The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm
Search:amboy dukes
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This was the second studio outing by supergroup Cactus. Existing of ’Vanilla Fudge’ rhythm section Carmine Appice (drums) and Tim Bogert (bass), as well as former Amboy Dukes lead vocalist Rusty Day (vocals/mouth harp), and Jim McCarty (guitar) from Mitch Ryder & the Detroit Wheels and the Buddy Miles Express. The album offers eight tracks of which are six originals and two covers: Little Richard’s ’Long Tall Sally’ and Chuck Willis’ ‘Feel So Bad’.
- 1: I Had Too Much To Dream (Last Night) - The Electric Prunes
- 2: Dirty Water - The Standells
- 3: Night Time - The Strangeloves
- 4: Lies - The Knickerbockers
- 5: Respect - The Vagrants
- 6: A Public Execution - Mouse
- 7: No Time Like The Right Time - The Blues Projec
- Side 2
- 8: Oh Yeah - The Shadows Of Night
- 9: Pushin' Too Hard - The Seeds
- 10: Moulty - The Barbarians
- 11: Don't Look Back - The Remains
- 12: An Invitation To Cry - The Magicians
- 13: Liar, Liar - The Castaways
- 14: You're Gonna Miss Me - The 13Th Floor Elevators
- Side 3
- 15: Psychotic Reaction - Count Five
- 16: Hey Joe - The Leaves
- 17: Romeo & Juliet - Michael And The Messengers
- 18: Sugar And Spice - The Cryan' Shames
- 19: Baby Please Don't Go - The Amboy Dukes
- 20: Tobacco Road - Blue Magoos
- 21: Let's Talk About Girls - The Chocolate Watchband
- Side 4
- 24: My World Fell Down - Sagittarius
- 25: Open My Eyes - Nazz
- 26: Farmer John - The Premiers
- 27: It's-A-Happening - The Magic Mushrooms
- 22: Sit Down, I Think I Love You - The Mojo Men
- 23: Run, Run, Run - The Third Rail
Vol[62,98 €]
Restrictions is the third studio album by American hard rock band Cactus and was released in 1971. The band featured members from Vanilla Fudge, Mitch Ryder and the Detroit Wheels, and the Amboy Dukes.
As expected of these kinds of musicians; the record is packed with big guitars, big sing-alongs, and a bass-and- drum combo that could knock out windows. The album tracks “Token Chokin’”, “Evil”, “Alaska” and “Sweet 16” were all released as singles. It also features some heavy blues-rock originals, with a cover of the Howlin’ Wolf blues standard “Evil”.
Restrictions is available as a limited edition of 1000 individually numbered copies on green coloured vinyl.
The original plan for Cactus was to release a debut album with the super group line-up of Vanilla Fudge rhythm section bassist Tim Bogart and drummer Carmine Appice together with guitarist Jeff Beck and singer Rod Stewart, though Beck’s car accident and Stewart joining Ron Wood in The Faces counteracted that.
Eventually joining Bogart and Appice were guitarist Jim McCarthy (Mitch Ryder’s Detroit Wheels) and singer Rusty Day from Ted Nugent’s Amboy Dukes for this self-titled album that is arguably the highlight in their catalogue.
Cactus is available as a limited edition of 1000 individually copies on translucent red coloured vinyl.
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