"but as the centuries passed, the constellations drifted slowly eastwards"
Mike Harding, Mark Van Hoen and invited guests - …a hauntingly strange and mysterious immersion into a crackling entropy of phantom radio transmissions, squalls of static, choruses of insects, and creepily digitized voices.
drøne have released 3 albums on pomperipossa records and "the long song" is therefore volume 4 in the series... (drøne also self-released "mappa mundi" on their own label on compact disc in 2017.)
choir voices - galya bisengalieva, bana haffar, ipek gorgun, alex hoàng,
bethan kellough, anna von hausswolff & jana winderen
Buscar:bana haffar
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- A1: Dim Arc - Breeze Shapes
- A2: Sunmoonstar - Sleepy Dragon
- A3: Emily A Sprague - Flew
- A4: Fools - I Can See Your Voice Thru The Trees
- B1: Cool Maritime & Kaitlyn Aurelia Smith - Daybreak
- B2: Constant Shapes - Wind Leaf Shimmer
- B3: Kathryn Shuman - Objects
- B4: Jeremiah Chiu - Poems One & Fourteen (Feat Stephen Honer)
- C1: Kacey Johansing - Whales Of Agate
- C2: Julianna Barwick - Newborn
- C3: Mary Lattimore - She Remebers Sitka
- C4: Geotic - Uncaught
- D1: Andy Strain - Patience
- D2: Bana Haffar - Circulations
- D3: Ulfur - Feathered (Feat Gyda Valtysdottir)
Compilation album curated by Kaitlyn Aurelia Smith
The directive for the composers featured on Breathing Instruments was, in effect, to accentuate the ways in which instruments sound like they are breathing. Some have recreated the literal experience of feeling or hearing the human breath. Others take a more abstract approach, where “breathing” is more motif than object of emulation.
From hushed pulsations and distant vocals in Kathryn Shuman’s ‘Objects creating a womb-like environment to Julianna Barwick’s blissful ‘Newborn’ the tracks give sonic form to the experience of emerging from the womb.
There is also a striking concurrence of woodland sounds throughout this collection from the ghostly tones of Emily A Srague’s ‘Flew’ to Cool Maritime and Kaitlyn Aurelia Smith’s dew dripped ‘Daybreak’.
Meanwhile the undulating seascape of Geotic’s ‘Uncaught’ conjures moments of Evening Star by Fripp/ Eno, but supplants that album’s crystalline production with the warm crackle of vinyl.
If we learn anything from Breathing Instruments it is that we are inextricable from the natural world.
Complex melodic motifs grow and cover your brain like kudzu as swarms of insects gather to witness.
The music was composed entirely on Bana's personal Make Noise System, which is a Modular synthesizer you could learn more about here: makenoisemusic
Pressed to 12" Clear (140gm) vinyl and inserted into a black inner dust sleeve
and Matte Jacket w/ photography by Bana Haffar and layout by Sean Curtis Patrick.
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