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Art Blakey & The Jazz Messengers - Hard Bop

Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.

Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.

Impex Records has cut this gorgeous 180-gram LP with the original analogue mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!

pre-order now31.10.2022

expected to be published on 31.10.2022

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Art Blakey - Art Blakey’s Jazz Messengers With Thelonious Monk – Deluxe Edition

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh, and help launch new careers (akin to today’s hip hop collectives.)

Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing, and Thelonious Monk’s only appearance on Atlantic. This 65thanniversary deluxe edition includes an extra disc of previously unreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

PERSONNEL:
Art Blakey, drums; Thelonious Monk, piano; Johnny Griffin, tenor saxophone; Bill Hardman, trumpet; and Spanky Debrest, bass.

pre-order now20.05.2022

expected to be published on 20.05.2022

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ART BLAKEY AND HIS JAZZ MESSENGERS - CHIPPIN’ IN LP (2x12")

Art Blakey is one of the greatest jazz drummers and first made name for himself in the 1940s when working with bebop musicians Thelonious Monk, Charlie Parker and Fletcher Henderson. In the mid-1950s, he then formed The Jazz Messengers together with Horace Silver, which quickly became known as an incubator for young talent. 35 years after forming The Jazz Messengers, Blakey entered his final year still at it. Due to the many promising young players around the time, he expended the collective from its usual quintet or sextet into a septet for this fine recording session. Because Blakey constantly persuaded his musicians to write music, The Jazz Messengers stayed young in spirit, just like its leader.

Chippin’ In is available as a limited edition of 750 individually numbered copies on red coloured vinyl and includes an insert with upcoming titles from the Timeless Records 45th Anniversary Jazz Series.

pre-order now25.03.2022

expected to be published on 25.03.2022

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ART BLAKEY & THE JAZZ MESSENGERS - The Big Beat

Art Blakey’s 1960 hard bop classic The Big Beat introduced one of the greatest line-ups of The Jazz Messengers with the legendary drummer joined by trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. Three of the six tunes here were composed by Shorter including “Lester Left Town,” but the album is best-known for an unforgettable version of Timmons’ enduring hit “Dat Dere”. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Last In: 4 years ago
ART BLAKEY & THE JAZZ MESSENGERS - Selections From Golden Boy

Originally released on Colpix Records in 1963, this striking release consists of Art Blakey and the Jazz Messengers performing selected music from the Broadway musical Golden Boy. Arranged by three master musicians, Wayne Shorter, Curtis Fuller and Cedar Walton, the music is performed by an amazing all-star line up featuring Freddie Hubbard and Lee Morgan - trumpet, Curtis Fuller - trombone, Julius Watkins - French horn, Bill Barber - tuba, James Spaulding - alto sax, Wayne Shorter - tenor sax, Charles Davis - baritone sax, Cedar Walton - piano, Reggie Workman - bass, and of course Blakey "the Boss" on drums.

pre-order now12.11.2021

expected to be published on 12.11.2021

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ART BLAKEY AND THE JAZZ MESSENGERS - MOANIN’

Art BlakeyandThe Jazz Messengers

MOANIN’

12inch0602507465681
Blue Note
31.08.2021

More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Last In: 4 years ago
ART BLAKEY & HIS JAZZ MESSENGERS - CHIPPIN' IN

- North American version on CLEAR vinyl (2XLP) - Limited DOUBLE 180g Vinyl Edition (500 copies) with obi strip - Rare Dutch studio recordings, one of Art's last sessions before he passed away - Comes with insert/liner notes // Art Blakey (1919-1990) actually needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk's first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Impulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane_.and countless others.Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. His signature polyrhythmic style was amazing, exuding power and originality, creating a dark cymbal sound punctuated by frequent loud snare and bass drum accents in triplets or cross-rhythms. A loud and domineering drummer_but Blakey also listened and responded to the others in the band. He was an original, an important drummer you'd hear_and would recognize immediately.Art Blakey was inducted into the Downbeat Jazz Hall of Fame (1981), the Modern Drummer Hall of Fame (1991), the Grammy Hall of Fame (1998 and 2001) and was awarded the Grammy Lifetime Achievement Award posthumously in 2005. He was sampled and remixed by renowned acts such as Raekwon, Black Eyed Peas, A Tribe Called Quest, Digable Planets, Buscemi, KRS-One and Madlib.In the mid-1950s he and Horace Silver formed `The Jazz Messengers': a group that Blakey would perform and record with for the next 35 years. Originally formed as a collective of contemporaries_but over the years the band became known as an incubator for young talent that included artists such as Freddie Hubbard, Wayne Shorter, Cedar Walton, Chuck Mangione, John Hicks_and MANY others. Art Blakey went on to record dozens of albums with a constantly changing group of Jazz Messengers. Blakey's final performances were in July 1990. He died on October 16 of lung cancer. The legacy of Art Blakey and his band is not only the music they produced, but also the opportunities they provided for several generations of jazz musicians.Released on the legendary Dutch jazz label Timeless Records and one of his final recordings_on the album we are presenting you today (Chippin' In) you'll find ten sublime tracks recorded at Rudy van Gelder's Recording Studio in February 1990. Art Blakey passed away just 8 months after these tracks were cut and you can't hear any signs of him slowing down at all. For these specific recordings, The Jazz Messengers were expanded from its usual quintet or sextet into a septet and they showcase their energetic signature sound with remarkable style, musical knowledge, a dash of good humor and camaraderie you'd expect from a world class band who have entertained, thrilled and amazed for almost five decades. The line-up on these fantastic sessions includes non-other than Essiet Okon, Geoff Keezer, Dale Barlow, Javon Jackson, Frank Lacy, Steve Davis and Brian Lynch_impressive to say the least!Chippin' In sounds as successful, young and vibrant as ever! Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This electrifying set of tracks contains both originals and several eclectic versions of standards_making this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

pre-order now30.07.2021

expected to be published on 30.07.2021

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ART BLAKEY & THE JAZZ MESSENGERS - THE JAZZ MESSENGERS AT THE CAFE BOHEMIA

180g vinyl 2LP set in deluxe gatefold sleeve with iconic pictures by jazz
photographer Francis Wolff. Originally released as The Jazz Messengers at
the Caf Bohemia Vol.1 (Blue Note BLP 1507 and BLP 1508.
One of the definitive bands of the hard bop genre, The Jazz Messengers’ soulful and hard driving sound set the benchmark of excellence in jazz. The present
set, recorded live at the celebrated Caf Bohemia in New York, was one of the
best from their early years.
This music originally appeared divided into two 12” volumes, whose contents
are included in their entireties on this 2-LP set.
“There’s excellent, cohesive trumpet by Kenny Dorham and piano by Horace
Silver that leaps into the emotions. Doug Watkins is equal to the never-coasting
rhythmic demands of Silver and the omni-cooking Art Blakey.”

pre-order now23.07.2021

expected to be published on 23.07.2021

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ART BLAKEY & CLIFFORD BROWN - A NIGHT AT BIRDLAND

This group represents the germ of Art Blakey’s Jazz Messengers and marked the path
for the future. Brown, pianist Horace Silver, and alto saxophonist Lou Donaldson were
somewhat established, but skyrocketed to stardom after this band switched personnel.
This was perhaps Blakey’s most acclaimed combo, along with the latter-period bands
featuring Lee Morgan and Wayne Shorter. Three of Silver’s greatest compositions can be
heard here: “Split Kick”, “Quicksilver”, and “Mayreh” (a reharmonization of the standard
“All God’s Children Got Rhythm”).
Clifford’s wonderful ballad playing is showcased on “Once in a While”. This music was
first released in 1954 on three 10” LPs, and then remarketed in 1956 on two 12” LPs,
whose configuration is followed here.
“This recording launches an initial breakthrough for Blakey and modern jazz in general
and defines the way jazz music could be heard for decades thereafter. Everybody must
own copies of all volumes of A Night at Birdland.”

pre-order now23.07.2021

expected to be published on 23.07.2021

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Art Blakey & The Jazz Messengers - The Witch Doctor

Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers’ all-time great line-ups: Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass. Shorter and Morgan each contribute two tunes, with Timmons penning one. Highlights include Morgan’s spectacular 6/8 modal piece “Afrique” and Shorter’s minor masterpiece “Those Who Sit And Wait.” Bobby Timmons brings the deep soul goods on his composition “A Little Busy,” and the album closes with a fleet-footed romp through Clifford Jordan’s tune “Lost and Found.” Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tapes, 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

pre-order now04.06.2021

expected to be published on 04.06.2021

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ART BLAKEY - MOANIN’

This 180 gram red virgin vinyl LP reissue of the 1958 Bluenote album ‘Art Blakey and the Jazz Messengers’ includes bonus tracks recorded live at the Olympia, Paris with the same personnel, also in 1958.
Together with Art Blakey on drums the line-up includes Lee Morgan on trumpet, Benny Golson on tenor saxophone, Bobby Timmons on piano and Jymie Merritt on bass .
The 20-page booklet contains complete information with specially prepared liner notes by Penguin Guide to Jazz’s writer Brian Morton and by France’s prestigious Jazz Magazine.

pre-order now22.01.2021

expected to be published on 22.01.2021

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Art Blakey & The Jazz Messengers - Roots & Herbs (Blue Note, 1961)- TONE POET SERIES

'How is it that one of Art Blakey’s greatest albums with the Jazz Messengers is so little known? The 1961 edition of the Messengers included Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass. In February and May of 1961, this group (with pianist Walter Davis Jr sitting in on two tracks) entered Rudy Van Gelder’s studio in New Jersey and proceeded to lay down Roots & Herbs, a brilliant set of six Shorter compositions including the driving hard bop of the title track, the playful “Ping Pong,” and the clever “United.” The album was eventually released in 1970 and deserves a place among Blakey’s finest recordings.

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Last In: 5 years ago
ART BLAKEY - THE BIG BEAT

Art Blakey

THE BIG BEAT

12inchCATLP190
Not Now Music
28.07.2020

It takes one to know one. Which is why jazz drummers have always
been ready to join the queue when assessing Art Blakey's influence,
not only in the field of percussion but in the shaping of his chosen
genre. Max Roach described him as "An original - the only drummer
whose time I recognise immediately. When I first met him on 52nd
Street in 1944, he already had the polyrhythmic thing down. He was
doing it before anybody else." Thelonious Monk Jr concurred: "When
I became a drummer, I learned how to swing from Art Blakey. What
he did with the hi-hat and his roll got pressed into my soul. He had a
primal approach to drums." All of which warmed the ears of Blakey,
who admitted that his aim was to be one of the greatest drummers in
the world- an ambition which he undoubtedly achieved

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Last In: 5 years ago
KENNY BURRELL with ART BLAKEY - At The Five Spot Cafe

The great jazz guitarist Kenny Burrell on one of his most celebrated sets of all-time. Recorded live at the Five Spot Café in New York City on August 25, 1959, this is the second set and the band is really cooking. Featuring the brilliant drummer Art Blakey as well as the wonderful, but unfortunately under-recorded tenor saxophonist Tina Brooks, Burrell's band is in tip-top shape on this set of compositions ranging from originals to Gershwin to Gillespie. An essential live jazz set for any fan of the golden era of modern jazz.

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Last In: 7 years ago
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