts in 1972 due to demand from the Northern Soul scene. 'TIGHTEN UP' was one of the first songs to be recorded by Archie Bell & The Drells, in Houston, Texas in 1967. The track had originally been developed by the T.S.U. Toronadoes and, coupled with Bell's unique spoken introduction, caught the imagination of the nation earning the band a gold disc and a No.1 R&B and Pop smash. It would become a UK Mod anthem and spawned future club hits care of Willie & The Mighty Magnificents 'Funky 8 Corners' and Frankie Crocker's floor packin' 'Ton Of Dynamite' (also available from Outta Sight, OSV106).

FEAN II is the following of the first opus released on Moving Furniture Records in 2018, from some materials of the improvisatory collective FEAN based around Jan Kleefstra (voice, poems), Romke Kleefstra (guitar, bass and effects), Mariska Baars (vocals) and Rutger Zuydervelt (electronics) from Netherlands, joined by the Belgian musicians Annelies Monseré (church organ, keyboard), Sylvain Chauveau (tuned percussion, radio) and Joachim Badenhorst (acoustic and amplified clarinet, bass clarinet, saxophone). Like The Alvaret Ensemble, this project is the result of some improvisations in a Church. But at not the same place.

The FEAN project gets its inspiration from the ecological decay of peatland in the Dutch province Friesland and in other parts of Europe. Agriculture and peat extraction are threatening the landscape severely and with long term consequences. This forms the underlying thought for the improvised recording sessions, which were overseen by Jan Switters. Although the Piiptsjilling members are obviously used to perform and record together, adding the three Belgian guests (who didn’t play together before) added an extra dimension to the group’s dynamics, resulting in a concentrated yet playful series of improvisations, that were later mixed and edited for the project.

For laaps, that was an obvious choice to continue the exquisite corpse project with FEAN and a part of the same members than the first release, just before to move to the Spring season and some news bridges, colors and sounds imprints to come.

Written and recorded during the pandemic, Aaron Watson's 'Unwanted Man' takes the listener on a full circle journey from isolation and despair to loving redemption. Aaron wrote or co-wrote all eleven songs on 'Unwanted Man,' showcasing both his trademark love songs in “When I See You” and “Nothing On You” as well as his popular classic uptempo romps with “Cheap Seats” and “Heck Of A Song”. 'Unwanted Man' is Aaron’s 14th studio album and his 18th album overall. Every album Aaron has released since 2010 has landed firmly in the Top 10 on the Billboard Country Album Chart with three debuting in the Top 5. For the past 20+ years, Watson has achieved success on his own terms, hand-building a lauded career through songwriting, relentless touring and nearly twenty self-released albums. His independent Texas spirit and strong work ethic are emblematic of the western lifestyle; virtues which have taken him from humble honky-tonks of Texas to multiple sold-out tours around the world. Rolling Stone calls him "Texas country's reigning indie underdog" and The Boot remarks that Aaron is "a pure expression of his traditional country ethos.” His 2015 album 'The Underdog' was the first independent album in the history of country music to top the Billboard Country Album Chart. Aaron Watson’s career is perhaps summed up best by Forbes, who says he’s "one of country music’s biggest DIY success stories." A self-made businessman, chart-topper, and road warrior whose authenticity has made him a country music staple, Aaron Watson is here to stay.

Unique fusion of the Indian and Egyptian music cultures devised by Baligh Hamdi, the most prominent of all modern composers in the Arab-speaking world. Hamdi, who penned dozens of hit compositions for Umm Kulthum, Abdel Halim Hafez, Warda and Sabah amongst others, also shaped the future of Arabic music in a way that's difficult to overestimate.


Directed by Hamdi, the renowned Indian sitar player Magid Khan joins the Egyptian musicians of Abdel Halim Hafez's orchestra in re-reading some of Hamdi's compositions from a new perspective – here sitar and tabla dance together with arghoul, ney and other Arabic instruments.



An east-meets-east masterpiece in which Hamdi once again pushed the boundaries of Arabic music in his tireless quest for a broader, more global reach.

Helsinki quartet OK:KO releases their third album "Liesu" with We Jazz Records on 15 April. The band, led by drummer/composer Okko Saastamoinen and including saxophonist Jarno Tikka, pianist Toomas Keski-Säntti and bassist Mikael Saastamoinen (of Superpostion & Linda Fredriksson "Juniper") is a scene favourite in Finland and has recently garnered some international attention with their melodic, dynamic and original approach. The OK:KO sound is adventurous yet accessible, and contemporary yet rooted in the lineage of acoustic small group jazz.

When listening to OK:KO, you can feel that their influences also come from out of the musical realm. After all, isn't this just how it should be? Making music from your own life. Here, you can tell that the landscape of rural Finland, its poetic, at times even melancholy beauty, is ever present. It's folk song country. But don't be fooled, these guys form a real flesh and blood jazz band. That means that the music just starts when the first note hits, and onwards from there, we're in for a wild ride.

Whether punchy like on "Anima", solemn like on "Arvo", or just trekking out there a skiing lane of their own like on "Vanhatie", what you'll get is pure OK:KO. Melodic, interactive, honest and forward-reaching contemporary jazz music. That is something we appreciate – a lot!

Vinyl editions available on opaque white / black vinyl, with inside-out 3mm spine sleeve and a polylined black inner sleeve.

Includes 2 bonus tracks.
Originally released in 1983 this hugely rewarding record acted as a round up of the group’s career to date and was of immeasurable value to fans. It’s aged well, too.
Comprising of A and B sides from their Rough Trade released singles plus extracts from sessions for Radio 1, Capital Radio and EMI Records, this LP contains unique versions of such classic tracks as “The Jet Set Junta” and “He’s Frank (Slight Return)”.
Oddities, and jocular moments run through the album, including John Peel introducing “Fat Fun” and thinking aloud that those Monochrome boys might be having a pop at him. The fact that it includes a wish list of the band’s best songs to this point in their career is another reason to recommend it.
Previously they may have made a handful of slightly-off-target albums, but this 1983 compilation is a front-to-back joy, fast, restless and perfectly sequenced. It plays like a cohesive album.
Includes 2 bonus tracks from the February 1979 Peel Session ‘Love Goes Down The Drain’ & ‘Noise (Eine Kleine Symphonie)’.

Rance Allen, from Monroe Michigan, with older brother Tom on drums and younger brother Steve on bass recorded their first record and won a talent contest in Detroit and were subsequently signed to Stax’s Gospel Truth label in 1971. After four albums Rance signed to Capitol and made his most highly acclaimed album “Say My Friend”. In 1980 The Rance Allen Group were with Stax Records where they worked on an album with Detroit artist/producer, Expansion artist, and current member of The Four Tops, Ronnie McNeir. Neither of the songs on this songs have previously been available on 7" 45. Both are taken from the album "I Feel Like Going On".

AUF TOGO is the long-time collaboration of Sasa Crnobrnja
(from In Flagranti and Mytron & Ofofo) and Clement Cachot-Coulom
(from The Fabulous Penetrators and Big Girls).

After multiple singles and EPs on Leng Records and SaS Recordings, including two collaborative EPs with the tentacular outfit Becker & Mukai, acclaimed by fans and DJs alike, most of their time has been spent writing, recording and bringing to life the 8 amazing tracks that form their debut album “Movements”.

“Movements” follows in the steps of Auf Togo’s previous releases and won’t disappoint the early fans, but it also offers a completely new proposition. Their signature blend of slamming percussion, driving bass lines, psychedelic guitar hooks, fat analogue synths are expertly mixed with new musical ventures across the tracks: from the louche Hawaiian jazz of Along The Dotted Line to the psych-funk of Pan Con Tomate, the electronic wanderings of Mexico to the cinematic intensity of Radical Departures.

The result is a spell-binding summer album, one to listen to on a coastline somewhere under the Mediterranean sun, and one that is not afraid to wear its many influences on its sleeve, from 70s psych-rock to Balearic Beat, Space Disco and Afro Beat. The scope of “Movements” is wide and proves a captivating and gratifying listen.
Debut album from supergroup with members of In Flagranti and Mytron & Ofofo Pressed on 12” vinyl with artwork drawn and designed by Award winning animator Erica Russell UK/EU marketing campaign led by Neighborhood and specialist press/DJ by Your Army, with previous support from Mixmag, Trax, Ransom Note, NTS, Bill
Brewster, Andrew Weatherall and more.

Margaret Dygas may be based in Berlin but her unique sound can't be tied down to any one city or scene, as she proves on her latest 12" across three tracks for the consistently exciting Half Baked label. Not that there's anything half done here, of course, with A-side tune 'Butterfly Effect' a prime slice of groovy. resonant techno that's understated and restrained enough to gain comparisons to Jaydee's 'Plastic Dreams' classic. 'CC Is 33' is warmer, with nicely slidy, jazzy organ chords and itchy technofunk rhythms, with the most minimal of the three tracks, the static-infused, atmospheric 'Subliminal 20A7', coming last but by no means least. A great showcase for a great, original talent.

Yellow Vinyl

A collective of musicians led by Barcelona-based producer Miguel Ferre Falcon, Kokoro Disco San first appeared on the RNT radar with their 2019 Isla Fantasia release on Rocafort Records.

KDS now brings their uncanny ability to capture the mood and instrumentation of classic disco and soul with the uplifting summer anthem 'Sunshine' and the Candido-esque sonic journey 'Jungle Deep.' Rounding out the EP are two remixes of the title track by label co-head JKriv, who delivers an extended acidic exploration with his Beach Burn Mix, and a bumped up yet loving treatment of the original song with his SPF76 Mix.

For fans of Turkish Psychedelic Funk and Anatolian Rock. Alexander Korostinsky (Whatitdo Archive Group and The Sextones) marks his solo debut with two heavy psychedelic tracks. 7" vinyl is limited to 300 copies.

Record Kicks busts down the doors with yet another 7" heater– this time by Alexander Korostinsky (The Sextones, Whatitdo Archive Group), an accomplished songwriter/producer making his debut as a solo artist with a heavy psychedelic 7" available at selected stores next June 17th and limited to 300 copies worldwide. Korostinsky gives a loving nod to the sound of 60s and 70s Anatolian Psych Rock all while staying true to his unique songwriting style and recording approach. On the A side is "Bones of God", a psychedelic Turkish-infused cut featuring an electric saz and sitar dancing across tape-y drums and his distinctive bass playing. On the flip side, "Altin Maske'', a hypnotic exploration into Korostinsky's mind as a solo artist– think a Turkish David Axelrod and you'll be set. "Altin Maske's" twists and turns guide the phased out drums and electric saz into a beautifully psychotic meltdown.

Meticulously recorded and produced entirely on a Tascam 388 by Korostinsky at his own Archive Group Studios,this 45 is imbued with Korostinsky's love of analog recording production and vintage records. One listen and you'll notice thatthese songs are begging to be sampled and are a must have for any serious crate-digger. If this first release is any indication of what we can expect from Korostinsky in the future, then we are excited to see where he takes us next.

The 7" vinyl is limited to 300 copies worldwide which makes it an instant collector's item.

Hazeen is an anti-racist Muslim death metal band formed by Sydney-based artists, musicians and academics Safdar Ahmed on vocals and guitar, and Can Yalcinkaya on the drums and darbouka. Safdar Ahmed, has been invited to take part in dokumentafifteen with a video installation and a collateral album, to be released on Piranha Records.

For more than twelve years, Morphology have been re-writing the rules of electronics. Michael Diekmann and Matti Turunen have melted electro, IDM and techno into their own unique sound. To celebrate their achievements, FireScope has sifted through the impressive discography of this Finnish pairing to bring long out of print tracks back to life.

Twelve 2 brings together a decade’s worth of music released between 2009 and 2019, a dozen works that traverse genres and labels like Abstract Forms, AC Records, Analogical Force, Central Processing Unit, Cultivated Electronics, diametric., Inner Space Records and Vortex Traks. Spliced beats and bulging bass lines introduce the album with "Karma Flies.” Rhythmic patterns are condensed and stretched in “Inversion Layer” and “Amphidiscosa”, the latter’s aquatic undercurrents melting an organic touch with the coldness of the machine. Darker tones lurk, the long shadows cast by “Convince the Computer” spread to other tracks like “Nucleosynthesis.” Yet, despite these more sombre shades, pieces with a human element punctuate the album. The frenetic pace of “Fluid Dynamics,” with its playful melody, throbs with the pulse of a city while the ebbs and flows of the watery “Active Optics” explore an ever morphing and shifting sound. An imagined future is never far away in Morphology’s machinations. These other places are given sound in the frigid grooves of “Sentinel,” the primal beauty of “New Horizons” and the stark structures of “Landforms.”

Not only does this double LP gather rare tracks never heard together before, but also each piece has been lovingly remastered to breath new life into these wonderful works. Twelve 1 celebrates the music of Morphology in all its glory, two masters of modern electronic music who continue to re-define and re-design genres.

“The year's indisputable soundtrack pinnacle” - Peter Travers, ABC

“The year’s best film score” - The New Yorker

“Greenwood’s latest score - and the one that might be likeliest to finally win him an Oscar” - Stereogum

Jane Campion’s masterful ‘The Power of the Dog’ is the most honoured film of the year. The critically acclaimed original score by Academy Award and BAFTA-nominated composer Jonny Greenwood
has won Best Score at 13 major critics organisations and is now SCL nominated for Outstanding Original Score for a Studio Film.

This incredible score recently received the Academy Award nomination for Best Original Score, BAFTA nomination for Best Original Music, Golden Globe nomination for Best Original Score
along with loads of other nominations.

As well as the score, the film has been incredibly popular this awards season, picking up many nominations.

The soundtrack is available on digipack CD and black vinyl LP with digital download code.


Press - Features in Pitchfork, NPR, NME, BBC, The Guardian, Brooklyn Vegan.


Radio - 6 Music, Scala Radio Mark Kermode.


Online - Full online & social marketing campaign by
Lakeshore, Invada & Netflix.