Ltd. Clear Vinyl 2LP+DL
Sämtliche Songs des Nachfolgers ihres von der Kritik hochgelobten Debütalbums TAKE ME APART, das Kelelas Aufstieg in den Mainstream beschleunigte, wurden von ihr selbst geschrieben, arrangiert und zusammen mit Asmara co-produziert, während das Ambient-Duo OCA (Yo Van Lenz & Florian T. M. Zeisig) und LSDXOXO, neben Bambii, als Hauptproduzenten des Albums gelten. Auf RAVEN taucht Kelela aus den Gezeiten der ozeanischen Umlaufbahn ihres höheren Selbst auf, um Autonomie, Zugehörigkeit und Selbsterneuerung als Heilung zu erkunden. Die beiden Singles 'Washed Away' und 'Happy Ending' wurden von Pitchfork bereits als 'Schaufenster ihres schwebenden Soprans' und Beweis für ihren 'gehauchten, anmutigen Gesang' gefeiert. Mit ihren talentierten Bewegungen zwischen den Frequenzen von R&B und Dance Music konnte sich Kelela als künstlerische Interpolatorin von Musik, Kunst und Mode etablieren. Ihre Frühwerke CUT 4 ME (2013) und HALLUCINOGEN (2015) zementierten sie als führende Kraft in der alternativen Underground-R&B- und Elektronikwelt und eröffneten ihr Kollaborationen mit weiteren visionären Künstler*innen wie Solange, Gorillaz, Andrew Thomas Huang und Danny Brown. Mit ihrer durchdachten Mischung aus Eleganz, Futurismus, Göttlichkeit und Sinnlichkeit hat sich Kelela einen Weg gebahnt, der Stil sowohl als Bestandteil der Kunst als auch als Kunst an sich demonstriert.
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Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, LAFMS self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians.
Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambiand Dr. Id contributed to various LAFMS compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the LAFMS label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in LAFMS, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes.
This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
Ursprünglich 2009 veröffentlicht, das erste Weihnachtsalbum des Superstar-Tenors Andrea Bocelli, ist nun
ebenfalls als limitierte weiße Doppel-LP erhältlich. Das Album ist eine herzerwärmende Sammlung von
Songs, die dazu bestimmt sind, in den kommenden Jahren zu einem Weihnachtsklassiker zu werden. Produziert von dem legendären Grammy-Preisträger David Foster, bietet das Album neben Duetten mit seinen
besonderen Gästen auch die unverwechselbare, erhabene Stimme des Sängers.
The third and most seasoned Drugdealer album, Hiding In Plain Sight, almost didn't happen at all. Frustrated and insecure with his own singing voice prior to the pandemic, Drugdealer founder and primary songwriter Michael Collins was nearly ready to throw in the towel. Due to a frequent impulse to hand over the microphone to friends and collaborators like Weyes Blood, Jackson MacIntosh, and his trusty musical companion Sasha Winn, Collins became increasingly unsure of himself as a singer. While attending Mexican Summer's annual Marfa Myths festival, a chance encounter with artist and composer Annette Peacock changed his outlook. Collins says, "I was so inspired by Annette. But similarly to all these other vocalists I'd worked with, I didn't feel like I had it in me." he recalls. "I told her my plight, then I played her a song, and she told me I wasn't singing high enough for my speaking voice. When I returned to LA, I started coming up with new progressions, which I'd modulate up three half steps. It forced me to find a new way to sing." "Madison," is the first song Collins wrote singing in this suggested range. His newfound confidence as a yarn-spinning vocalist in the gruff tenor tradition of Nick Lowe, or even Van Morrison, is readily apparent, with Conor "Catfish" Gallaher's pedal steel adding a dusting of cosmic country to Collins' down-hard love song. When Collins wrote the would-be AM Gold hit, he was summoning an imaginary vision of a love that had eluded him in reality. Tim Presley sings on the second song, "Baby," and Collins had a clear role in mind for the California avant-rock mainstay. "I love White Fence so much, but I also wanted to hear Presley sing a song that sounded like an early '60s sock hop band who had never tried drugs in their life." Meanwhile, Kate Bollinger floats an effervescent lead vocal over the Rhodes-driven groove in “Pictures of You.”. Taking inspiration from a canon of gruff but soulful rock vocalists like Phil Lynott, Collins looks back on his nocturnal meanderings through LA's warrens of bars and clubs ("New Fascination"). He’s right up front in the mix, detailing a search for love in all the wrong places.
3x7" box set containing DIIV's inaugural, pre-Oshin releases from 2011 First repress since their original release Pressed on Eco vinyl and limited to 3000 copies Includes full color booklet with photos, art, and new writings // Before Oshin, there was `Sometime,' `Human,' and `Geist'... In 2011, a newly formed DIIV (known, at the time, as `DIVE') created instant vibrations in the blog-world with their impressionistic debut single `Sometime'; finding its way onto the esteemed pages of Pitchfork a mere matter of weeks after the group's formation. They quickly followed it up with the equally great `Human' and `Geist', with the latter featuring a b-side cover of Kurt Cobain's "Bambi Slaughter." These very first offerings from DIIV chemically fused the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions, and work that ultimately put DIIV on the map, leading the way for the band to become a central influence on the sound and aesthetic of the 2010s Brooklyn indie music scene. Now, to commemorate the 10 year anniversary of their seminal debut album Oshin, all three 7"s will be repressed for the very first time since their original release. DIIV: "Looking back, these 7"s were really the thing that propelled the band into existence and pushed us to realize Oshin in the first place. This type of retrospective project wouldn't feel complete without them."
- A1: The Lady Caliph/La Califfa (From "Lady Caliph"/"La Califfa")
- A2: Encounter/Incontro (From "The Master & Margaret"/"Il Maestro E Margherita")
- A3: You Will See Me Coming Back/Mi Vedrai Tornare (From "Mi Vedrai Tornare")
- A4: For Love One Dies/Si Muore D'amore (From "For Love One Dies"/"D'amore Si Muore")
- A5: A Woman To Remember/Una Donna Da Ricordare (From "Maddalena")
- B1: This Kind Of Love/Questa Specie D'amore (From "This Kind Of Love"/"Questa Specie D'amore")
- B2: To Lydia/A Lydia (From "Listen, Let's Make Love"/"Scusi, Facciamo L'amore?")
- B3: Down The Ancient Staircase/Per Le Antiche Scale (From "Down The Ancient Staircase"/"Per Le Antiche Scale")
- B4: Children Ask Us Why/I Bambini Ci Chiedono Perche' (From "Why"/"I Figli Chiedono Perche")
- B5: Lullaby For Adulterers/Ninna Nanna Per Adulteri (From "Mother's Heart"/"Cuore Di Mamma")
- B6: Beyond The Grave Lovers/Amanti D'oltretomba (From "Nightmare Castle"/"Amanti D'oltretomba")
- C1: Reason, Heart, Love/La Ragione, Il Cuore, L'amore (From "Devil In The Brain"/"Il Diavolo Nel Cervello")
- C2: Veruschka (From "Veruschka - Poetry Of A Woman"/"Veruschka - Poesia Di Una Donna")
- C3: For Love/Per Amore (From "For Love"/"Per Amore")
- C4: Lullaby In Blue/Ninna Nanna In Blu (From "Cat O' Nine Tails"/"Il Gatto A Nove Code")
- C5: Trip With Anita/Viaggio Con Anita (From "Lovers & Liars"/"Viaggio Con Anita")
- D1: What Have You Done To Solange?/Cosa Avete Fatto A Solange? (From "What Have You Done To Solange?"/"Cosa Avete Fatto A Solange?")
- D2: The Two Seasons Of Life/Le Due Stagioni Della Vita (From "The Two Seasons Of Life"/"Le Due Stagioni Della Vita")
- D3: Maybe That's Enough/Forse Basta (From "Around The World With Peynet's Lovers"/"Il Giro Del Mondo Degli Innamorati Di Peynet")
- D4: Portrait Of An Author/Ritratto D'autore (From "The Invisible Woman"/"La Donna Invisibile")
- D5: Neighborhood Romance/Romanza Quartiere (From "Neighborhood"/"Quartiere")
8 years after the release of his critically acclaimed latest album 'Bambi Galaxy', Florent Marchet is back. Since his debut, Florent Marchet has continued to produce and create for cinema, theater, literature... and to tour with multiple projects and original creations. He has become in the space of a few years one of the finest feathers of French song, and one of the most productive and singular artists of his generation. With this new album, the first on Labréa / Wagram, Florent Marchet reconnects with tradition and modernity. This album is a real journey. Composed of 13 tracks exclusively recorded in his own studio with sound engineer Loris Bernot. He has a duet with the artist PR2B.
Futuropaco’s long sold out debut is finally repressed! it’s a wet, enigmatic cocktail of part 1970’s Italian library music, part krautalicious beat-galore and part riff-driven heavy psych. Justin Pinkerton, from Oakland, California, is the one-man army behind the opaque merge of seemingly different forces: from mad fuzz guitar breakdowns à la Morricone at his most intense, to the syncopated drum learnings of Can’s Jaki Liebezeit, Justin weaves a blanket of sound that’s simply loaded with deep vibes
- A1: How Can I Love? (When I Can't Get Away From You)
- A2: Love Like Mine
- A3: Coffee & Clouds
- A4: Heaven Or Hell
- A5: Matrix
- B1: How Can I Love? (When I Can't Get Away From You) (Instrumental)
- B2: Love Like Mine (Instrumental)
- B3: Coffee & Clouds (Instrumental)
- B4: Heaven (Instrumental)
- B5: Matrix (Instrumental)
“Coffee & Clouds” EP is the latest release from Sam Hutton and Al
Wreaves AKA South-London soul duo fika, collaborating with songwriter, vocalist and artist Bambie.
Co- produced by Berlin- based producer Fabich, the EP features previous singles “How Can I Love? (When I Can’t Get Away From You)” and “Love Like Mine” which have seen the duo garner support from the likes of Jack Saunders (BBC Radio 1), Jamz Supernova (BBC Radio 1Xtra), Jess Iszatt (BBC London Introducing), Nabihah Iqbal, El Train, Rob Da Bank (Worldwide FM), Stereofox, Mystic Sons and
IGGY Magazine. Stemming from a two-day session between fika and Bambie, the “Coffee & Clouds” EP was co-produced by Berlin-based producer Fabich. The EP expertly balances nuanced musicality with generously open song writing. fika’s ever-growing community of collaborators and irresistible releases has seen them perform at the legendary Ronnie Scott’sand garner support from BBC presenters
Phil Taggart (BBC Radio 1), Jess Iszatt and Abbie Mac (BBC Radio Kent) and from the wider radio community including Jyoty (Rinse FM) and El Train (Soho Radio).
At the end of 2021, they will be appearing at The Jazz Café alongside BBC Radio 1’s Victoria Jane, Raquel Martins, Ruby Francisand Kara Marni. The duo have also seen press and online support from the likes of TRENCH, Indie Shuffle, Notion, Acid Stag, Beautiful Buzz, Somewhere Soul and Discobelle. A project born out of collaborative joy and mutual admiration; the “Coffee & Clouds” EP is set to further
cement fika’s place as a one- to- watch in the realms of Neo- Soul, Hip Hop and Contemporary RnB.
In the years between 2018’s BAMBI and LP3, Minneapolis’ Hippo Campus -- made up of vocalist/guitarists Jake Luppen and Nathan Stocker, drummer Whistler Allen, bassist Zach Sutton, and trumpeter DeCarlo Jackson -- has grown up and into itself. Although the five-piece has been friends since middle school and put out a number of studio releases since its inception, it’s the new record, LP3, that’s the most honest portrait of who Hippo Campus is. It’s also a study in the nuances of growing up -- coming to terms with mortality, the confusing journey of sexuality, bottoming out, seeing decisions from the night before in the harsh morning light; finding your identity as a person and as an artist -- how that can be a collision of elation and shame, painful and joyful all at once. LP3 marks a sort of ego death -- and ultimately feeling okay with that. So much of LP3 was written in the chasm between grappling with the value of your own art and the larger, chaotic context of the world. It traverses the end of relationships, of careers, and the chance of meeting yourself as a brand new person. If you take the signifier of “musician” away, what does it mean? And how do you expand your identity outside of work? Here, it’s something the band works through. And, in the end, it happens with the same ride-or-die crew at your back to hold you down -- or up -- the entire time. Over the last few years, the Hippo universe has expanded outward. Luppen and Stocker both put out solo records as Lupin and Brotherkenzie respectively, and the two also teamed up with Caleb Hinz to put out the debut Baby Boys record while DeCarlo Jackson founded, and collaborated with multiple bands around the Twin Cities, including DNM, Arlo, and FPA. Navigating solo projects and new dynamics and the spotlight alone is humbling, bringing up new insecurities and defense mechanisms. It was challenging in its own way to branch outside of Hippo -- and it made the eventual return to the project feel like coming home. “With LP3, Hippo felt like a very safe space to express those things because you have your best friends around you, rallying behind you,” Luppen says. “And each person could chime in with their own experience. I felt like it was a very safe space to be earnest.” Here, Hippo Campus killed what they knew and started again.
In the years between 2018’s BAMBI and LP3, Minneapolis’ Hippo Campus -- made up of vocalist/guitarists Jake Luppen and Nathan Stocker, drummer Whistler Allen, bassist Zach Sutton, and trumpeter DeCarlo Jackson -- has grown up and into itself. Although the five-piece has been friends since middle school and put out a number of studio releases since its inception, it’s the new record, LP3, that’s the most honest portrait of who Hippo Campus is. It’s also a study in the nuances of growing up -- coming to terms with mortality, the confusing journey of sexuality, bottoming out, seeing decisions from the night before in the harsh morning light; finding your identity as a person and as an artist -- how that can be a collision of elation and shame, painful and joyful all at once. LP3 marks a sort of ego death -- and ultimately feeling okay with that. So much of LP3 was written in the chasm between grappling with the value of your own art and the larger, chaotic context of the world. It traverses the end of relationships, of careers, and the chance of meeting yourself as a brand new person. If you take the signifier of “musician” away, what does it mean? And how do you expand your identity outside of work? Here, it’s something the band works through. And, in the end, it happens with the same ride-or-die crew at your back to hold you down -- or up -- the entire time. Over the last few years, the Hippo universe has expanded outward. Luppen and Stocker both put out solo records as Lupin and Brotherkenzie respectively, and the two also teamed up with Caleb Hinz to put out the debut Baby Boys record while DeCarlo Jackson founded, and collaborated with multiple bands around the Twin Cities, including DNM, Arlo, and FPA. Navigating solo projects and new dynamics and the spotlight alone is humbling, bringing up new insecurities and defense mechanisms. It was challenging in its own way to branch outside of Hippo -- and it made the eventual return to the project feel like coming home. “With LP3, Hippo felt like a very safe space to express those things because you have your best friends around you, rallying behind you,” Luppen says. “And each person could chime in with their own experience. I felt like it was a very safe space to be earnest.” Here, Hippo Campus killed what they knew and started again.
- A1: Ciao Ciao Bambino (French)
- A2: Itsi Bitsi Petit Bikini
- A3: Bambino
- A4: Gondolier
- A5: Come Prima
- A6: Oh La La (Chella Lla) (Chella Lla)
- A7: Ce Serait Dommage
- A8: Les Enfants Du Piree
- A9: C'est Ca L'amore
- A10: Marina
- B1: O' Sole Mio (Italian)
- B2: 24000 Baci
- B3: Non Lo Sai
- B4: Love In Portofino
- B5: Pepe
- B6: Milord
- B7: Quando Tu Dormirai
- B8: T'amero Dolcemente
- B9: Vai Tu Sei Libero
- B10: Piccolo Elefante
David Wrench and Evangeline Ling - aka audiobooks - threw
absolutely everything at their 2018 debut album, ‘Now! (in a
minute)’, a hectic, head-spinning blast of freewheeling freak-pop
genius. On its follow-up, ‘Astro Tough’, via Heavenly
Recordings, they’ve somehow found a way to ramp things up
even further, concentrating their chaotic energy and inherent
weirdness into a record that’s bigger, deeper and more powerful
han even its predecessor.
“The first album was a photograph of the beginnings of the
project, recorded without any overall plan,” Wrench explains.
“‘Astro Tough’ is more scripted, but a script that still allowed for
ots of improvised scenes. There was more intention behind the
songs, and a lot more refining. We weren’t precious about
everything being spontaneous and a first take, like on the first
record, even though some of it ended up being that. We made a
ot more material for this record, but chose the tracks that best
worked together as an album.”
Multi-instrumentalist and super-producer Wrench is as
comfortable unleashing monolithic psychedelic wig-outs and
heavy dub-driven monsters as he is crafting irresistible synthpop bangers. Writer, vocalist and visual artist Ling is as
chameleonic as she is charismatic, able to jump from
detachment to rawness to aggression to tenderness to hilarity to
oe-curling awkwardness, sometimes within the same song.
Though the record is a product of increased refinement, the pair
were physically together only in bursts, cramming sessions
around their respectively hectic calendars. “We had much less
time together than on the first record, but every time I did see
David that thirst and the ability to come up with something was
there. I think this record is better than the first record, and I
think we’re dying to make more. We’re going to try and better it
again,” says Ling.
Eco-mix colour vinyl. Black vinyl format (HVNLP183) will be
made available once coloured vinyl is sold out.
Good Dog, Bad Dream is the new EP from Hippo Campus, and the St. Paul, Minnesota five-piece's first new music since their 2018 sophomore album Bambi. It finds the band at their most honest and vulnerable to date, with five new intensely cathartic tracks tinged with confessions and dark humor. It's a collection of songs that came together with ease, and without pressure -- a wildly different experience than the typical Hippo Campus recording process. The band - made up of vocalist/guitarists Jake Luppen and Nathan Stocker, drummer Whistler Allen, bassist Zach Sutton, and trumpeter DeCarlo Jackson -- assembled Good Dog, Bad Dream with a genuine sense of freedom and enjoyment as part of their first sessions in their new Minneapolis studio space. It’s a celebration of brotherhood, and the “all for one, one for all” mentality that has permeated Hippo Campus’ work since the very beginning.
Good Dog, Bad Dream is the new EP from Hippo Campus, and the St. Paul, Minnesota five-piece's first new music since their 2018 sophomore album Bambi. It finds the band at their most honest and vulnerable to date, with five new intensely cathartic tracks tinged with confessions and dark humor. It's a collection of songs that came together with ease, and without pressure -- a wildly different experience than the typical Hippo Campus recording process. The band - made up of vocalist/guitarists Jake Luppen and Nathan Stocker, drummer Whistler Allen, bassist Zach Sutton, and trumpeter DeCarlo Jackson -- assembled Good Dog, Bad Dream with a genuine sense of freedom and enjoyment as part of their first sessions in their new Minneapolis studio space. It’s a celebration of brotherhood, and the “all for one, one for all” mentality that has permeated Hippo Campus’ work since the very beginning.
- A1: Rocco Granata - Marina
- A2: Adriano Celentano - Nata Per Me
- A3: Domenico Modugno - Notte Li Luna Calante
- A4: Mina - Moliendo Cafe
- A5: Dalida - Pepe
- A6: Tony Dallara - Bambina Bambina
- A7: Pino Donaggio - Come Sinfonia
- A8: Robertino Loretti - La Paloma
- B1: Umberto Marcato - Lazzarella
- B2: Bruno Martino - Estate
- B3: Peppino Di Capri - Luna Caprese
- B4: Ames Brothers - Chi Sara
- B5: Los Marcellos Ferial - Quando Calliente El Sol
- B6: Milva - Tango Italiano
- B7: Tony Renis - Quando Quando Quando
- B8: Neil Sedaka - Tu Non Lo Sai
60s Italo Pop Hits – Jetzt auch für alle Vinylliebhaber erhältlich. Eine musikalische Zeitreise in das beliebteste Urlaubsland der Deutschen.
Fühlen Sie den Geist des San Remo Festivals mit den großen Italienischen Stars der 60er Jahre: Adriano Celentano, Tony Dallara, Rocco Granata, Dalida, Mina, Milva.
- A1: The Lady Caliph / La Califfa (Titoli) From 'The Lady Caliph' / 'La Califfa
- A2: Encounter / Incontro From 'The Master And Margaret' / 'Il Maestro E Margherita
- A3: You Will See Me Coming Back / Mi Vedrai Tornare (Titoli Di Coda) From 'You Will See Me Coming Back' / 'Mi Vedrai Tornare
- A4: You Die Of Love / Si Muore D'amore From 'For Love One Dies'/ 'D'amore Si Muore
- A5: A Woman To Remember / Una Donna Da Ricordare From 'Maddalena
- B1: This Kind Of Love / Questa Specie D'amore (Titoli) From 'This Kind Of Love' / 'Questa Specie D'amore
- B2: To Lydia / A Lydia From 'Listen, Let's Make Love' / 'Scusi, Facciamo L'amore?
- B3: Down The Ancient Stairs / Per Le Antiche Scale From 'Down The Ancient Stairs' / 'Per Le Antiche Scale
- B4: Children Ask Why / I Bambini Ci Chiedono Perche' (Titoli) From 'Why'/ 'I Bambini Ci Chiedono Perche
- B5: Lullaby For Adulterers / Ninna Nanna Per Adulteri From 'Mother S Heart' / 'Cuore Di Mamma
- B6: Nightmare Castle / Amanti D'oltretomba From 'Nightmare Castle' / 'Amanti D'oltretomba
- C1: The Reason, The Heart, The Love / La Ragione, Il Cuore, L'amore From 'Devil In The Brain' / 'Il Diavolo Nel Cervello
- C2: Veruschka From 'Veruschka, Poetry Of A Woman' / 'Veruschka, Poesia Di Una Donna
- C3: For Love / Per Amore From 'For Love' / 'Per Amore
- C4: Lullaby In Blue / Ninna Nanna In Blu From 'The Cat O' Nine Tails' / 'Il Gatto A Nove Code
- C5: Trip With Anita / Viaggio Con Anita From 'Lovers And Liars' / 'Viaggio Con Anita
- D1: What Have You Done To Solange? / Cosa Avete Fatto A Solange? From 'What Have You Done To Solange?' / 'Cosa Avete Fatto A Solange?
- D2: The Two Seasons Of Life / Le Due Stagioni Della Vita (Titoli) From 'The Two Seasons Of Life' / 'Le Due Stagioni Della Vita
- D3: Maybe That's Enough / Forse Basta From 'Around The World With Peynet's Lovers' / 'Il Giro Del Mondo Degli Innamorati Di Peynet
- D4: Portrait Of An Author / Ritratto D'autore From 'The Invisible Woman' / 'La Donna Invisibile
- D5: Neighbourhood Romance / Romanza Quartiere From 'Neighbourhood' / 'Quartiere
Passion is the fifth and final part of a series of five double vinyl releases that bring together some of Ennio Morricone’s greatest soundtrack music. Each collection centres on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. Passion once again reminds us that everything in Italian life is approached with gusto, energy and passion.
Passion is available as a limited edition of 3000 individually numbered copies on pink and purple marbled vinyl. The package includes a 4-page insert with liner notes written by Claudio Fuiano. The gatefold sleeve contains a diamond glitter foil spot varnish on the outside and images of iconic movie posters on the inside.
- A1: Sul Ponte Di Istanbul
- A2: Notte Cromatica
- A3: Meditazione Melodica
- A4: Fuga In Svizzera
- A5: Balletto Col Morto
- A6: Troppo Triste Per Essere Allegro
- A7: Caduta E Ripresa
- A8: Fuga In Svizzera 2
- A9: Jazzetto Classico
- B1: Jazzetto Moderno
- B2: Meditazione Melodica 2
- B3: Fox Astratto
- B4: Affresco Con Bambino
- B5: Fox Astratto 2
- B6: Troppo Triste Per Essere Allegro 2
- B7: Shake Del Giudice
- B8: Tempo Di Marcia Con Bambino
... Finally on Vinyl !
One of the most sought after and mysterious scores by the Maestro ENNIO MORRICONE! With the help of the magical voice of Edda Dell’Orso (Sul Ponte di Istambul) this score follows the steps of the most famous soundtracks composed by the Maestro combining melancholic melodies with wild funky tunes as the brilliant “Shake del Giudice”. END OF THE GAME (also known as IL GIUDICE E IL SUO BOIA aka ASSASSINIO SUL PONTE aka DER RICHTER UND SEIN HENKER) is a 1975 cult noir movie starring the great John Voigt and Jacqueline Bisset.




















