To celebrate the 10th anniversary of Recital, we present Autumn Fair: A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann.
Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists.
Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron - keyboard, Karla Borecky - upright piano, Andrew Chalk - guitar, crys cole - birds, Loren Connors - guitar, Philip Corner - grand piano, Maxwell August Croy - whistle, Sarah Davachi - electronics, Aaron Dilloway - SFX, Delphine Dora - voice, Giovanni Fontana - voice, Scott Foust - trumpet, Peter Friel - impression, Malcolm Green - camera, Judith Hamann - cello / voice, Mark Harwood - speech, Forest Juziuk - voice, Johnny Kay - tapping, Kajsa Lindgren - hydrophone, Rob Magill - guitar, Lia Mazzari - whip, Molly McCann - flute, Sean McCann - editing / voice, Nour Mobarak - voice sampler, Azikiwe Mohammed - interview, Charlie Morrow - MIDI piano, Kiera Mulhern - SFX, Zachary Paul - violin, claire rousay - SFX, Michel Samson - violin, Troy Schafer - strings, Eric Schmid - tone generator, Ben Schumacher - SFX, Tom James Scott - keyboard / SFX, Asha Sheshadri - reading, Patrick Shiroishi - winds, Sydney Spann - voice, Matthew Sullivan - instruments, Flora Sullivan-Kelly - percussion, Connor Tomaka - SFX / synth, Alex Twomey - upright piano.
I won't go into too much detail on the album itself, but after many twists and turns, the album concludes with “Recital Program,” an intense track that manically collages two-second excerpts from every Recital album to date.
I extend a sincere ‘thank you’ for all the incredible support for Recital over the past decade.
Ltd. LP Edition of 350 copies on 175gram black vinyl, gold foil printing, incl. program notes, comes with printed ticket, mechanically numbered.
Suche:black ham
- A1: Delroy Wilson - Cool Operator
- A2: Leroy Smart - Mr Smart
- A3: Ken Boothe - I'm Not For Sale
- A4: Dillenger - Babylon Yard
- A5: Delroy Wilson - Better Must Coome
- A6: Dillenger - Leggo Violence
- A7: Leroy Smart - Mr Rich Man
- B1: Delroy Wilson - (Mash Up Illiteracy) Mash It Up (Mash Up Illiteracy)
- B2: Ken Boothe - You're No Good
- B3: Leroy Smart - God Helps The Man
- B4: Delroy Wilson - Can I Change Your Mind
- B5: Dillenger - Answer Me Question
- B6: Leroy Smart - Pride & Ambition
- B7: Delroy Wilson - You Must Believe Me
2022 Repress
The legendary gig that Joe Strummer, singer from the Punk Rock band 'The Clash' attended and inspired his writing their classic 'White Man In Hammersmith Palais' took place on the 05th June 1977.
At the Hammersmith Palais venue on Shepherd's Bush Road W6, London during the height of Punk Mania. The full line up for the show were all Jamaican artists Dillinger, Leroy Smart, Delroy Wilson (all the first time from Jamaica) and Ken Boothe.
'Ken Boothe for UK pop reggae' who had already scored some hits with 'Everything I own' and 'Crying Over You' in 1974. Joe Strummer was expecting Roots, Rock, Reggae but the Sound System this evening 'Admiral Ken Sound' was playing 'Four Tops all night' as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in Joe's eyes the music should have reflected more Jamaican roots based music. The song also deals with bigger issues of black and white unity, but some people including the Punk Rockers.
'They're all too busy fighting, for a good place under the lighting'. Joe Strummer himself was looking for fun. 'I'm the Whiteman in the Palais....Just Looking for Fun'
The artwork supplied by Punk Artist MAL-ONE has used the two posters that were made for this gig, the reggae promoters 'Star Promotions' poster, that contained a picture of Ken Boothe and the venue's own poster that used text to announce it's line up for that evenings performance. Alongside these lost relics he has also combined the groups own poster for the 'White Man In Hammersmith Palais' single that incorporated the use of rifle target sights, perhaps enhancing the air of violence contained in the songs message.
MAL-ONE has collaged these together joining the two stories as indeed the song lyrics reflected. People often forget that the songs release was in fact as year after the actual gig, we have tied this release to the 40th anniversary of the song's release. Joe Strummer was one of the few voices from the Punk Era that used his lyrics as a weapon to tell the events that were happening around him and their relevance to those times.
The song itsel a Clash Classic and also a Punk Anthem, released on the 16th June 1978. We have compiled this album with songs by these artists, most of which you would have heard that night. As a post script to this story when the Hammersmith Palais sadly closed its doors for the last time after 82 years' service in 1999, the owners thought it fitting to present Joe Strummer with a sign from the venue's entrance. Mr Strummer's understated reply 'I guess I'll have to send a man with a van round to pick it up'.
Hope you Enjoy the set....
Folk Songs Of Black British Experience
PLEASE NOTE - LP RELEASE DATE IS 10th MARCH 2023
The Sorrow Songs: Folk Songs of Black British Experience is the
upcoming album by Cornwall-based folk singer, songwriter and multiinstrumentalist Angeline Morrison, her first record for the historic Topic
Records label
Produced by Eliza Carthy and featuring some of her beautiful, soaring
string arrangements, The Sorrow Songs was recorded in Cornwall at
Cube Studio and is a work of what she calls 're-storying'
"The traditional songs of the UK are rich with storytelling, and you can find songs
with examples of almost any kind of situation or person you can think of. But
whilst people of the African diaspora have been present in these islands since at
least Roman Times, their histories are little known - and they don't tend to appear
in the folk songs of these islands." Angeline Morrison began to wonder if she
could discover more about the lives of these ordinary and extraordinary Black
ancestors and create an album of songs in the sonic style of UK folk and
traditional music, in the hope that this silent space could then begin to be filled
with stories. With the help of Arts Council National Lottery funding, Angeline
began what became a year of research into this neglected area of Black British
history. The Sorrow Songs: Folk Songs of Black British Experience is the result.
Released to commemorate Black History Month in October, this powerful record
is intended to honour these Black ancestors who lived in these islands and to act
as a gift to the folk community.
The musicians on the album are: Cohen Braithwaite-Kilcoyne (anglo concertina,
melodeon, vocals), Clarke Camilleri (guitar, banjo, vocals), Hamilton Gross (violin,
vocals), Rosie Crow (piano, vocals), Alex Neilson (drums, vocals), Eliza Carthy
(violin, fiddlesticks, vocals), Martin Carthy (guitar) and Angeline Morrison (vocals,
autoharp, double bass).
In July 2022, Angeline Morrison became the fourth recipient of the prestigious
Christian Raphael Prize, which generously supports the development of emerging
talent in the folk genre.
Fünf Jahre nach der von 20 Buck Spin veröffentlichten Debüt-EP "Pulsing Dark Absorptions" erheben sich Daeva aus Philadelphia wie lodernde Flammen aus den höllischen Tiefen mit dem lange schwelenden ersten Album "Through Sheer Will And Black Magic...".
Ein feuriger Strudel aus frühem dämonischem Black Metal und zackigem Thrash Metal bildet die Grundlage des Albums, auf dem Daeva ihre Kunst wie glänzend geschmiedeten Stahl perfektioniert haben. Innerhalb dieses Wahnsinns setzt Gitarrist Steve Jansson die mit Maden übersäte Leiche des Death Metal und eine kräftige, tödliche Dosis reinen 80er-Jahre-Metal-Geistes frei. Die Reise durch dieses verbrannte Ödland wird durch die giftig-säurespritzenden Vocals des Sängers Edward Gonet geleitet.
Song für Song, Riff für Riff ist das von Arthur Rizk produzierte "Through Sheer Will And Black Magic" ein unersättlicher und unaufhaltsamer Wirbelwind aus außerweltlichen Genüssen und infernalischem Gemetzel. Wie in einem unerbittlichen Rausch stürmen Daeva die Tore des Himmels und unterwerfen die schwachen Schafen des Lichts in einem ultimativen Triumph der Hölle!
Fünf Jahre nach der von 20 Buck Spin veröffentlichten Debüt-EP "Pulsing Dark Absorptions" erheben sich Daeva aus Philadelphia wie lodernde Flammen aus den höllischen Tiefen mit dem lange schwelenden ersten Album "Through Sheer Will And Black Magic...".
Ein feuriger Strudel aus frühem dämonischem Black Metal und zackigem Thrash Metal bildet die Grundlage des Albums, auf dem Daeva ihre Kunst wie glänzend geschmiedeten Stahl perfektioniert haben. Innerhalb dieses Wahnsinns setzt Gitarrist Steve Jansson die mit Maden übersäte Leiche des Death Metal und eine kräftige, tödliche Dosis reinen 80er-Jahre-Metal-Geistes frei. Die Reise durch dieses verbrannte Ödland wird durch die giftig-säurespritzenden Vocals des Sängers Edward Gonet geleitet.
Song für Song, Riff für Riff ist das von Arthur Rizk produzierte "Through Sheer Will And Black Magic" ein unersättlicher und unaufhaltsamer Wirbelwind aus außerweltlichen Genüssen und infernalischem Gemetzel. Wie in einem unerbittlichen Rausch stürmen Daeva die Tore des Himmels und unterwerfen die schwachen Schafen des Lichts in einem ultimativen Triumph der Hölle!
- A1: Splashscreen 01
- A2: Welcome To Blackreef
- A3: Menu - Break The Loop
- A4: Karl's Bay
- A5: The Revenant (By Frank Spicer)
- B1: Updaam
- B2: Colt Win
- B3: Anonymous (Aleksis Dorsey)
- B4: Invasion Started
- B5: Ubiquity (Wenjie Evans)
- B6: Julianna Win
- C1: Fristad Rock
- C2: A Band Apart (Frank Spicer)
- C3: Rocket Man
- C4: Ode To Somewhere (By Frank Spicer)
- D1: The Complex
- D2: Eternal Deathwish
- D3: Final Confrontation
- D4: Déjà Vu
The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter DEATHLOOP to wax.
The complete 59-track soundtrack has been specially mastered for vinyl and will be pressed onto heavyweight discs. These will come in spined inner sleeves housed in a rigid board slipcase. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon.
This Standard Edition quadruple LP box set features traditional black discs.
Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For DEATHLOOP’s original score, he immersed himself in the music of Jimi Hendrix, Pink Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay.
Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring FJØRA), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)
1962 live recording of Ahmad Jamal Trio 'At The Blackhawk' pressed on
limited edition 180g orange coloured vinyl, comes with its own unique
sticker
For me this is the crowning achievement of Ahmad's recording career. Ahmad
plays with a gusto he usually hides. Crosby is miraculous and Fournier on drums,
nothing short of perfection." - John Hammond
In 1973, a fast-talking hustler by the name of Sport played a huge part in the birth of Hip-Hop. Brought to life by Lightnin’ Rod a.k.a Jalal of The Last Poets and backed by music from Kool & The Gang, Buddy Miles, Billy Preston and more, ‘Hustlers' Convention’ is a concept album documenting the rise and fall of Sport, a street gambler who ends up in jail after a shoot-out with the police. His street tales of card games, throwing dice and chasing women influenced the Wu Tang Clan, Ice T, Public Enemy, Jungle Brothers and many more while also playing a key role in establishing rap as an accepted modern musical art form. A documentary about the album and its pivotal role in the evolution of hip hop is currently being made. The film features interviews with Chuck D, Melle Mel, KRS One, Fab 5 Freddy and more. This remastered vinyl edition is pressed on 180-gram vinyl and is packaged in a facsimile gatefold sleeve and also reproduces the illustrated inner booklet from original pressings. “this is a masterpiece of jailhouse blues and cinematic street rap... it deserves its growing reputation as a lost classic.” * * * * Uncut “a cornerstone in the development of what is now a part of global culture” Fab 5 Freddy “a verbal bible” Chuck D (Public Enemy)
- A1: Tenison Stephens - Don&Apos;T Rip Me Off!
- A2: Leontine Dupree - Standing On His Word
- A3: Frankie Staton - Love One Another (Feat Speckled Rainbow)
- A4: Joe Washington &Amp; Wash - Blueberry Hill
- B1: Reno &Amp; The Chosen 3 - Soul Bagg
- B2: Don Patterson Trio - Paddy Wagon
- B3: Bill Cole - Bring It On Back To Me
- B4: Unknown Organist - Untitled
- B5: Roy Long - Mercy Mercy Mercy
- C1: Mckinley Edmonds - Hard Times
- C2: Marva Josie - I&Apos;M Satisfied
- C3: Shirley Wahls - Tell The Truth
- C4: The Echomen - Talk Is Cheap
- C5: Unknown - Damn You Sheriff Black
- D1: Rick Bowen - Snake In The Grass
- D2: 101 Gold Street Band - You Came A Long Way From St Louis
- D3: Bobbi Lane - Black And White
- D4: Dave Stockwell - I Can&Apos;T Get Enough
- D5: Delores Eiler - He Won&Apos;T Love You
** SISTER FUNK, SOUL-JAZZ and BLUE-EYED-SOUL - OBSCURE RARE GROOVES ALL THE WAY THRU! **
- the double vinyl LP comes with a full album download code
- deluxe double-gatefold LP with detailed liner notes & unseen photographs
- ALL songs appear on LP & digital for the very first-time
- sales notes by Joel Ricci (aka Lucky Brown)
When Tramp Records was founded, there really were very few ways in which the music lover could discover new music besides the traditional methods of digging, good luck, and inheritance. First there were torrent sites such as Napster and Limewire where generous collectors might digitize and upload portions of their accessions, and sometimes you could find entire radio show broadcasts of live vinyl curation made by real Disc Jockeys out there, a lot of the Deep Funk I heard for the first time in around 1999 I found this way via Disc Jockeys on radio shows from the UK, tunes were faded and mixed together and of course veiled with that unmistakable Mp3 'whoosh'. And unless you have been living as an off-grid hermit for the past 20 years, you know the rest of the story.
But though our world has changed, and even though everyone from our grandparents to our 5-year old nieces are curating their own internet playlists, I submit that the role of DJ has become even more vital, not less. We as a culture have always relied on our Disc Jockeys to introduce us to sounds that speak to their souls, to control the vibe and most importantly put forth the narrative that speaks to society as a whole. DJs are our tribal storytellers, and the music they bring us are the stories. And when a DJ like Tobias Kirmayer is telling us that story clearly and with conviction, it speaks to our souls as well.
"Countdown to...SOUL" is a compilation series that, much like Tramp Records' other critically-acclaimed comps such as Movements, Feeling Nice, and the Praise Poems Series' examines a unique facet of the Golden Era of Soul, Funk, Jazz and R&B. Perhaps, in this case the dawning of the Soul era, "proto-soul", "primitive soul", or even "pre-soul" if you will. When they were recorded, many of these tunes were still firmly ensconced in the Black Radical Jazz tradition, but there was a change in the air, something happening in the coming years that would revolutionize popular music forever. In fact, Soul had already taken over the world by the time many of these tunes were released on 45, but for various reasons, the artists and their music occupied the fringes of the idiom and therefore remained obscure. Countdown to...SOUL chronicles that beginning, that buildup, those heady moments before the lid blew off and American Black music would explode across the planet, while scouring the outskirts and tide pools for specimens that were emanating in their own respective neighborhoods and communities, so often overlooked by the American pop music machine.
Side A features barrier-breaking pioneer Frankie Staton and her message of "Love One Another" to the world that is as fresh and vital today as it was when it first came out in the late seventies. In that spirit, Tenison Stevens' appeal "Don't Rip Me Off" reminds us to treat each other as brothers and sisters.
Side B meets us at the altar of the formidable Hammond Organ with an Unknown and uncredited Organist found languishing on a one-of-a-kind unreleased acetate and moving on to explore the nexus of Soul, Bebop, and R&B with Don Patterson's "Paddy Wagon".
Side C satisfies our hunger for the blaring horn sections, big beat drums, wailing Hammonds, pleading vocals and gritty guitars of authentic Soul music (both brown and blue-eyed) with Marva Josie, Shirley Wahls and The Echomen, among others, but then takes a hard left turn into undoubtedly uncharted territory with the hybrid folk/country/soul story of Sherrif Black and poor Sally who, though she is tragically met with a terrible fate, thanks to the careful and conscientious mastering of our German engineers, the song itself remains alive and is a genuine addition to the canon.
For the remaining side, I'm gonna just let you discover this music on its own terms, as you won't find these tunes anywhere else, not on Napster, not even on Limewire, or anywhere else. I want to personally thank you for putting your trust in the DJ and for continuing to listen, study, appreciate, and share the work and mission of Tramp Records.
-Joel Ricci (May 2022)
Silver Vinyl[30,80 €]
High Roller Records, 4th pressing, black vinyl, ltd 250, black vinyl bonus 7" (Mrs. Victoria + Lucifer's Hammer), 425gsm heavy cardboard cover, lyric sheet, poster, A5 photocard, mastered for vinyl by Patrick W. Engel at Temple of Disharmony
Black Vinyl[28,36 €]
High Roller Records, 4th pressing, black vinyl, ltd 250, black vinyl bonus 7" (Mrs. Victoria + Lucifer's Hammer), 425gsm heavy cardboard cover, lyric sheet, poster, A5 photocard, mastered for vinyl by Patrick W. Engel at Temple of Disharmony
It's drama-bringing, supremely melodic & riff-heavy." Revolver Magazine
"start to finish, Polaris is affecting, captivating & bloody gorgeous" Metal Hammer
The pioneers of an ever- evolving metal scene, TesseracT, released their third
studio album 'Polaris' to worldwide acclaim in 2015.
Originally formed as a studio project by guitarist Acle Kahney, TesseracT are a
band full of melody, dynamics & groove, they sit outside the bounds of any genre
specificity to truly create a sound that has always been pioneering & creative; an
unstoppable force of off- kilter riffs, soaring melodies & disorientating
atmospherics.
In 2015, the band found a new creative energy when they reunited with original
singer Dan Tompkins. 'Polaris' was an evolution from previous release 'Altered
State' & features skilful experimentation with sounds & tones, plus a deeper
exploration of the core attributes that define TesseracT's trademark sound.
Sold out on limited edition Picture Disc for RSD 2022, Kscope is now proud to
make this fantastic record available to the wider public again on vinyl.
Tesseract's 'Polaris' will be issued via Kscope on Single Black LP.
- 1: Walk A Crooked Mile
- 2: Down The Line
- 3: Brave New World
- 4: Voices From The War
- 5: Mine All Mine
- 6: Shut Your Mouth
- 7: Kill The World
- 8: Dr. Love
- 9: No Remorse
- 10: Red Raw
- 11: Serial Killer
Hammered is the 16th studio album by British rock band Motörhead, released on 9th April 2002. It was recorded in Hollywood and Motörhead was now a three-piece band, with Mikkey Dee on drums, Phil Campbell on guitar and Lemmy on vocals and bass.
This gold and black splatter vinyl is to celebrate the 20th Anniversary of Hammered. LIMITED TO 3500 COPIES IN THE UK.
Kinetika Bloco's 'Legacy' now on limited-edition vinyl with 6-panel poster
of the cover artwork
'Legacy' celebrates the 21st anniversary of the carnival group of the same name,
which was founded by Mat Fox in South London. Usually around 100 strong, this
scaled-down group of Kinetika alumni led by Mat's son Ruben Fox revisit some of
the Bloco's iconic pieces on this landmark recording and features saxophonist
Nubya Garcia, pianist Reuben James and trumpeters Mark Kavuma, Claude
Deppa and Ife Ogunjobi.
They revisit some of the Bloco's iconic pieces on this landmark recording. What is
effectively a big band with guitar, Hammond B3 and a four-piece rhythm section
of Brazilian surdos (bass drums), bells and snare drums, their sound is
refreshingly new, enthralling, and vibrant.
George Clinton: "Don't ever stop grooving like that, you (Kinetika Bloco) own the
world."
Press quotes:
"Kinetika Bloco has created a unique new British carnival sound, drawing its
influences from the Caribbean, Brazil, Africa and New Orleans." - Jazzwise
"Kinetika Bloco are a phenomenon - over the last twenty years the percussion and
horn heavy collective have evolved their own irresistible version of carnival music,
drawing on the many traditions of the Black Atlantic, while acting as a hothouse
for talent development for generations of young London musicians." - Jazzviews
"The group sounds like a British carnival for today, drawing on a Caribbean,
Brazilian, African and New Orleanian influence. Legacy celebrates Kinetika Bloco's
21st anniversary." - Jazz Journal
Kinetika Bloco were featured in the Queen's Platinum Jubilee Pageant, as seen on
TV by millions.
Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions.
This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle – Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records.
Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy fat beats laid down by the excellent rhythm section complementing Johnny Walkers cool horn stylings.
Reminiscent of the albums of that early Jazz Dance era by Tom Browne and Rahmlee but with less of a commercial edge and wholly instrumental this is Funky Jazz that has not dated and sounds like it was fresh out of the studio in 2022.
Funk all the way on "Dipping" and "Dirkie" while "Arrival" is one for the Jazz Dancers.
- 1: Zadar
- 2: Prasine Coast
- 3: Wild Encounter
- 4: Briçal De Mar
- 5: Windward Fort
- 6: Lady Lottie
- 7: Turquesa
- 8: Nanga
- 9: The Canopath
- 10: Tamer Encounter
- 11: Mokupuni
- 12: Anak Volcano
- 13: Dr. Hamijo
- 14: Giant Banyan
- 15: Wreck Of The Narwhal
- 16: Corrupted Badlands
- 17: Belsoto Encounter
- 18: Mines Of Mictlan
- 19: Quetzal
- 20: Dojo Master
- 21: Kakama Cenote
- 22: Kupeleleza
- 23: Jino Gap
- 24: Vumbi
- 25: Max
- 26: Nuru Lodge
- 27: Tasa Desert
- 28: The Battle Of Uhuru
- 29: General X
- 30: Uhuru
- 31: Neoedo
- 32: Iwaba
- 33: Onsenshima
- 33: Ryokan
- 34: Ku No Hosomichi
- 35: Miyako Village
- 36: Sacred Lake (Feat. Mioune)
- 37: Telobos
- 38: Loch Aduar
- 39: Lochburg
- 40: Meadowdale
- 41: Cromlech
- 42: Properton
- 43: Forest
- 44: Castle
- 45: The Final Encounter
- 46: The Arbury Reel
Black Screen Records is excited to announce that Damián Sánchez' chill and joyful orchestral soundtrack to Crema's massively multiplayer creature-collection adventure Temtem will be available on limited edition 3xLP Picture Disc vinyl. You get 47 songs and the three starters Crystle, Smazee and Houchic in one beautiful trifold set with gorgeous artwork by Alex Muñoz and Cristina Jiménez. The vinyl and CD both come with a download card for the full digital soundtrack including all tracks. ABOUT THE SOUNDTRACK: Temtem's original game soundtrack is a melodic journey through the adventures on the Airborne Archipelago. A mixture of musical styles and flavors ranging from the chill and joyful orchestral sounds from Deniz to the most vivid and chrer-ish celtic dances from Arbury, through the folk and peacefulness of Omninesia, the mysterious glassy mallets of Tucma, the warm drums and flutes of Kisiwa, and the modern-versus-traditional Asian tunes in Cipanku. Discover the traditions of each isle through its instrumental palette and melodies, and vibe with the rhythms of the combat themes while you become the greatest Temtem tamer. The aim of this physical edition it's always been to give our fans not only another way of listening to Temtem's soundtrack, but to make a piece of art they would love to display on their shelves or even hang on a wall. Both teams at Crema and Black Screen Records worked really hard for a long time to cherry-pick the best ideas and come up with these incredibly beautiful editions. We are really proud of these products and we really hope you enjoy them! - Damián Sánchez ABOUT THE GAME: Temtem is a massively multiplayer online adventure where you'll get to explore the colorful and exciting Airborne Archipelago with all your friends and other players! Discover, tame and battle the Temtem that inhabit these islands, and maybe save the Archipelago in the process? Temtem offers a lengthy story campaign in a fully online world, and the possibility of playing the entire adventure in Co-op with a friend; a rich, complex, RNG-free combat experience, and competitively oriented gameplay, with challenges for all play styles; a bustling economy and trading environment; advanced character customization, housing and a myriad of ways to express yourself!
This album presents two multichannel works recorded at the seminal INA GRM Studio in Paris and ZKM Institute in Karlsruhe respectively, mixed to stereo at the composer's Cellule 75 Studio in Hamburg with excellent mastering by Rashad Becker. While his releases under the Black To Comm moniker often touched the fringes of acousmatic techniques and Musique Concrete this is Richter's first foray into a more abstract spatial music.
Recorded in the week leading up to the Paris terror attacks at the GRM studio, "Diode, Triode" (21:57) is loosely based on a reading of (and, in parts, a failure to understand) "Le Parasite" (1980) by Michel Serres, a philosophic metaphor about human interaction and communication (which can also be interpreted as a lyrical essay on capitalism; part confusion, part enlightenment).
As core elements Richter is using speech synthesis and the transformation and distortion of concrete sounds, instruments, voices and breathing. Abstract incognisable sounds are combined with strings, reeds and percussion while dismembered musical fragments emerge and vanish rapidly. Chunks of interfering noise are followed by long periods of silence; chaos and order are alternating. Choirs of synthetic and processed human voices are recounting stock market values, seemingly random sequences of numbers and inscrutable lyrics while parasitic sounds are trying to crack, collapse and fractionise the compositional stream and sonic interactions. Finally, a haunting piano chord is wrestling with a broken Publison machine. Like the book, it's part confusing, part enlightening - and a radical piece of sonic art.
"We are buried within ourselves; we send out signals, gestures, and sounds indefinitely and uselessly. No one listens to anyone else. Everyone speaks; no one hears; direct or reciprocal communication is blocked." (Le Parasite)
"Diode, Triode" was premiered on the Acousmonium at INA GRM's Akousma Festival in Paris, January 22, 2016 alongside new works by François Bayle, Robert Hampson, Leo Kupper and Ragnar Grippe.
The second piece "Spiral Organ of Corti" (17:00) has been composed in 2014 for the 47-speaker Klangdom concert hall at ZKM Karlsruhe at the foot of the Black Forest (where Richter was born and raised).
How does one listen with closed ears? Sine tones, alienated human voices and breathing noises build a labyrinthine puzzle alternating between the natural and the artificial. Human sounds merge with winds and strings, sine tones morph into metal sounds. Acoustic illusions confuse the listener, and dense noise-clouds slowly emerge from deceptive silence. Deep base sounds define space. Temporary focus glides into chaos. "Spiral Organ of Corti" is yet another extended composition that proves Richter is on a path of his very own.
"Spiral Organ of Corti" is dedicated to the late Gary Todd.
"Tongues that came from wind and noise. To speak in tongues after the fire." (Le Parasite)
Marc Richter records as Black To Comm for Thrill Jockey, Type and Dekorder and under the Mouchoir Ètanche and Jemh Circs monikers for his own Cellule 75 imprint. He collaborated with visual artists such as Ho Tzu Nyen, Jan van Hasselt and Mike Kelley. Under his own name he is composing for film and installations.
- A1: In And Out
- A2: Isola Natale
- A3: Black Cat
- A4: Lament For Miss Baker
- A5: Goodbye Jungle Telegraph
- B1: Tramp
- B2: Why (Am I Treated So Bad)
- B3: A Kind Of Love In
- B4: Break It Up
- B5: Season Of The Witch
- C1: A Day In The Life
- C2: George Bruno Money
- C3: Far Horizon
- C4: John Brown’s Body
- D1: Red Beans And Rice
- D2: Bumpin’ On Sunset
- D3: If You Live
- D4: Definitely What
- E1: Tropic Of Capricorn
- E2: Czechoslovakia
- E3: Take Me To The Water
- E4: A Word About Colour
- F1: Light My Fire
- F2: Indian Rope Man
- G1: Ellis Island
- G2: In Search Of The Sun
- G3: Finally Found You Out
- G4: Looking In The Eye Of The World
- H1: Vauxhall To Lambeth Bridge
- H2: All Blues
- H3: I’ve Got Life
- H4: Save The Country
- I1: I Wanna Take You Higher
- I2: Pavane
- I3: No Time To Live
- I4: Maiden Voyage
- J1: Listen Here
- J2: Just You Just Me
- F3: When I Was A Young Girl
- F4: Flesh Failures (Let The Sunshine In)
The ground- breaking, unique jazz/R&B/pop group Brian Auger & The Trinity were formed from the ashes of Long John Baldry’s and Brian Auger’s previous group bandThe Steampacket, an R&B Revue collective, which also featured a then barely known Rod Stewart and Julie Driscoll.
Adding the UKs then greatest soul/pop singer Julie Driscoll to this new collective meant that not only did the band have a unique, beautiful voice and face to front the group – Driscoll also embodied everything about the 1960s fashionable It Girl; her sound, her clothes, hair styles and make up assured that nearly as many column inches were dedicated to her stylish demeanour as much as the band’s genre bending music.
The group were the one of the first too to intentionally set out to break down musical barriers – Brian himself specifically stated in the sleeve notes for 1968s ‘Definitely What!’ album that his concept “lies along a straight line drawn between pop and jazz and aims at the ‘fusion’ of both elements”. ‘Fusion’ at that time was not even a recognised musical term, reinforcing Auger’s credentials as an originator and innovator.
“Back then the jazz audiences were purists. They really looked down on rock and pop,” he explains. “I had people cross the road when they saw me coming, I was persona non grata at Ronnie Scotts because of themusic we were doing and the clothes we were wearing”.
Happily – audiences of the time didn’t take the same dismissive approach, Julie Driscoll, Brian Auger & The Trinity toured the US and had exploded onto American TV screens as guests of The Monkees, and also scored hits across Europe's pop charts via the singles ‘This Wheels On Fire’ & ‘Save Me’ – but simultaneously appeared on the UK’s ‘Top Of The Pops’ in the same month as headlining major European Jazz Festivals – a feat no other act has equalled since.
Between 1967 and ’70, Brian Auger experienced a four year run of unprecedented creativity – 1967’s Open with Julie Driscoll, 1968’s Definitely What!, 1969’s Streetnoise again with Driscoll and 1970’s Befour – taking the Hammond Organ in new directions with their thrilling fusion of club R&B, jazz and psychedelic cool, engaging both the underground and the mainstream, and bringing the group chart success in the UK and Europe. “I look back on my years with The Trinity as aperiod of discovery,” Auger concludes. “I didn’t know what would happen or where it would take me but we were breaking down barriers and going someplace new.”
King Britt “The Multi-Genre Maestro, Brian Auger is every producer and DJ’s secret weapon. A hero who deserves his flower now”
DJ Format “I have more Brian Auger records in my collection than any other British artist, which says more about my love of his music than words ever could"
FOR FANS OF:
Jimmy Smith, Aretha Franklin, The Spencer Davis
Group, Nina Simone, Georgie Fame, Traffic. Sly &
The Family Stone, Jimmy McGriff.
Lampen is Kalle Kalima and Tatu Rönkkö. Kalle plays guitar, Tatu plays percussions and sampler. Together they're Lampen, a duo making highly addictive "post jazz" with a musical heart far beyond genre. Call it what you will, but the main point is listening, and there's a high season for that coming as Lampen is set to release their debut album on We Jazz Records on "Kintsugi Gold" vinyl and digitally. Previously a CD only release (Karkia Mistika Records, 2020), "Lampen" presents two artists who have a knack at making music which opens up with each listen, pulling you deeper and deeper. Meditative passages flow by slowly as in a peaceful river stream, erupting into full rapids of sound when the time is right. This is sonic rafting for the curious listener.
Tatu Rönkkö (b.1983) is a Finnish percussionist and drummer who has been active in the experimental music scene of Helsinki and Berlin during the past ten years and has toured Europe, U.S. and Asia extensively. He is a forming member of Liima (DK/FI) and has performed with such artists as Ilpo Väisänen (Pan Sonic), Samuli Kosminen (Múm), Jimi Tenor, Nils Frahm, Efterklang, Raoul Björkenheim, Elifantree and Islaja. Rönkkö has been playing improvised solo concerts in people's kitchens ("I Play Your Kitchen") using only kitchenware found in each home as instruments.
Kalle Kalima (b. 1973 in Helsinki, Finland) has worked with trumpeters Tomasz Stanko and Wadada Leo Smith, sax players Juhani Aaltonen, Anthony Braxton, bass players Greg Cohen and Sirone, guitarist Marc Ducret, composers Michael Wertmüller and Simon Stockhausen, pianists Jason Moran and Hans Lüdemann, drummers Jim Black and Tony Allen and singers Andreas Schaerer, Linda Sharrock as well as with Ensemble Resonanz and Jazzanova. Kalima has composed orchestral music for Opera Lyon, Ensemble Resonanz (Chamber Ensemble of Elbfilharmony in Hamburg), String Trio of Munich Symphony, NDR Big Band, Umo Big Band and Jousia Ensemble among others.
LP on Black Vinyl. First new album 2018’s Romance. Mastered by Alan Douches. Recommended If You Like: Can, Tortoise, OOIOO, Sonic Youth, Ty Segall, King Gizzard & the Lizard Wizard, Bitchin Bajas, The Cars, Liars. Experimental psych-punk institution Onedia returns with Success, the band’s most guitar-centric, rocking album in decades. Long straddling the gray area between the NYC punk/psych/rock community and the art/experimental world, the music of Oneida is celebrated for its mix of abstract, atmospheric sounds and pulsing, hammering anthems. Success finds the band getting to the core of what makes minimal rock music so good - songs pared back to beat and melody with a limited number of guitar chords. If a song or two gets ripped in half later by a corrosive guitar solo, well, what did you expect? This is Oneida. “Oneida are the rare experimentalists who can hammer away at a riff or idea incessantly and somehow make it really last.”




















