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Quickness is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best-selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Sahib's Jazz Party is an album by saxophonist/flautist Sahib Shihab, recorded live at the Jazzhus Montmartre in Copenhagen, around the same time that he relocated there in 1963. Shihab is joined by flugelhornist Allan Botchinsky, guitarist Ole Molin, drummer Alex Riel, and 17-year old bass prodigy Niels Henning Orsted Pederson. The recordings showcase Sahib's diversity and dexterity as a player, including his openness to the avant-garde style, expanding on the bop era playing he is known for. The audio has been remastered by Dave Gardner and pressed on audiophile-grade vinyl at Pallas Group in Germany.

Es ist Zeit sich mit den Teen-Punks von Quick Romance bekannt zu machen. Ja, Quick Romance ist die Band, die im Vorprogramm von Jon Spencer, The Briefs, Deaf Devils und anderen in verschiedenen kleinen Trollhöhlen im Westen Englands für Stimmung sorgt. Hayden James an der Leadgitarre und Gabe Bonner am Bass sind die Rock'n'Roll-Größen Wayne Kramer und Fred ,Sonic" Smith, neu interpretiert für die Gegenwart. Die Jungs sehen sich selbst als ,zwei Strohhalme in derselben Cola" (andere magenverderbende, durstlöschende, scheißfarbene Getränke sind ebenfalls erhältlich). Die Sängerin von Quick Romance, Matilda Scotland, hat Ian Hunter in der ersten Runde niedergeschlagen, um ihm seine Sonnenbrille abzunehmen, die sie nun stolz trägt, während sie uns vor den Gefahren des Erwachsenwerdens in einer großen, bösen Welt warnt. Sie mag Kleidung, Musik und Brian Jones' Haare. Schlagzeuger Oliver Bull-Lifely bewegt sich wie ein Windspiel in einem tropischen Sturm, er ist der Zeitnehmer der Zeitnehmer. Anders als beim Weißen Kaninchen kann man seine Uhr nicht nach ihm stellen, aber wer trägt heutzutage schon eine Uhr? Wenn du wissen willst, was dich erwartet, stell dir doch einfach vor, wie Poly Styrene sich mit The Sick Things für den Refrain von ,Bondage Boy" vereint. Wenn du es nicht wissen willst, warum probierst du es nicht einfach aus ...

Es ist Zeit sich mit den Teen-Punks von Quick Romance bekannt zu machen. Ja, Quick Romance ist die Band, die im Vorprogramm von Jon Spencer, The Briefs, Deaf Devils und anderen in verschiedenen kleinen Trollhöhlen im Westen Englands für Stimmung sorgt. Hayden James an der Leadgitarre und Gabe Bonner am Bass sind die Rock'n'Roll-Größen Wayne Kramer und Fred ,Sonic" Smith, neu interpretiert für die Gegenwart. Die Jungs sehen sich selbst als ,zwei Strohhalme in derselben Cola" (andere magenverderbende, durstlöschende, scheißfarbene Getränke sind ebenfalls erhältlich). Die Sängerin von Quick Romance, Matilda Scotland, hat Ian Hunter in der ersten Runde niedergeschlagen, um ihm seine Sonnenbrille abzunehmen, die sie nun stolz trägt, während sie uns vor den Gefahren des Erwachsenwerdens in einer großen, bösen Welt warnt. Sie mag Kleidung, Musik und Brian Jones' Haare. Schlagzeuger Oliver Bull-Lifely bewegt sich wie ein Windspiel in einem tropischen Sturm, er ist der Zeitnehmer der Zeitnehmer. Anders als beim Weißen Kaninchen kann man seine Uhr nicht nach ihm stellen, aber wer trägt heutzutage schon eine Uhr? Wenn du wissen willst, was dich erwartet, stell dir doch einfach vor, wie Poly Styrene sich mit The Sick Things für den Refrain von ,Bondage Boy" vereint. Wenn du es nicht wissen willst, warum probierst du es nicht einfach aus ...

Es ist Zeit sich mit den Teen-Punks von Quick Romance bekannt zu machen. Ja, Quick Romance ist die Band, die im Vorprogramm von Jon Spencer, The Briefs, Deaf Devils und anderen in verschiedenen kleinen Trollhöhlen im Westen Englands für Stimmung sorgt. Hayden James an der Leadgitarre und Gabe Bonner am Bass sind die Rock'n'Roll-Größen Wayne Kramer und Fred ,Sonic" Smith, neu interpretiert für die Gegenwart. Die Jungs sehen sich selbst als ,zwei Strohhalme in derselben Cola" (andere magenverderbende, durstlöschende, scheißfarbene Getränke sind ebenfalls erhältlich). Die Sängerin von Quick Romance, Matilda Scotland, hat Ian Hunter in der ersten Runde niedergeschlagen, um ihm seine Sonnenbrille abzunehmen, die sie nun stolz trägt, während sie uns vor den Gefahren des Erwachsenwerdens in einer großen, bösen Welt warnt. Sie mag Kleidung, Musik und Brian Jones' Haare. Schlagzeuger Oliver Bull-Lifely bewegt sich wie ein Windspiel in einem tropischen Sturm, er ist der Zeitnehmer der Zeitnehmer. Anders als beim Weißen Kaninchen kann man seine Uhr nicht nach ihm stellen, aber wer trägt heutzutage schon eine Uhr? Wenn du wissen willst, was dich erwartet, stell dir doch einfach vor, wie Poly Styrene sich mit The Sick Things für den Refrain von ,Bondage Boy" vereint. Wenn du es nicht wissen willst, warum probierst du es nicht einfach aus ...

Adrian Younge Presents: Twelve Reasons To Die II inhabits the grimy streets of mid-1970s, NYC. Younge's cinematic, psychedelic soul returns to set the stage for a clash between crime syndicates and the vengeful spirit of Tony Starks (Ghostface Killah). This gripping sequel features special guest appearances from Wu Tang alumni Rza and Raekwon, who personifies the criminal mastermind, Lester Kane. A Wu-Tang saga unfolds in this thrilling sequel to the acclaimed original. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

The sixth album from legendary hip-hop group Souls of Mischief, There Is Only Now, is a unique cinematic 90s crime tale of love, loss, and revenge. A conceptual collaboration with producer Adrian Younge and the first release on his freshly launched Linear Labs Records label, There Is Only Now gets its inspiration from a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto early in their careers. Set in 1994, There Is Only Now serves as a bookend to two decades of music since the release of their seminal debut album, `93 Til Infinity. Souls of Mischief and Adrian Younge have created a hip-hop album like no other. The result of a special moment for all involved, There Is Only Now proves that after two decades in the rap game hip-hop's Fab Four remains committed to the expansion of their legacy as hip-hop innovators and pioneers. Enthält unbegrenztes Streaming von There Is Only Now über die kostenlose Bandcamp-App und außerdem den hochwertigen Download als MP3, FLAC und mehr.

"I want nothing more than to be a loner," Emily Kempf sings early on Flower of Devotion, the new album by Chicago trio Dehd. It's a startling admission coming from a songwriter who, just a year ago on Dehd's critically acclaimed Water, wrote eloquently about the joys and pains _ more than anything, the necessity _ of love, compassion, and companionship. But then, "admission" isn't really the right word here, given the stridency of Kempf's tone. "Loner" is a declaration. The record ups the ante on Dehd's sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf's songwriting, even as it captures them at their most strident. Balla's guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping "ooh!," pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady's one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache. What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as a unit, even as they've stared down their own limitations. It's also striking just how much fun they seem to be having in the process. "It's okay to be lighthearted in the face of despair," Kempf says. It's a theme that runs through the album, from the opening back-and-forth build of "Desire" to the click-clacking chorus of "Haha," which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.

love is everyday magic. That's the impression you get listening to Water, the new album by Chicago trio Dehd. Veterans of Chicago's increasingly fruitful DIY scene Jason Balla ( Ne-Hi and Earring) Emily Kempf (Vail and formerly with Lala Lala) and drummer Eric McGrady share a strange and inexplicable chemistry. The music is hazy and reverb-drenched, a scuzzy and hyped-up take on surf rock that could only come from the Third Coast. It's all animated by the red-lining feel-good spirit of the Velvet Underground's Loaded and the breezy melodicism of C86-era indie rock, with a dash of the Cramps' spooky-hop bop courtesy of McGrady's locomotive drumming.It's a clear-eyed look at the wild nature of everyday life that's been spun up in sugary sweet melodies and scratched-crystal sounds. More than anything, it's the embodiment of Dehd's m.o. from the start: As Kempf puts it, "Work with what you have and make it magical."

Jefferson Berry combines story telling with the intricacies of JamBand and Roots instrumentation. His songs are performed by a cadre of unique
players: The Urban Acoustic Coalition. The band is anchored by the virtuosity of Bud Burroughs and the harmonies of Theresa Ratliff. While acoustic
by nature, never missing is the locked-in bass/drums drive of Uncle Mike and Adam Stranburg. Complementing all this with a variety of guitar styles, Berry’s projects bring a danceable style and contemporary point of view to a unique wing of Philadelphia’s local music scene. With the release of his fourth album in five years, this reputation is spreading nationally. Berry’s lyrics are informed by his years in corporate media followed by a dozen years teaching African American History, Economics and Government to inner-city Philadelphia high school students. Symeer Woods (aka Lil Uzi Vert) and the late Rasheen Jones (aka Runup Rico) were among his students. Prairie Fire was originally released in 2023 and has 11 tracks in total featuring “That Was Me”,
“Long Way From Home” and the title track “Prairie Fire”.

Celebrating over a decade of hip-hop excellence, Legacy of Hits delivers 15 career-defining tracks from Rich Homie Quan, one of Atlanta’s most influential voices. From the breakout anthem "Type of Way" to the multi-platinum-certified smash Flex "(Ooh, Ooh, Ooh)", this collection captures Quan’s ability to craft both raw street records and timeless radio staples that shaped the sound of Southern rap.
The set includes fan favorites like “Differences”, "Walk Thru (feat. Problem)”, "They Don’t Know”, "Blah Blah Blah”, “Reloaded" and "15 Shots, giving fans a complete retrospective of his impact. With production from heavyweights such as Yung Carter, Metro Boomin, London on Da Track, Trauma Tone, and Yizzle, the project stands as a true testament to Quan’s consistency, resilience, and influence.
Available in both vinyl and CD formats with exclusive collectible packaging, Legacy of Hits is more than just a greatest hits, it’s a landmark release that celebrates Rich Homie Quan’s journey, artistry, and legacy.

10-Jahre-Jubiläums-Reissue von Twit Ones wegweisendem Album „The Sit-In“ aus dem Jahr 2015. Von vielen Twit-Aficionados als eines seiner besten Werke gefeiert, unterschied sich „The Sit-In“ bei seinem Erscheinen deutlich von seinen vorherigen Alben – und Twits Musik war noch nie leicht vorhersehbar. „The Sit-In“ war die erste Twit-Platte, zu der man Räucherstäbchen anzünden kann, und auch zehn Jahre später hat sie nichts von ihrem Zauber verloren. Mit Sängerin May sowie den Poeten PB Louison und Imam Ally-Salaam. Artwork von Van Lagerstein und Robert Winter. Das 10-Jahres-Jubiläums-Reissue enthält außerdem eine Bonus 7"" mit vier neuen Tracks.

Born in London to Scottish parents, Bishop Briggs grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track “Wild Horses” reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads.

Born in London to Scottish parents, Bishop Briggs grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track “Wild Horses” reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads.

Born in London to Scottish parents, Bishop Briggs grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track “Wild Horses” reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads.

Born in London to Scottish parents, Bishop Briggs grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track “Wild Horses” reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads.

Woke Up With a Monster finds Cheap Trick firing on all cylinders, blending their signature power pop hooks with a heavier guitar edge. Produced by Ted Templeman (Van Halen), the 1994 album bursts with energy on tracks like “My Gang,” “You’re All I Wanna Do,” and “Girlfriends.” Hailed by Rick Nielsen as “the first album in the second half of our career,” it’s a bold statement from Rock and Roll Hall of Famers at the top of their game.

Released in 1971, 'A Nod Is as Good as a Wink...to a Blind Horse' is Faces' most commercially successful album, now available on standard black vinyl. When the record originally released it reached the Top 10 in both the UK and US charts. 'A Nod Is as Good as a Wink...to a Blind Horse' features the Faces' signature rock and roll sound, including the enduring hit "Stay with Me." With a perfect balance of raucous party anthems and heartfelt ballads, the album showcases the band's formidable songwriting and is a testament to their powerful, collaborative chemistry.

The eighteenth studio album from Rush, originally released in 2007. Features the Grammy-nominated track Malignant Narcissism.