Dry Socket is a politically charged hardcore band from Portland, Oregon, known for blistering performances and emotionally uncompromising songwriting. Rooted in the raw aggression of classic hardcore, their sound channels the urgency of early Ceremony, G.L.O.S.S., and Negative Approach while carving out a distinctly modern, inclusive space within the genre, one where anger, grief, and survival are not just themes, but lived realities.
Their music confronts systems of violence, coercion, and control with unflinching honesty, creating room to be unapologetically furious, vulnerable, and alive at the same time. Every riff lands like a strike; every lyric feels torn from experience rather than abstraction.
Since forming, Dry Socket has toured extensively across the U.S., Europe, and Mexico, sharing stages with Gorilla Biscuits, The Hope Conspiracy, Torso, and more.
Their latest record, Self Defense Techniques, centers on survival under constant pressure. Inspired by the practice of dehorning rhinos to protect them from poachers, removing a vital part of the animal in order to keep it alive, the album examines the compromises people are forced to make to endure a hostile world. Horns are tools for protection, communication, care, and identity. To survive, so many of us are taught to remove our own.
Across the record, Dry Socket interrogates life inside systems that demand silence, obedience, and self-erasure. Songs wrestle with exhaustion, spiritual betrayal, and economic violence, oscillating between fury and grief. Self Defense Techniques isn’t about triumph, it’s about endurance, documenting the cost of staying alive while refusing the lie that softness is weakness or that silence is peace
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We’re thrilled to be working with Isaac Carter’s much-lauded Ochi imprint and delighted to kick things off with the debut vinyl release on the London-based label.
This 4-track EP from Isaac Carter & Biyi has been a long time coming. You will no doubt have heard the likes of Ben UFO, Seth Troxler, Floating Points & Moxie to name few, playing these over the past 18 months. By popular demand they are now available for the first time ever, on wax.
Another Taste is back with their follow up album: Another Taste II delivers eight new cuts of boogie, funk, and obscure disco influenced productions, recorded live to tape. Comes with Download code.
After lighting up renowned clubs like KOKO London, Jazz Café London,Tresor Berlin, New Morning Paris, and festivals like Love Supreme (UK), Lost Village (UK), Nuits Sonores (FR), Hamburg Jazz (DE), Lowlands (NL), ADE Amsterdam - the band has surfaced from the studio anew, mixing myth with music.
If their debut record in 2024 was an introduction to their musical range, Another Taste II is the full immersion. The two-sided album plays like a neon-lit cab ride where the radio is set to groove. Expanding their palette with sharper songwriting, denser arrangements, and a fictional universe.
The album showcases Another Taste’s collective at full strength: Barend Lippens, Bobby van Putten, Bob Roche, Teun van Zoggel, Sarina Voorn, Diogo Carvalho, and Florian Verhagen. Together they summon a sound that is electrifying, communal, and unmistakably theirs, joined on “Peace Call” by Arp Frique and the Perpetual Singers, and bolstered throughout by a dedicated brass section.
Another Taste II is engineered and mixed by Bobby van Putten, mastered at The Carvery by Frank Merritt, with artwork and design by Timo ter Braak, Walt van der Veen and Robert Reinartz.
The new album presents a collaborative creation that’s both timeless and unpredictable, pulling listeners deeper into the band’s universe with every spin.
Roy Porter Sound Machine's 1975 follow-up to their 1971 debut, Inner Feelings, drifted deeper into Blaxploitation-era grooves by layering flanged guitars, jazzy horns, undulating basslines and electric piano licks with plenty of the flair that defined their standout debut album, Jessica. Standout track 'Panama' gets its first 7" outing here via a Muro re-edit alongside the original vocal version. The instrumental has busy keys and punchy drums, while the vocal adds bustling character and playful conversation, bringing a lively narrative to the tight funk framework. A seamless bridge between jazz sophistication and cinematic soul that shows off Porter's adventurous spirit and groove mastery.
- A1: Six Figurines
- A2: Assassination Tapes
- A3: How To Disinfect A Live Grenade
- A4: Chemo Crystal Ball
- A5: Saltwater Tantrums
- A6: Night Terrors
- A7: Recognition
- A8: Diagnosis
- B1: Crayola Circles Of Creativity
- B2: Anger
- B3: Chinese Sunrise
- B4: Kwaidan Snowstorm
- B5: Leon Ichaso
- B6: Willow Trees
- B7: The Destitute Stashspot
TAPE[17,23 €]
Backwoodz Studioz is excited to announce the release of Crayola Circles, a collaboration between rapper Fatboi Sharif and producer Child Actor. While both artists have long standing connections to Backwoodz, this album marks their first collaboration of any kind and breaks new artistic ground for all parties.
Sharif’s previous album, Decay, released on Backwoodz in 2023, was a haunting experimental rap masterpiece, an acid trip in a mental hospital. On Crayola Circles Sharif trades menacing psychedelia for a simmering stew of blacklight expressionism, his verses slipping effortlessly through the swells and tides of Child Actor’s masterful production. No matter how uneasy the waves grow, Sharif is at ease, a truth teller whispering anti-riddles in your ear. This album feels like a new chamber for Child Actor, as well. The producer has been on an impressive run since dropping CINE- a collaboration with rapper Cavalier- on Backwoodz in late 2024. Child Actor has shown up in the liner notes of everyone from Navy Blue (The Sword & The Soaring) to Earl Sweatshirt (Live, Laugh, Love) to ELUCID (Revelator) to Open Mike Eagle (Neighborhood Gods Unlimited), to Ghais Guevara (A Quest to Self-Mythologize), amongst others. On Crayola Circles Child Actor’s production is dynamic, shifting and sliding into new phases and movements in an instant. The beats are full and knotty, leaning into jazz and folk, while remaining tethered to the tender minimalism that is his signature. It’s a difficult balance for any producer, and here it is executed perfectly, placing us in a world of wood and brass, cowhide and undersea piano. On any other record, this soundscape would steal the show — and it very nearly does — but Sharif’s command never wavers, ever in control; a lucid dreamer in an induced coma.
There are no guests, no skits, and no interludes. There might not even be songs, instead Crayola Circles seems akin to a great river; singular, traversing forest and jungle, mountain and valley, running from mouth to endless sea.
Some grooves don’t rush to the dancefloor — they crawl there, slow and heavy, like smoke wrapping around a bassline. With Fragments of Reality, The Balek Band sculpt an electronic funk that lives between shadow and light — an end-of-the-world fever dream, a Barjavel-style Ravage where chaos turns nihilistic.
No sequencer grid here — just four musicians sharing the same room, shaping air and tension together: drums locked tight with a slap bass, a guitar dripping with echo and heat, and a one-man orchestra behind his machines, weaving acid lines and synth arpeggios while mixing the band live — drenching it in delay, reverb, and saturation, like a dub producer in a Kingston studio, Lee Scratch Perry or King Tubby conjuring ghosts through smoke.
This isn’t fusion — it’s friction. A living ritual where the TB-303 hums, and machines don’t dominate but converse with the human pulse. Each track feels like a night that refuses to end — that humid in-between where trance slips into languor, and the body starts to think for itself.
The record recalls the cosmic jazz of Alain Mion or Eddy Louiss meeting the fiery energy of West African afrobeat musicians freshly arrived in a smoky Belleville basement in the mid-’80s. When The Balek Band summon ghosts, it’s only to reshape them — bending the past into something futuristic, alive, and strangely refreshing. Both disciplined and delirious, Fragments of Reality feels like a promise at dawn: dark funk for the late hours, slow acid for warm blood.
This EP isn’t nostalgic, though it remembers. It’s a transmission from a parallel past — a moment when jazz players met drum machines and decided never to stop playing. Each note sweats, each rhythm breathes. You can almost see the light cutting through the haze, faces half-awake, half-possessed.
The Balek Band aren’t recreating a moment — they’re keeping it alive.
Flesh and cables. Impulse and patience.
A band, not a loop.
A trip, not a format.
- A1: Isla
- A2: Secuela 03 13
- A3: Experiencia Av 04 47
- A4: Auto Reverse 04 46
- B1: Rotorama 04 58
- B2: Por Un Perro 04 57
- B3: Héroe Del Trabajo 2025 05 00
- B4: Introspectivo 04 26
- C1: Control 04 59
- C2: Disco Rojo Fm 04 34
- C3: Pak 2022 04 59
- C4: Shinkansen 04 59
- D1: Central 05 23
- D2: Raíl 05 05
- D3: Trybuna V 05 02
- D4: Renacer 05 52
El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and experimental noise music worldwide. Available on double vinyl and CD digipack. The raw power of their early work is also present here in some brilliant reconstructions of 80s tracks turning out very different from the originals (Rotorama, Trybuna V, Shinkansen, Héroe del Trabajo 2025, or Introspectivo). Songs such as Auto Reverse will be especially appreciated by the most avid fans of EG's early sound. Other tunes of futuristic industrial music closer to their previous album, Strepitus Rhythmicus, are also included (Experiencia AV, Isla, Por un Perro_) Ten tracks were recorded in 2025 in Tokyo, where Arturo Lanz (founding member of E.G.) currently resides. The other six were released, only on CD,in an ultra-limited edition shared with the group De Fabriek in 2023, long sold out, now finally on vinyl for the first time. Born in 1980 as a trio, and currently a duo formed by Arturo Lanz (founding member) and Saverio Evangelista (member since 1991), Esplendor Geométrico is an influential and international electronic cult band and also a rare case in the Spanish music scene, as they have developed their own independent path aside from tags, fashion or trends, in spite of being often classified as industrial music. Their career for more than four decades hasn't had interruptions. They haven't stopped composing, releasing albums or playing live.Their influence has marked many later artists, usually classified in the so-called industrial music or rhythm & noise, as well as artists from current techno and certain types of experimental noise music.
- 1: Slip Inside This House (Mono Version)
- 2: Slide Machine (Mono Version)
- 3: She Lives (In A Time Of Her Own)
- 4: Nobody To Love (Mono Version)
- 5: (It's All Over Now) Baby Blue (Mono Version)
- 6: Earthquake (Mono Version)
- 7: Dust (Mono Version)
- 8: Levitation (Mono Version)
- 9: I Had To Tell You (Mono Version)
- 10: Postures (Leave Your Body Behind) (Mono Version)
- 1: Slip Inside This House (Stereo Version)
- 2: Slide Machine (Stereo Version)
- 3: She Lives (In A Time Of Her Own) (Stereo Version)
- 4: Nobody To Love (Stereo Version)
- 5: (It's All Over Now) Baby Blue (Stereo Version)
- 6: Earthquake (Stereo Version)
- 7: Dust (Stereo Version)
- 8: Levitation (Stereo Version)
- 9: I Had To Tell You (Stereo Version)
- 10: Postures (Leave Your Body Behind)
For its third release, Honey Trap turns toward the instinctual. Ritmo Animal is a record driven by body memory, where rhythm becomes language and movement becomes communion. Vancouver- and Colombian-rooted duo Dosis weave club music with lived histories, drawing from punk ethics, soundsystem culture, and a deep commitment to collaboration.
Formed by Daniel Rincon and Zachary Treble, Dosis operates in the space between structure and looseness, where grooves feel hand-built and edges remain intentionally rough. Across five tracks, Ritmo Animal resists clean categorization. House mutates into dub-soaked psychedelia, vocals surface and dissolve, and percussion swings between discipline and abandon.
The A-side opens with “I Want To Be Your Dog”, a low-slung, hypnotic burner featuring Alien D, setting the tone through repetition and restraint. The title track, “Ritmo Animal,” anchors the record in motion, with saxophone lines from Dave Biddle threading through percussive momentum and grounding the track in something tactile and human.
On the flip, “Malibu” offers a softer pull, with Hannah Acton’s vocals drifting through warm, unhurried rhythm. “Humo,” featuring Hashman Deejay, leans deeper into smoke and sway, while closer “Sancocho” stretches time entirely, favoring communal simmer over destination.
Ritmo Animal is music made for shared space. It is not concerned with polish or purity, but with connection, between scenes, cities, and bodies on a floor. Another chapter in Honey Trap’s ongoing exploration of intimacy, pleasure, and rhythm as refuge.
- A1: Groovejet (If This Ain't Love) 2020
- A2: Take Me Home (A Girl Like Me)
- A3: Murder On The Dancefloor
- A4: Get Over You
- A5: Music Gets The Best Of Me
- B6: Mixed Up World
- B7: Catch You
- B8: Me And My Imagination
- B9: Today The Sun's On Us
- B10: Bittersweet
- C11: Starlight
- C12: Not Giving Up On Love
- C13: Heartbreak (Make Me A Dancer)
- C14: Young Blood
- C15: True Faith (Bbc Session)
- D16: Do You Remember The First Time? (Live)
- D17: Come With Us
- D18: Wild Forever
- D19: Crying At The Discotheque
- D20: My Favourite Things
- A1: Stella By Starlight
- A2: For Minors Only
- A3: Almost Blue
- B1: Portrait In Black And White
- B2: My Funny Valentine
This is a miraculous live album capturing Chet Baker's moving performance in Japan on June 14, 1987.
- A1: What Dreams Are Made Of Feat. Joyo Velarde
- A2: Take It 2 Far
- A3: Smokin' Wit My Lady Feat. Joyo Velarde
- A4: Gyrlz Feat. Egyptian Lover & Joyo Velarde
- A5: It Might Not Be Love Feat. Lateef The Truthspeaker, Joyo Velarde & Trackademicks
- B1: Shades Of Jade Feat. Joyo Velarde & Lateef Truthspeaker
- B2: Beautiful Dj Feat. B. Bravo
- B3: If Ur Down, I'm Down Feat. 1-O.a.k
- B4: Can We Still Be Friends? Feat. Joyo Velarde
- B5: Live Your Life (Without Permission) Feat. 1-O.a.k
- A1: Tout Est Bizarre (Feat Agnès Hélène)
- A2: Abanije (Feat Nayel Hóxò)
- A3: Soy Dos (Feat Agnès Hélène)
- A4: Viv Li (Feat Olivya)
- A5: Laissez Passer (Feat Agnès Hélène)
- B1: Ta Logbe Jongo (Feat Nayel Hóxò)
- B2: Soulshine (Feat Nayel Hóxò)
- B3: En Synchro (Feat Agnès Hélène)
- B4: Aïshododo (Feat Nayel Hóxò)
- B5: L’or & Le Sang (Feat Agnès Hélène)
Ayô Dele — which means "joy comes to me" in Yoruba — is neither a slogan nor a promised miracle. It is a breath of fresh air. That of an album born in the interstices, where the word find their way between shadow and light, between the disorder of the worldand the impulse to be .
At the heart of the project, Julien Gervaix and Damien Tesson, multi-instrumentalist beatmakers, share a groove language that is both dense and airy, where every detail breathes and finds its place.
With background in Afrobeat, Dub, Funk, Soul, Roots Reggae, and Electronic Music, they treat the studio to be their playground. Their music is a hybrid groove that speaks to the body: round or bouncing basslines, brass oscillating between melodic warmth and funk energy, textured guitars, arpeggios, enveloping Rhodes, clavinet that slides, presses, and embraces. Everything comes together with precision and flexibility, in an inventive and warm composition. The meeting of their experiences and sensibilities gives rise to open, generous music, made for dancing and vibration.
With Ayô Dele , Ireke is embarking on a new chapter: the duo is refining its style,allowing the voices to breathe. The groove remains the driving force but opens up to intimacy. This intimacy is carried by two unique female voices: Nayel Hoxo, a Beninese-Nigerian singer/rapper, and Agnès Hélène, who has already made a name for herself on Tropikadelic with "Petit a Petit". They don't sing side-by-side; they coexist, respond to each other, and sometimes intersect. But each follows her own path: Nayel, with the power of her words in Yoruba, offers songs of elevation, healing, and resistance — a light born in the cracks Agnès explores these cracks themselves: what wavers within us, what reinvents itself in bonds, glances, and gestures.
For one track, Olivya (Dowdelin) joins this dialogue in Martinican Creole. Her sunny soul sketches the contours of gentle resistance and celebrates rediscovered light.
Ayô Dele embodies a quiet yet radical determination: to smooth nothing over, to let plurality, contradictory emotions, and mixed heritage live. An album that moves forward through vibrations, that speaks of emancipation without slogans, love without clichés, anger without uproar.
Two women, two inner worlds: a sensitive complicity, a shared breath. Music that seeks not effect, but echo, weaving a living soundscape between reinvented traditions and contemporary textures. An alchemy faithful to the spirit of Underdog Records, where music unites and brings people together. Ayô Dele : "joy comes to me." A lucid joy, crossed by shadows, patiently regained. Music that welcomes, releases, gives, and in doing so, makes us feel good.
In a saturated world, Ayô Dele chooses nuance: transmission without emphasis, joy without naivety. An album that vibrates more than it demonstrates, that connects more than it imposes, and which, in its quiet clarity, resonates with a deep desire to be fully alive.
Having established themselves as one of the leading live bands in Europe, grooving to improvised jazz motifs and hip-hop beats, Budapest trio Jazzbois return with their fourth LP, Still Blunted, which sees them touch base with their beat-tape roots.
Now situated in the heart of Buda at their new studio above a club, the Hungarian trio of Bencze Molnár (Rhodes/synth), Viktor Sági (bass) and Tamás Czirják (drums) take a more considered approach to Still Blunted and offer a snapshot into the jams, sessions, and shows they have played over the past year. Still Blunted was released after the band performed at the legendary Montreux Jazz Festival in 2024 summer, but before they sold out The Jazz Cafe, London, and three more venues (Paris, Antwerp, Utrecht) on their album release tour in October 2024.
- A1: Piano Terra (Intro) – 01:02
- A2: Ricordati Di Me – 01:29
- A3: Sono In Un Van – 03:11
- A4: Onda Feat. Lauryyn – 03:07
- A5: Attesa (Skit) – 01:19
- A6: 10 Days Feat. Sup Nasa – 02:47
- A7: Avevo Un Sogno – 03:18
- B1: Ideal – 02:15
- B2: No Answer (Skit) – 00:58
- B3: La Noche En Que Te Fuiste – 03:29
- B4: Della Morte E Della Grazia – 02:28
- B5: Ikyk – 04:10
- B6: Calma – 02:22
- B7: Ultimo Piano (Outro) – 00:53
"PRONTO" is the debut album by ARYA, an Italian-Venezuelan artist who grew up in Milan. ARYA arrives with this first full-length album after the EPs
Peace of Mind (2021) and Punto Zero (2023), collaborations (Mahmood, Venerus, Ghemon, Dardust, Calibro35, and many others), and an intense live
activity, which have made her one of the most interesting voices on the Italian neo-soul/R&B scene.
Born from a personal journey of therapy and awareness, "PRONTO" takes shape as a concept album, transforming the emotional investigation into a
coherent and layered musical narrative. The title captures the meaning of the project: "Pronto" is a word that crosses all the languages present on the
album—Italian, English, and Spanish—taking on different meanings ("subito," "presto"), and is also the first word uttered in the intro. A term that introduces the listener to a space of availability, anticipation, and presence.
The entire album was produced by Claudio La Rocca (Sup Nasa), a key figure in building the project's sonic identity. Giuseppe Seccia, Matteo D'Ignazi,
Martina Tedesco, Tiziano Codoro, Stefano De Vivo, and Giulia Gentile also contributed to the album, recording the instrumental parts and contributing
to the arrangements and production of some tracks.
With "PRONTO," ARYA takes the listener on a journey through different levels of her emotional history, until the elevator starts moving again and leaves room for a new possibility of balance.
ARYA (AryaDelgado) is an Italian-Venezuelan artist born in Milan in 1994. Daughter of salsa singer Orlando Watussi, she grew up surrounded by music
and quickly developed a sensibility that blends Latin roots, nu-soul, and contemporary R&B, with a strong focus on the emotional and narrative dimensions of her writing. In 2021, she released her debut EP, Peace of Mind, followed in 2023 by Punto Zero. These releases attracted press attention
and led to collaborations with artists such as Mahmood, Venerus, Ghemon, Dardust, and Calibro35. Over the years, she has consolidated an increasingly recognizable presence, alternating songwriting, solo production, and an intense live schedule in Italy and abroad. In 2024, she accompanied Mahmood on tour and released the single, "Si Potesse Tornare." In 2025, La Noche En Que Te Fuiste and Onda were released, songs that marked the
beginning of a new artistic chapter and anticipated the release of “PRONTO,” her debut album, released in February 2026. An intimate and layered
work, which focuses on vulnerability as a language and confirms ARYA as one of the most personal and aware voices of the new Italian soul scene.
Number 5 of Fluyo Records arrives with The Headmaster, a project conceived in the early 90s from an attempt to “master my own head” and express feelings through sound. The music is mainly instrumental and beat-driven, focusing on emotion and atmosphere rather than vocals, though the right vocal sample can sometimes enhance a track , like B2 - Eternity ¨
Growing up around the Melbourne electronic music scene inspired me to have a go at making music myself. The Melbourne rave scene of the 90s eventually sealed my fate, leading me to perform live, DJ, and release tracks on various Australian and European labels.
Reissued on vinyl for the first time, this is the sole and acclaimed album by seminal Liverpool post-punk/new wave band. Released in 1981 on Dindisc, the record showed the influence of the so-called "New Liverpool Scene" that sprang up in 1979-1980 around 'Eric's Club'. Modern Eon moved in the same milieu of influential local acts such as Echo & the Bunnymen, The Teardrop Explodes, Orchestral Manoeuvers in the Dark and Dead Or Alive. A small cult soon to be rediscovered !
- A1: Dick Morrissey Quartet - Bang!
- A2: Emcee Five - Mike's Dilemma
- A3: Michael Garrick Quintet - Vishnu
- A4: Vic Lewis & His Bossa Nova All Stars - Last Minute Bossa Nova
- A5: Johnny Burch Octet - Early In The Morning
- B1: Pony Poindexter - 4-11-44
- B2: Terrell Prude - Princess
- B3: Johnny Hartsman - Soppin
- B4: Eddie Kochak & Hakki Obadia - Jazz In Port Said
- B5: Charles Kynard With Clifford Scott - Where's It At
- B6: Gene Ammons - Jungle Soul
Compare the best of British jazz circa 1963 with American sounds from labels such as Prestige, Tangerine and World Pacific. This album captures the period when rhythm and blues is emerging as the dominant club sound, forcing Soho jazz clubs to change their music policy in order to survive. On the British side, you’ve got Ronnie Scott’s arrangement of Last Minute Bossa Nova; Bang!, taken from Dick Morrissey Quartet’s first session for the BBC’s World Service, recorded around the time of the release of their first album Have You Heard? The version here is take two. You can hear take one along with the rest of the eleven-track session on R&B18 Jazz For Moderns.
Early In The Morning is a Ginger Baker/Jack Bruce arrangement of the traditional work song realized as a repeated blues riff, and is the first ever recording that is recognizably British Blues. Graham Bond features on alto sax along with Bruce and Baker together as members of the Johnny Burch Octet heard playing live at a BBC staff party from March 1963. Side Two features Jazz Stateside, such as West Coast guitarist Johnny Hartsman, Gene Ammons veering into proto jazz-funk on Jungle Soul, aka Ca' Purange plus a couple of top notch Hammond workouts from Terrell Prude and Charles Kynard.
Renowned Italian jazz master Nicola Conte presents an incandescent limited edition 7" single for Record Store Day 2026. "Terra Em Transe" and "Naquela Base" are brand new tracks from sessions for Conte's forthcoming Far Out Recordings album, drawing deep from early 70s Brazilian jazz and modal hard bossa while underlining the vital role of the arts in social and political struggle.
In Nicola's own words: "Terra Em Transe' is a dedication to visionary director Glauber Rocha and to all free thinkers willing to portray the conflicts, contradictions and lies of those in power around the world." The original composition takes inspiration from Milton Nascimento's vocal harmonies and Tamba 4's sophisticated samba-jazz.
'Naquela Base' is a stunning reinvention of João Donato's classic: pure modal hard bossa recorded entirely live in the studio. Inspired by samba-jazz classics like Tenório Jr.'s "Embalo" and Paulo Moura's "Fibra", the track is carried beautifully by Teppo Mäkynen's masterful drumming, with solos from Gaetano Partipilo on alto saxophone and Pietro Lussu on piano, supported by Ameen Saleem on double bass and Abdissa Assefa on percussion.
Having released music with Blue Note, Impulse! and Schema records, Nicola Conte's relationship with Far Out Recordings has produced his acclaimed Umoja project, his five-part Viagem compilation series, and most recently Viaggio, a compilation exploring Italy's library music renaissance from 1970-79.
'Terra Em Transe / Naquela Base' will be released as a limited edition 7" single for Record Store Day 2026 via Far Out Recordings.




















