expected to be published on 19.12.2025
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- A1: Amore Mio Aiutami
- A2: Miss Luna Special
- A3: Violino
- A4: Amanda Strain
- A5: Barocco
- A6: Bossa Per Alberto
- B1: Luna, Amore E.... No
- B2: North Pole Penguin
- B3: Amore Mio Aiutami
- B4: Luna Non Sei Nessuna
- B5: Paso Doble Y Sentimental
- B6: Addio.... Amore Mio
- B7: Bossa Per Alberto N. 2
expected to be published on 19.12.2025
A record label born in Madrid in 2025, with the intention of physically producing electronic music, without pretensions of musical genre or trends. We seek to reveal unpublished talents and release with artists who share our sonic aesthetic. The purpose is to showcase a pure and authentic expression in every work. DEFENESTRE RECORDINGS presents its first release: ALARMA 2ĂĂĂ, produced by RĂBĂT CITY (alias Salvador Rojo). The album consists of eight tracks, materialized in a 12-inch vinyl record that has been hand-treated and screen-printed on each copy, reflecting the projectâs human and sentimental essence. Composed and produced entirely in analog by Salvador Rojo in Lugo (March-June 2025), the record is a journey into the artistâs sound universe: Side A delivers 4 tracks of pure, hard-hitting electro (paranoid, industrial, powerful beat), achieving a harmonious and emotional sound; while Side B presents cuts that take us from more ambient soundscapes to organic, astral, and liberating techno. ALARMA 2ĂĂĂ is the first declaration from DEFENESTRE RECORDINGS, a label committed to hardware sound and pure, unfiltered expression.
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expected to be published on 19.12.2025
The LP and CD are the first reissues of this album from 1976. The LP is re-issued in its original format due to demand that has driven the value of the pressing on All Platinum to in excess of ÂŁ400. The CD is the first issue here in this format and comes complete with two preceding singles and a post album release of the 12' mix of My Man Is On His Way' in 1978, the only 12' release on all Platinum. This makes the CD the complete collection of Retta Young songs including her UK Top 40 chart hit (Sending Out An) S.O.S. which appeals to both northern soul and disco audiences. The complete album is a gem for connoisseurs of quality modern soul from the 70s.
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- A1: Sonido Amazonico 4 17
- A2: Primavera En La Selva 4 02
- A3: Mi Platto De Barro 2 21
- A4: Tres Pasajeros 4 04
- A5: The Hungry Song 4 06
- B1: El Borrachito 4 54
- B2: Pavane 3 46
- B3: Six Pieds Sous Terre 3 33
- B4: Un Shipibo En Espana 3 09
- B5: Indian Summer 4 58
- C1: La Cumbia Del Zapatero 2 41
- C2: Popcorn Andino 5 19
- C3: Yo No Fui 2 30
- C4: Gnossiene No 1 4 33
2024 Repress.
Chicha Libreâs debut album, Sonido Amazonico is finally available on vinyl in Europe. The double album contains all original tracks first published as a CD back in 2008. The vinyl edition is comprised of 3 sides of music, and a fourth side with an etching of iconic Venezuelan saint Jose Gregorio.
Chicha, Peruvian psychedelic cumbia, was first popularized outside of Peru by a compilation released by Chicha Libre's own Olivier Conan and entitled "The Roots of Chicha." The music proved popular around the world, being championed by people such as Elijah Wood, Matt Groening, Alex Kapranos and director Almadovar.
The Brooklyn band Chicha Libre started out as a tribute to Peruvian pioneers but quickly evolved into an original project which MTV has called âone of the world's preeminent Tropical Psychedelic bandâ. Indeed, while they remain true to their Chicha roots, Chicha Libre's quickly took a more psychedelic turn drawing from its members' alternative background.
Made up of Mexican, Venezuelan, French and American the band used surf guitar, organ sounds and Latin percussion to play a mixture of borrowed and homegrown sounds â but its music remains a freeform reinvention, not an exercise in nostalgic duplication.
The re-release coincides with the release of a new EP âTequila y Aguardienteâ, in collaboration with Son Rompe Pera and La Sonora Mazuren.
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- A1: Main Title
- A2: Fite Nite
- A3: Bumpy Ride
- A4: Dan Ducks Out
- A5: Bonsai Tree
- A6: Decorate The Gym
- A7: Miyagi Rattles Bones
- B1: Miyagi Intercedes
- B2: On To Miyagi's
- B3: The Pact
- B4: Troubled Lovers
- B5: Japanese Sander
- B6: Paint The Fence
- B7: Daniel Sees The Bird
- C1: Fish And Train
- C2: Training Hard
- C3: The Kiss
- C4: Japanese Hand Clap
- C5: No Mercy
- C6: Daniel's Moment Of Truth
- D1: Fish And Train (Alternate Ending)
- D2: Miyagi Rattles Bones (Alternate Ending)
- D3: Fascination
- D4: Japanese Hand Clap (Opening With Overlay)
- D7: Daniel's Moment Of Truth (Alternate Take)
- D5: Japanese Hand Clap (Alternate Opening)
- D6: No Mercy (Opening With Overlay)
In celebration of the 40th Anniversary of the blockbuster summer film of 1984, SPACELAB9, in conjunction with Columbia Pictures, proudly presents The KARATE KID: 40th Anniversary Original Motion Picture Score Double LP!
Released for the ïŹrst time ever on vinyl, the collection features the full 20 track score album by legendary composer Bill Conti, plus 7 bonus tracks.
Double LP package features beautiful original cover artwork created exclusively for this album by renowned artist Astor Alexander, plus stills from the original landmark 1984 ïŹlm and a brief note from composer Bill Conti.
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- A1: Kid Loco - She's My Lover
- A2: Alex Gopher - The Child
- A3: Zero 7 Feat Sophie Barker - In The Waiting Line
- A4: Etienne De Crécy - Tempovision
- A5: Bonobo - Terrapin
- B1: Guts - Ghetto In Paradise
- B2: Quantic - Time Is The Enemy
- B3: Gotan Project Feat Cristina Vilallonga - Epoca
- B4: Jazzanova - Bohemian Sunset
- B5: Fakear - Morning In Japan
"Trip Hop Vintage Sounds" is a 2023 compilation album by Wagram Music that features various tracks from artists such as Kid Loco, Zero 7, and Etienne De Crécy. It is a collection of downtempo, atmospheric music that blends hip-hop beats with other genres like dub, soul, and jazz, characteristic of the trip-hop sound that originated in the UK in the 1990s.
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This album cover is quite mysterious, isn't it? Let's uncover what's behind it. The first notes of the opening track immediately set the tone: the journey begins. Take the album title literally and allow yourself to be comforted by the tenderness the British band is about to offer.
Dream pop is a genre of its own, characterized by a warm sound, enveloping bass lines, dreamy synths, and beautiful vocals. With "No Rush," Tokyo Tea Room guides the listener through an exploration of their emotions and an escape from everyday life.
Each of the 12 tracks on this project exudes the same tender energy, yet stands out with creative and meticulously crafted compositions. This project is poised to become a staple of the genre.
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The soundtrack for the animated film Arco (directed by Ugo Bienvenu, winner of the Annecy 2025 Crystal Award for Best Feature Film, also presented at the Cannes Film Festival) was composed by Arnaud Toulon. Between orchestral flourishes and delicate electronic touches, he composes immersive, sensitive, and luminous music that evokes the great scores of Joe Hisaishi while asserting a resolutely contemporary identity.
Conceived as a true sonic journey, the soundtrack accompanies Arco's temporal wanderings with rare cinematic intensity. Each piece oscillates between poetry and dramatic tension, making this work an experience in its own right, to be discovered far beyond the images.
Awarded the Sacem Prize for original music for feature films in Annecy, this soundtrack is already establishing itself as a landmark piece of contemporary animated cinema.
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- A1: Lego Dave du Shit (5*Kila Hyas DRM) 03 47
- A2: RCK JUMEAUX 03 04
- A3: Bleast 02 55
- A4: A-BIENT 1 00 31
- A5: B-BIENT 2 00 34
- A6: C-BIENT 3 00 42
- B1: Qui A Dub Maman ? 05 41
- B2: Ăles Nvelles 05 12
- B3: D-BIENT 4 00 51
- B4: E-BIENT 5 00 51
- C1: Which is Good (Prod. by Mad Rey) 03 20
- C2: Gagra 04 54
- C3: Sa Ronne 03 26
- C4: F-BIENT 6 00 48
- D1: LAST JAM feat. Mad Rey 06 08
- D2: MEZACIDUB III 04 50
- D3: H-BIENT 8 00 48
- D4: G-BIENT 7 00/44
Lego Dave du Shit, a noble aristocrat from the vallĂ©e du Shit, traveled to the RCK JUMEAUX planet to answer the Bleastâs question: âQui A Dub Maman?â
To do so, he had to explore the Ăles Nvlles, inhabited by robots, where he learned the ancestral chant of the Witches of Good: âWhich is Good.â
Heâs waiting to return to Earth in September to reunite with his friend Loba from Gagra, and to take part in the LAST JAM of October.
That being said, he must also visit in November the guardian Mezacidub III, son of Mezacidub II and Valprius Organo (a clone of the Bilrituel Cyborg of Tarza Y7).
In a few words, APR7S is simply an expression used after the party â or âafterâ in English.
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- A1: It's About Time
- A2: Running Away 06 29
- A3: Can't Be a Fool
- A4: Lost Until I Want To Be Found
- B1: Reasons to Love
- B2: Can't Give Up on This Feeling
- B3: In Time We'll Love Again
- B4: This Is Your World
- C1: Changes in Me
- C2: Like Fire in the Rain
- C3: (Your Lovin' Is) Everywhere
- C4: Zahra Smiles
- D1: Strangers Become Friends
- D2: Sweet Enough
- D3: Rain on a Hot Tin Roof
- D4: Late Night on the Subway
- D5: Music. Magic. Ironic
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- A1: Ich bin, ich bin Musik
- A2: Wo bleibt Mozart?
- A3: SchlieĂ Dein Herz in Eisen ein
- A4: Gold von den Sternen
- A5: Wie wird man seine Schatten los?
- B1: Irgendwo wird immer getanzt
- B2: Wie kann es möglich sein
- B3: Warum kannst Du mich nicht lieben?
- B4: Der einfache Weg
- B5: Mozart, Mozart!
- B6: Wie wird man seine Schatten los? (Finale)
HitSquad Records bringt die GröĂen des deutschsprachigen Musicals endlich dort hin, wo sie hingehören : Auf die
schönsten Vinyl-Schallplatten. Nach dem handsignierten Solo-Album von Everybodyâs Darling Pia Douwes, einem von
den Fans-kurierten Best-Of der Songs aus Elisabeth, und einer Kompilation der Tanz Der Vampire Melodien, die die
Show unsterblich machen, erscheint nun ein weiteres KUNZE-LEVAY Meisterwerk auf WEISSEM Vinyl: Auch die
gröĂten Hits aus MOZART! glitzern schon bald auf 12 hochwertig prĂ€sentierten Zoll.
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Limited Algae Sea Vinyl. CocoRosie is Bianca and Sierra Casady. Sierra sings and plays guitar and flute. Bianca sings and does percussion (rattles things, makes things squeak, shakes a gold chain belt). They write all the music together. La Maison de Mon Réve was written and recorded in a tiny apartment in the 18th district of Paris during the spring of 2003. La Maison de Mon Réve was released by Touch and Go Records in March 2004. La Maison de Mon Réve is deceptively innocent; enchanting and sweet yet eerie and twisted. An acoustic guitar paints melody through a haze of cryptic sounds and perversely angelic voices. A broken radio transmits a music box orchestra. Tiny field mice sing opera. This 20th anniversary edition of CocoRosie's debut album La Maison de Mon Réve is pressed on transparent algae sea vinyl and limited to 1500 copies worldwide. Packaged in a gatefold jacket with neverbefore-seen photos, the vinyl includes the full album along with a previously unreleased bonus track, "Hairnet Paradise."
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- A1: Diva (0 44)
- A2: Construct (1 29)
- A3: Turner (1 57)
- A4: Devastation (1 49)
- A5: Survivors (0 36)
- A6: Recursion (1 47)
- A7: Monstrua (1 19)
- A8: Bebe (1 41)
- A9: Amputee (0 53)
- A10: Chipilina (1 05)
- A11: In The Face (0 45)
- A12: Predator (1 30)
- A13: Pacifier (0 44)
- B1: Psychosexual (0 50)
- B2: Mujere (2 27)
- B3: Cypher (2 17)
- B4: Murcielaga (3 53)
- B5: Phantasy (1 52)
- B6: No Lo Digas (2 44)
- B7: Amantes (2 21)
- B8: Membrane (3 19)
- B9: Apuro (3 23)
- C1: Saintly Pride (2 43)
- C2: Avasallada (2 11)
- C5: Form (1 58)
- C6: Travesti (1 47)
- C7: Heaventsent (2 24)
- C8: X (1 14)
- C3: Dysphoria (1 10)
- C4: Gaita (1 53)
Eine streng limitierte Erstpressung von Arcas legendĂ€rem Mixtape @@@@@, das vor der Veröffentlichung ihrer KICK-Serie fĂŒr Furore sorgte. Mit 62 Minuten voller Sounds, die jegliches musikalischen Quantensystem sprengen. Diese Arbeit ist eines ihrer bisher feinfĂŒhligsten und wohl erstaunlichsten Werke - hart, sanft, emotional, brutal, aufrichtig und verspielt - ein brutalistisches Kunstwerk auf Doppel-Vinyl mit einer gravierten D-Seite.
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- A1: The Clash - 1-2 Crush On You
- A2: The Undertones - There Goes Norman
- A3: The Limit - My World At Night
- A4: X-Ray Spex - Warrior In Woolworths
- A5: The Wardens - Do So Well
- A6: Penetration - Future Daze
- A7: Magazine - I Love You, You Big Dummy
- B1: Ramone - Suzy Is A Headbanger
- B2: The Flys - Love & A Molotov Cocktail
- B3: Golinski Brothers - Bloody
- B4: Liquid Stone - Here Comes The Weekend
- B5: Dolly Mixture - Side Street Walker
- B6: Basement 5 - Silicone Chip
- B7: The Subterraneans - My Flamingo
- C1: The Jam - Away From The Numbers
- C2: Siouxsie & The Banshees - Desert Kisses
- C3: Zounds - Demystification
- C4: Stiff Little Fingers - Barbed Wire Love
- C5: Shake - Dream On
- C6: The Times - Red With Purple Flashes
- C7: The Limps - Someone I Can Talk To
- D1: The Cure - Play For Today
- D2: Newtown Neurotics - Hypocrite
- D3: The Slits - So Tough
- D6: The Barracudas - I Want My Woody Back
- D7: Moving England - Moving Back
- D4: The City Limits - Morse Code Messages
- D5: Gary Valentine - The First One
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- A1: The Clash - 1-2 Crush On You
- A2: The Undertones - There Goes Norman
- A3: The Limit - My World At Night
- A4: X-Ray Spex - Warrior In Woolworths
- A5: The Wardens - Do So Well
- A6: Penetration - Future Daze
- A7: Magazine - I Love You, You Big Dummy
- B1: Ramone - Suzy Is A Headbanger
- B2: The Flys - Love & A Molotov Cocktail
- B3: Golinski Brothers - Bloody
- B4: Liquid Stone - Here Comes The Weekend
- B5: Dolly Mixture - Side Street Walker
- B6: Basement 5 - Silicone Chip
- B7: The Subterraneans - My Flamingo
- C1: The Jam - Away From The Numbers
- C2: Siouxsie & The Banshees - Desert Kisses
- C3: Zounds - Demystification
- C4: Stiff Little Fingers - Barbed Wire Love
- C5: Shake - Dream On
- C6: The Times - Red With Purple Flashes
- C7: The Limps - Someone I Can Talk To
- D1: The Cure - Play For Today
- D2: Newtown Neurotics - Hypocrite
- D3: The Slits - So Tough
- D6: The Barracudas - I Want My Woody Back
- D7: Moving England - Moving Back
- D4: The City Limits - Morse Code Messages
- D5: Gary Valentine - The First One
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- A1: BEEF RAPP
- A2: HOE CAKES
- A3: POTHOLDERZ FEAT COUNT BASS D
- B1: ONE BEER
- B2: DEEP FRIED FRENZ
- B3: POO-PUTT PLATTER
- B4: FILLET-O-RAPPER
- B5: GUMBO
- C1: FIG LEAF BI-CARBONATE
- C2: KON KARNE Il - GUINNESSEZ FEAT ANGELKIA & 41ZE
- C3: KON QUESO
- D1: RAPP SNITCH KNISHES FEAT MR. FANTASTIK
- D2: VOMITSPIT
- D3: KOOKIES
Cross merchandise with Rhymesayers, KMD, Viktor Vaughn, Madvillain, JJ DOOM, King Geedorah & Dangerdoom. LP packaging: Case wrapped tip-on gatefold vinyl jacket, new purple vinyl colour double vinyl, 2000 only for the UK. In celebration of the albumâs 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez! Produced by MF DOOM, except "One Beer" produced by Madlib, and "Kon Quesoâ produced by PNS of the Molemen. Guest features include Count Bass D, Mr Fantastik, Angelika and 4ize. QR-activated immersive AR experiences with album artwork. Brand new music video for "Hoe Cakes" planned for album street date. Originally released in 2004, MF DOOM's MM..FOOD is hailed as a classic hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebrated for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world of food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the albumâs subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener âBeef Rappâ is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. âHoe Cakesâ borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced âOne Beerâ to fold layers of depth about escapism and ego, while the popular âRapp Snitch Knishesâ critiques the self-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF DOOMâs ability to blend serious themes with his unique, playful lyrical style. MM..FOOD album sales history over 820K+ units sold (RIAA-certified gold). MM..FOOD streaming history over 1.2M+ streams. MF DOOMââs catalog sales history over 1.7M+ units sold. MF DOOMâs catalog streaming history over 3B+ streams.
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- A1: Harlem Universal
- A2: u aint gotta chance
- A3: RHN (Real Harlem Niggas)
- A4: Fred Samuel Playground
- A5: Big Lee & Reg
- A6: All Alone (Quiet Storm Mix)
- A7: Forever
- B1: 7 Minute Freestyle
- B2: Doo Wop Freestyle '99
- B3: Stretch & Bob Freestyle ('98) - Don & Sacha Intro
- B4: Stretch & Bobbito Freestyle ('98)
- B5: Grants Tomb '97 (JazzMobile)
- B6: Live @ Rock N Will '92
- B7: How Will I Make It (Park West HighSchool Mix)
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ASMR for Suicidal Thoughts' marks Varg2âą back in collaboration with Chatline, an enigmatic figure long in orbit of Northern Electronics. Recorded live to tape, the record resists comfort. Contained within are two harrowing demonstrations that drag on emptiness, anxiety, and abject pleasure. And though terse and severe, that very void becomes the vessel for its mottled meaning.
Unopen to exploration, 'ASMR for Suicidal Thoughts' locks the listener into its own saturated atmosphere. Stripped back and unchanging, and suffocatingly cold at the best of times, funereal melodies pepper cyclical noise so brittle it can barely repeat itself. Disturbingly intimate glints of memories are passed over out of reach, yet with the alarming immediacy of déjà vu. The sensation amounts to no more than this.
Recorded live to tape in VĂ€stra Skogen, Sweden 2023â2024
Mastered by Giuseppe Tillieci at EnissLab, Rome
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- A1: Obadia - Slowride
- A2: Exxon Yazz - Tune
- A3: Smokers Delight - Do You Speak Spanish
- A4: Chukimai - The Girl With The Golden Fish
- B1: Ali Omar - Love
- B2: Move D - Tar Funk
- B3: Krii - Dzaes Manouverz
- B4: Adrien75 - Singularity
- C1: Bton - Fourth Floor
- C2: Transporter - Kind And Cool (Featuring Beni Reimann)
- C3: Analog Tara - Defunkt
- C4: Banquet - Hot Nachos With Cheese, Calling Cards, Cappucino
- D1: Bangtown - CCVCCD
- D2: Melchior & Anderson - Catch A Wave
- D3: Alex Cortex - Rosen
- D4: Digital Lofi - Transmission (Deep Space Dub)
- D5: Thomas Meyer - Values
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A synthesiser sighs up and down the scale, a cool electro beat is wrapped in cotton wool and Fabian Drung aka JFR MOON sings about life in a bubble. "In a Bubble" is the name of this beautifully sentimental synth pop number, to which JFR Moon's new album owes its name. Although JFR MOON produces his music more professionally from album to album, the indie pop characterised by synthesizers and electro beats never seems too pleasing, remains unruly. Sometimes the pieces wander through curious psychedelic harmonies ("Silver"), sometimes they remind us of the Smiths ("Turn Around"), sometimes they stumble onto the dance floor ("Experience"). Blurred chords flit through "Stereo Tap", a yearning guitar melody wanders through "Ready", a nervous synth bass twitches through "Hun I Wish". Grooves meet echoing atmospheric sound textures. "I used to do folk where there was no rhythm at all," he says, "this time I wanted to write more uptempo songs, pay more attention to the drum machine." All tracks written and performed by JFR Moon. Mixed and produced by Thomas Zehnle (All Diese Gewalt, Levin Goes Lightly). Mastered by Enyang Urbiks. Additional vocals on ,In A Bubble" by Martha Rose. Solo guitar on ,Silver" by Dandy Deniz.
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Black Midi war von Anbeginn der Band ein illustres wie kreatives Tummelbecken fĂŒr die Mitglieder der britischen Band - nun löst sich Geordie Greep mit seinem am 4. Oktober bei Rough Trade Records erscheinendem Solo-DebĂŒt noch mehr von jeglichen EinschrĂ€nkungen und Kompromissen! Eines der Hauptthemen von Anthony Powells Roman "A Dance to the Music of Time" ist der Kontrast zwischen jenen Charakteren, die nur von Macht getrieben werden, und jenen, die mehr mit den sinnlichen Freuden des Lebens in Einklang stehen. Unweigerlich holen die Zeit und das Schicksal jeden Protagonisten ein, und der Leser kann darĂŒber nachdenken, ob ihr Schicksal gerechtfertigt ist oder nicht. "The New Sound" wirkt oft wie eine Wiederholung von Powells Thema, untermalt von einem schrĂ€gen - und völlig verkabelten - Palm Court Orchestra. Das Album ist mit Sicherheit eines, das den Hörer ĂŒber die gesamten elf Tracks hinweg voll in seinen Bann zieht. Greep: "Ich war besorgt wegen der LĂ€nge, um nicht zu viel zu verraten. Aber ich bin es auch verdammt leid, Musik zu hören und im Voraus zu wissen, was sie bedeutet oder was sie zu tun versucht. Bei all meiner Lieblingsmusik geht es darum, dass der Hörer sich mit dem auseinandersetzt, was vor sich geht. Meine LieblingssĂ€nger, wie Peter Hammill oder Nat King Cole, sind buchstĂ€blich einmalig. Das liebe ich. Vor allem bei Texten, bei denen man nicht genau weiĂ, worum es geht, aber man weiĂ, dass es nicht nur abstrakte Gedanken sind."
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Warsaw 480km ist das DebĂŒtalbum des irisch/portugiesischen Quintetts pĂŽt-pot, das die treibenden Grooves des Krautrock mit einer phosphoreszierenden Psych-Rock-Ausstrahlung verbindet, unterstrichen von Harmonium-Drones, hypnotischen mĂ€nnlich-weiblichen Gesangsharmonien und tiefen Schichten rauer Texturen. Das Album entstand in erster Linie aus Demos des Multiinstrumentalisten und LeadsĂ€ngers Mark Waldron-Hyden wĂ€hrend einer Zeit der Trauer und des persönlichen Umbruchs und wurde durch eine Reihe von Live-Studio-Sessions in voller Besetzung zum Leben erweckt, die ein auĂergewöhnliches Spektrum an Talenten dokumentieren, die sich in einer Umarmung der rohen Katharsis mit einer sĂŒĂlich dĂŒsteren Kante vereinen. Ein entscheidendes Element von Warsaw 480km ist die beeindruckende Bandbreite an EinflĂŒssen und atmosphĂ€rischen Landschaften. Waldron-Hyden beschreibt: ,Ich habe die ersten Songs geschrieben, als ich noch nicht wirklich an einem Ort lebte, daher denke ich, dass sie sich irgendwie vergĂ€nglich anfĂŒhlen - sie mit der Band zu entwickeln half mir, eine Zeit zu verarbeiten, in der ich emotional frei war, daher erinnern sie mich gleichermaĂen an die schönen Erfahrungen, die wir als kreative Einheit teilten, und an die schwierigen Zeiten, die sie inspirierten." Die Leadsingle ,WRSW" ist ein Beispiel fĂŒr diese KomplexitĂ€t, denn ihr robustes rhythmisches RĂŒckgrat trĂ€gt Tremolo-Gitarren, ein wummerndes Harmonium und eine halb gesprochene, an Lou Reed erinnernde Gesangslinie, in der Strophe und Refrain wunderbar miteinander verschmelzen. Vor allem ist Warsaw 480km ein Album, das seinen Reichtum und seine Aura durch bewusste Sparsamkeit erreicht, wie Waldron-Hyden erklĂ€rt: "Ollie Oliver Smith und Sara Sara Leslie sind Experten darin, das Beste aus einem Pedal, einem beschissenen VerstĂ€rker und einer geliehenen Gitarre herauszuholen, ein Ergebnis von angeborenem Talent und jahrelanger Erfahrung; sie verwenden einige Modulationen fĂŒr dröhnende Passagen, aber es sind ihre Spielstile und ihr VerstĂ€ndnis fĂŒr ,den Vibe`, die die geheimen Zutaten sind." Diese Art von intuitiver Verbindung und Zusammenarbeit ist unglaublich selten, und mit diesen zehn StĂŒcken vollbringen pĂŽt-pot etwas wahrhaft EntrĂŒcktes, indem sie tiefen Schmerz in eine leuchtende TrĂ€umerei alchemisieren. FĂŒr Fans von Lewsberg, Spacemen 3, Spiritualized, Brian Jonestown Massacre, Velvet Underground, The Oh Sees, Ty Segall, Uranium Club, Night Beats, Goat, Black Lips.
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Recordings from the Ă
land Islands, the duo debut by synthesist Jeremiah Chiu and violist Marta Sofia Honer, is a truly unique series of pieces that marry acoustic and electronic sounds with field recordings, all captured on a trip to the titular Baltic archipelago.
By the time Ă
land Islands was released in 2022, Honer had already been working with Makaya McCraven and Daniel Villarreal, but this project brought her to the front as a lead artist. And Ă
land Islands was the label's first collaboration of any kind with Chiu, who has since released the solo outing In Electric Time and the genre-breaking debut of his co-led supergroup SML, in addition to a trio album with Honer and the late Ariel Kalma (2024's The Closest Thing to Silence).
Recordings from the Ă
land Islands is far more than its context within the world of IARC, however, and itâs certainly more than its context as a travel document. Here Chiu and Honer have created a new world out of an old one with work that sees them in dialogue with their own source material. Like early masterpieces by Franco Battiato or Alvin Lucier, Ă
land Islands repeatedly presents the listener with a palpable sense of place, only to pluck them up and drop them into an entirely new one.
â...so tranquil and beautiful...â â Jayson Greene, Pitchfork
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- A1: Sir Thomas Beecham - Ouverture
- A2: Sir Thomas Beecham - Air De Carmen "L'Amour est un oise
- A3: Sir Thomas Beecham - Air d'Escamillo (le toréador) & ch
- A4: Sir Thomas Beecham - Final Don José, Carmen & Choeur
- B1: Herbert von Karajan - Suite No I Prélude
- B2: Herbert von Karajan - Suite No I IV. Carillon
- B3: Herbert von Karajan - Suite No II III. Menuet
- B4: Herbert von Karajan - Suite No II IV. Farandole
Die renommierte Klassikreihe "The Masterpieces of..." widmet sich in dieser Ausgabe dem französischen Komponisten Georges Bizet - einem Meister der Melodie und Dramatik. Diese sorgfĂ€ltig kuratierte Zusammenstellung vereint ikonische Werke aus Bizets Opern- und Orchesterrepertoire, interpretiert von zwei der gröĂten Dirigenten des 20. Jahrhunderts: Sir Thomas Beecham und Herbert von Karajan. Im Mittelpunkt stehen unvergessliche AuszĂŒge aus der Oper Carmen, darunter die berĂŒhmte Habanera "L"Amour est un oiseau rebelle", das temperamentvolle TorĂ©ador-Lied "Votre toast, je peux vous le rendre" sowie das dramatische Finale. ErgĂ€nzt wird das Programm durch die farbenreichen Suiten Nr. I & II aus L"ArlĂ©sienne, die Bizets GespĂŒr fĂŒr AtmosphĂ€re und französischen Esprit eindrucksvoll unter Beweis stellen. "The Masterpieces of Georges Bizet" ist Teil einer 13-teiligen Sammlung, die die gröĂten Namen der klassischen Musik vereint - von Bach bis Brahms, von Chopin bis Debussy. Ideal fĂŒr Klassikliebhaber, Sammler und alle, die in die Welt der groĂen Meister eintauchen möchten.
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- A1: The House of the Rising Sun (My life as a girl)
- A2: Opium
- A3: Ohne Dich ist es Nacht
- A4: Sophisti-Cat
- A5: Musikant am Schwabylon
- A6: Zahltag
- A7: Bordkapelle
- A8: Milky Way
- B1: Der Alte - Titelmusik
- B2: Verfolgungsjagd
- B3: Tod im Olympiadorf
- B4: Go
- B5: Der Stoff aus dem die TrÀume sind
- B6: Alleingang
- B7: Eine Million
- B8: Stephan & Harry
- B9: Isar-Disco
Black Vinyl[29,37 €]
Trenchcoat-beige Vinyl | Gatefold | 180g | limitiert auf 200 StĂŒck weltweit Die legendĂ€ren TV-Soundtracks zu Derrick und Der Alte erscheinen erstmals in einer exklusiven Vinyl-Edition - stilecht in "Trenchcoat-beige". Peter Thomas" ikonische Musik zwischen Suspense, Lounge und Funk prĂ€gt bis heute das Klangbild deutscher Krimikultur. Enthalten sind Originaltitel aus den frĂŒhen Folgen beider Serien, darunter zwei bisher unveröffentlichte Tracks aus dem Jahr 1974. Verpackt im hochwertigen Gatefold-Cover mit Artwork von Jörg Schöpf und Adrian Keindorf. Ein Muss fĂŒr Sammler und Fans von Retro-Sound und TV-Geschichte.
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Ten years after her first release, electronic musician Mor Elian presents her debut album Solid Space. Showing her full artistic range, the LP drifts between dream-like listening states and experimental club spaces. Written in a transitional time, these compositions arrived in emotional, unfiltered bursts. Solid Space brings together ambient textures, early IDM structures, and experimental electronics, with distant, hazy vocals converging into a single, subconscious flow. It is released by adventurous electronic music label topo2 on November 28, 2025. The record is pressed on 180 grams of ICCS-certified bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release. Mastering is done by Ike Zwanikken, mixing by Gramrcy, artwork courtesy of Kees de Klein, and poetry written by Eelco Couvreur. Additional production and mixing on track 7 by Carrier.
â
in the half-sleep: a voice
not anyoneâs, just sound.
what it touches, it mirrors
learning to name itself.
a throat opens â
to hum through bone
to say nothing correctly.
we coexist as opposites
in our mother tongue, dreaming
the things we were never meant to touch.
there is a channel
between pulse and sentence â
a being moving through
the being that once answered to me.
to feel and not own the feeling,
each of us made visible
by the other.
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,Psychic 9-5 Club" schlĂ€gt ein neues Kapitel HTRK auf. Es ist ein Album, das zurĂŒckblickt auf eine Zeit der Traurigkeit und der inneren KĂ€mpfe und das in diesen KĂ€mpfen auf Hoffnung, Humor und Liebe stöĂt. Es ist das erste Album, das Jonnine Standish und Nigel Yang komplett als Duo aufgenommen haben - ihr ehemaliger Bandkollege Sean Stuart starb mitten in den Aufnahmen zu ihrem letzten Album ,Work (Work, Work)" von 2011. Obwohl ,Psychic 9-5 Club" von den ersten Tönen an nach HTRK klingt - der Gesang von Standish ist noch immer das Hauptaugenmerk des HTRK Sounds, wĂ€hrend die Produktion charakteristisch schlank und dubbig ist - lĂ€sst sich die Band ausreichend Raum fĂŒr Experimente. Verschwunden sind die in Hall und Verzerrung aufgehenden Gitarrenexperimente der 2009er Platte ,Mary Me Tonight" und die zerfuzzten Growls, die sich durch ,Work (Work, Work)" zogen. An ihre Stelle tritt etwas zĂ€rtlich-samtig Poliertes. Dies ist HTRK, doch ihr Sound wurde entfettet und richtet das Rampenlicht auf die nackten Arrangements und minimalistisches Sound Design. Das Album wurde mit Nathan Corbin von EXCEPTER in den Blazer Sound Studios in New Mexiko aufgenommen, der bereits Regisseur des Videoclips zum Track ,Bendin von ,Work (Work, Work)" gewesen war. Anfang 2013 wurde ,Psychic 9-5 Club" in Australien fertiggestellt und schlieĂlich ĂŒber den Sommer des Jahres in New York auf Hochglanz poliert. Das Kernthema des Albums ist die Liebe. Das Wort webt sich durch die Texte und Songtitel; die Liebe als Ablenkung, die Eigenliebe und die Liebe zu anderen. ,Psychic 9-5 Club" ist ein Album fĂŒr den Körper und die Seele.
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The productions of producer Bunny'Striker'Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output...
Three labels that came about during this time when Dub was King,were Jackpot,Justice and Attack.
Here we look at the Jackpot label and have compiled a collection of some of its finest dub cuts..
Jackpot records was formed in the early 70's as a subsidiary of Trojan Records to handle the Hitmaker from Jamaica Bunny'Striker'Lee
We have gathered here what we think are some of the best dubcuts from this label and era..
Hope you enjoy the set......
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- A1: Amalfi
- A2: ABC Of Apology
- A3: Ether
- A4: Radio Silence
- A5: Bad Weather
- A6: Boomerang
- A7: Devil Kind Of Girl
- B1: Single Malt
- B2: Plasticine
- B3: Gravity
- B4: Wait For A While
- B5: Roadblock
- B6: Copper (CU)
- B7: Erased
- B8: Clouds
On âReflectionâ, Hooverphonicâs second album with vocalist NoĂ©mie Wolfs, they return to a natural analogue sound. Alex Callier and Raymond Geerts didnât just want to record in a studio, but at fansâ homes to get the specific reverb âReflectionâ. Therefore, in early 2013, Hooverphonic launched an appeal to their fans to enrol potentially unique homes in the ambitious concept of âHooverdomesticâ. Ultimately, five locations were selected, four in Belgium and one in France. The result is the most infectious and cheerful album Hooverphonic has ever made. In addition, NoĂ©mie Wolfs is assisted on the album by three new vocalists/instrumentalists, who give an extra sense of space to the songs on Reflection.
Available as a limited edition of 1000 individually numbered copies on smoke coloured vinyl.
expected to be published on 12.12.2025
- A1: Overture - (The Nightmare Before Christmas)
- A2: Opening - (The Nightmare Before Christmas)
- A3: This Is Halloween
- A4: Jackâs Lament
- A5: Doctor Finklestein / In The Forest
- A6: Whatâs This?
- A7: Town Meeting Song
- B1: Jack and Sally Montage
- B2: Jackâs Obsession
- B3: Kidnap The Sandy Claws
- B4: Making Christmas
- C1: Nabbed
- C2: Oogie Boogieâs Song
- C3: Sallyâs Song
- C4: Christmas Eve Montage
- C5: Poor Jack
- D1: To The Rescue
- D2: Finale / Reprise
- D3: Closing
- D4: End Credits
Disney Tim Burtonâs The Nightmare Before Christmas Original Motion Picture Soundtrack on 2-LP glow in the dark vinyl, featuring songs from the beloved classic film
expected to be published on 12.12.2025
Die ungarischen Groove-Metal-Ikonen EKTOMORF kehren mit HERETIC zurĂŒck! Ihr bisher persönlichstes, intensivstes und emotional erschĂŒtterndstes Album. Nach dem gefeierten VIVID BLACK und ihrer bisher gröĂten Headliner-Tournee liefert Frontmann ZoltĂĄn âZoliâ Farkas einen klanglichen Exorzismus, geprĂ€gt von einer persönlichen Tragödie: dem Verlust seiner Mutter und seines geliebten Hundes Wuffa. Produziert von seinem langjĂ€hrigen WeggefĂ€hrten Tue Madsen, ist HERETIC eine niederschmetternde Reminiszenz an die Outcast/Destroy-Ăra der Band â nur dĂŒsterer, wĂŒtender und noch unerbittlicher!
"Heretic" steht nicht nur fĂŒr einen musikalischen Wendepunkt. Es markiert auch die RĂŒckkehr von Ektomorf zu Bleeding Nose Records. Nach vielen Jahren des Experimentierens, des Ausprobierens und Entwickelns ist die Band nun wieder da, wo sie hingehört.Ektomorf haben mit Heretic nicht nur ein weiteres Album geschaffen, sondern sich selbst neu erschaffen. Der Sound kehrt zurĂŒck zu den besten Zeiten von Outcast und Destroy, mit brachialen Drop-B- und Drop-A-Tunings, brutalen Riffs und dem unverwechselbaren, wuchtigen Groove.Doch gleichzeitig geht das Album noch einen Schritt weiter. Es ist wĂŒtender. Es ist dunkler. Es ist kompromissloser. Die GitarrenwĂ€nde sind massiver als je zuvor, verstĂ€rkt durch den gleichen Mesa Boogie Dual Rectifier, den Zolischon auf Outcast verwendet hat, nur diesmal mit einer modernen, brutaleren Klangdimension, die alles bisherige in den Schatten stellt. Doch es ist nicht nur der Sound, der Heretic so auĂergewöhnlich macht. Jeder Song auf dem Album erzĂ€hlt eine Geschichte von Schmerz, Verlust und der Wut auf eine Welt, die alles zerstört, was einem wichtig ist.
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- A1: To the Wilder
- A2: Any Love of Any Kind feat Bryce Dessner
- A3: Black Drift
- A4: Story of Rainy
- B1: Are You There
- B2: Asphalt Maelstrom
- B3: Fragile Things
- B4: Quiet Strike
- C1: Amekara Nijie
- C2: Tmrrw
- C3: Minus Sixty One
- D1: And Now the Bonus Tracks feat Hideo Kojima
- D2: To the Wilder feat Elle Fanning
- D3: Any Love of Any Kind (Choir Version)
- D4: To the Wilder (Piano Version)
- D5: To the Wilder (Instrumental)
WOODKID komponiert die Musik zum heiĂ erwarteten PlayStation-Spiel "Death Stranding 2: On The Beach". Mit seinem neuen Album "WOODKID FOR DEATH STRANDING 2: ON THE BEACH" zum sehnlichst erwarteten Spiel von Hideo Kojima hebt WOODKID die Idee von Game-Musik auf ein neues Level. Die Songs sind inspiriert von Kojimas ErzĂ€hlkunst, seinen Figuren und der Welt von Death Stranding - und entfalten sich als eigenstĂ€ndiges Werk voller Tiefe, Kontraste und AtmosphĂ€re.WOODKID, bĂŒrgerlich Yoann Lemoine, ist ein französischer SĂ€nger und Komponist. Mit seiner stilsicheren Kombination aus orchestraler Dramatik, elektronischer PrĂ€zision und emotionalem Tiefgang hat er sich international einen Namen in der Musik- und Filmwelt gemacht - sowohl als Musiker als auch als Videoproduzent fĂŒr KĂŒnstler:innen wie Rihanna, Lana Del Rey, Pharrell Williams oder Harry Styles. Seine Musik wurde fĂŒr zahlreiche Film-, Serien- und Videospielproduktionen eingesetzt (Arcane, Assassin's Creed, The Umbrella Academy). FĂŒr seine Arbeiten wurde er mehrfach fĂŒr Grammy- und MTV-Awards nominiert, seine Single "Run Boy Run" wurde weit ĂŒber fĂŒnfhundert Millionen Mal gestreamt. Auch in der Modewelt ist WOODKID prĂ€sent - etwa mit Musik fĂŒr die Shows von Louis Vuitton oder Dior.Ăber drei Jahre hinweg arbeitete WOODKID eng mit Kojima und dem Team von Kojima Productions zusammen, um Musik zu erschaffen, die weit ĂŒber klassische Soundtracks hinausgeht. "Jeder Song, jedes Thema wurde in zahllosen Varianten und Schichten komponiert", erklĂ€rt WOODKID. Das Ergebnis ist ein Album, das cineastische Orchesterarrangements mit elektronischen Klanglandschaften und eindringlichen Gesangslinien verbindet."Death Stranding 2: On The Beach" ist das neue Werk von Hideo Kojima, einem der visionĂ€rsten Köpfe der Gaming-Welt. Als Fortsetzung des vielfach ausgezeichneten ersten Teils, der ĂŒber 20 Millionen Spieler:innen weltweit erreichte, fĂŒhrt das Spiel die Themen Verbindung, Isolation und Verantwortung in eine neue erzĂ€hlerische Dimension. Das Spiel besticht zudem durch einen hochkarĂ€tigen Cast - darunter Norman Reedus, LĂ©a Seydoux, Troy Baker, Elle Fanning und Shioli Kutsuna - und eine Geschichte, die von den globalen Erfahrungen der letzten Jahre inspiriert ist.Von zarten Melodien bis zu eruptiven Breakcore-Momenten - jeder Track erzĂ€hlt eine Geschichte. FĂŒr die Aufnahmen reiste WOODKID zwischen Paris, Los Angeles und Tokio, um die kreative Vision Kojimas einzufangen. "Es ist manchmal schwer, Hideos Vision ganz zu verstehen, weil sie sich stĂ€ndig verĂ€ndert. Man muss dem Prozess vertrauen - und das Ergebnis ist immer ĂŒberwĂ€ltigend", sagt er. Was dabei entstand, ist mehr als ein Soundtrack: Es ist ein Manifest kĂŒnstlerischer Freiheit, ein musikalischer Gegenentwurf zu Konventionen - und eine Hommage an das Anderssein.Die erste Single "To The Wilder" erschien im MĂ€rz 2025 und verzeichnet bereits ĂŒber 3,7 Millionen Streams weltweit. Das Album erscheint digital, sowie als Vinyl- und CD-Edition - beide mit dem groĂartigen Artwork des Spiels und als liebevoll gestaltete SammlerstĂŒcke fĂŒr die internationale Fancommunity.Neben WOODKIDs Album erscheinen zwei weitere Veröffentlichungen zum Spiel: ein Score-Album sowie ein weiteres Song-Album mit noch nicht angekĂŒndigten KĂŒnstler:innen. Beide erscheinen digital, ebenfalls bei Milan Records.Das Spiel "Death Stranding 2: On The Beach" erscheint am 26. Juni 2025 exklusiv fĂŒr PlayStationÂź5.
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- A1: Scarecrow
- A2: Curious Baby
- A3: Two Candies Walking
- A4: Back
- B1: Freak
- B2: Too Young to Stop Loving
- B3: Maze of Love
- B4: Orange
This is an entry for "Record Day DAY 2." Released on 180g heavyweight vinyl!
This 1995 debut album was produced by Yasushi Ide, with artwork by Mitsuo Shindo.
Includes eight tracks, including "Orange" and "Maze of Love"
Features an impressive lineup of guest musicians at the forefront of the music scene at the time, including former ORIGINAL LOVE member Ryutaro Kihara, former Roosters member Tomio Inoue, Freedom Sweet's Hiroshi Yamashita, and Cool Spoon's Ikichi Sasanuma.
expected to be published on 12.12.2025
- A1: Heaven's Kitchen
- A2: Food for Smiles
- A3: It's Gonna Rain!
- A4: Do You Crash?
- A5: Silence
- A6: Mad Afternoon
- B1: Lie Lie Lie
- B2: Melody
- B3: Pendulum
- B4: Get In My Hair
- B5: Farewell Alcohol River
- B6: No One Like You
This is an entry for Record Day DAY 2. Released on 180g heavyweight vinyl!
Produced at Tambourine Studios in Sweden with Tore Johansen, producer of The Cardigans, a driving force behind the Swedish pop movement.
This is the band's breakthrough sophomore album, released in 1997. Its captivating vocals and creative, homemade sound exude timeless appeal
expected to be published on 12.12.2025







































