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Inspired by a look back to futuristic tracks from the early 90's to the 50's in the US and the impact now of artificial intelligence on life today is the theme of this ep.

tags: electronic. techno and variations

Android Blaze : Looking at a future apocalypse. Referencing George
Orwell's 1984 and Blade Runner.
pre-mastered by DJ Sotofett. Mixing by Robotron . Mastered by
Manmade Mastering.

Kids and Batteries :Virtual kids searching for their souls online.

Real Synthetic Life : Referencing the 50's science fiction movie Forbidden
Planet.

For decades, Dan Penn’s mid 60s Muscle Shoals demos were the Holy Grail among southern soul fans, feted by the likes of Rick Hall and Jerry Wexler as being better than the hit versions. When they finally became accessible to all, 40-plus years after they were recorded, they turned out to be just as good as had been stated.

Further acclaim awaits the recent discovery by Soul-4-Real of two more demo masterpieces, written and performed by Dan and Spooner Oldham while working in Memphis at American Studio in 1967-68. The tape box shows who they were intended for, and it’s a real shame that James Carr never recorded either as both would have been perfect for him. At least we got to hear fine versions of “Cheaters Never Win” from Tony Borders and Bobby Boseman in due course. The lovely “I’m Believing In You” seems to exist only in the version you hear here.

New ‘old’ music from Dan is always worth hearing and having. These wonderful performances are no exception…

For decades, Dan Penn’s mid 60s Muscle Shoals demos were the Holy Grail among southern soul fans, feted by the likes of Rick Hall and Jerry Wexler as being better than the hit versions. When they finally became accessible to all, 40-plus years after they were recorded, they turned out to be just as good as had been stated.

Further acclaim awaits the recent discovery by Soul-4-Real of two more demo masterpieces, written and performed by Dan and Spooner Oldham while working in Memphis at American Studio in 1967-68. The tape box shows who they were intended for, and it’s a real shame that James Carr never recorded either as both would have been perfect for him. At least we got to hear fine versions of “Cheaters Never Win” from Tony Borders and Bobby Boseman in due course. The lovely “I’m Believing In You” seems to exist only in the version you hear here.

New ‘old’ music from Dan is always worth hearing and having. These wonderful performances are no exception…

Das zentrale Thema von »Come« ist Rausch. Das Album behandelt Phänomene, die in verschiedenen Rauschzuständen auftreten, und hinterfragt, was real ist und welchen Eindrücken man vertrauen kann. Gedanken, Gefühle und Empfindungen entstehen ungehemmt, mal schön, mal bedrohlich.

Die Songs erzählen Geschichten ohne klare Logik, fließen ineinander und laden den Hörer ein, die Reise anzutreten und eigene Eindrücke zu sammeln. Produziert wurde das Album bewusst in organischem, retro-orientiertem Analogsound im Wide Noise Studio, um den typischen Band-Sound fortzuführen. Schlagzeuger Andre Schaltenberg wechselt sich innerhalb der Songs mit Gründungsmitglied Christoph Hesse ab.

Repress 2025
The King of K-Pop Returns!

To those unfamiliar, G-Dragon is regarded by many as the Godfather of K-Pop. Rising to fame in the mid-00’s with his group, Big Bang, that later went on to become one of the world’s biggest selling boy groups. He quickly stood out with his unique and intricate songwriting as the leader of the group. A talented songwriter and trendsetter within the youth culture and fashion space, G-Dragon has received a bevy of awards, nominations for his music and fashion sense from the World Music Awards, to Hypebeast’s 100 list, to Forbes’ 30 Under 30 list, it’s apparent that G-Dragon has cemented his place in cultural relevance.

After serving his mandatory South Korean military service and a brief hiatus from music, the global superstar, G-Dragon has returned! He announced that he signed with indie-powerhouse, EMPIRE, and released his first comeback single on October 31, 2024 with POWER to immediate global fanfare and buzz, with the music video garnering over 44 MILLION views in a month and over 115 MILLION global streams. He soon followed that up with an electrifying performance at the 2024 MAMA Awards show in Osaka coupled with the release of his new single, Home Sweet Home which has garnered 100 MILLION global streams since release.

2025 will see the release of his first full length album since 2017 entitled Übermensch along with global tour dates. The album is expected to make a huge impact globally and further cement his place in music history!

CASSETTE VERSION

AFTER DARK is the latest project from French producer Onra, conceived as the soundtrack to an imagined late-night film. Entirely self-produced, the album continues the sophisticated R&B and Modern Soul direction explored since his 2010 classic Long Distance and 2018's accomplished Nobody Has To Know, focusing on late 80's / early 90's inspirations.

Structured like a film unfolding between dusk and dawn, After Dark moves through themes of intimacy, urban solitude, distance, and quiet indulgence. Analog synthesizers, tight drum programming, understated basslines, and selective live saxophone textures shape a cohesive body of work that favors mood and narrative over excess. The sequencing reinforces its cinematic intent, opening and closing with intro and outro pieces that frame the record as a cohesive night-time narrative album.

Over 20 years since emerging in the mid-2000s from the beat scene, Onra has steadily evolved from sample-based Hip-Hop production toward polished, song-oriented projects rooted in contemporary R&B and Funk. With After Dark, he delivers one of his most focused and refined statements to date: a mature, immersive album built for late hours, and attentive listening.

Music: Calibre / Mastered: Keith Tenniswood / Sleeve Drawing: Craig Richards / Vinyl: 180 Gram

Radhika Meera Dade: “Ever since I entered this realm, music has surrounded me in every way possible. The sounds of magic have been nourishing my soul since birth, the first memories I have as a young child are listening to my dad’s eclectic vinyl collection. I feel so lucky to have been exposed to such a range of music at a really young age: artists from Alice Coltrane to The Go-Betweens, all of these musicians have subconsciously and consciously inspired me musically in many different ways”.

Glass Modern is very proud to present the debut album by Radhika Meera Dade. Cine-Pop is a collection of songs that flow gently and easily in and out of each other - a suite, a short film, everything an album should be. Coming in at 33.3 minutes, it’s the perfect length for an album, it doesn’t short change you, it doesn’t stay too long - it’s designed to be played in one sitting. It’s like being in a friend’s house and noticing the things that are most important in their life - objects, family portraits, records, musical equipment, their curated accumulation. It reflects so many things - culture, community, fandom and the incredible bond between Radhika and her father, Sushil, the Future Pilot AKA. The record spans generations and continents but its home is always Radhika and the family jams she made with Sushil in various garages, bedrooms and garden dens - her soaring voice and love of all kinds of music from Bollywood to Goth Pop to The Glasgow School. The songs are collected from memory and the immediacy of time - one goes all the way back to her 10 year old self penning Future Me, an eco anthem. In different moments other musicians appear - most notably key collaborator, Eric MacDonald, on hazy synth and keys, and Radhika’s mother Vinita, who has a gorgeous voice too. The Glasgow School is very present - Mitch Mitchell (The Pastels) , Gerard Love (Lightships/ ex-Teenage Fanclub) and Tracyanne Campbell (Camera Obscura) all bring their casual magic to the table. Cine-Pop, mostly made in Glasgow at La Chunky Studio with the excellent Colin McGeogh (who also contributes flute, keys and electronics) is a one-off. It’s unrepeatable - there, gone. It’s the world through the eyes of a dazzling young Indo-Scottish woman. Everything she is has gone into it, is part of it and is there for a reason. Following on from the first single, Starry Eyes, which was played multiple times on BBC 6Music and other stations, other singles to be released from the album include Feline Bandits plus a version of the Strawberry Switchblade classic Since Yesterday. Radhika will also be collaborating with Glasgow-based film maker, Laura Meek, on promos and the plan is to play live throughout the year.

At last, Tokyo’s RAW DISTRACTIONS release their debut LP after a couple of demos and four singles on Hardcore Survives and Pogo 77. RAW DISTRACTIONS have been raised onthe catalogue of Beat the System, Clay Records and Riot City. They play lean and hard hitting UK82 punk with some raging guitar work and a gutteral vocalist who spits and snarls but never forgetting the hook. It’s instant, raw and unhinged and would sit perfectly next to Charged GBH, One Way System and The Exploited but with that Japanese magic dust. This is raw punk but hard and melodic rather than overblown.

Francis Ford Coppola’s coming-of-age drama The Outsiders (1983) adapted S.E. Hinton’s successful 1967 novel of the same name, using a young cast of rising stars (C. Thomas Howell, Tom Cruise, Matt Dillon, Rob Lowe, Emilio Estevez, Patrick Swayze, Ralph Macchio and Diane Lane) many of whom came to be known as the Brat Pack, defining a genre of 80’s films. The plot focuses on the rivalry between two gangs of teenagers in Tulsa, Oklahoma, one poor (Greasers), the other wealthier (Socs).

Coppola’s ambition was to achieve the widescreen scope ‘of a teen Gone with the Wind’, and he asked his father, Carmine Coppola, to score the soundtrack. The result is epic and romantic, a return to a golden age of Hollywood film composing which suits the stylised and epic cinematography, becoming darker as the characters fulfil their tragic destinies. Stevie Wonder co-wrote and performed the song that plays over the credits, ‘Stay Gold’, which is included on this release.

The inner sleeves feature extensive notes by Daniel Schweiger on the history of the film, the soundtrack and an insight into the Coppola father and son partnership.

He knew now that this was the only way with life. He knew now that fear and pleasure go together like the nut and the shell. - Vicki Baum, Grand Hotel (1929)

Five years after his debut Music For Video Stores (2020), Squama co-founder Martin Brugger is back on the label with his new album The Shell.
It's an introspective record on which field recordings, noisy synths and lo-fi folk guitars yield contemplative emotions with a veiled dream-pop sensibility, the sparse instrumentation and an eerie atmosphere mirroring the quarrels of the inner self.
Otherwise created in solitude in his Munich studio, the record features two contributions from label mate Lilian Mikorey (aka PILLBERT).

Stern Records is proud to announce the first-time reissue of the self-perpetuating plunderphonic classic, Right Into The Sun by Pol Maló.

Originally released on CD-R in 1999 by Cha-Bashira Records Tokyo under the alias "Orange Head," this new 2xLP edition features fully remastered audio and new cover art by Pol. The release also includes a special riso print edition of the original artwork.

Recorded using 3-6 portable record players, plus one MD player on tracks 2 and 4. All records used were melted, warped or broken by briefly placing them on a gas heater. The records were randomly altered this way to allow the styluses to find and stay in their own loops themselves on the wavy record surfaces. No samplers or editing - live aleatoric playback recordings only.

Raw, cacophonous kinetic sound!

Pol's thoughts on the making of the album:

"Difficult to say what it was that made me interested in making music or actually audio art. In comparison, making visual art had always been there for me. But meeting several now generally known musicians as a student certainly left a very deep impact on me. While doing a DIY label and later kind of music store too, I became fascinated in accidental music, experimental sounds and all kinds of improvisations and bricolages. I think I wanted to try to make sound pieces from scratch, with the bare minimum and resulting in a way in found music. Rhythm and repetition seemed to go well with random audio coming from broken things. This way, I thought, I could create new meaning out of something existing by letting it come apart and back together again anew almost by itself. The album "Right into the Sun", I feel, can be listened to and read on various levels and I hope playback of it in all kinds of environments now will add to the original "spark" of it."

Considered the most accomplished modern jazz harpist, Dorothy Ashby (1932-1986) established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument. She proved the harp could play bebop as adeptly as the instruments commonly associated with jazz. Presented here is one of her best albums, Dorothy Ashby Plays for Beautiful People (Prestige PR7639 - also issued as In a Minor Groove), a 1958 quartet session featuring venerable players Frank Wess, Herman Wright, and Roy Haynes.

Takin' Off was pianist Herbie Hancock's debut album as leader and one that produced his biggest hit 'Watermelon Man', which made it to the Top 100 on the pop charts. The tune would later become a jazz standard after being covered by Mongo Santamaria and many other notable musicians. Featuring a programme of all original compositions by Herbie Hancock , he's backed by an all- star ensemble featuring Dexter Gordon, Freddie Hubbard, Butch Warren, and Billy Higgins.

Individually, each one is known as a first-call player capable of handling any type of musical situation, and their personal credits are simply too long to list. They've collaborated on a wide range of projects and session work, including recent live, recording, and touring work with jazz-funk globetrotters Incognito and the American guitarist Robben Ford. Every now and again, their packed schedules permit them to take time out to make their own music, drawing on their shared love of the Latin jazz tradition, and whenever this happens, they're collectively known as TRYPL. Recently, they've found themselves with some rarely shared downtime and the opportunity to commandeer the capacious Big Jelly Studios.

The next step was to assemble the tunes and contact their favorite singers and players, including pianists Alex Wilson and Ross Stanley, guitarist Giorgio Serci, bassists Javier Fioramonti and Davide Mantovani, and Roberto Pla, Edwin Sanz and Davide Giovannini on percussion, with newcomer Sophie Stevenson on voice and vibraphone. Family and friends dropped round to provide an informal in-studio audience. Drawing inspiration from their shared love of the classic salsa sound pioneered by Fania Records in 1970s New York, given a twist by their own individual musical personalities, they've created Phantasticus - an album of joyously uplifting music that distils all the conviviality and good humor with which it was created into a heady yet feel-good brew. It's the perfect antidote to our nervous, fragmented times.

No one can say Jim Keller hasn't been busy - Since his last European shows in 2023, he's recorded and released two albums, 2024's Daylight and 2025's End of the World - He's toured the United States - And while he intends to get back to Europe this year, he's first giving his fans a treat: Vinylly!, a collection of his greatest hits that will only be available in Europe, for Record Store Day 2026 The record includes a dozen songs spanning the six albums of his late- career renaissance, four decades after he and his band, Tommy Tutone, topped the charts with "867-5309/Jenny." Born and raised in New Jersey, Keller found fame after moving to San Francisco, where he launched Tommy Tutone in the late 1970s.

Despite their meteoric rise, the band was short- lived, and Keller soon found himself in the proverbial wilderness, struggling to make ends meet until he talked his way into a job with famed composer Philip Glass. For the next 25 years, Keller would go on to run Glass's publishing company, eventually managing his career outright in addition to working with luminaries like Tom Waits, Ravi Shankar, and Rufus Wainwright.

In 25 Jahren Bandgeschichte kommt einiges zusammen. Über 180 Songs auf 14 Alben und einigen EP’s hat die Band im laufe der Jahre veröffentlicht. Mehr als 12 Stunden non stop Electro, Dance & Indierock. Auf dem 25 Years Album finden Fans die besten und erfolgreichsten Tracks der letzten 25 Jahre.
Insbesondere das 3 x 12“ Vinyl sollte viele Fans und Sammler ansprechen, da die meisten Tracks schon seit Jahren nicht mehr auf Vinyl erhältlich sind.
Oben drauf gibt es noch 3 exklusive nicht veröffentlichte Tracks auf diesem Album.

After his EP Mission, released in 2021 and awarded “Revelation of the Year” at the Victoires du Reggae, Jahnaton returns with an ambitious second album titled I’ll Go (J’irai), in collaboration with Evidence Music. On this new opus, the artist blends reggae and dub, airy melodies and rap-dancehall flows with Caribbean influences. A rich and inspired universe that invites the listener on a true inner journey, moving between emotions, spirituality and positive energy. Once again, Jahnaton surrounds himself with prestigious collaborations, featuring major figures of the French reggae scene such as Taïro, Big Red (Raggasonic), Uman and Tiwony. I’ll Go (J’irai) is shaping up to be a must-have project on the modern Francophone reggae scene.

Francais:
Après son EP Mission, sorti en 2021 et récompensé du titre de « Révélation de l’année » aux Victoires du Reggae, Jahnaton revient avec un deuxième album ambitieux intitulé J’irai, avec Evidence Music. Sur ce nouvel opus, l’artiste entremêle reggae et dub, mélodies planantes et flows rap-dancehall aux influences caribéennes. Un univers riche et inspiré, invitant l’auditeur à un véritable voyage intérieur, entre émotions, spiritualité et énergie positive. Jahnaton s’entoure une nouvelle fois de collaborations prestigieuses, avec la participation de figures majeures du reggae français telles que Taïro, Big Red (Raggasonic), Uman ou encore Tiwony. J’irai s’annonce comme un projet incontournable de la scène reggae francophone moderne.