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GROUPLOVE commemorates the Rock N’ Roll You Won’t Save Me Tour of 2024 with an expansive 2LP set, complete with gatefold jacket, color-in-color vinyl, printed inner sleeves & a fold-out 24 x 26" poster. Recorded at the Riviera Theatre in Chicago, IL (except 'Cheese' which was taken from the Wiltern in Los Angeles) and mixed by engineer wiz Matty Green, the release highlights "an incredible and surreal heart opening tour for us" that the band wanted to remember, press, and share. Play it loud!

Over and through the hot cement of North East L.A., an almost-dry riverbed winds like a snake through the city. Coyotes lap at its trickling stream by moonlight, as pedestrians rush past it by day without a second glance, their thoughts tangled up in the distractions of life in a sprawling metropolis. Here, amongst the many avenues and gentle hills, we find Coffin Prick (alias: Ryan Weinstein).

Loose Enchantment, this latest Coffin Prick record, is music conceived of in a different frame of mind for humans living in a world nearly-disenchanted with itself. The album consists of eleven new pieces of music recorded by Coffin Prick himself at his home in Los Angeles, a great city of quicksand-like commitments and those who love them enough to uphold the ends of their collective bargains. A record as much about the confusion of modern life as it is endeavored to expose the lusts in the very loins of creation. Sounds enchanting enough for you? Let’s look a little more closely…

On the heels of 2023’s Laughing (Sophomore Lounge), Coffin Prick got busy. And fast. Playing shows into the year with a newly minted live band, while simultaneously working day and night in his home studio laying the ground for what would become Loose Enchantment. Whereas he was essentially a recording know-nothing at the inception of his last LP, he’d learned a thing or two about better capturing his ideas by this point, taking the sidesteps and victories born of the experience Laughing provided and turning the bright lights on them. As many of Los Angeles’s drivers choose to do, it was time to take some surface roads. Odes to self-delusion, the mysteries of creation, cleanliness, and the secrets in other people’s lives.

A little Loose Enchantment for everyone, basically.

Regina Spektor’s 2016 album is available on limited edition Black Clouds double vinyl LP. Remember Us To Life is Spektor’s first collaboration with producer Leo Abrahams. Recorded in Los Angeles at The Village Studios, it lives in a world ranging from expansive orchestral and string arrangements to electronic and moody tracks. Includes “Bleeding Heart”, “Older and Taller”, “Grand Hotel”, “Small Bill$” and more.

Die Herzschmerz-Verkäufer Nature TV verkaufen von Tür zu Tür ein Elixier aus Jangle-Indie und melancholischem Yacht-Rock. Ihr Debütalbum "Unlucky For Some" ist eine Sammlung von 7 EPs, die ewig liebeskranken Dream-Pop mit klassischer Soundinnendekoration und kompositorischen Wendungen paaren. Die reichhaltigen Songs setzen das Thema Liebeskummer in High-Fidelity fort. Das Ergebnis ist eine LP, die mit akribischer Liebe zum Detail summt und sich dennoch so benommen anfühlt wie die Einnahme von Beruhigungsmitteln im Whirlpool. Eine Indie-Jangle-Partyband auf dem Höhepunkt ihres Könnens, nur dass die Party vorbei ist und sie mit dem Soundtrack für das Aufräumen beauftragt wurden. Jemand liegt bewusstlos im Gartenstuhl, Zigarettenstummel stecken in leeren Dosen, eine Tür ist aus den Angeln gerissen, der Pool ist halb versickert, Regen strömt an den Fenstern herunter und alle müssen morgen früh arbeiten. FFO-Immobilien, Ducktails, Glitzerparty.

- "Verträumt schöner Indie-Pop mit einem subtilen Hauch von Introvertiertheit." - CLASH

- "Ein Song für die Heimreise am späten Freitagabend, wenn Ihre Hoffnungen zerstört wurden und Sie etwas Zuneigung brauchen." - Line Of Best Fit

- "Indies neuste strahlende Sterne." - DIY

Philadelphia's THE WONDER YEARS are set to release Burst & Decay Vol. III on May 9 via Hopeless Records. This third installment of their stripped-back series introduces a new track, "Junebug," written by vocalist Dan Campbell about his younger son and produced by Steve Evetts (SAVES THE DAY, LIFETIME). On the record, Campbell's personal narrative continues with "Wyatt's Song (Your Name)," a piece crafted for his older son that employs the actual recording of Wyatt's in-utero heartbeat as its metronome. Closing the album, "Doors I Painted Shut" delivers cinematic intensity through vibrant vocals and production led by guitarist Nick Steinborn, signaling a confident exploration into new sonic territory. Burst & Decay Vol. III also features collaborative reinterpretations of signature tracks. On "Came Out Swinging," Joe Taylor of KNUCKLE PUCK lends dynamic vocals, while Zayna Youssef of SWEET PILL amplifies the raw vulnerability on "Oldest Daughter." Ryland Heagy of ORIGAMI ANGEL offers a tender performance on "I Don't Like Who I Was Then." Over a career spanning more than a decade, THE WONDER YEARS have toured extensively_sharing stages with MY CHEMICAL ROMANCE, PARAMORE, DESCENDANTS, THURSDAY, BLEACHERS, and others_and built a community through their own label and the annual Loneliest Place On Earth festival, which has showcased acts such as HOT MULLIGAN, ORIGAMI ANGEL, and LAURA STEVENSON. Their previous album, The Hum Goes On Forever, debuted at #3 on the US Alternative Album Chart and earned recognition from Paste Magazine as one of the best records of the 2020s, while the track "Year of The Vulture" was chosen as the theme for WWE NXT's Stand and Deliver event.

Aus Music founder Will Saul collaborates with Fink and James Alexander Bright on the final EP in the AUS200.

After music from the likes of Quantic, Dam Swindle, K-Lone and Cinithe, Will Saul brings celebrations around his label's 200th release to a close with one track alongside long-time friend Fink and one with James Alexander Bright, an artist he discovered and signed to !K7 during a 10-year stint A&Ring with the label.

Saul's music has provided the backbone of the label since day one. His club-ready EPs and more immersive, expansive albums have helped to define its melodically rich fusion of bass and house. Just as importantly, his A&R has helped it evolve over the last two decades so it remains as relevant as ever with the current generation while providing a platform for contemporary talents to shine.

First up here he links up with his old friend, singer, songwriter, guitarist and producer Fink who, as Sideshow, was behind the first-ever release on Aus back in 2006. Since then, he and Saul have continued a fruitful working relationship which now bears juicy musical fruit once more. Their 'Slo-mo Life' is six sublime minutes of deep, dubbed-out downtempo. It's powered by a prowling bassline with tender melodies and introspective chords next to subtle vocal loops that cannot fail to bliss you out. Fink then offers up a remix as Sideshow that rides on airy jungle breaks while evocative synths are smeared in painterly fashion before decaying in endless reverb to an angelic ambient sound.

British multi-hyphenate James Alexander Bright has built up a colourful body of albums and EPs that soundtrack everything from hazy daydreams to lazy afternoons in the park via dance floor trips. The singer has worked with, among others, Groove Armada’s Tom Findlay and Girls Of The Internet and always brings a lovably lo-fi and intoxicating sensibility.

'Blue' is a raw, live sound with crashing hits and broken kick patterns. Bright's nagging vocal speaks of emotional pain while shimmering chords bring the heat. Bright's remix reworks the track into a widescreen hazy breakbeat soul track that gives his vocals extra room to make their mark while the exquisite live drums from Joris Feiertag keep you moving.

Lael Neale's minimalist drone pop draws inspiration from the Transcendentalists, the alienation of modern life, and a rich array of musical influences-ranging from Dionne Warwick and John Lennon to primitive American gospel and Spacemen 3. Her expansive new record, Altogether Stranger, due May 2, was written and recorded in the early morning quiet of Los Angeles. Clocking in at just 32 minutes, the 9-song LP covers an unexpected breadth of musical and lyrical terrain-from garage rock nursery rhymes and creation myths to Motorik dance dirges and solitary Omnichord meditations. A brilliant lyricist, Neale has a unique ability to uncover the extraordinary within the mundane, tackling themes of polarity that recur throughout her work-country vs. city, humanity vs. technology, isolation vs. society. This album is her third collaboration with producer Guy Blakeslee who helps expand the tonal palette while staying true to Neale's commitment to the raw immediacy and hand-made intimacy of home recording. Altogether Stranger - a stunning album filled with dreamlike reverie, Neale's crystalline voice, and echoes of the Velvet Underground - was conceived after four years of oscillating between rural solitude and urban chaos. It finds Neale perched at the piano in a hilltop bungalow, looking down on a rare curve of Sunset Blvd. Here, in this daily ritual of writing, singing, and painting-what David Lynch referred to as "the Art Life"-she creates the space for her most adventurous work to date. Born and raised in Virginia's idyllic countryside, Neale brought the high-lonesome sound of her home state with her when she moved to California to pursue music. After years of writing songs on guitar and playing small venues in Los Angeles, she discovered the Omnichord in 2019, which sparked a new creative direction. This led to her 2021 Sub Pop debut album, Acquainted With Night. That album's 2023 follow-up, Star Eaters Delight, deepened the collaboration with Blakeslee, infusing minimalist soundscapes with a heightened electric energy. The album found a devoted audience, and Neale's subsequent tour included sold-out shows in Los Angeles, New York City, London, and Paris, multiple trips across Europe, and a West Coast run supporting kindred spirit Weyes Blood. This marked yet another return to Los Angeles. Indeed, Los Angeles is not just the backdrop of Altogether Stranger but a lead character. The album's accompanying film - created with Neale's faithful Sony Handycam - builds on her ongoing series of videos, telling the story of Neale as an alien in a suit of mirrors stranded on Earth. Wandering through modern-day LA, she finds both absurdity and beauty in our fragile, untenable way of life. Over the long year it took to write Altogether Stranger, Neale vacillated between childlike optimism and existential melancholy. While she may not have been able to reconcile these opposing states, Altogether Stranger represents an ambitious breakthrough for this singular, self-sufficient artist.

“Music is the weed that keeps popping out of the concrete in my life. It just seems to want to come out.” –Jeff Bridges

Extensive booklet including liner notes by Sam Sweet, new interviews with Jeff Bridges, and never-before-seen archival photos.

Featuring Burgess Meredith (Rocky, Batman), members of Oingo Boingo, and assorted characters from the West Los Angeles art and music underground
Culled from a single decaying cassette tape labeled “July 1978,” these recordings are a window into the secret musical life of the Dude. Even after becoming one of Hollywood’s biggest stars, Bridges spent all his free time jamming and recording with a trusted circle of musicians composed of childhood friends, artists, and assorted L.A. oddballs.

Imagine The Band playing at CBGB with The Exploding Plastic Inevitable. Or Arthur Russell and the Talking Heads collaborating on a suite of mutant disco. Though Bridges and his friends were brought up around the movie industry, they decided to create their own private musical universe, where they could be as weird as they wanted.

Their music opens a portal to a hidden world of outlandish creativity and camaraderie in 1970s Los Angeles. It’s the missing piece of his musical evolution, revealed here for the first time in all its joyful abandon.

Even the name is mysterious-Black Honey Cult evokes a sense of intrigue and the otherworldly, a fitting moniker for a band born out of deep roots in Los Angeles' storied underground music scene. The story begins in the early '90s, when Johnny DeVilla and Jake Cavaliere first crossed paths, performing in various bands at the legendary JabberJaw, a hub for raw talent and boundary-pushing sound. Fast forward to 2003, when Spencer Robinson joined forces with Jake and Johnny in The Lords of Altamont, solidifying a creative bond that has endured for decades. Over the years, this trio found themselves collaborating time and again, refining their chemistry and exploring new sonic landscapes. It wasn't until 2010 that Black Honey Cult began to take shape, though the journey to a definitive lineup was a winding road. After several incarnations, the band finally coalesced into its current form with the addition of Garey Snider on drums, and Travis Petersen on guitar, whose contributions completed the puzzle. Jake and Garey, longtime conspirators with a shared desire to work together, brought their vision to fruition, creating a group that feels both destined and uniquely fresh. Drawing inspiration from pioneers like The Velvet Underground and psychedelic icons, The 13th Floor Elevators, Black Honey Cult infuses their sound with shades of early goth, post-punk, and krautrock. The result? A hypnotic, genre-defying blend of dark, atmospheric psychedelia that transports listeners to another plane - like dropping LSD on Mars. The band's sound was brought to life by the legendary Paul Roessler (of Screamers and 45 Grave fame) at Kitten Robot Studios, a perfect match for their haunting and transportive vision. Black Honey Cult stands as a testament to years of collaboration, creativity, and perseverance, offering an immersive experience for those ready to step into their enigmatic world. Prepare to follow the cult and lose yourself in the spellbinding sounds of Black Honey Cult.

Gold nugget vinyl, limited to 350 copies. Even the name is mysterious-Black Honey Cult evokes a sense of intrigue and the otherworldly, a fitting moniker for a band born out of deep roots in Los Angeles' storied underground music scene. The story begins in the early '90s, when Johnny DeVilla and Jake Cavaliere first crossed paths, performing in various bands at the legendary JabberJaw, a hub for raw talent and boundary-pushing sound. Fast forward to 2003, when Spencer Robinson joined forces with Jake and Johnny in The Lords of Altamont, solidifying a creative bond that has endured for decades. Over the years, this trio found themselves collaborating time and again, refining their chemistry and exploring new sonic landscapes. It wasn't until 2010 that Black Honey Cult began to take shape, though the journey to a definitive lineup was a winding road. After several incarnations, the band finally coalesced into its current form with the addition of Garey Snider on drums, and Travis Petersen on guitar, whose contributions completed the puzzle. Jake and Garey, longtime conspirators with a shared desire to work together, brought their vision to fruition, creating a group that feels both destined and uniquely fresh. Drawing inspiration from pioneers like The Velvet Underground and psychedelic icons, The 13th Floor Elevators, Black Honey Cult infuses their sound with shades of early goth, post-punk, and krautrock. The result? A hypnotic, genre-defying blend of dark, atmospheric psychedelia that transports listeners to another plane - like dropping LSD on Mars. The band's sound was brought to life by the legendary Paul Roessler (of Screamers and 45 Grave fame) at Kitten Robot Studios, a perfect match for their haunting and transportive vision. Black Honey Cult stands as a testament to years of collaboration, creativity, and perseverance, offering an immersive experience for those ready to step into their enigmatic world. Prepare to follow the cult and lose yourself in the spellbinding sounds of Black Honey Cult.

Skylax Records proudly presents "Winter Sequences", the debut EP by Arnaud Rebotini on the label and the launch of the Skylax Black series, dedicated to bold, sophisticated electronic productions. For over two decades, Arnaud Rebotini has been a defining figure in electronic music. As a producer, composer, and master of analog live performances, he bridges the worlds of techno, electro, and cinematic scores. Winner of the César Award for Best Original Score for Robin Campillo’s "120 Beats Per Minute", his talent transcends the dancefloor, captivating audiences in both clubs and cinemas. Rebotini is also a master of the remix, collaborating with legendary acts like Depeche Mode, Rammstein, Nitzer Ebb, and Bloc Party amongst others, and delivering a standout reinterpretation of Bronski Beat’s "Smalltown Boy" for the "120 Beats Per Minute" soundtrack. His remix work blends respect for the originals with his own creative power, placing him among the most revered names in electronic music.

The EP opens with “Snowy Sunday Smile”, a track that combines melodic depth with techno power, showcasing Rebotini's mastery of analog live performance in a compelling and emotional way. “Abnegation Electronique” follows with a subtle homage to Drexciya’s universe, fusing deep basslines and hypnotic layers to create a pure and immersive electro experience. On the B-side, “December in G” delivers a live improvisation featuring SH101 and TB303, seamlessly shifting between G minor and G major chords, evoking life’s contrasts between shadow and light. Closing the EP, “Echo Park’s Bells” conjures the enigmatic magic of Los Angeles with dreamy bells and ethereal textures that capture the city’s endless nights. Staying true to his raw, analog aesthetic, Rebotini’s music embodies timelessness and cutting-edge innovation. "Winter Sequences" captures this duality perfectly, blending raw energy with melodic sophistication. An iconic release, "Winter Sequences" is more than an EP—it’s an analog masterpiece, a sonic exploration, and a bold statement cementing the collaboration between Arnaud Rebotini and Skylax Record



Artwork by H5: The cover art, designed by the legendary H5 studio (Daft Punk, Air, Logorama), adds a unique visual dimension to the EP. Known for their globally acclaimed graphic work, H5 enhances the identity of this release with their unmatched creative touch. Available on 12” vinyl. Head to Bandcamp to secure your copy. A must-have for electronic music aficionados.

Award-winning singer Candice Night returns with a new solo album (and first for earMUSIC), “Sea Glass.”

Continuing a career as a multi-instrumentalist, vocalist, composer and lyricist, perhaps most famously as musical alchemist and voice of Blackmore’s Night, “Sea Glass” finds Candice at a new plateau in her life and music.

THE ALBUM
Inspired by a lifetime of challenging musical adventures as well as the magic and demands of everyday life and family, Candice has crafted an album that observes life through a prism of experiences, much like looking through a kaleidoscope of sea glass colors with their own special glow.

The album draws from rock influences on tracks such as first single‘ Angel and Jezebel’ and ‘Unsung Hero (She’ll Never Tell)’ and thematically touches on themes of loss and love (‘The Last Goodbye’) as well as the bond between parents and children and their wishes and dreams for the future (‘Promise Me’).

Inspired by Candice’s lifelong passion for collecting sea glass – finding treasure that has been transformed by time and tides – the images reflect the randomness of those discoveries and how they all assemble into a whole life’s experience.

MARKETING AND PROMOTION
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New album from multi-instrumentalist and voice behind chart-topping Blackmore’s Night with a fanbase built over a quarter century
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Album announcement and first single “Angel and Jezebel” January 2025
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Album release preceded by 3 singles and videos
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Continuous online marketing and social media campaign from album announcement through release

Compiled by Bob Stanley to document the acid folk scene, “Gather In The Mushrooms” was first issued in 2004 on Sanctuary as a CD-only release; it proved popular enough for a sequel entitled “Early Morning Hush” two years later.

This new edition of “Gather In The Mushrooms” contains the cream of both long-deleted compilations with a few additions – COB, Roy Harper, Fotheringay – that weren’t available to Sanctuary at the time. Though they aren’t traditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tuung et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed electricity; they weren’t part-timers. Listening to “Gather In The Mushrooms”, we are transported to a time when no one used the term post-modernist.

It may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore – not necessarily one of poachers and pedlars, but one of long-haired youths in tie-dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages. Groups such as Stone Angel, Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once you hear something as eerie and evocative as ‘Graveyard’. Home-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.

Meet Me in the Garden is a richly textured exploration of love, loss, and renewal. Co-produced by Felix Bloxsom (SIA, Genesis Owusu), Daniel Mougerman (The Bamboos), and Rita Satch herself, and mixed by Grammy-winning engineer Ben Kane (D’Angelo, Emily King), the album features contributions from some of Naarm/Melbourne’s finest, alongside a sweeping 12-piece string orchestra.
Blending smooth soul, contemporary R&B, orchestral flourishes, and stacked harmonies reminiscent of D’Angelo and Bilal, the album unfolds with cinematic beauty and emotional depth. It opens with a stirring string prelude by Mougerman before transitioning into the dreamy title track. Standouts include the meditative Breathe, the funk-fuelled Joyride, and Warrior Princess - a heartfelt tribute to Satch’s late grandmothers that helped her process grief through song.
Rooted in personal loss and spiritual growth, the album draws from Satch’s Kabbalistic studies and her belief in reunion beyond this life. With its timeless soul and modern edge, Meet Me in the Garden is a bold, soul-stirring debut that leaves a lasting impression.

Justin Sullivan has been living something of an artistic double life for the last 8 years. He’s been playing drums in Los Angeles’ Flat Worms and getting back together with his NYC bandmates in The Babies, but he’s also been crafting his own songs under the name Night Shop. Under this moniker, Sullivan has released two LPs and two 12” EPs and toured supporting, Widowspeak, Shannon Lay and Waxahatchee.

Waxahatchee’s Katie Crutchfield once described Sullivan as “a well-read modern day Buddy Holly” and on his new record, The Beloved Returns, he raises the bar of both the literary allusions and the rock’n’roll. The record’s title track was inspired by Thomas Manns’s 1939 fictionalized biography of Goethe titled Lotte in Weimar: The Beloved Returns and themes of desire, obsession and the places they send you are all over the record. On the sonic end, the record is louder and faster than any Night Shop record before, a result of Sullivan’s collaboration with the Summer Cannibals’ Jessica Bourdeaux who produced the record, with songs like the opener “Ode To Joy II” coming fast out of the gate quickly followed by “Let Me Be the Lamb.”

Valhalore wurde 2013 von Gitarrist Anthony Willis und Sänger Lachlan Neate gegründet und entwickelte sich schnell zu einer unaufhaltsamen Kraft in der australischen Metalszene, mit einer einzigartigen Mischung aus Melodic Death, Power und Symphonic Metal mit Folk-Einfl üssen. Nach dem VÖ ihres Debüts "Voyage Into Eternity", gefolgt von Tourneen und Shows im Vorprogramm von Blind Guardian, Hammerfall u.a., wird die Band nun im April 2025 mit ihrem zweiten Album "Beyond The Stars" die Welt erobern

Valhalore wurde 2013 von Gitarrist Anthony Willis und Sänger Lachlan Neate gegründet und entwickelte sich schnell zu einer unaufhaltsamen Kraft in der australischen Metalszene, mit einer einzigartigen Mischung aus Melodic Death, Power und Symphonic Metal mit Folk-Einfl üssen. Nach dem VÖ ihres Debüts "Voyage Into Eternity", gefolgt von Tourneen und Shows im Vorprogramm von Blind Guardian, Hammerfall u.a., wird die Band nun im April 2025 mit ihrem zweiten Album "Beyond The Stars" die Welt erobern

Enigmatic producer ANiML returns to the freeform Los Angeles-based label StrataSonic to release a six-track mini album, Star Walk. The new body of work, which comes alongside a new music video for “Bruv” (directed by Spanish visual artist YZA Voku), is out now.

Picking up where ANiML left off with “Breather” and “Bruv,” Star Walk elaborates further on that woozy-yet-sophisticated psychedelia, materializing as cinematic trip-hop, cavernous dub, and other unique genre concoctions across its six tracks. “Cherry,” with its free-spirited, delay-soaked guitar riffs, depicts a colorful, post-rock-inspired soundscape. “BabyD,” in step with “Bruv,” features a mischievous marimba melody among ghostly vocal samples, a punchy drumkit, and a slackened bassline.

These scenes are brought to life thanks to YZA Voku, a groundbreaking visual artist who is at the forefront of AI-assisted filmmaking in the animation space (see his work for The Weeknd, Swedish House Mafia, Hï Ibiza, and XG). The new music video for “Bruv,” out today, unfolds in stark black, white, and red, evoking a noir-inspired aesthetic steeped in mystery and intrigue. Shadowy figures move rhythmically through dimly lit alleys and smoke-filled ballrooms, blending calculated steps with hypnotic dance sequences.

The production blended real-life recordings with digital effects like blur, negatives, masks, analog textures, and AI-driven transformations using Runway’s video-to-video tools. AI-generated sequences created with Midjourney and Runway were merged to contrast real footage with synthetic imagery. This type of work is a rejection that AI is simply used as a shortcut in art and comes at a time when musicians are beginning to embrace such tools for the visual components of their products.

Inspiriert vom Leben und Mythos des Schauspielers Dennis Hopper haben Mike Scott und The Waterboys - die schottische Rockband bekannt für ihre Hits 'The Whole Of The Moon' und 'The Big Music' - dieses umfangreiche Album als Hommage an eine der faszinierendsten Persönlichkeiten der amerikanischen Popkultur geschaffen. Das Album mit ausschließlich eigenen Songs ist sehr konzeptionell angelegt und bringt hochkarätige Künstler wie Bruce Springsteen, Fiona Apple und Steve Earle zusammen, um Hoppers Leben musikalisch zu durchdringen, einschließlich eines Songs für jede seiner Ehefrauen.

- Die Verpackung enthält Fotos aus dem Archiv von Dennis Hopper

- Col. 2LP: (Burnt Colored Vinyl in Gatefold-Hülle mit bedruckten Innentaschen)