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Various - Variations

Various

Variations

12inchBZR001
BAZⱯR
09.12.2025

Party thrower in the land of French volcanoes, BAZⱯR takes a wax turn with the release of their very first EP!
Bringing together artists and friends from across the globe, this record reflects the crew’s journey and showcases the full spectrum of their musical vision.

From peak-time tension to trippy after-hours vibes, and sunny open-air delights, this debut vinyl is crafted to find its place both on the shelf and at the heart of every dancefloor moment.
A testimony to years of shared experiences and late-night adventures, it embodies the spirit of community that fuels BAZⱯR. With this release, the crew opens a new chapter ; one that resonates far beyond the night.

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13,66
HU VIBRATIONAL - VIBE RIDE

HU VIBRATIONAL

VIBE RIDE

12inchND015
NEW DAWN
09.12.2025

Vibe Ride is the sixth release of Adam Rudolph's Hu Vibrational project and marks his 60th release as a leader or co-leader. Comes with insert and download code.

“With every record, the goal is to explore new creative territory,” explains Rudolph. Vibe Ride continues a deeper exploration of a trance-like groove and a conceptual framework known as Sonic Mandala. This album marks the most complete realization of that idea, partly due to the group's experience touring beforehand. That time on the road helped to refine ideas and strengthen musical chemistry. The recording process unfolded organically—likely due to the long-standing collaboration within ensembles like Go: Organic Orchestra and Moving Pictures, where the musicians have developed a deep familiarity with the shared musical language.

Sonic Mandala refers to a musical approach distinct from traditional linear structures of theme and development. Found in cultures across the globe, it may represent one of the oldest forms of musical expression—predating written history by tens of thousands of years. Today, it is most vividly preserved in the music of the Ituri Forest peoples (Aka, Baka, Ba Benzele, Mbuti), whose sound traditions revolve in cyclical, orbit-like patterns. Vibe Ride seeks to bring that ancient sense of circularity into a contemporary—and perhaps even futuristic—context.

The ensemble of Vibe Ride—Alexis Marcelo, Jerome Harris, Harris Eisenstadt, Neel Murgai, Tim Kieper, and Tripp Dudley—brings exceptional creativity and skill to the project. While grounded in the sonic languages of today, their performance channels an ancient vibrational lineage, connecting with ancestral sound makers who were attuned to the rhythms of the sun, moon, stars, and seasons. Human beings have always been deeply responsive to natural cycles.

Like a mandala, where the circle reveals itself as a spiral—always returning, but never to the exact same point—the Sonic Mandala musical experience spirals through motion. Refined signal patterns emerge through overtone-rich instrumentation. The groove becomes a threshold, shifting the listener from passive observation into active, even transcendent, participation. With open ears and an open mind, the sound spirals inward—toward a primal center—and outward into the cosmos. When this elevated state is shared among participants, it creates what mystics describe as resonance.

Vibe Ride thrives on the distinctive sonic voices of its players, interwoven with care and nuance into the compositions. Hu Vibrational merges elements of world music, electronica, and improvised jazz into something both funky and spiritual, intense and soothing.

Using signature techniques of organic orchestration, layered arrangement, and electronic processing, the compositions are sculpted from percussion, electronics, and ethereal textures. Rhythmic foundations drawn from diverse traditions serve not as endpoints, but as building blocks. As the saying goes, “Orchestration is the key.” In shaping the sound, the aim was to discover fresh ways of balancing structure and sonic color. As Don Cherry once said: “The swing is in the sound.”

The audiophile LP was carefully recorded, mixed, and mastered by James Dellatacoma—longtime engineer for both Bill Laswell and Rudolph—at Laswell’s Orange Studio.

“This crew artfully blends together to create a seamless tapestry of rhythm… the end results are mesmerizing. Hu Vibrational is all about communing with the groove spirits and creating worlds where earthy rhythms and other-worldly sounds are one.”
— Dan Bilawsky, All Music Guide

“You can be sure that when Adam Rudolph and an ensemble of breathtaking drummers get together mystical and wonderful things will happen.”
— Raul da Gama,

“A stunning effort, enjoyable and grows with repeated listening.”
— Stefan Wood, Freejazzcollective

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22,90
Various - NICOLA CONTE PRESENTS VIAGGIO

Blue note / Schema / Far Out recordings artist shares a new compilation of golden age italian library music.

Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.

The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.

Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.

"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."

At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.

The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.

"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."

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23,11
DONALD DUST & GALA - THE MUSCLE AND THE SINEW

ENTER PLANET DUST goes full 80s Chicago for label head DONALD DUST’s new collaboration with Buenos Aires’ expert slinger of 12”s, knowledge-dropper of all things House, New Beat and dark Disco, and increasingly decorated Dance record vocalist GALA.

Working together halfway across the globe, the two have crafted a compelling single touching on the early sounds of icons like Matt Warren and Razz, with a healthy dose of Euro-Disco and heartbreaking threnodies from the mouths and minds of both parties. Flip the record over for a devilish dub and stomping beat-a-pella courtesy of the ‘Wicked Dub’ and ‘Beat This’ mixes.



Engineered and mastered by Loom Sound Studio’s KARL BARNES. Expect smouldering Spanglish vocals, tweeter-baiting fuzz and slamming synths, demand nothing less!

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13,40
Ori Lichtik - Half Life

Ori Lichtik

Half Life

12inchVAX0001
Vax Records
08.12.2025

These tracks were produced by Ori Lichtik between 2006 and 2017.
Half Life and Bill are precise cuts of extensive productions, tailored for the club, while Nu secretly hits everyday dance training routines. Dim the light.
Lethal. Minimal. Timely.

Press quote from Göteborg Opera

'The uniqueness of Lichtik's work lies in the combination of different musical worlds into a sophisticated and refined soundtrack, full of passion and groove, which, together with the choreography, provides the audience with a hypnotic experience. Lichtik's music is influenced by various styles and sounds, from industrial recordings and African indigenous music, through hip-hop, to baroque music. Ori's music is one of the most prominent and distinctive features of Sharon Eyal and Gai Behar's dance works.'

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14,24
Andree Bohlin - Belter Shelter EP

The label is built on a sonic and experimental mission a space for exploring emotions and textures beyond genres. Each artist creates their own small world within this vision.

The idea for the first record was born after discovering the Urgent collective, where I first saw Andree Bohlin perform. His unreleased track left a deep impression on me raw, hypnotic, and emotional.
Later, we connected and created the first episode for the label a release that perfectly represents its sound and spirit.

This marks the beginning of a new chapter where each release becomes part of a continuous journey through sound, emotion, and underground culture.

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11,72
Unknown - RAYONAS 009

Unknown

RAYONAS 009

exclRAYONAS009
Rayonas Records
08.12.2025

Labas, ka tu ? I am ready to show you Rayonas 009 Orange color only vinyl.

Orange symbolize a mix of joy and caution, representing warmth, creativity enthusiasm and adventure while also signaling warning and attention

A1 Unknown Artist - all want fame (Rayonas009)
A2 Unknown Artist - Spoiled (Rayonas009)
A3 Unknown Artist - BW (Rayonas009)
B1 Unknown Artist - Kelias Fortepijonu (Rayonas009)
B2 Unknown Artist - jx 3p (Rayonas009)

+Rayonas Artist and Record label born in Lithuania since 2021 ! Underground music Unknown Artist / Vinyl

collecting

Order now. Collecting orders for repress.

12,19

Last In: 5 months ago
Senbeï - Rêves LP 2x12"

Senbeï

Rêves LP 2x12"

2x12inchBLAB112SENLP
Banzaï Lab
08.12.2025

An album like a film, a childhood like a journey.



With Rêves, Senbeï unveils the most intimate and ambitious work of his career. Known for his unique blend of electronic music, hip-hop, and Asian sounds, the beatmaker reinvents himself here in an orchestral and cinematic universe, a far cry from his previous albums.


Inspired by the great soundtracks of children's adventure films—The Goonies, The Neverending Story, Charlie and the Chocolate Factory—Rêves is a sonic immersion where childhood nostalgia meets the emotional power of an orchestra.



A unique symphonic production.



For the first time, Senbeï has called upon a 15-piece orchestra, recorded in conditions close to those of film music. Strings, wind instruments, and electronic textures echo each other to create a rich, evocative universe, filled with luminous melodies and magical tension. This album is not just a collection of tracks: it is an adventure to be listened to like reading a story or watching a film.

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27,69
RUBINSKEE - THE LOON EP

RUBINSKEE

THE LOON EP

12inchCHOMP006
Chomp! Chomp!
08.12.2025

The Loon EP by Rubinskee unfolds like a lucid dream — a surreal voyage through shifting moods, hidden meanings, and subconscious awakenings. Each track opens a portal into a distinct emotional landscape, weaving hypnotic rhythms with deep introspection. The journey begins with “The Loon” (ft. DJ Raw), a haunting call from the subconscious — disorienting at first, then transformative once you surrender to its pull. Soos’ XTC Mix elevates this awakening into euphoria, turning chaos into clarity in a moment of pure transcendence. With “Zona Roja,” the listener descends into a feverish groove — a jungle where rhythm devours reason. “El Siguiente Paso” pulses with momentum and resolve, a reminder that evolution demands movement. Finally, “Estás Engañada (Niterói Mix)” closes the trip like a cinematic crossing — nostalgic, unrestrained, and beautifully alive in motion.

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16,39
TANZMUZIK - SHINEKAI (2025 Remaster Edition) (LP 2x12")

The incredibly beautiful album "SHINSEKAI", released in 1994, is finally being reissued. Long considered a phantom masterpiece and a cornerstone of Japanese techno, the album had been out of print for many years due to the business circumstances of its original label, RISING HIGH.

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21,81
Makyo - Things Ah Get Tuff

Makyo taps into his love of roots reggae for this deep, dark and dreamy cover of Things Ah Get Tough by the legendary Bristol band Talisman. The Tokyo-based producer transforms the original, while keeping true to the essence of the original, whose lyrics meditate on the greed and destruction caused when corporations benefit from a nation’s downfall.

Makyo has charted his own course through the world of dub, often with an eastern or tribal twist, since the early 90s, working with collaborators like Bill Laswell, Natacha Atlas and Muslimgauze, but with this release, he’s entering a new phase.

“I’ve listened to this song for years,“ notes Makyo, “and it just felt more relevant than ever when I started working on it in 2024, with all the wars, election madness, wildfires, inflation and nuclear posturing. The mood just seemed to reflect where people were at.”

Having overcome crippling tinnitus and hyperacusis (to the point that he couldn’t even listen to music for several years), Makyo’s finding joy in the past whilst looking to the future, with this sparse and bittersweet version of Talisman’s tune the first in a series of contemporary covers he has planned.

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11,56
Darius Syrossian / Harry Collett - Moxy Musik Editions Vol 9

As Moxy marks an incredible seven years as a trailblazing label, The label unveils Moxy Editions 9 — a four-track collection that captures the spirit of his DJ sets and the global energy of his dancefloor community. Already a highlight of the summer season, these records have been making serious waves across Ibiza and beyond.

At the heart of the release is “Gypsy Woman (Moxy Edit)” — a track that started as a spontaneous edit for Darius’s own sets and quickly took on a life of its own. With re-recorded vocals from Holly Jazz and official publishing clearance, the track has become a defining anthem of the year.

From DC-10 to clubs across Europe, the record has been met with full-room singalongs and explosive reactions. Early support from DJs including Prosper and Liam Palmer has further cemented it as one of the most in-demand edits on the circuit. Now officially released, “Gypsy Woman” arrives on vinyl, just in time for the label’s milestone birthday.

Next up comes a standout comes from Harry Collett “Check up”. A longtime Moxy fan and emerging talent, Collett’s production has already earned support from MK and a growing roster of influential selectors. “Harryette” has been a staple in Darius’s summer sets, marking Collett as one to watch.

Also featured are two more highlights from the summer — “Tengo La Musica (Crackazat Remix)” and “Never Let You Go”, both driven by irresistible samples and undeniable grooves. These cuts embody the energy and emotion of Darius’s signature club sound — upfront and built for the dancefloor.

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14,24
Various - Kunda 09

Various

Kunda 09

12inchKUNDA09
Kunda
08.12.2025

9th release from the Madrid-based label Kunda Records.

This time, it features the participation of “El-y”, aka Techno, and the well-known French artist AcidUPDub (co-founder of Dune Records, 2008).

On the A-side, we’re treated to two heavy-hitting tracks:

- “Andromeda”, a dancefloor destroyer with an intriguing rhythmic progression that builds into a climax of sinister melody, leaving a repeating echo resonating in our heads.

- “Torpedo”, a projectile of pure hypnotic techno.


On the B-side, we find two aliases behind which stands the same person: José María Moreno Vega (Granada, Spain):

- C-system, presenting “темный век” (Dark Ages), a pure Tekno track with pounding kicks and a martial rhythm.

- And Spectrums Data Forces, bringing us “Revenant” and “Space Crucifix”. Both tracks will take us on a spacey, robotic journey full of electro rhythms and broken beats.

Straight-up bombs!

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15,08
Loredana Bertè - In Alto Mare (Dimitri From Paris Remixes)

For the first time since its 1980 release, Loredana Bertè's timeless anthem "In Alto Mare" receives an official remix courtesy of Disco maestro Dimitri From Paris. The renowned french producer known for his remixes of Jamiroquai, Chic, and Cerrone delivers a sophisticated nu-disco treatment, masterfully blending the track's original funk with his signature elegant touch, and propelling Bertè's powerful vocals to the contemporary disco scene.

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15,08
Andy Odysee - Iliads Vol. IV

‘Before the Odysee, there was the Iliad; a tale of the golden age of heroes and warriors.'

The idea behind the Iliads series was to return to the sound of the golden age of Jungle/Drum & Bass, and more specifically the original ‘heroes’ of the Odysee label.
This fourth and final instalment concludes the series; bringing all the different styles of the original Odysee sound together in a grand finale. From deep atmospheric beauty to sinister dystopian breakbeat fury; Iliads IV has it all.

Oubliette immediately creates a feeling of unease and paranoia. The rapid injection of different breakbeats gives the track an unsettled feel; with nervy piano jangles and moaning samples adding to this atmosphere. The track drops with punching subs and razor-sharp curling breaks from amidst the desolation of the atmosphere of the intro. The call and response style is used to cut from break to break maintaining the unease of the intro. The drums & bass break down into a
dystopian landscape of sound, before dropping once more to take the track towards its conclusion.

A Point In Time with its obvious reference to a compilation series on a certain well-loved atmospheric Jungle label is all about conjuring nostalgia. There are notable references to bygone days; the infamous bulb bass and bleeps of the Warehouse days of glory, and the tearing mentasms that enter in the approach to the breakdown. The breaks are crisp and complex, the sub-lines deep and dark; a track truly built for a dark sweaty basement club where the bass bins
are pushed to their limits!

Love & Desire is a sultry deep atmospheric roller full of subtle references to the early UK Garage sound of the mid 90’s or even Deep dub Tech-House. The elegant curls of the Apache break that takes centre stage in this track are complimented by sweeping pads and a set of deep synth stabs that form the rhythmic backbone. The subs drop deep amidst a palette of avant-garde electronica, as the spoken word vocals call out “my love....my desire.”

We really hope you’ve enjoyed the Iliads series as much as we have; they represent a very special sound that is close to the very heart of what we at Odysee are about. As much as they focus the lens on the past, we truly believe they have had a profound effect on our future....in as much as they have brought us back to the raw essence of our sound.
Andy & Tilla

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13,87
Marshall, Donovan, Broomfield - Since I Found My Baby/B1 Let Me Down Easy B2 That’s Love (7")

In 1978 a newly formed Augusta, Georgia group Marshall, Donovan and Broomfield chose to record cover versions of two songs previously recorded in 1973 and 1974 respectively by Florida siblings group Cornelius Brothers and Sister Rose. These Eddie Cornelius penned songs “Let me Down Easy” and “Since I Found My Baby” would form both sides of Marshall, Donovan and Broomfield’s first 45 single, released on group founder John Marshall’s own Augusta label. The flipside “Since I Found My Baby” would eventually gain popularity across the pond with aficionados of the UK modern soul scene of the early 1980’s and beyond.

John Marshall began his musical career in a high school group called The Fabulous Gardenias who recorded the doowop ballad “It’s You, You, You” backed with the up-tempo R n B mover “What’s The Matter With Me” released on Tommy Brown’s local Liz label (named after his wife future Motown recording artist, Liz Lands) in 1961.The Fabulous Gardenias featured John Marshall, the late Atlanta alumni Calvin Arnold, “Little” Joe Jones Jr (later of the Tams) and a fourth guy only remembered as Harold. John Marshall later sang with another Atlanta group The Tams of “Hey Girl Don’t Bother Me” fame from 1970 through to 1978.

Later in 1978, John Marshall having relocated to Augusta, GA the previous year was casually emptying the contents of his mailbox outside his home when a car suddenly pulled up. The driver called out “Hey I recognize you, you’re John Marshall you used to be with the Tams!” The driver continued to introduce himself as John Donovan stating that he too was a singer, followed by an impromptu performance, and hey! sure enough he could sing! A later introduction to Charles Broomfield (John Marshall’s next-door neighbour at that time) would lead to the formation of the group Marshall, Donovan, Broomfield with the addition of Mary Marshall and Pat Donavan (the then, two John’s respective wives) as backing vocalists. The previously mentioned group’s first release the John Donovan led “Let Me Down Easy/Since I Found My Baby” was recorded at the now defunct Jam Studio’s in Atlanta. Upon release, the “Let Me Down Easy “side received considerable local radio play but only led to the group performing a handful of local shows. On the strength of the group’s first release a second 45 release followed in 1980 “Let’s Dance/That’s Love” both sides of this 45 were penned by Charlston, South Carolina native, Harold Thomas who John Marshall knew from his time with the Tams, Thomas having once been part of Bill Pinkney &the Original Drifters and later the Tams management teams. This second 45 never gained the same local attention of “Let Me Down Easy” and after three years together the Marshall’s, Donovan’s and Charles Broomfield went their separate ways. John Marshall lost contact altogether with his former group members and left the music business taking up employment at International Paper Mill until his retirement in 2013.

Due to the current resurgence in popularity of “Since I Found My Baby” with copies regularly selling for four figure sums, Soul Junction have reacquainted ourselves with John Marshall to you bring you “Since I Found My Baby” backed with “Let Me Down Easy” with the addition of the excellent and lesser, known stepper “That’ Love” making this an excellent value 45 release.

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17,02
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