Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour lyric sheet / poster exclusive to this edition.
After releasing the critically acclaimed Alphabet 1968 on the seminal Type label (Grouper, Jóhann Jóhannsson, Yellow Swans), Richter chose De Stijl for this 2012 album, an American label that had just put out future classics by the likes of Circuit Des Yeux, Hype Williams and Wolf Eyes.
EARTH is a 2009 silent film by Ho Tzu Nyen, one of Singapore's foremost visual artists. After hearing Black To Comm's Alphabet 1968 Ho Tzu Nyen invited Richter to accompany the film at Berlin's Asian Film Festival, Unsound in Krakow and several other art biennals and music festivals around the world.
In his own words: "Most of the music was composed under the influence of heavy pain killers while recovering from a broken leg (the recordings literally took place in bed). The music (like the film) is about slowness and decay, states of unconsciousness, sleeping and waking up, dying and being reborn. The film is a post-apocalyptic collage based on paintings by classical European painters (Caravaggio, Delacroix, Rembrandt, Gericault) -- the music translates this concept employing corresponding collage-based sampling techniques using loops made from vintage vinyl and shellac records combined with acoustic and electronic instrumentation and voice."
From the original De Stijl one-sheet:
"Richter’s already formidable expressive power stretches over all of EARTH. Reflecting the countless cyclical forces that make up, oh, more or less everything we know and are, the music on EARTH is bracing, lovely, bustling and still, and at times bittersweet, a commingling of sensations and emotions that can’t be neatly separated from one another. (EARTH is complex, as you know.) Guests on EARTH include David Aird, a.k.a Vindicatrix (on the Mordant Music label), contributing startling vocal work; Renate Nikolaus on an array of instruments and noise devices; Rutger Zuydervelt (singing bowls); and Christopher Kline (singing saw). EARTH is Black to Comm’s seventh album and his debut for De Stijl, following the acclaimed Alphabet 1968 (on Type) and last year’s vinyl-only collaboration with Mike Kelley of Destroy All Monsters (on the En/Of label)."
Alex Neilson in The Wire:
"The most marked aspect of Earth is the voice of David Aird, aka Vindicatrix. Imperious and dolorous, he has the gravity of post-Climate Of Hunter Scott Walker, David Sylvain or Klaus Nomi stripped of the pathetic ritz. This is something that's easy to do badly, but Aird pulls it off with aplomb. On "The Children" he breaks into a morose yodel, rolling the words around his palate and colouring each syllable black before gifting them to the air. The meaning isn't understood verbally as much as viscerally. Beneath Aird's ululations, Richter casts handfuls of angelic debris from keyboards and digital devices, generating a celestial electronic tapestry reminiscent of Japanese musician Nobukazu Takemura. Sounds vie and twist at frequencies you can't so much hear as feel in the bridge of your nose, and the variety and full-bloodedness of the accompaniment is what prevents Aird's vocal from occassionally lapsing into shtick."
Search:blood music
In the realms of modern day late night ambient exploration Manchester's Marconi Union often draw comparisons with Brian Eno and Biosphere, perhaps Sigur Ros, but the graceful manner with which their richly melodic compositions unfold and the emotion these evoke sets them apart from their peers.
'Weightless' topped a scientific list of the most relaxing pieces of music of all time, research suggesting that it can slow the heart rate, reduce blood pressure and decrease cortisone levels.
Continuous worldwide spotlight on this track sparks new interest daily in Marconi
Union and all their music as the story continues its viral reach across the globe online and in print, on radio and TV.
Consistently topping the Billboard Digital Song Sales Charts, iTunes Electronic Music Chart, UK Independent charts, European and Australian charts and the Amazon Ambient Music bestsellers list, Marconi Union are considered one of the leading ambient (and electronic- synth) acts in the world, continuously topping many lists as the most important contemporary ambient artists around today. They have released 12 albums on the Just Music label since their 2003
debut, continually refining and developing a unique musical identity that seamlessly blends elements of dub, jazz, ambience and electronic music.
Originally released in 2014 and their most successful album to date, the band's 7th studio album Weightless (Ambient Transmissions Vol 2) is now to be released on vinyl.
With the next number on its list, Exarde has brought to you the new blood from Italy. NND is carrying a robust warehouse vibe through the whole EP and this time it is even stronger than before.
All simply because this one is an excellent reminder about dark nights from back in the day. Since 2016 Mr. Moretti stepped in the game of his own music production and now he is presenting a 3rd solo release.
Gold farbenes Vinyl! De Augustines erstes Soloalbum seit seinem dritten Album, dem von Thomas Bartlett produzierten Tomb (2019), und dem Nachfolger von A Beginner's Mind (2021), einer von der Kritik gefeierten Kollaboration mit Sufjan Stevens, ist eine Rückkehr des südkalifornischen Künstlers zu dem in sich geschlossenen Ansatz seines Debüts Spirals of Silence (2015) und Swim Inside the Moon (2017). De Augustine verbrachte fast drei Jahre damit, allein zu arbeiten und die unendlichen Weiten seiner Vorstellungskraft zu erforschen, um ein allumfassendes Werk zu schaffen, das nach seiner eigenen quixotischen Logik existiert und eine psychische Landschaft bewohnt, die so sublim und mystisch ist wie ein Fiebertraum oder ein Märchen. Er schrieb, arrangierte, nahm auf, produzierte und mischte Toil and Trouble allein und formte den kunstvollen, detaillierten Sound des Albums, indem er auf 27 verschiedenen Instrumenten spielte (darunter so seltsame Dinge wie ein Xylophon aus Glas). Inmitten dieses höchst experimentellen Prozesses durchlebte er eine ephemere, aber alptraumhafte Zeit mit jenseitigen Empfindungen und übernatürlichen Visionen - eine Erfahrung, die die Entstehung des Albums kurzzeitig unterbrochen hat, aber letztendlich dazu beitrug, die immense emotionale Tiefe von Toil and Trouble zu bereichern. "Dieses Album entstand aus dem Nachdenken über den Wahnsinn der Welt und wie überwältigend das sein kann", sagt De Augustine. "Ich habe eine Art Gegenwelt als Leitfaden benutzt, um zu verstehen, was hier eigentlich vor sich geht - ich musste mich selbst aus der Realität herausnehmen, um zu versuchen, die Realität zu verstehen." Das Ergebnis ist das bisher visionärste Werk eines einzigartigen Songwriters, das abwechselnd betörend, niederschmetternd und unaussprechlich schön ist und seine tiefe Fähigkeit offenbart, Schmerz in außergewöhnliche Schönheit zu verwandeln.
I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration.
This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring.
The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory.
The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new.
Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.
I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration.
This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring.
The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory.
The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new.
Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.
Altar is a collaboration album between experimental music groups Boris and Sunn O))), originally released on October 31, 2006 through Southern Lord Records (SUNN62). In addition to major players Sunn O))) and Boris, Altar also boasts an extensive roster of guest musicians/collaborators such as Kim Thayil (Soundgarden), Joe Preston (Earth, Thrones, Melvins, High on Fire), Phil Wandscher and Jesse Sykes (both of Jesse Sykes and the Sweet Hereafter) as well as long time Sunn O))) collaborators TOS Niewenhuizen and Rex Ritter. The vinyl version of this album has been out of print for over 15 years. This version will be from a new vinyl lacquer cut by Matt Colton.
This would be an exclusive Lava Red colored vinyl version.
World-renowned saxophonist Chris Potter releases a brand new recording of music live from the legendary New York venue: the Village Vanguard. Capturing moments from Chris’ annual residency (recorded 2022), the new album features an all-star band comprising Craig Taborn, Scott Colley and Marcus Gilmore. Reimagined folk tunes (Nozani Na, Olha Maria), powerful spirituals (Got the Keys to the Kingdom) and uncommon jazz standards (Blood Count, Klactoveedsedstene) make the final cut from the multi-night residency. Expect high energy, intensity, technical brilliance, effervescent joy and a snapshot of one of the world’s greatest saxophonists in his element.
- A1: Psychonautic Escapism (Cold Alienation) (Cold Alienation)
- A2: Acetoxyhexorchid I (Cluster Phase) (Cluster Phase)
- B1: Lattice Dysmorphism Of Lysothymic Oneiroid
- B2: Ultraviolet Circumzenithal Arc
- C1: Trench Through Pink Death
- C2: Acetoxyhexorchid Ii (Dispersed Phase) (Dispersed Phase)
- D1: Sirencipher Eidolon In Chimeric Photisms (Cascade Xenofluora Entwining) (Cascade Xenofluora Entwining)
- D2: Sun Shimmer Repeater
Born from the fractal innerworld of Vymethoxy Redspiders,
better known as Urocerus Gigas from Leeds-based xenofeminist
crisis energy rock duo Guttersnipe, The Ephemeron Loop's
debut is a synaesthetic acid bath that cracks open the doors of
perception to reveal a sonic landscape of ineffable beauty,
divine femininity and continual transformation.
"PsychonauticEscapism" sublimes Guttersnipe's teeth-gnashing spacegrindaesthetic leaving washes of dream pop ambience, dilated
speedcore fusillades and shapeshifting psychedelic dub effects.
It's an album that lodges itself creatively between Cocteau
Twins, Arca, Basic Channel and Napalm Death, lysergically
fluxing imperceptibly between seemingly contradictory sonics
and philosophies. Miss VR took 14 long, difficult years to write
the album, which developed cautiously as she broke through
the misery of her pre-transition life with shoegaze music, rave
and psychedelic drugs in Leeds' queer underground. An
existence languishing in negativity, soundtracked by extreme
music was replaced with the opportunity to experience
euphoria, elation and ecstatic freedom, emotions that coalesce
sensually on "Psychonautic Escapism".
These formativeexperiences are the album's initial building blocks, assembled between 2007 and 2018 as Miss VR came to grips with her
reality as an autistic/ADHD trans woman and the multidimensional psychotropic experiences that assisted that realization. And as V's worldview expanded and shifted as she lived a fresh life, the music itself developed spiritually. In 2018,after being impressed with producer Ross Halden's work with Guttersnipe, Miss VR asked him to assist her with developing The Ephemeron Loop's fragmented songs and visions. "I learned a lot about why people don't usually combine various kinds of sounds or styles in music," she admits. "It is very difficult to get it to all work together!" But after two-and-a-half years of the duo navigating a "labyrinth of fragmented Reason 5 and Logic
projects," re-recording and processing, and working tirelessly on
complex arrangements and compositions, they eventually found
a light at the end of the tunnel. The finished album is towering
and ambitious, Escher-like in its illusory reconstruction of
familiar elements into brain-altering forms. The album begins
with 'Psychonautic Escapism (Cold Alienation)', decorating Miss
VR's disembodied moans with throbbing dub techno synths,
insectoid digital percussion and disorientating high-BPM
electronics.
Her vocals hover weightlessly between My Bloody Valentine's Bilinda Butcher and Cocteau Twins' Elizabeth Fraser, and on 'Lattice Dysmorphism of Lysothymic Oneiroid Cytoterrain' drift against grinding industrial hardcore kicks, serrated bass and Lorenzo Senni-esque trance pointillism. On 'Trench Through Pink Death', Miss VR's voice mutates into a shrill scream as she directs the music from splattered freeflowing doom into harsh hyper-speed death metal and
breakcore. Woven together with both precision and delicacy, "Psychonautic Escapism" turns a rough patchwork of ideas,
experiences, feelings and vivid emotions into a glorious neon
tapestry. In living and exploring the realities of autism, ADHD
and trans identity, Vymethoxy Redspiders has masterminded a
sonic language that feels fresh, urgent and shockingly honest.
Psychedelic is a term that gets thrown around far too loosely at
the moment - in this case there's just no better way of
describing the album's scope.
Repress!
Japanese crustpunk and grindcore icon Eri Fuzz-Kristiansen, aka Gallhammer’s Viviankrist, keeps
the curveballs coming on Diagonal with a bloodied mastication of charred noise and and rhythmic
electronics, following up the label’s acclaimed sides by Sote and Not Waving/Jim O’Rourke
Co-released with the metal-minded Ritual Productions label, ‘Cross-Modulation’ is a brutal
testament to the acridly personalised sound that Viviankrist has explored solo since 1995 in Tokyo,
when she performing vocals, sax and SP-202 sampler in her first industrial/noise unit. 23 years
later her music is still sorely raw, yet riddled with a new found poignance and atmospheric unease
that places her music sometimes as close to Kali Malone’s see-sawing dissonance as the power
electronics of Pan Sonic or the possessed pulses of Conrad Schnitzler and Merzbow.
Since the demise of Eri’s main project Gallhammer at the start of this decade, when she moved
from Tokyo to Oslo (home of her husband and bandmate in Sehnsucht, Maniac - also former
vocalist for BM legends Mayhem), she returned to her early Viviankrist alias from 2017 as a place
to express her primitivist-futurist urges, resulting a trio of CDs including the vicious solo strike
of ‘Morgenrøde’ for Cold Spring. Now on ‘Cross-Modulation’ she intuitively tempers that album’s
phosphorous burn with a deadly incisive application of what Black Metal/Techno pioneer Black
Mecha terms “mentation electronics.”
Alloying avant-metal with rhythmic noise, ambient techno and mind-bending drone to a
metallurgic tang, ‘Cross-Modulation’ serves a dense flux of energies in seven parts, piercing a path
thru maelstrom electronics in ‘Eleventh’ to churn up grizzled Vainio-esque rhythms in ‘Blue Iron’,
while the tenderly bruised ambience of ‘Midnight Sun’ provides a bittersweet palette cleanser for
the tart technoid prang of ‘Insects’, a bout of slow gripping psychedelia in ‘Out of Body’, and the
rugged North European pastoralism of ‘Behind Mirror.’
DeathCollector started as a way of filling time during Covid lockdowns. Guitarist Mick Carey (Zealot Cult/Brigante) and drummer Andy Whale (Bolt Thrower/Darkened) kept busy working on classic & current metal covers with friends, which were shared across social media. After deciding to work on original material, vocalist Kieran Scott(Ashen Crown/Grimorte) and bassist Lee Cummings(Severe Lacerations/Bloodshed) came on board and DeathCollector was born. On the buzz surrounding the debut EP “Times Up”, DeathCollector was signed to Prosthetic Records, and work started on the debut full length album “Death’s Toll” started to take shape "The idea behind the band is to make honest straight forward music we like,its a mixture of Death Metal/Hardcore and Punk, the later of which has always been at the root of Death Metal music in the UK"
- A1: Night Moves
- A2: Answer
- A3: Iruzu
- A4: Highway Ride
- A5: Reflection (Skit)
- B1: Avant-God
- B2: Lost Tribe
- B3: 14K
- B4: Hard Times (Skit)
- B5: Sentimental Mood
- C1: Cold Blood
- C2: Voce^ (Skit)
- C3: Moodial
- C4: Inner Blues
- C5: Shadows (Skit)
- C6: El Rato´n
- D1: Heavy Up
- D2: Space Tape
- D3: Steam
- D4: Serious Thoughts
- D5: Vibrations
The legendary Tru Comers release their first instrumental double album "Avantgarde"! On the album you can expect over 60 minutes of finest productions which will not only excite all lovers of the CominTru sound. The music on this album reaches deep and sweeps the listener along from the first minute. This project is a must have! Get your vinyl copy now!
- A1: Wolves At The Door
- A2: Can't Be Saved
- A3: Lungs Like Gallows
- A4: Buried A Lie
- A5: Shark Attack
- B1: Lady In A Blue Dress
- B2: The Fire
- B3: Rum Is For Drinking, Not For Burning
- B4: Calling All Cars
- B5: Bite To Break Skin
- C1: The Priest And The Matador
- C2: Bloody Romance
- C3: Family Tradition
- C4: You're Cute When You Scream
- C5: New Year's Eve
- D1: 187
- D2: War Paint
- D3: Vines
- D4: Early Graves
- D5: Waves
splatter LP[36,43 €]
Farbige Neuauflage des Best-Of-Albums Follow Your Bliss (2012) der US-Post-Hardcore-Band Senses Fail zum 25-jährigen Jubiläum - mit sämtlichen Fan-Favoriten der ersten vier Studioalben plus vier zusätzlichen Tracks, produziert von Brian McTernan (Thrice, Turnstile, Hot Water Music), die zum Zeitpunkt der Veröffentlichung 2012 noch unveröffentlicht waren.
- A1: Wolves At The Door
- A2: Can't Be Saved
- A3: Lungs Like Gallows
- A4: Buried A Lie
- A5: Shark Attack
- B1: Lady In A Blue Dress
- B2: The Fire
- B3: Rum Is For Drinking, Not For Burning
- B4: Calling All Cars
- B5: Bite To Break Skin
- C1: The Priest And The Matador
- C2: Bloody Romance
- C3: Family Tradition
- C4: You're Cute When You Scream
- C5: New Year's Eve
- D1: 187
- D2: War Paint
- D3: Vines
- D4: Early Graves
- D5: Waves
blue LP[36,43 €]
Limitierte, handnummerierte Splatter-Neuauflage des Best-Of-Albums Follow Your Bliss (2012) der US-Post-Hardcore-Band Senses Fail zum 25-jährigen Jubiläum - mit sämtlichen Fan-Favoriten der ersten vier Studioalben plus vier zusätzlichen Tracks, produziert von Brian McTernan (Thrice, Turnstile, Hot Water Music), die zum Zeitpunkt der Veröffentlichung 2012 noch unveröffentlicht waren.
100-150 TRANSPARENT ORANGE / BLACK VINYL EDITIONS Sunfruits are pleased to announce their forthcoming debut album, One Degree. In high anticipation ever since the Melbourne/Naarm band released their Certified Organic EP in 2020, the album sees their most mature and conceptual songwriting to date. As heard in recent singles ‘End Of The World’, ‘Believe It All’ and ‘Made To Love’, the album showcases Sunfruits’ knack for writing memorable pop songs and their desire to use their music for good. The album is filled with anthemic choruses, melodic psychedelia, harmonious ballads and danceable indie pop, interplaying with potent lyrical messages of hope and despair. Through the album’s 11 tracks the band explore environmental collapse, resilience, self-reflection, love and relationships, all textured with a coming-of-age feel. On their debut album One Degree, the band presents new-age, anthemic psychedelia and indie-pop, similar to MGMT and Pond. The album’s memorable guitar hooks and garage-rock grit nods to artists such as Ty Segall and 70s glam-rocker, T. Rex, while the album’s softer moments echo the cinematic folk of Weyes Blood. Sunfruits take this eclectic mix of influences and create something uniquely their own, branded by euphonious four part vocals that have become a big part of their new sound. One Degree lets the listener sit with their feelings and encourages them to experience the rawness of human existence — highs, lows and the in-betweens. Touring UK/EU in September, including a date at the Manchester Psych Fest.
- A1: Polysick - Laguna
- A2: Iron Blu - Ylem
- A3: Teslasonic - Conscious Machine
- A4: Phalangius - Elite Galaxy
- A5: Lo-Lo - Ubik
- B1: Heinrich Dressel - Der Greifer
- B2: Nursiø - Murder On Paestrum St
- B3: Alessandro Parisi - Dungeon R16
- B4: Alessandro Adriani - Blood Runs Down
- B5: C-34 - Sanitarium
- C1: David Kristian - Electric Empire
- C2: Ian Martin - Roark
- C3: Stefano Rocchi - Sospeso
- C4: Sonobe - Daydream
- D1: Fabrizio Lapiana - Lost In Negative Thoughts
- D2: Lamanna Breaking Wood - Tristesse
- D3: Key Clef - No Body
- D4: Cassandra - Bran Creak Hotel
"Eux sont de ceux qui trament en accordant desseins sur dessins." MinimalRome is back with the second volume of Trame compilation. A full lenght 2xLP release gathering Legowelt (as Phalangius), Heinrich Dressel, Alessandro Adriani, Ian Martin, Teslasonic, Polysick, C-34, Iron Blue and David Kristian among others. Traveling through these eighteen ambient cosmic tracks from true heirs of library music, you'll expand the surrounding space. Limited to 300 copies
After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spirited, surprisingly broad and defiantly dissonant, Queen Of Siam’s dense layers were designed to provoke and inflame; listen closely to fully decode.
What would have happened if Michael Dudikoff had gone missing in action, say – in Poland in 1987 – during the harshest freezing spell of the century? Would he have coped under these conditions like John Rambo has in the town of Hope? We shall never find out, but the soundtrack is already there. Latarnik and Cancer G (members of EABS and Błoto) would call this film Zima Stulecia: Minus 30°C.
When Twin Peaks debuted on Polish National Television with its oneiric music by Angelo Badalamenti, Poland could feel as eerie as the series. Seemingly nothing quite matched, but on the other hand, no one was surprised. Growing up in the 1990s inevitably brings back memories of stalls selling a variety of products. You could buy there cleaning products from Germany, some underwear, Haribo jellies and Jacobs coffee, and have access to the "latest" cultural releases, which would be arriving late in Poland. This is where one could obtain pirated copies of cassette tapes and VHS, the labels of which had typewritten film titles that transported kids' fantasies to another world. With such content distribution, many of these kids got their first glimpse of Predator, Terminator, Robocop, as well as Van Damme's stunts in Bloodsport and a plethora of other B action movies, which to this day - like American Ninja - are rerun on TV over and over again. The afterimages of these soundtracks nestled in the heads of Marcin Rak and Marek Pędziwiatr for years and found expression on their debut album.
The music of Zima Stulecia is difficult to label in terms of genre. It oscillates towards melancholic electronic music. For some it will be techno, others will hear elements of house, all accompanied by improvised synth and percussion music.
Zima Stulecia is a duo that was not supposed to have any chance of success. Many years ago, back in 2006, when they were still budding musicians they met for the first time at a jazz workshop. When they found out where they both came from and that they were separated by almost 800 kilometers, despite having great chemistry in playing, they
jokingly said goodbye with the sentence: "it was fun playing together!". They figured they would never meet again. At the time, none of them imagined that in a few years' time in Wrocław they will form one of the most interesting contemporary jazz bands in Poland: EABS and Błoto. On top of that, they were both born in January 1987. The last of the historic "winters of the century" (eng. for "zima stulecia") occurred at that time in Poland, which ultimately determined their name as a band. Minus 30°C album is a recording of the non-verbal workings of these soulmates, and a fruit of a musical collaboration that has lasted for 16 years.
- 1: Blood On The Whitehouse Lawn (Featuring Ali Baker, Jfk, Everybody Knows, Donavin Trip)
- 2: This Timeline Is War Torn (Featuring Bishop I)
- 3: Stawmen (Featuring Iame & Claud Six)
- 4: William Shatner
- 5: It Only Hurts If You Let It (Featuring Thndrthf)
- 6: Black Holes That Automate
- 7: We Will Know Them By Their Fruits (Featuring Nora Smokovitch)
- 8: Eat My Neighbors
Smoke M2D6's boundary-pushing musical production and Jedi-like audio engineering have earned him wide and enthusiastic artistic acclaim, as well as a host of awards. As an MC, Smoke M2D6 has toured the country, performing in all of the lower 48 states, and was one of the original founding members of Northwest super-crew OLDOMINION. Though Smoke M2D6 has not released an album since the 2006 opus Bleed, he has been super-busy creating beats and producing other artists including many of his Oldominion crew mates Onry Ozzborn, Nyqwil, IAME and JFK. The global pandemic finally cleared the deck, allowing Smoke M2D6 to get back to doin' his thing: "When the quarantine started I found an old JFK verse from 2013 where he was talking about a pandemic - 'I've got to build on this,' started cutting it up." We start with an overwhelming feeling of being at the beginning of societal collapse: Quarantine Heart Throb, a mass pak of apocalyptic art. Featured are several NW hip hop legends and mainstays, artists Smoke M2D6 has either "mixed for them, produced for them or is a fan of them." If you are a fan of Smoke M2D6 and have been waiting since 2006 for this album, "You will not be disappointed - - - Quarantine Heart Throb shows my growth as a person, a producer, an engineer and as a rapper." Far out. Smoke M2D6 also appears on (and produced) the K Northwest hip hop compilation All Your friends Friends KLP255.




















