A High-Energy Fusion of Past and Present
The collaboration between the Amsterdam and Berlinartists showcases their unique chemistry, blendingcutting-edge production techniques with a deepreverence for the genre's roots. Crafted in the shadows,Accelerate is a meeting of two minds from two citiesknown for their underground energy, each bringing theirunique influence to an exhilarating techno experience.
The reworked classics on Accelerate, which originallygraced some of the most renowned techno labelsbetween 2007 and 2012 on vinyl 12", are newly mixed,edited, and turbocharged, pushing the limits of eachtrack's original energy. All is recalibrated for a newgeneration of listeners-and they hit harder than ever.Alongside these revamped gems, Accelerate introduces
new and previously unreleased material that will takelisteners even further.
Accelerate is a relentless force that demands to be felt inall its depth.
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To celebrate Bugged Out’s 30th anniversary, Disco Pogo has produced a book dedicated to the legendary club night - one of the UK’s most formative and enduring.
Edited by Bugged Out promoter Johnno Burgess, the book features new interviews with regular guest DJs including The Chemical Brothers, Erol Alkan, Tiga, Miss Kittin, Hot Chip, and 2manydjs. It also comprises oral histories written by journalists including Jim Butler, Ralph Moore, Luke Bainbridge, and Johnno himself, charting the club’s pivotal periods: Manchester’s Sankeys Soap in the 1990s, Liverpool’s Nation in the ‘90s and ‘00s, The End in London during the 2000s, and their much-loved five-year run of Weekenders at Butlin’s in the 2010s.
The book is not only a history of Bugged Out but also a chronicle of UK club culture from the mid-1990s to the present day. Told era by era, it reflects shifting fashions - from the utilitarian workwear of the ’90s, to the flamboyant electroclash era, to the neon excess of new rave - as well as the growing dominance of photography, evolving from a handful of disposable 'fun camera' shots to today’s flood of professional images in the Instagram age.
It is equally a story of the highs and lows of running a club night: from the exhilaration of seeing an idea grow from a 600 capacity club in Manchester in 1994 into a sold-out 12,000-capacity 30th-birthday party in London last year, to the painful, financial losses that came from significant failures.
The narrative is punctuated with idiosyncratic anecdotes: the time Daft Punk may or may not have played in Ibiza; Miss Kittin tearing up the rule book one night in Heaven; or Erol Alkan making his first unforgettable appearance in what he called “a proper club”.
'It’s Just A Big Disco' - named after one of the club’s iconic slogans - features hundreds of flyers and lineups, alongside photography by acclaimed event photographers including Luke Dyson, Mark McNulty, Tom Horton and Alistair Allan, plus candid snaps from friends and clubbers and a portrait of Miss Kittin by Wolfgang Tillmans.
Vibe Ride is the sixth release of Adam Rudolph's Hu Vibrational project and marks his 60th release as a leader or co-leader. Comes with insert and download code.
“With every record, the goal is to explore new creative territory,” explains Rudolph. Vibe Ride continues a deeper exploration of a trance-like groove and a conceptual framework known as Sonic Mandala. This album marks the most complete realization of that idea, partly due to the group's experience touring beforehand. That time on the road helped to refine ideas and strengthen musical chemistry. The recording process unfolded organically—likely due to the long-standing collaboration within ensembles like Go: Organic Orchestra and Moving Pictures, where the musicians have developed a deep familiarity with the shared musical language.
Sonic Mandala refers to a musical approach distinct from traditional linear structures of theme and development. Found in cultures across the globe, it may represent one of the oldest forms of musical expression—predating written history by tens of thousands of years. Today, it is most vividly preserved in the music of the Ituri Forest peoples (Aka, Baka, Ba Benzele, Mbuti), whose sound traditions revolve in cyclical, orbit-like patterns. Vibe Ride seeks to bring that ancient sense of circularity into a contemporary—and perhaps even futuristic—context.
The ensemble of Vibe Ride—Alexis Marcelo, Jerome Harris, Harris Eisenstadt, Neel Murgai, Tim Kieper, and Tripp Dudley—brings exceptional creativity and skill to the project. While grounded in the sonic languages of today, their performance channels an ancient vibrational lineage, connecting with ancestral sound makers who were attuned to the rhythms of the sun, moon, stars, and seasons. Human beings have always been deeply responsive to natural cycles.
Like a mandala, where the circle reveals itself as a spiral—always returning, but never to the exact same point—the Sonic Mandala musical experience spirals through motion. Refined signal patterns emerge through overtone-rich instrumentation. The groove becomes a threshold, shifting the listener from passive observation into active, even transcendent, participation. With open ears and an open mind, the sound spirals inward—toward a primal center—and outward into the cosmos. When this elevated state is shared among participants, it creates what mystics describe as resonance.
Vibe Ride thrives on the distinctive sonic voices of its players, interwoven with care and nuance into the compositions. Hu Vibrational merges elements of world music, electronica, and improvised jazz into something both funky and spiritual, intense and soothing.
Using signature techniques of organic orchestration, layered arrangement, and electronic processing, the compositions are sculpted from percussion, electronics, and ethereal textures. Rhythmic foundations drawn from diverse traditions serve not as endpoints, but as building blocks. As the saying goes, “Orchestration is the key.” In shaping the sound, the aim was to discover fresh ways of balancing structure and sonic color. As Don Cherry once said: “The swing is in the sound.”
The audiophile LP was carefully recorded, mixed, and mastered by James Dellatacoma—longtime engineer for both Bill Laswell and Rudolph—at Laswell’s Orange Studio.
“This crew artfully blends together to create a seamless tapestry of rhythm… the end results are mesmerizing. Hu Vibrational is all about communing with the groove spirits and creating worlds where earthy rhythms and other-worldly sounds are one.”
— Dan Bilawsky, All Music Guide
“You can be sure that when Adam Rudolph and an ensemble of breathtaking drummers get together mystical and wonderful things will happen.”
— Raul da Gama,
“A stunning effort, enjoyable and grows with repeated listening.”
— Stefan Wood, Freejazzcollective
Welcome to New Fair Tracks, a new and fair story in the New Fair Deal canon. Phase O'Matic, the young yet already prolific UK based artist, presents the first chapter with his potent style of new wave techno beat. With nods to EBM, acid and the early rave days, Phase O'Matic captures the raw and hypnotic sounds of the 80s and 90s with the precision and refinement required to carry forth through the 2020s and beyond. Four tracks for every phase of the night, the 'New Crusade' is geared to get floors moving in dark rooms around the globe. Will you heed the call?
This project seeks connections between what is happening in biogenetics (cloning, biomechanical grafts), in art (the body as a territory to be redesigned), and all modern practices of intervention in music such as remixing, cutting and pasting, sampling.
To consider the sonic landscape as an unstable, moving cell culture, which allows experimentation on the body of musical pieces, on their chemical composition in an entirely artificial way. Surgical score, altered rhythms, reworkings.
Music is a mirror of what is happening in our time.
- A1: Foggy Eyes Return
- A2: Low Notes
- A3: Rotten Luck
- A4: Fog Life
- B1: High Road Feat. Eric The Red
- B2: Elsewhere Feat. Smellington Piff
- B3: Worry Lines
- B4: Lightly Toasted
- B5: Nobody's Perfect Feat. Datkid
- C1: Flying Lessons
- C2: City Limits Feat. Chillman
- C3: Ownership
- C4: Rotations
- C5: Lifesaver Feat. The Four Owls
- D1: Take Time Feat. Wishmaster
- D2: New Paths
- D3: Sun Rays Feat. Jman
- D4: Nothing Is New
- D5: Time Frame
High Focus Records is proud to unveil the artwork for the forthcoming Verb T & Illinformed collaborative album: ‘The Land Of The Foggy Skies’, designed by Siou Escalon.
As you would expect from two of the hardest working artists in the UK rap game, Verb T & Illinformed have delivered a fitting sequel to the iconic 2015 release ‘The Man With The Foggy Eyes’. The pair have both raised the bar, taking their already incredible chemistry to new levels, as demonstrated with singles ‘Rotten Luck‘ & ‘New Paths‘.
An all encompassing cinematic opus, ‘The Land Of The Foggy Skies’ once again proves why Verb T is one of the most decorated MC’s in UK Hip Hop and why Illinformed is in a class of his own when it comes to production.
LTF began as a 90s b-boy who was raised on funk and hip-hop before he even knew the names of the music he was hearing. Under the influence of early greats like DJ Shadow, Beat Junkies and Cut Chemist, he dove into turntablism and spun breaks across Siberia while digging for records. Once he discovered the sampler, his world shifted to loops, chops, basslines and scratches. His debut project Dapdown earned local buzz and global connections, including France's Black Milk Music crew, and a decade ago, while armed with Soviet synths, double bass, and dusty vinyl, he dropped his first solo album, Light The Fuse. It's truly raw, expressive, beat-lover's soul with a heavy groove that has been remastered for this reissue via Tunes Delivery.
Dark Entries release 'A Boy Alone', a double LP set from Manchester electronic music pioneer Eric Random. Best known for his early recordings for New Hormones and Les Disques du Crépuscule and collaborations with Pete Shelley (Buzzcocks), Cabaret Voltaire and Nico.
As an original member of The Tiller Boys with Shelley, Random injected a healthy dose of Krautrock into the dour Manchester post-punk scene in 1978/79 before going solo the following year. Random's first 7' 'Subliminal'/'23 Skidoo' was released in 1981 via Les Disques du Crépuscule and explored ominous sonic surrounds. That same year also saw the release of a second 7" single on New Hormones, 'Dow Chemical Company'/ 'Skin Deep'. Both tracks offered bubbling, rhythmic sound patterns, and were the first to feature other musicians that would become know as The Bedlamites. Consisting of Lynn Walton on vocals, Ian Runacres and Andy Diagram of Dislocation Dance, and bassist Wayne Worm, aka Wayne Sedgeman. Their debut 12' single 'Subliminal Seduction'/'Bedlam-a-Go-Go' was released in 1982 through Plurex, mixing arid funk textures and sparse melodies. That same year the group contributed proto chill-out track '6.55' to Plurex compilation 'Hours' and the highly filmic track 'In Cassette Conference' to the Touch cassette package 'Feature Mist'. In 1983, Random spent several months in the Himalayas with a group of musicians from the Kulu Valley and studied non-Western instruments such as tabla. On returning to Manchester, Random convened a new group of Belamites including Walton, Sedgeman and drummer Graham Dowdall aka Dids of Ludus. They released the 12' single 'Mad As Mankind'/'Dream Web Of Maya' in 1984 on Cabaret Voltaire's Doublevision, embracing electronic, industrial and dub styles. In 1985 they contributed the soothing 'Pure Power' to Food Records' 'Imminent Episode One' compilation.
Our reissue also includes 4 unreleased bonus tracks from Eric's archives recorded between 1981-1984. The whole set adds up to 115 minutes of sinister, somnambulant Random music. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a gatefold jacket designed by Eloise Leigh featuring a spread of ephemera, photos with liner notes by James Nice of LTM.
- A1: Confidence Feat Riko Dan, Liam Bailey & Eve Lazarus
- A2: Green & Gold W/ Skepsis Feat Charlotte Plank & Riko Dan
- A3: All I Know W/ Khalid
- A4: The Feeling W/ 1991, Pnau & Ar/Co
- A5: Dancing Is Healing W/ Vibe Chemistry Feat Charlotte Plank
- A6: Bring Me Joy W/ Karen Harding
- A7: Ram Pam Feat Flowdan & Mystic Marley
- B1: Chop Dem Down W/ 1991 Feat Ro Ro
- B2: London Burning Feat Idris Elba & Peter Xan
- B3: Vex W/ Skepsis Feat Mist & Popcaan
- B4: Stamina Feat Venbee
- B5: Where Do We Go Feat Dr Meaker, Liam Bailey & Eve Lazarus
- B6: Thank You
- A1: Chargie - Sigma, Scrufizzer, Jamakabi
- A2: Superstylin' - Sigma, Danny Byrd, Basslayerz
- A3: R U Sleeping - Sigma, Dizzee Rascal, Coco
- A4: Jungle - Sigma, Stefflon Don, Yung Saber
- A5: Legendary - Sigma, Dynamite Mc
- A6: Chemicals - Sigma, Mali-Koa
- B1: Magnetic - Sigma, Julia Church
- B2: Soundboy - Sigma, Sweetie Irie, Jamakabi
- B3: Outtaspace - Sigma
- B4: Pickle - Sigma
- B5: Back To Life - Sigma, Sacha
- B6: Up All Night - Sigma, Gardna
Sigma proudly present DAY ONE - their highly anticipated fourth studio album and their first as independent artists. 2025 has seen Sigma embark on a bold new chapter in their career, starting their own label and embracing the freedom to create on their own terms. With the duo now fully independent, they are taking back control and taking it back to DAY ONE, making the music they love.
DAY ONE embodies this ethos and is inspired by their love of the underground. The gritty jungle beats and anthemic soundscapes of early rave culture that form the foundation of their artistry can all be heard in these 12 songs. From hard-hitting tracks like Chargie and Soundboy, to dancefloor weapons like Magnetic and Outtaspace, all the way through to the orchestral Back To Life, Sigma demonstrates an impressive diversity and quality that showcases their exceptional production skills and studio craft.
DAY ONE is more than an album; it’s a celebration of the duo’s journey and the people who have supported them from the start. Featuring collaborations with legends like Dizzee Rascal and rising stars such as Julia Church, the record balances nostalgia with forward-thinking innovation. “Being independent has brought us back to what it’s all about—making music for the love of it,” the duo says.
Visionary producer and one half of pioneering electronic duo The Chemical Brothers, Tom Rowlands returns to Phantasy with ‘We Are Nothing / All Night’, the first solo dancefloor material since his last appearance on Erol Alkan’s storied London label in 2013 with ‘Through Me / Nothing But Pleasure’.
Once again, Rowlands delivers a double A-side single in order to commit two progressive new productions to wax. Heavily road-tested across the world in Chemical Brothers DJ sets, the sprawling arrangement of ‘We Are Nothing’ trips through a decades-long obsession and subversion of house music and psychedelia alike. Imaginatively sampling Canadian outsider artist Bill Bissett, Rowlands uses the poet’s existential phrasing as the foundation for a rising slalom of acid catharsis, peppered with snatches of soul, analogue freakouts, and all-encompassing groove.
‘All Night’, meanwhile, finds a different, perhaps unexpected rhythm. Here, Rowlands’ unmatched studio instincts deviate in a different direction entirely, employing a searing tempo to embrace the analogue experimentation at the heart of his work, as well as an appreciation for electronic music’s willingness to barrel ever-forward; the result is a worthy head spinner from both label and artist alike.
Tom Rowlands will play a rare solo DJ set at Glastonbury's Stonebridge Bar on Friday 27th June, as part of Bugged Out's 30th Anniversary celebrations.
- A1: Emerge / Fischerspooner
- A2: Seventeen / Ladytron
- A3: Strict Machine/ Goldfrapp
- A4: Girls On Pills / The Droyds
- A5: Hooked On Radiation (Pet Shop Boys Orange Alert Mix) / Atomizer
- B1: Fuck The Pain Away / Peaches
- B2: Do I Look Like A Slut? (Original Version) / Avenue D
- B3: Galang / M.i.a
- B4: Kernkraft 400 (Dj Gius Mix) (Radio Edit) / Zombie Nation
- B5: Poney Pt. 1. (Edit) / Vitalic
- B6: The Game Is Not Over / T. Raumschmiere Feat. Miss Kittin
- C1: Over And Over (Naum Gabo Remix) / Hot Chip (7.05)
- C2: Banquet (Phones Disco Remix) / Bloc Party (5.25)
- C3: E Talking (Nite Version) / Soulwax (6.08)
- C4: ?Zdarlight» / Digitalism (5.44)
- D1: Daft Punk Is Playing At My House (Edit) / Lcd Soundsystem (3.23)
- D2: Hustler / Simian Mobile Disco (3.43)
- D3: We Share Our Mother's Health / The Knife (4.09)
- D4: Missy Queen's Gonna Die / Tok Tok Vs. Soffy O (4.13)
- D5: What Was Her Name (Radio Edit) / Dave Clarke Featuring Chicks On Speed (4.44)
- D6: I Am The Fly / Adam Sky And Crossover (4.59)
- E1: We Are Your Friends / Justice Vs. Simian
- E2: Take Me Out (Daft Punk Remix) / Franz Ferdinand
- E3: Slow (Chemical Brothers Remix Edit) / Kylie Minogue
- F2: Warm Leatherette / The Normal
- F3: Empire State Human / The Human League
- F4: Tryouts For The Human Race / Sparks
- F5: Telephone Operator / Pete Shelley
- F6: Nag Nag Nag / Cabaret Voltaire
- E4: Let's Make Love And Listen To Death From Above / Css
- E5: Solta O Frango / Bonde De Rolê
- E6: Club Action / Yo Majesty
- F1: Numbers / Kraftwerk
‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).
The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘
When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.
Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.
On Biotope, Valentino Mora ventures even further from the dancefloor, delving into a rich, psychoacoustic realm shaped by modular and spectral synthesis. Built primarily around the Rossum Panharmonium, a module that analyzes and re-synthesizes audio into evolving harmonic clusters in real time, the album conjures an imagined ecosystem, where sound behaves with the logic and fluidity of organic life. Eschewing traditional field recordings, Mora instead sculpts textures and gestures that feel deeply natural yet are entirely synthetic. Inspired by elements such as soil composition, air, humidity, light, temperature, and the chemical properties of both land and aquatic environments and the living creatures that inhabit them, the soundscapes emerge as a kind of sonic biology. The result is a collection of slow-moving, tension-laden compositions that blur the boundaries between physical sensation and abstract design. Biotope unfolds like a closed ecosystem: modular synthesis treated as a breathing entity, shaped by resonance, friction, and organic motion. It embodies a kind of mystical biology, where textures mimic living forms, and frequencies pulse with intent. This is music to be felt as much as heard, Biotope invites you to listen with your skin, not just your ears.
The dons from Down Under have only gone and done it again. Demonstrating the breadth of the Sleep D sound, the ever-prolific duo dish out a 3-track invocation of mesmeric techno and trance.
Following a remix cameo on Alfred Czital and Ayu’s recent ‘Talk To Me’ EP, this is the fully fledged label debut. A truly engrossing triple-pronged attack from two intrepid explorers of the “rave unconscious”.
Celebrated for live hardware sets and in-the-moment improvisation, that same freeform NRG courses throughout. Synapses firing on all cylinders as we’re caught somewhere between the warped, direct and emosh.
Pivoting from cybernetic meltdown to sci-fi dystopia before finally settling on some full-blown trance ascension. Proper techno freak-out into the levitational and sublime, all primed for the big room.
Visionary producer and one half of pioneering electronic duo The Chemical Brothers, Tom Rowlands returns to Phantasy with ‘We Are Nothing / All Night’, the first solo dancefloor material since his last appearance on Erol Alkan’s storied London label in 2013 with ‘Through Me / Nothing But Pleasure’.
Once again, Rowlands delivers a double A-side single in order to commit two progressive new productions to wax. Heavily road-tested across the world in Chemical Brothers DJ sets, the sprawling arrangement of ‘We Are Nothing’ trips through a decades-long obsession and subversion of house music and psychedelia alike. Imaginatively sampling Canadian outsider artist Bill Bissett, Rowlands uses the poet’s existential phrasing as the foundation for a rising slalom of acid catharsis, peppered with snatches of soul, analogue freakouts, and all-encompassing groove.
‘All Night’, meanwhile, finds a different, perhaps unexpected rhythm. Here, Rowlands’ unmatched studio instincts deviate in a different direction entirely, employing a searing tempo to embrace the analogue experimentation at the heart of his work, as well as an appreciation for electronic music’s willingness to barrel ever-forward; the result is a worthy head spinner from both label and artist alike.
Tom Rowlands will play a rare solo DJ set at Glastonbury's Stonebridge Bar on Friday 27th June, as part of Bugged Out's 30th Anniversary celebrations.
- A1: Don The Armor
- A2: Czartacus
- A3: Lumberjack Match
- A4: Nightcrawler (Feat. Method Man)
- A5: World Premier (Feat. Large Professor)
- B1: The Great (Czar Guitar)
- B2: Red Alert
- B3: Junkyard Dogs (Feat. Juju Of The Beatnuts)
- B4: Sgt. Slaughter
- C1: When Gods Go Mad (Feat. Gza)
- C2: Ka-Bang! (Feat. Mf Doom)
- C3: Deadly Class (Feat. Meyhem Lauren)
- D1: Escape From Czarkham Asylum
- D2: Sinister
- D3: Good Villains Go Last (Feat. Ra The Rugged Man)
Repress!
Sophomore release from the acclaimed trio of Inspectah Deck (Wu-Tang Clan) And 7L & Esoteric. Features MF Doom, GZA, Method Man, Large Professor, Juju Of The Beatnuts, Ra The Rugged Man, & Meyhem Lauren. Packaged in a 70+ Page Hardcover CD Casebook / 2LP on Clear vinyl with Lyrics & Cover Art From L'amour Supreme (Mishka NYC). Includes a comic, written by Esoteric with artwork by Gilberto Aguirre Mata (El Ultimo Codice) & L'Amour Supreme. CZARFACE - Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric - isn't concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group's fans. In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the '90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante. This time around the group is the same, but it's fair to say that all three men have stepped up their game. We knew how we felt about the last album, but weren't sure how it would be received by listeners,' explains MC Esoteric. But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.' Inspectah Deck adds, Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I'm in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I'm here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit...I love that. I love when i can just spit freely and just be an MC.' The fighting analogy - whether drawn from pugilism or '80s wrestling, both which figure into Every Hero Needs A Villain - is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.' On the production side, 7L shows yet again - as he did with the group's debut - that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths. If that wasn't enough, it's all iced with a ridiculously intricate and beefy 70-plus page, hardcover CD casebook with lyrics and extensive artwork by Gilberto Aguirre Mata (El Ultimo Codice) and L'amour Supreme, and with Death & Abduction,' a comic written by Esoteric, and an explosive, comic-book-inspired cover by L'amour Supreme (Mishka NYC).
01. Don The Armor
02. Czartacus
03. Lumberjack Match
04. Nightcrawler (Feat. Method Man)
05. World Premier (Feat. Large Professor)
06. The Great (Czar Guitar)
07. Red Alert
08. Junkyard Dogs (Feat. Juju Of The Beatnuts)
09. Sgt. Slaughter
10. When Gods Go Mad (Feat. Gza)
11. Ka-Bang! (Feat. Mf Doom)
12. Deadly Class (Feat. Meyhem Lauren)
13. Escape From Czarkham Asylum
14. Sinister
15. Good Villains Go Last (Feat. Ra The Rugged Man)
- A1: Two Door
- A2: Lethal Weapon
- A3: 100 Gecs
- A4: On God (Feat. Earl Sweatshirt & Tony Shhnow)
- A5: Skurrr
- B1: Underground Kingz
- B2: Yin-Yang
- B3: R&B
- B4: Reminiscing (Feat. Jay Critch)
- B5: Pinball
- B6: 2K24 Tour (Feat. Niontay)
- C1: Sin City
- C2: Dolemite (Feat. Lunchbox)
- C3: #71
- C4: Wy
- C5: Golden Dragon
- C6: Money & Power
- C7: Belt
- C8: Sucka-Free
- C9: Prezzy
- D1: Angsty
- D2: Dont Force It
- D3: Hell Date (Feat. Sideshow)
- D6: Amiri
- D7: Jumanji (Feat. Earl Sweatshirt)
- D8: Chest Painz
- D4: Splat!
- D5: Shaq & Kobe (Feat. Niontay)
MIKE & Tony Seltzer präsentieren das Doppelvinyl ihres zweiteiligen Albums "Pinball". Das Original aus 2024 wurde von Fans und Kritik begeistert aufgenommen, war es doch etwas Neues, MIKE in dieser Direktheit rappen zu hören. Dieses Neue ersetzt MIKE auf "Pinball II" mit verfeinertem Songwriting und einigen der besten und energiegeladensten Raps seiner Karriere. Tonys Produktion klingt dabei kraftvoller und mutiger als je zuvor. Nach zwei Kollaborationen haben die beiden Künstler eine gemeinsame Chemie gefunden und schaffen ein Projekt, das vielleicht MIKEs zugänglichstes ist, das gleichzeitig aber die Essenz bewahrt, die ihn bis hierher gebracht hat. Zu den Gastfeatures und Kollabos beider Teile gehören Earl Sweatshirt, Clams Casino, Jay Critch, Akachi (Chief Keef-Produzent), Lunchbox, Sideshow, Niontay und viele mehr.
Jüngstes Lob für Pinball II:
* "Der Rapper und der Produzent aus Brooklyn haben sich für eine energiegeladene Fortsetzung des letztjährigen Pinball wiedervereint. Es ist eine leichter verdauliche Version von MIKE, die sich dennoch authentisch anfühlt." – Pitchfork 8.1
* "Der immer produktivere Rapper aus Brooklyn liefert eine Reihe Trap-beeinflusster Tracks, die es schaffen, alle Genre-Schubladen zu sprengen, in die man ihn stecken könnte." – Rolling Stone****
* "Rap-Fans auf der ganzen Welt sollten dankbar sein, dass MIKE sich entschieden hat, mit Tony Seltzer zusammenzuarbeiten." – The FADER
Under his Orion Westbrook alias, the man cooks up some serious heavy-hitting house grooves with a funky twist that hits just right. Side A brings the heat with Pasadena’s own queen Moniquea, laying down her signature style — smooth, confident, somewhere between singing and rapping, and always on point. She glides effortlessly over this modern boogie gem, oozing style and swagger. The wildest part? These two only met once — but the chemistry is undeniable. Flip it to Side B and you’re treated to the sultry voice of Mae Rojas, a familiar name from the Cee-O-Funk sessions. Her sweet R’n’B flavor blends perfectly with a catchy, cosmic-tinged beat that’s equal parts seductive and futuristic. Personal but danceable — the kind of cut that lingers. Both tracks walk the line between dancefloor fire and laidback cruise, and that’s the magic here — funky, versatile, and 100% fresh.
- A1: George Michael - Older
- A2: Natalie Imbruglia - Torn
- A3: The Cardigans - Lovefool
- A4: Hanson - Mmmbop
- A5: Aqua - Barbie Girl
- A6: Spice Girls - Spice Up Your Life
- A7: Boyzone - Picture Of You
- A8: Katrina And The Waves - Love Shine A Light
- B1: George Michael - You Have Been Loved
- B2: Bruce Springsteen - Secret Garden
- B3: Texas – Say What You Want
- B4: Sheryl Crow - A Change Would Do You Good
- B5: Paul Mccartney - Young Boy
- B6: Republica - Ready To Go
- B7: Robbie Williams - Old Before I Die
- C1: Radiohead - Paranoid Android
- C2: Kula Shaker - Hush
- C3: Embrace - All You Good Good People
- C4: The Charlatans - North Country Boy
- C5: The Seahorses - Love Is The Law
- C6: Oasis – D'you Know What I Mean?
- D1: Tori Amos - Professional Widow (Armand Van Helden's Star Trunk Mix)
- D2: Olive - You're Not Alone
- D3: The Source Feat. Candi Staton - You Got The Love
- D6: 911 - Bodyshakin
- D7: Backstreet Boys - Everybody (Backstreet's Back)
- D8: Steps - 5, 6, 7, 8
- E1: Pet Shop Boys – Somewhere
- E2: White Town - Your Woman
- E3: Duran Duran - Out Of My Mind
- E4: Suede – Saturday Night
- E5: Orbital – The Saint
- E6: Moby - James Bond Theme (Moby’s Re-Version)
- E7: The Chemical Brothers - Block Rockin' Beats
- F1: All Saints – I Know Where It's At
- F2: Whitney Houston - Step By Step
- F3: Ultra Nate - Free
- F4: Dannii Minogue - All I Wanna Do
- F5: Sash! - Encore Une Fois
- F6: Ricky Martin - María
- F7: Elton John - Something About The Way You Look Tonight
- D4: En Vogue - Don't Let Go (Love)
- D5: Eternal Feat. Bebe Winans - I Wanna Be The Only One
Step back into one of the most exciting years in pop history – a time when boundary-pushing alternative anthems, flawless dancefloor fillers, global megastars and fresh faces all collided on the charts. NOW - Yearbook 1997 celebrates an unforgettable year of hits with 43 massive tracks across a 3-LP set pressed on gorgeous green vinyl.
LP1 kicks off in style, with the stunning jazz-drenched ballad from legend George Michael, ‘Older’, before Natalie Imbruglia's huge debut single ‘Torn’. The Cardigans had a #2 smash with ‘Lovefool’ and Hanson hit the US & UK #1 with ‘MMMBop’. ‘Barbie Girl’ from Aqua and the Spice Girls’ anthemic ‘Spice Up Your Life’ were both #1s, and Boyzone’s ‘Picture Of You’ was a huge hit and featured in the film ‘Bean: The Ultimate Disaster Movie’. Eurovision glory happened for the UK in 1997, and winners Katrina And The Waves with ‘Love Shine A Light’ close the first side…while over on the other, a second George Michael classic from his ‘Older’ album, the beautiful ‘You Have Been Loved’, opens ahead of another contemporary masterpiece ‘Secret Garden’ from Bruce Springsteen. Texas scored a UK top 5 with ‘Say What You Want’, and Sheryl Crow had a top 10 hit with ‘A Change Would Do You Good’. Paul McCartney’s ‘Young Boy’ is next before ‘Ready To Go’ which gave Republica a Top 20 chart debut, and closing the first LP, Robbie Williams’ ‘Old Before I Die’, which became his second smash as a solo artist.
LP2 kicks off with Radiohead’s defining ‘Paranoid Android’, ahead of Kula Shaker’s hit cover of ‘Hush’, and alt-pop from Embrace (‘All You Good Good People’), The Charlatans (‘North Country Boy’) and The Seahorses (‘Love Is The Law’) before the side closes with Oasis’s huge #1 ‘D’You Know What I Mean?’ – the lead single from their third album ‘Be Here Now’… Flip the LP over and discover some of 1997’s dancefloor gold – opening with the club juggernaut and #1 ‘Professional Widow’ from Tori Amos, remixed for single release by Armand Van Helden, along with Olive’s UK #1 ‘You’re Not Alone’ and the huge ’97 ‘Now Voyager’ remix of ‘You Got The Love’ from The Source feat. Candi Staton. En Vogue’s powerful ‘Don’t Let Go (Love)’ is up next, ahead of ‘I Wanna Be The Only One’, a #1 for Eternal feat. Bebe Winans. LP2 finishes with pure pop gems from 911 with ‘Bodyshakin’, Backstreet Boys with ‘Everybody (Backstreet’s Back)’ and Steps with their debut hit ‘5, 6, 7, 8’.
The final LP opens with Pet Shop Boys’ and their brilliant version of the musical classic ‘Somewhere’, ahead of the genre-blending #1 ‘Your Woman’ from White Town, and the atmospheric ‘Out Of My Mind’ from Duran Duran. Suede’s plaintive ‘Saturday Night’ leads into three of the years’ electronic dance music highlights: Orbital provided the theme to the remake of ‘The Saint’, Moby with his re-imagining of the classic film-series theme: ‘James Bond Theme (Moby’s Re-Version)’ and The Chemical Brothers with the massive ’Block Rockin’ Beats’ completing the side…Turn the LP over for the final side featuring the debut from All Saints with ‘I Know Where It’s At’, and fabulous dance-pop from Whitney Houston with ‘Step By Step’, and both Ultra Naté and Dannii Minogue enjoyed euphoric hits with ‘Free’ and ‘All I Wanna Do’. Pan-European smash ‘Encore Une Fois’ from Sash! is followed by Ricky Martin’s global success ‘María’… but the final word on the collection goes to Elton John. His superb ‘Something About The Way You Look Tonight’ was one half of the biggest selling single of – not only 1997 – but of all time and ends the collection on a perfect pop high.
NOW – Yearbook 1997: A celebration of the diversity and creativity in the charts of a truly magical year in pop.




















