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Los Bitchos - Talkie Talkie LP

Los Bitchos

Talkie Talkie LP

12inchSLANG50571X
CITY SLANG
30.08.2024

Ltd Edtion
If Los Bitchos’ electrifying 2022 debut album Let the Festivities Begin! was the rowdy build up to the big night out, then Talkie Talkie is the Technicolor explosion of the dancefloor. Made up of lead guitarist Serra, who carries both Australian and Turkish heritage, Uruguayan synth and keytar player Agustina Ruiz, Swedish bassist Josefine Jonsson and British drummer Nic Crawshaw, the group are united by a commitment to having fun. It’s a contagious energy they’ve had no problem transmitting to the world: since the band officially arrived in 2019 with two sell-out 7" singles, they marked themselves as one of London’s brightest bands to watch. Since then, they’ve found a home in beloved indie label City Slang, ripped stages across the most coveted stages the globe over (such as Glastonbury and Coachella, as well as supporting Pavement and King Gizzard & the Lizard Wizard), and radiated the verve of their personalities and cultures through their exploratory take on rock’n’roll. The London-based quartet’s new album is glistening with charisma, sonic experimentation and a puckish spirit. Named after a fictional club of the same name Talkie Talkie is a late-night paradise brimming with freedom and possibility; a place where partygoers can escape reality in the dance or daydream along to the invigorating soundscapes.

Reservar30.08.2024

debe ser publicado en 30.08.2024

22,90
STEVE WYNN - MAKE IT RIGHT LP

Steve Wynn

MAKE IT RIGHT LP

12inchFIRELP763C
Fire Records
30.08.2024

Das brandneue Soloalbum von Steve Wynn von The Dream Syndicate, das gleichzeitig mit seinen Memoiren erscheint. Make It Right ist ein Kommentar zwischen wörtlichem und metaphorischem Sinnieren - ein Dialog zwischen Memoirenschreiber und Musiker - eines verletzlicher, nachdenklicherer klingenden Wynn als oftmals zuvo. "Make It Right" enthält bemerkenswerte Beiträge von Mike Mills (R.E.M.), Vicki Peterson (The Bangles), Chris Schlarb (Psychic Temple), Emil Nikolaisen (Serena Maneesh), Linda Pitmon (The Baseball Project) und einer Reihe von Dutzenden weiteren. ,Ich schrieb und nahm diese Songs parallel zur Arbeit an ,I Wouldn't Say It If It Wasn't True` auf, meinen Memoiren, welche in derselben Woche wie ,Make It Right`, mein erstes Soloalbum seit 2010, bei Jawbone Press erscheinen. Bei jedem Kapitel kamen mir Ideen für Songs, die durch das tiefe Eintauchen in meine Vergangenheit inspiriert waren und umgekehrt. Nach einer Weile verwoben sich die Reflexionen, ein gegenseitiger Kommentar zwischen wörtlichem und metaphorischem Wiederhohlen. Es war ein Dialog zwischen dem Memoirenschreiber und dem Musiker, ein Ein-Mann-Frage-und-Antwort-Spiel, ein sanfter Volley auf dem Tennisplatz meiner Gedanken. 40-Love -Spiel, Satz und Sieg". Obwohl "Make It Right" selbst nicht autobiografisch ist, beginnt es mit Santa Monica - der Stadt und dem Boulevard, in dem Wynn geboren wurde - und endet mit der ,Roosevelt Avenue", der Hauptstraße des Queen's-Viertels in New York City, das er heute sein Zuhause nennt. Wynn wird in diesem Herbst auch durch Großbritannien, Europa und die USA touren, um die Veröffentlichung zu begleiten, als Solo-Show, in der sich die Songs und Texte und Geschichten zu einem ganzen Paysley Underground-Leben und darüberhinaus verbinden. "The Dream Syndicate frontman's a veritable Ph.D. of timeless rock songcraft" Chicago Tribune. "A force to be reckoned with and cherished." The Sunday Times Limitiertes, klares Vinyl mit DLC, Digisleeve-CD mit Poster-Booklet!

Reservar30.08.2024

debe ser publicado en 30.08.2024

25,17
Steve Moore - Cursed Objects  LP

Steve Moore returns to the library music fold and it's a total doozy: Cursed Objects is truly sensational prog-synth-wave. Featuring epic electronic explorations with chamber music and symphonic flourishes, it's our favourite thing Steve has ever done. In keeping with the horror heat of the music contained within, this vinyl release is frighteningly limited, with just 500 pressed for the world.

New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. Steve’s music has found a home across hallowed labels like Future Times, Mexican Summer, LIES, Static Caravan, Kompakt, Death Waltz, Ghost Box and, of course, Be With Records.

Steve released Cursed Objects for fresh library label Fold. Run by ex-KPM head Paul Sandell, it's a library with values we can all get behind. It's the first production music platform working exclusively with independent labels, publishers and artists to create a truly authentic artist-led sound, at production music rates. Here's what Steve had to say: "I had worked with Paul before, at KPM. After he left, he mentioned that he had started a new library - Fold - and I was very interested in being a part. And I happened to be working on a bunch of music at the time that I thought could fit." So here we are!

The LP opens by letting in "The Uninvited One". Calm and relaxed arpeggiated synths build around sweeping strings and plucked harp to create a mystical and hopeful feel. The title track sees dark synths merge and swell with a piano, string and harp melody that is dark, mysterious and brooding. "Evolutionary Steps" is an electro synthwave track that builds with epic strings and beats, offering an expansive and dreamy approach with a mystical and driving rhythm. Next up, "The Icarus Feather" is daring, pulsing and cinematic synthwave that builds with arpeggiated synths to a hopeful end. "Daily Affirmations" offers calm and meditative ambient synths with plucked harp and strings for a reflective, peaceful, daydreamy feel.

“Mesmer's Bauble” ushers in side two, its dark synth backing builds with plucked harp and strings building with a sense of unknown and dread; it's introspective and heartfelt. "Quiet Springs" is all mystical synths, harps and strings, building to an epic panoramic scope with a hopeful and poignant atmosphere. "Festival Of Samhain" presents a dark and brooding piano melody which builds with synths and strings to create a slow and desolate feel. "The Icarus Feather (Revisited)" is epic building synthwave with arpeggiated synths and strings and a driving rhythm - the beat builds with the strings entering a forceful and marching mood. To close, "Shard Of Medusa" rides a serious and dark piano melody and, in concert with harp and strings, it creates a suspenseful and solemn atmosphere.

Steve recorded Cursed Objects, as always, at his home studio in Albany, NY. For synths, he mostly used his trusty Prophet 6, as well as his Moog Minitaur and lots of Korg Polysix too. But he also utilised a lot of virtual instruments - he doesn't have the budget for a full string section, or a harpist, alas.

The album’s cover was designed by Chris Stevenson. The artwork is a nod to first wave cyberpunk and in particular Neal Stephenson’s Snow Crash and the idea of mind viruses and cursed data. Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at AIR Studios to be pressed in the Netherlands by Record Industry. Far from being cursed, this is another future classic library LP.

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24,33

Ültimo hace: 20 Meses
Current 93 - Swastikas For Noddy

Current 93

Swastikas For Noddy

Pict-VinylDOARXVII
Cashen`s Gap
30.08.2024

SWASTIKAS FOR NODDY is possibly, probably, maybe, or not, a seminal and sidereal masterpiece, the inspiration for 93,000 Masks On Nothings, none of which were Groovy. For me, well, it was my first Hallucinatory PickNick, and the skies turned Pixie Red for it.

I was given the album’s title during an Acid Trip: seeing Noddy Crucified In The Sky, I asked God what the most inappropriate BirthDay present for Noddy might be. God answered me from the Acid Whirlwind: “Swastikas!”

I recorded her in a run-down basement studio in West London, whilst I was simultaneously recording IMPERIUM. On playing the finished album to certain well-chosen friends, I was told by them that I had “destroyed Current 93”, and that it sounded like “demented children on drugs singing Simon & Garfunkel in a playground”. I then knew the album sounded exactly as I had dreamed it to sound, and as God had intended it to sound. Had I ditched the earlier darkness, and skipped into flowered fields? Great Black Time had already told me “NO!—GO!”

Remastered by The Bricoleur at Bladud Flies!, and with the original artwork refreshed and reborn by Rob Hopeye, this 12” vinyl picture-disc comes in a full-colour die-cut sleeve, which is printed on both the outside and inside.

This is one of the first 4 reissues of the entire back catalogue of C93 on picture-disc and standard vinyl, in the lead-up to the publication of my autobiography at the end of 2025, whilst I also work on many other recording, publishing, and painting projects, and Watch And Pray! Each release in the picture-disc vinyl reissues series is limited to 1,000 copies, and the titles will not be repressed as picture-discs once they have sold out.

Reservar30.08.2024

debe ser publicado en 30.08.2024

28,53
ASHER WHITE - HOME CONSTELLATION STUDY LP

*BLACK VINYL*Asher White's third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco. The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act BabyBaby_explores and her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus. At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable.

Reservar30.08.2024

debe ser publicado en 30.08.2024

31,89
DARKEND - VIATICUM

Darkend

VIATICUM

12inchTTKLP115
Time To Kill Records
30.08.2024

DARKEND is the band fronted by Animae (also guest vocalist for GAAHL'S WYRD on various European festivals & venues). After a rather ordinary start based on thelikes of orchestral extreme metal, DARKEND developed a quite peculiar artistic style blending black metal patterns, ritual ambience, dark classic metal riffs and solos in the vein of Mercyful Fate/Angel Witch and a ritualistic,hypnotic vibe explicitly created in order to generate a deep sonic & Spiritual transcendence.Viaticum flows out from the Sacred Spaciousness beyond duality, enshrouding its Silent Nature with the voice of ancient ceremonial chants, dungeon synth ambience and sulphur riffs engraved on arcane metal patterns. Combining shades that span from Mercyful Fate to Dissection("An Incautious Exhumation Of What Lies Beneath Forgotten Ground")and from Dead Can Dance("In Your Multitude")to Arvo Pärt("In My Multitude"),the album enlightens an immersive and cathartic pathway towards the deepest hiddenfields of who we really are.

Reservar30.08.2024

debe ser publicado en 30.08.2024

23,11
Necrodeath - SINGIN' IN THE PAIN

Necrodeath is one of the most important and outrageous names in extreme metal; formed back in 1984, it is one of the first extreme metal bands originating in Italy. They take inspiration from Slayer, Dark Angel, Possessed, Venom, Kreator, Bathory, Celtic Frost and Sodom. The band is also renowned for its live performances and notably for their "wall of sound". The band released a cult-demo tape titled 'The Shining Pentagram' and obtained an incredible success in the underground, which is still considered a real "piece of thrash/black history". Tons of tributes in major magazines, fanzines and other underground outlets highlighted the release of the first two legendary albums 'Into The Macabre' (1987) and 'Fragments Of Insanity' (1989). And today after dozens of full lengths, EPs and side projects the long voyage to hell is not over yet. New Necrodeath album, anticipated by the single on vinyl and video "Transformer Treatment", is the confirmation of a trade-mark consolidated in almost forty years, where the old school of extreme metal is present throughout the album. "Singin 'in the pain" is a concept based on the movie "A Clockwork Orange" by Stanley Kubrick, where the band takes us on a one-way black/thrash journey, represented by immorality and violence, and back to a vain attempt at redemption and normality.

Reservar30.08.2024

debe ser publicado en 30.08.2024

23,32
ENDON - FALL OF SPRING

Endon

FALL OF SPRING

12inchTHRILLX611
Thrill Jockey
30.08.2024

The world of ENDON is one of constant evolution and revolution. The Tokyo-based ensemble of Taichi Nagura, Koki Miyabe, and Taro Aiko have made a name for themselves with their relentless exploration of sonic extremes in the vein of artists such as the Boredoms and Merzbow. The resulting music is a powerful emotional release for both artist and listener. Their commitment to evolution and dystopian noise as a playground for exploration and pure expression carried them through the recent departure of their drummer Shin Yokota and the tragic death of brother and band member Etsuo Nagura in 2020. Where some might have tried to replace members, ENDON"s core pressed forward with an autobiographical work exploring these changes and the shifts in their lives. Honest and raw emotions delivered with uncompromising sonic intensity, Fall of Spring is a thrilling tidal wave of sound and raw emotions born of the psyche of three individuals musically congregating into one tumultuous voice. Fall of Spring captures the electricity and unpredictability of ENDON"s live performances in vivid detail. The album harnesses the power of their storied performances through unpredictable movements, deft arrangements and an exhilarating textural palette. By imbuing their sound with raw feeling at every edge of obliteration, the trio are able to create what they call "organic music with inorganic material." For ENDON, those moments of suspense and surprise are the core of their music. As with their shows, Fall of Spring is a vessel for band and audience to share moments, to suspend time and move through grief and pain, and to bask in catharsis and resilience. ENDON continues to be a mercurial force in the world of extreme music.

Reservar30.08.2024

debe ser publicado en 30.08.2024

25,84
Counterparts - Live in Toronto

Ontario-based metalcore heavyweights, Counterparts, are back with the release of their new live album, Live In Toronto, out via Pure Noise Records. The band released the colossal A Eulogy For Those Still Here in 2022 (drawing praise from the likes of Stereogum, Revolver Magazine, BrooklynVegan, Exclaim, and more), and have been touring nearly nonstop ever since. Now Live In Toronto captures Counterparts at the peak of their powers in that live element. "We hit record and played a show," laughs vocalist Brendan Murphy. "When we did this, it was our biggest headline show to date and that combined with the fact that it was so close to home, we wanted to document it in a cool way. Kyle killed the mix too. Probably the best we’ve ever sounded.”

Reservar30.08.2024

debe ser publicado en 30.08.2024

24,33
TUK SMITH & THE RESTLESS HEARTS - ROGUE TO REDEMPTION

Tuk Smith is the kind of rock'n'roll ambassador you didn't think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he's seen the best and worst of a music industry in constant flux. By turns it's left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. The result is Rogue To Redemption, Tuk's second album with solo project The Restless Hearts. The sonic lovechild of Thin Lizzy, 90s power pop and melody-driven punk, it shows an artistic peak born from adversity. The sound of a man bottling a lifetime of experiences, stories and characters from working class America. Produced by Tuk and mixed by Chris Dugan (Green Day, Iggy Pop, U2), Rogue To Redemption was written over the last three years but recorded down to the wire - right up to the summer of 2024. Joined by long-term Restless Hearts compadres, drummer Nigel Dupree and bassist Matthew 'Ponyboy' Curtis, he cut the bulk of it at home. So if any of this resonates with you - if you crave rock'n'roll with substance, an edge, 21st century eyes and an old soul's heart - you've come to the right place.

Reservar30.08.2024

debe ser publicado en 30.08.2024

26,68
TUK SMITH & THE RESTLESS HEARTS - ROGUE TO REDEMPTION

Tuk Smith is the kind of rock'n'roll ambassador you didn't think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he's seen the best and worst of a music industry in constant flux. By turns it's left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. The result is Rogue To Redemption, Tuk's second album with solo project The Restless Hearts. The sonic lovechild of Thin Lizzy, 90s power pop and melody-driven punk, it shows an artistic peak born from adversity. The sound of a man bottling a lifetime of experiences, stories and characters from working class America. Produced by Tuk and mixed by Chris Dugan (Green Day, Iggy Pop, U2), Rogue To Redemption was written over the last three years but recorded down to the wire - right up to the summer of 2024. Joined by long-term Restless Hearts compadres, drummer Nigel Dupree and bassist Matthew 'Ponyboy' Curtis, he cut the bulk of it at home. So if any of this resonates with you - if you crave rock'n'roll with substance, an edge, 21st century eyes and an old soul's heart - you've come to the right place.

Reservar30.08.2024

debe ser publicado en 30.08.2024

26,68
Päfgens - Aspect Of What

Päfgens

Aspect Of What

12inchMAP049LP
Mappa Editions
30.08.2024

The learning process is just as much an act of healing as betterment. The enabling of solutions through sheer willpower and openness to discovery, or a noble mission, never completed. In that spirit, the latest album by Berlin-based Slovak duo Päfgens – comprising Jana Drábeková Kočišová and Filip Drábek – represents a pensive development for the project.

Drifting from their lo-fi shoegaze beginnings, Päfgens drone-infused soundscapes have become increasingly immersive and expressive “framed improvisations,” where spontaneous passages are captured, then revisited with fresh layers upon layers over the course of months, breathing and evolving naturally, mirroring the unpredictability of nature. Songforms have all but melted away, with ethereal guitars and bass nestling up against field-recorded sounds, synth beds, percussion, and singing bowl tones.

The framed improvisation on ‘Aspect of What’ explores love and loss, relishing both the joy and melancholy of paying tribute to Filip’s late ethnologist grandmother, Božena Filová (1926-2020). Her voice opens track 2, ‘Particles’, speaking of the humble desire to “help the people in the rural environment”, and the goal of “uplifting people to better living through education”. The album’s emotionally charged approach to improvisation is suitably uplifting and seemingly made without ego, the couple melting away into the flitting wall of rustling drones and heavenly fuzz. Even at their most serrated (the groaning guitar amp squall underpinning ‘Journey’) or when surrounded by chiming bells, clocks and bowls (‘Around the Clock’), Päfgens is ready to listen, rest, learn, and improve, extracting and nurturing hidden abstract emotion in every piece, plundering something universal and teachable from very personal depths.

Reservar30.08.2024

debe ser publicado en 30.08.2024

22,27
Maxo - Even God Has A Sense of Humor

"Even God Has A Sense Of Humor" is the long-awaited follow up album to Maxo's critically acclaimed 2019 release Lil Big Man. Across the 14-tracks, Even God Has A Sense Of Humor pays tribute to the mercurial nature of life and includes features from Liv.e, keiyaA, LastNameDavid, and Melanie Charles along with the previously released singles "Free!," produced by Dev Morrison and "48," produced by Madlib and featuring Pink Siifu. The FADER recently sat down with Maxo to discuss the album, which they described as having "a defiant glow, like a bronze statue still standing after an intense tornado."

Born Maxamillian Allen, Even God Has A Sense Of Humor finds Maxo earnest, full-hearted, and lyrically agile. His delivery punches as he poetically unpacks the trials and blessings that have marked the last three years since Lil Big Man, his stirring and meditative debut album. “Life is always gonna be life-ing,” Maxo says, speaking to the spiritual lessons that inspired this new project and an album process that has revealed to him the many ways in which he’s divinely protected.

The album’s striking cover features three casted sculptures of Maxo by legendary NYC-based artist artist John Ahearn, photographed by the rapper’s friend Steven Traylor. The image both preceded the music and set the tone for the record’s overall aura. Experiencing the casting process—which required long periods of stillness for form, and breathwork to avoid claustrophobia—became a metaphor about ego death for Maxo. “I had to go to a space where I was just not there,” he says. As the molding was poured over his body and the voices of those in the room became distant, Maxo’s inner world came into focus. “By the time it hardened, it seemed like the sculpture had risen to be 20 feet above where it was first— almost like it grew tall,” he explains. EGHASOH, in its aural ebbs and flows, honest questioning, profound revelations, and elegant verse, is Maxo standing spiritually tall following a period of challenges with family and friends.

Maxo’s writing process has always been rooted in imagery, observation, and capturing moments. Growing up in Southern California, Maxo spent a lot of time combing through old family photo albums, some of whose contents have become the artwork for prior releases. But his fascination with visual memento is less about nostalgia or remembering, and more about exploring concepts of growth, healing, and cycles. His artistry is intentional and deeply sensitive: “If I’m not feeling it, I’m not gonna record.” While his past records openly grappled with emotional turbulence, anger and depression, EGHASOH is Maxo’s acceptance stage: “I can't really judge nothing. I can't sit up and be mad at shit because everything is, everything is kind of coexisting,” he says.

Musically, EGHASOH is an impressive evolution from Maxo’s earlier, unornamented lo-fi projects. With an emphasis on jazzy instrumentalism and soothing, intricate vocals from both the artist and featured chanteueses Liv.e, Melanie Charles, and keiyaA, EGHASOH is a welcome and beautifully complex sonic effort. Its contributors include a range of musicians: Pink Siifu, LastNameDavid, Madlib, GrayMatter, Karriem Riggins, Beat Butcha, Lance Skiiiwalker, and more. The album was executive produced by Mount Kimbie’s Dom Maker.

“Nobody talks about the fact that we’re changing as we get older... Everybody just acts like you supposed to know,” Maxo says on album standout, “Face of Stone”. It's moody bassline meets a cinematic accordion melody that paradoxically both broods and uplifts—a fitting production choice that mirrors the song’s story. “I’m seeing how this world is chipping you and withering your bones,” Maxo says. “I’m talking about myself, talking about my bro. But it’s never nothing you gonna do that’s a one stop shop in this life. You gotta keep staying diligent and consistent.” For Maxo, Even God Has a Sense of Humor is nothing more than another moment on the timeline of his offerings of self-expression as an artist—one whose sole intention is to, in his words, develop as a human being and heal.

Reservar30.08.2024

debe ser publicado en 30.08.2024

26,01
Lotus - Synthbuljong

Lotus

Synthbuljong

12inchEPR077LP
El Paraiso
30.08.2024

Indies only 150 available. Lotus is led by the rhythmic prowess of percussionist Olaf Olsen (Fra Det Onde, Needlepoint). Olaf joins forces with electric bassist Chris Holm (Orions Belte, Sondre Lerches band) as well as Norwegian-based Danish alto saxophonist Signe Emmeluth. Finalising the line-up is electric guitarist Karl Bjorå, known for his unique sonic creations - such as making his guitar oscillate like a synthesizer! Pulling momentum from the individual members’ diverse backgrounds in psychedelic rock, pop, jazz and improvisational music, Lotus creates a sound that transcends genre boundaries."Synthbuljong," their debut album, brilliantly captures the band's vibrant energy. Recorded partially during one of their electrifying concerts in Bergen, Lotus intentionally incorporated the live experience seamlessly into the album. From the raw Coltrane-meets-Sonic Youth energy of the opening track to the serene and contemplative atmosphere of "Ballade", the album takes the listener on a trip. The collaborative synergy of the musicians blend seamlessly in the seventeen-minute opus, “Synthgitar," pushing the boundaries of sonic exploration. The group taps into a Scandinavian history of high-powered, multi-cultural free jazz, but goes off on their own contemporary tangent. This is the kind of music that demands surrender from the listener - just lean back and let the lush, organic sound of Lotus wash over you. Includes liner notes by Audun Vinger. File next to: Don Cherry, Sonny Sharrock, Chris Corsano, Chicago Underground Duo.

Reservar30.08.2024

debe ser publicado en 30.08.2024

23,49
TUK SMITH & THE RESTLESS HEARTS - ROGUE TO REDEMPTION

Tuk Smith is the kind of rock'n'roll ambassador you didn't think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he's seen the best and worst of a music industry in constant flux. By turns it's left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. The result is Rogue To Redemption, Tuk's second album with solo project The Restless Hearts. The sonic lovechild of Thin Lizzy, 90s power pop and melody-driven punk, it shows an artistic peak born from adversity. The sound of a man bottling a lifetime of experiences, stories and characters from working class America. Produced by Tuk and mixed by Chris Dugan (Green Day, Iggy Pop, U2), Rogue To Redemption was written over the last three years but recorded down to the wire - right up to the summer of 2024. Joined by long-term Restless Hearts compadres, drummer Nigel Dupree and bassist Matthew 'Ponyboy' Curtis, he cut the bulk of it at home. So if any of this resonates with you - if you crave rock'n'roll with substance, an edge, 21st century eyes and an old soul's heart - you've come to the right place.

Reservar30.08.2024

debe ser publicado en 30.08.2024

26,68
Ettecon - The Miners Son Soundtrack

The vinyl is limited edition blue vinyl with a numbered certificate. This is the first coloured Evo vinyl. The Miners Son Film Soundtrack features self-penned material from Ettecon. 11 original Tracks, most of which has been written and composed by Ettecon Productions. A Nostalgic story of the hopes and dreams of a rock band in 1984. THE MINER’S SON depicts how a year of industrial action and violent unrest changed the face of a small tight knit community and their way of life forever. A bitterness that is still very much felt today. The film focuses on a bygone industrial past of a Kent town in Southeast England. Some of the characters are based on real people and true events from the day. The findings for this story are factual and sourced from friends and family who lived through this turbulent time. This story evolved from the memories of Kevin Short, co-writer & producer of The Miner’s Son. Kevin, a miner’s son himself was a guitarist in many local rock bands who struggled to achieve recognition. Despite this, he recalls the era as a fun and carefree time. A world away from how people see life today.

Reservar30.08.2024

debe ser publicado en 30.08.2024

43,28
LYDIA LUNCH & MARC HURTADO - MY LOVER THE KILLER

"My Lover The Killer" is the latest collaboration between Lydia Lunch and Marc Hurtado. They first worked together on the 'Sexodrone' track of the Etant Donnés's album "Re-Up" in 1999. Featuring Terry Edwards (Gallon Drunk), Ian White (Gallon Drunk), Mark Cunningham, We Are Birds of Paradise, David Lackner. "My Lover The Killer" is a collaborative project with Marc Hurtado. What began as a loose musical concept in the summer of 2012 became a prophecy written in blood by November of the same year. "My Lover The Killer" is a late night noir confessional. Sinister, sexy and mysterious, the music slithers, erupts and caresses the seductive vocals as they relay twisted tales rife with innuendo, promises and threats. The text is based on the murder/suicide of an ex-lover whom I had recently contacted for the first time in over a decade. Caught in the early fall hurricane which leveled the East Coast of America while enroute to Los Angeles, I had sent an invitation proposing that we meet for drinks. Two days later, during a alcohol fueled fight with his girlfriend about whether or not he should come to see me, he shot and killed her, called the police, turned the gun on himself, and died the next day on his 55th birthday. A tragic event, which "My Lover The Killer" attempts to make sense of. Each song is a rumination on the frightening effects of a mad love spun out of control and the haunting remnants of a lover who still stalks from beyond the grave.

Reservar30.08.2024

debe ser publicado en 30.08.2024

13,24
Leftover Salmon - Grass Roots LP

Few bands have as enduring a legacy in the acoustic/newgrass/jam band
scene as Colorado-based Leftover Salmon
Carrying the torch passed down by the progressive bluegrass pioneers, The
Seldom Scene and Newgrass Revival, Leftover Salmon are true architects of the
contemporary jam grass scene, inspiring the careers of a generation of artists
ncluding Billy Strings, Greensky Bluegrass and Yonder Mountain String Band.
On 'Grass Roots', Leftover Salmon reflect on its bluegrass and festival
campground origins with a set of songs that draws from the repertoires that The
Salmon Heads and The Left Hand String Band played when they first jammed in a
Telluride Bluegrass Festival campground. Collaborating with jam scene icons
Billy Strings, Oliver Wood, and Darol Anger, and with the recent addition of Jay
Starling on resophonic guitar, lap steel and keys to the band's official line, Leftover
Salmon have all the instrumental firepower needed to deliver hard driving
versions of bluegrass standards and grassed- up versions of songs from Bob
Dylan, David Bromberg, and The Grateful Dead. Now available on Limited Edition
Banana Yellow Vinyl
Now available on Limited Edition Banana Yellow Vinyl

Reservar30.08.2024

debe ser publicado en 30.08.2024

31,30
TOTAL BLUE - TOTAL BLUE LP

Introducing ‘Total Blue’, the Los Angeles-based trio of Nicky Benedek, Alex Talan, and Anthony Calonico. Despite collaborating for over a decade, ‘Total Blue’ represents a new chapter in their artistic journey together as a trio.

Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.

Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.

Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.

Art and design by Michael Willis.

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Urbanatribù - Mondotondo E.P.

Urbanatribù was an extremely interesting project based in Alessandria, deep North-Italian province. Formed by bassist Flavio Gemma and cyber wizard Massimiliano Bocchio, the outfit had a distinctive way to interpretate electronic and dance music.
Gemma founded some key Italian 80's wave groups like Viridanse and C.O.D.E.X. with some late digressions in the punk scene with Peggio Punx. Bocchio had its debut on the seminal imprint Minus Habens Records in 1994 under the moniker Klange, reflecting the unique and radical sound of the label.
Inspired by John Carpenter movies, rough basslines and british ghost stories, Urbanatribù records camed out against any order.

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18,45

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