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Van Morrison veröffentlicht am 3. November sein 45. Studioalbum ”Accentuate the Positive”. Wie schon auf dem diesjährigen Album ”Moving On Skiffle” kehrt Van Morrison auch auf ”Accentuate The Positive” zu einer der Leidenschaften seiner Kindheit zurück: dem Rock’n’Roll. Als er kurz nach dem Zweiten Weltkrieg in Belfast aufwuchs, wurde er von den berauschenden Klängen des Blues und des Rock ’n’ Roll des 20. Jahrhunderts stark inspiriert. Er hörte Künstler wie Fats Domino, Chuck Berry und die Everly Brothers und es dauerte nicht lange, bis Van diese Klänge mit seiner eigenen Band in den Lokalen seiner Heimatstadt intuitiv neu interpretierte.

Mehrere Jahrzehnte später nimmt sich Van Morrison nun des Genres an, indem er einige seiner persönlichen Lieblingssongs für ”Accentuate The Positive” neu interpretiert und diese zeitlosen Songs mit einer Energie versieht, die die Traditionen immer wieder herausfordert und erweitert. Vans unnachahmliche Stimme, kombiniert mit hervorragenden Arrangements, verleiht so großartigen Songs wie ”Lonesome Train” von The Johnny Burnette Trio, ”Shakin’ All Over” von Johnny Kidd & The Pirates und Big Joe Turners bahnbrechendem Rock ’n’ Roll-Hit ”Flip, Flop and Fly” neuen Schwung. Zu den Mitwirkenden des Albums gehören der verstorbene Jeff Beck (E-Gitarre) und Chris Farlowe (Gesang) bei ”Lonesome Train” sowie Taj Mahal (Gitarre) bei ”Lucille” und ”Shake, Rattle and Roll”.

Van Morrison veröffentlicht am 3. November sein 45. Studioalbum ”Accentuate the Positive”. Wie schon auf dem diesjährigen Album ”Moving On Skiffle” kehrt Van Morrison auch auf ”Accentuate The Positive” zu einer der Leidenschaften seiner Kindheit zurück: dem Rock’n’Roll. Als er kurz nach dem Zweiten Weltkrieg in Belfast aufwuchs, wurde er von den berauschenden Klängen des Blues und des Rock ’n’ Roll des 20. Jahrhunderts stark inspiriert. Er hörte Künstler wie Fats Domino, Chuck Berry und die Everly Brothers und es dauerte nicht lange, bis Van diese Klänge mit seiner eigenen Band in den Lokalen seiner Heimatstadt intuitiv neu interpretierte.

Mehrere Jahrzehnte später nimmt sich Van Morrison nun des Genres an, indem er einige seiner persönlichen Lieblingssongs für ”Accentuate The Positive” neu interpretiert und diese zeitlosen Songs mit einer Energie versieht, die die Traditionen immer wieder herausfordert und erweitert. Vans unnachahmliche Stimme, kombiniert mit hervorragenden Arrangements, verleiht so großartigen Songs wie ”Lonesome Train” von The Johnny Burnette Trio, ”Shakin’ All Over” von Johnny Kidd & The Pirates und Big Joe Turners bahnbrechendem Rock ’n’ Roll-Hit ”Flip, Flop and Fly” neuen Schwung. Zu den Mitwirkenden des Albums gehören der verstorbene Jeff Beck (E-Gitarre) und Chris Farlowe (Gesang) bei ”Lonesome Train” sowie Taj Mahal (Gitarre) bei ”Lucille” und ”Shake, Rattle and Roll”.

In this accompanying remix set, "Earth 2.23: Special Lower Frequency Mix", the Bug has taken a bit of "Seven Angels" and laced it with feedback and big bass, allowing grime luminary Flowdan to climb atop it with his dark, staccato visions. Responsible for many transformational records himself, Justin K. Broadrick of Jesu and Godflesh crawls inside "Teeth" to lash at it with punishing drum machines and sordid layers of new distortion, building it into some brokedown palace of industrial mayhem. Loop's Robert Hampson makes good on the premise of ambient metal with his 30-minute hypnotic beauty, while longtime Earth cohort and longtime Built to Spill multi-instrumentalist Brett Netson seems to float the sound through a benighted graveyard on his clever "Teeth" revamp. These are not obvious directions for Earth's impact. Again, Earth 2 was never an obvious record. 30 years on, have we yet to grasp the enormity of Earth 2, an album that has continued its slow cycle of influence, uninterrupted? Probably not. Hell, most of us don't even know there are horses on the cover. VERY limited indies only LOSER copies pressed on lovely CURACAO BLUE vinyl!

For fans of Brian May, Slash, Zack Wylde, Classic Rock and Guitar Heroes! The Guitar Zeus 25th Anniversary 4LP/3CD set is a massive collection featuring the greatest guitar players ever including Slash, Brian May, Ted Nugent, Yngwie Malmsteem, Neal Schon, Richie Sambora, Zakk Wylde and many, many more. With 2 never released tracks featuring Tommy Thayer of KISS and Derek Sherinian (ex Dream Theater). This is the ultimate collection for any guitar enthusiast, there is nowhere else you can find this many guitar greats on one release! Curated by drum legend Carmine Appice who set the grooves for the groundbreaking psychedelic debut by Vanilla Fudge in 1967. Post-Fudge, Bogert and Appice formed Cactus (seen as an influence on King‘s X and Van Halen). Post-Cactus, the rhythm section found Grammy winning Guitar Hero Jeff Beck to form the first supergroup: Beck, Bogert & Appice (BBA). One of the premier showmen in rock, Appice became known worldwide for his astonishing live performances, in addition to becoming a highly sought-after session drummer, recording with countless artists throughout his career. In ‘76, he joined the Rod Stewart Band, touring, recording and writing two of Stewart‘s biggest hits, “Do Ya Think I‘m Sexy” and “Young Turks”. He would go on to form King Kobra, tour with Ozzy Osbourne and Blue Murder with John Sykes (Whitesnake) and Tony Franklin (The Firm)

Best Of Kollektion der legendären australischen Gruppe THE EASYBEATS. Enthält ihren Top-20-US-Hot-100-Hit von 1966, "Friday On My Mind". George Young und Harry Vanda von THE EASYBEATS bildeten ein erfolgreiches Produktionsteam, das sechs Alben für AC/DC und viele andere produzierte.

Erlebe den hypnotisierenden Soul und Blues von Robert Finleys neuestem Album Black Bayou. Mit seiner reichen und kraftvollen Stimme nimmt Finley die Zuhörer mit auf eine Reise durch die eindringlichen, mystischen Bayou-Landschaften von Louisiana und erzählt dabei sehr persönliche Geschichten. Vom langsam brennenden Funk von ”Livin’ Out A Suitcase” bis zum beschwingten und groovigen ”Sneakin’ Around” zeigt jeder Titel auf diesem Album Finleys außergewöhnlichen Ton und stimmliche Vielseitigkeit. Die Kombination aus Soul, Rhythm and Blues und fachmännisch ausgearbeiteten Gitarrenriffs, jede Note auf diesem Album ist ein Zeugnis von Finleys musikalischem Können und seinem unerschütterlichen Engagement für diese Genres.

Aufgenommen in den Easy Eye Sound Studios in Nashville und produziert von Dan Auerbach, der Finley als ”den größten lebenden Soulsänger” bezeichnet, ist Black Bayou der Nachfolger seiner von der Kritik hochgelobten Alben Sharecropper’s Son und Goin’ Platinum! Neben Auftritten bei America’s Got Talent (2019) und America’s Got Talent (All-Stars 2023) war Finley Headliner bei Shows in ganz Nordamerika und Europa und tourte unter anderem mit The Black Keys, Greta Van Fleet, Lake Street Dive, Nathaniel Rateliff, Dan Auerbach und Low Cut Connie.

Featuring: Dan Auerbach, Kenny Brown, Eric Deaton, Patrick Carney, Jeffrey Clemens

Restrictions is the third studio album by American hard rock band Cactus and was released in 1971. The band featured members from Vanilla Fudge, Mitch Ryder and the Detroit Wheels, and the Amboy Dukes.

As expected of these kinds of musicians; the record is packed with big guitars, big sing-alongs, and a bass-and- drum combo that could knock out windows. The album tracks “Token Chokin’”, “Evil”, “Alaska” and “Sweet 16” were all released as singles. It also features some heavy blues-rock originals, with a cover of the Howlin’ Wolf blues standard “Evil”.

Restrictions is available as a limited edition of 1000 individually numbered copies on green coloured vinyl.

"Ruiner" the new full-length LP from time-honored US black metal entity
KRIEG will see its release on Oct 13
"Ruiner" is the first full- length from the cult US black metal force since 2014's
"Transient" and is a despondent expression that captures the classic KRIEG
complexion which has solidified KRIEG as a vanguard and pioneer of US black
metal.
Even though "Ruiner" is the first KRIEG full-length album in nine years, KRIEG has
continued to remain active leading up to its long-awaited release through various
splits, collabs and EPs. This all culminated in that moment for "Ruiner" to
ultimately manifest itself.
"Ruiner" is unrepentant and remorseless black metal in the reflective manner
KRIEG and mastermind N. Jameson have always been known for. Most-notably
that of the savage and unhinged aura present in the triarchy of classic KRIEG
works, namely "Destruction Ritual" (2001), "The Black House" (2004), and "Blue
Miasma" (2006) while maintaining that harsh, sorrowful and cold- blooded
melancholic aura

The great sound of the sixties has been collected on this album. Featuring big international hits from Shocking Blue, Golden Earring, Petula Clark, The Shangri-Las and Demis Roussos. Go back in time with this great compilation, released on turquoise coloured vinyl. Original artists! Original versions!

Danny Davis knows the galvanizing power of an anthemic, hair-raising song. As the co-founding songwriter behind the long-running Oklahoma City indie rock outfit Husbands, he’s been meticulously crafting breezy and emotionally potent tunes about finding your place in the world. His writing always strives to break free from monotony and routine, aiming for meaning and clarity through massive choruses and colorful arrangements. Cuatro, Husbands’ adventurous and triumphant fourth album out Oct. 13 via Thirty Tigers, marks a turning point for Davis. It’s the first LP he’s released without his longtime bandmate, collaborator, and close friend Wil Norton. It’s also an album that Davis made during a time of relative personal stability after quitting his nine-to-five and moving with his wife to Costa Rica. Across 11 arena-filling and richly-produced tracks, the full-length is a document of his growth as a human being and a testament to finding peace in relationships evolving.

New Shadows peaks into corners where interior and exterior worlds collide, where miniscule revelations can be found in the darkness of ourselves and our community: lost children, unheard prayers, bugs, money, depression, romantic relationships, regret, and Zoom funerals, all become a lens for self-reflection.

The production (by Don Cento and JDD) is modeled after DeCicca's favorite early 80's albums (Lindsey Buckingham's Law & Order, ZZ Top's Afterburner, Robert Palmer's Clues, Lou Reed's New Sensations,) while the songs' architectures and pathos lean more towards Warren Zevon, Townes Van Zandt, and John Prine - all these record- makers and songwriters are embedded in DeCicca's DNA, having seen them, and in some cases met them after gigs, when his brain was still developing between the ages of 13-19 years old.

The virtual collaborators are the musicians whose kept him company while isolated in his rural town, Bulverde, TX: Brian Harnetty's Many Hands, Rosali's No Medium, Irreversible Entanglements' Who Sent You?, James Brandon Lewis's Jessup Wagon, Jeff Parker's JP's Myspace Beats and Suite for Max Brown, and the Los Lobos discography.

New Shadows isn't so much about DeCicca's new discoveries, as it is the penumbrous reminder of what's always been there.

Auf den Golden Records, die die Voyager-Missionen 1977 ins All transportierten, um außerirdischen Lebewesen unter anderem ein musikalisches Bild der Erdenbewohner zu vermitteln, waren zum Beispiel Werke von Johann Sebastian, Ludwig van, Wolfgang Amadeus, Chuck und Louis verewigt.

Mission Not Accomplished, …. yet, we lost control! Zeit für einen neuen Anlauf mit Space-Jazz von Sebastian Gramss’ STATES OF PLAY: METEORS - message to outer space. Ein vielschichtiger Bericht von der Erde in Ton & Text 45 Jahre nach den ersten NASA-Missionen als Doppel-Vinyl in 180 gr. auf clear orange & clear blue vinyl im Klapp-Cover mit bedruckten Inner Sleeves.

Shannon Barnett - trombone; Hayden Chisholm - saxophone; Philip Zoubek - piano, synthesizer; Christian Lorenzen - e-piano, synthesizer; Sebastian Gramss - double bass; Dominik Mahnig - drums plus guests (2022 wurde das Ensemble mit dem Deutschen Jazzpreis ausgezeichnet) A recording that will last!

„The 90’s are back!“ – 30 Jahre später ist das beliebte Jahrzehnt musikalisch wieder voll im Trend! Auf der „FETENHITS - The Real 90’s“ sind die Originale der größten Party-Hymnen der Dekade vereint.

Ob die groovigen Sounds von „No Diggity“, der absolute Ohrwurm „Wannabe“ oder die Kult-Nummer „Mambo No. 5“ - Der bunte Mix der besten Party-Songs und Klassiker der 90‘s ist voller „Good Vibrations“!

Mit dabei sind u.a. U2, Britney Spears, Salt-N-Pepa, 20 Fingers & Gillette, Freddie Mercury, La Bouche, DJ Bobo, TLC, Backstreet Boys und viele mehr.

„We Bring It All Back“ mit den größten Party-Hits der 90er! Erhältlich als 4LP, 4CD und eAlbum ab dem 29. September 2023!

In a world seemingly gone crazy a bit of good old common sense is as necessary as a simple cup of black coffee.” A random quote out of the ether but one that could define the sound, the style and craftmanship of The Irrational Library. Based on a foundation of groove set forth by Mishal Zeera on the bass guitar and Lars van der Weiden on drums; this sets the locomotive in motion for the guitar and baritone sax of Tom de Haan to build upon. A sonic sound that continues to search in between the lines, to reach where most musician dare not to dwell. A musical landscape so familiar yet fresh and new for these times. And
always waiting and watching, ready to jump that train are the poetic and socially zoomed in words of Joshua Baumgarten.

His jaw- dropping, natural sounding, and unschooled skill on acoustic guitar, matched with an authentic 'Belfast Blues' voice, drew comparisons to John Martyn and Rory Gallagher, with nods to Van Morrison and Foy Vance. In addition to being an acoustic guitar star, Dom is equally adept on electric guitar, showcasing his talents with his power trio.

Dom has won a handful of European and UK Blues Music Awards. His sophomore studio album, 'A Savage Life' received rave reviews with Rock and Blues Muse declaring, "Dom Martin is the next rising star in the global roots scene.

Jump aboard now before he passes you by." Blues in Britain declared that Dom was "A rare talent of such sheer genius," and Classic Rock effused, "The Belfast guitarist is a sprawling talent."

His latest effort,' Buried in the Hail 'was co- produced by Grammy nominated producers Chris O'Brien & Graham Murphy. The album takes the listener on a very personal journey. "Unhinged" is all anger and fury, sparks and smoke and flames, from screaming amps. Taking a positive turn is "Daylight I Will Find", a song about life's challenges and how through self- love, one can find the answers. The sole cover on the album is a broken down, heartbroken version of "Crazy".

Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Zulawski’s 1971 film Third Part Of The Night not only earned the thirty-year-old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanki/Komeda, Fellini/Rota and Argento/Goblin, amongst others.

Quite simply one of the heaviest psych rock film soundtracks of all time Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, Francois De Roubaix and Alain Gourageur, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna Of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czeslaw Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon lead to instrumental composition and soundtrack scores.

His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa ABC) also provided Korzyński with another significant cinematic muse in that of the stunning actress Malgorzata Braunek with whom they would both eventually achieve their finest performances under the direction of the ravenous first-timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film, Diabel, which was banned by the Polish government the following year until 1988.

Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński defining endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the composers finest and most inspired sonic adventures.

Everything becomes fluid when you can pass through time and space like a ghost, a story, a melody. Boy Golden manifests all three on For Jimmy. When listening to his music, it feels easy to dissolve into the ether. Everything flows. From classic country to psych-folk, Alternative to roadhouse pop to Appalaichan bluegrass, Boy Golden’s music is easy, breezy, warm and gritty. And don’t it just feel good to listen to it. Since releasing his debut album, Church of Better Daze, in 2021, he’s played every summer festival on your list, produced a number of albums with friends, released a dozen videos, curated and directed an art show and music video for “KD & Lunchmeat”, the Seth-Rogenesque hit single that charted to #1 on Alternative Radio, and toured with The Sheepdogs on their most recent North American tour. Introspective and vulnerable, traditional and queer, hard-headed and sensual, Boy Golden’s everyman-aesthetic can appeal to all of us. This ability lies in his songwriting: the songs your friends tell you about, the stories you hear from your neighbours, your community. He’s comfortable both in the spotlight and just outside it, sharing the moments with other artists, lifting others up along with him. He’s a genuine student of Townes Van Zandt and Willie Nelson as much as Dwight Yoakam and Stevie Ray Vaughan . Plus his C.O.B.D philosophy, “You can blaze and still get paid” might help us all to blur borders and old definitions of genres we thought we knew, like Steve Lacy or Justin Vernon do for Pop music. Boy Golden is able to maintain his own unique blend of Boy Golden using whatever frame of mind he’s in to fit us into this time. We’re here right now.

Topaz Jones is a rapper, producer, and filmmaker from Montclair, NJ. Rooted in an independent ethic, Jones’ oeuvre moves to document and preserve the intimacy and intricacies of Black life. His music builds from a deep investment in community, concerning itself with all measures of time at once; his vantage effortlessly weaves through the (sur)real with generous detail and the sensitivity of one who’s lived many times before. It’s hip-hop for now, as informed by the depths of tradition - funk, soul, jazz - and a grand imagination for what’s to come. To experience Topaz Jones is to be greeted with unseen flavors of a collective familiar performer both decorated and versatile, Topaz Jones is a trailblazer across medium and genre. He shapeshifts with ease, rendering no stage or space unfit for his presence. He’s shared stages with Future, David Bryne, The Roots, and Moses Sumney, and been featured at Bonnaroo, Wireless Festival, and Rolling Loud. Jones’ music has amassed over 50 million streams, earning features in the likes of Vogue, Rolling Stone, The New York Times, Pitchfork, The FADER, and Okayplayer. In 2021, Jones released his critically- acclaimed second album Don’t Go Tellin’ Your Momma. The album’s accompanying short film, a collaboration with directorial duo rubberband., received a Short Film Jury Award at the 2021 Sundance Film Festival, and was acquired by The New York Times Op-Docs