Cerca:bobby garrett
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- A1: Fête - Roland Bocquet
- A2: I Think It’s Time (You Were Mine) - Alice Swoboda
- A3: Lay This Burden Down - Mary Love
- A4: What You See Is What You Get - Stoney And Meatloaf
- A5: Left Over People - Alan Price
- A6: Never Get Ahead - Bobby Conn
- A7: Terminal Stupid – The Snivelling Shits
- A8: A Glass Of Champagne – Sailor
- B1: I See Stars – Supersempfft
- B2: I Dig You- Demis Roussos
- B3: Yaya (Nelue Rework Mutant Disco Edit) - Ron Rogers
- B4: Slippery People (Club Version) – The Staple Singers
- B5: Love Is A Serious Business - Alfie Davison
- C1: Happy (Is My Life) - Andre Willliams / Velvet Hammer
- C2: My Little Girl - Bobby Garrett
- C3: Waiting For A Train - Flash And The Pan
- C4: Flame (Chicken Lips Version) - Bell X1
- C5: Release Yo’delf (Prodigy Remix) - Method Man
- D1: Hateful - Aaron Carl
- D2: Rose Rouge - St. Germain
- D3: Imperfect List Pt.1 - Big Hard Excellent Fish
- D4: Nothing - Rene Halkett / David Jay
- A1: My Little Girl - Bobby Garrett
- A2: Baby, Without You - Danny Monday
- A3: Lighten Up Baby - Ty Karim
- A4: You Hit Me (Right Where It Hurt Me) –Alice Clark
- A5: Cigarette Ashes - Jimmy Conwell
- A6: (Just A Little) Faith And Understanding - The Magicians
- A7: I Can Feel Your Love - Felice Taylor
- B1: Gone With The Wind Is My Love – Rita & The Tiaras
- B2: You Turned My Bitter Into Sweet - Mary Love
- B3: Would You Believe - Jackie Lee
- B4: Try My Love - Toni & The Showmen
- B5: The Same Old Thing - The Olympics
- B6: What Good Am I Without You - Darrow Fletcher
- B7: What Should I Do - Little Ann
Northern soul is in the news again, as once more this most resilient of dance floor cults is discovered by a new generation. For four decades now Ace Records has been a natural home for the music and using that experience we are bringing you our first ever all classics collection of some of the scene's greatest hits. All on one LP.
The recordings featured on this release are tried and tested, often in the hot forge of the scene's earliest day, when new discoveries were coming thick and fast, and only the strong survived. These did.
So we have 14 tracks which filled floors in Wigan, Blackpool, Cleethorpes, London's 100 Club and many other legendary venues. From West Coast Mirwood and Kent/ Modern label classics by Jackie Lee, Bobby Garrett, Mary Love and Danny Monday, to the big City Chicago soul of Darrow Fletcher via the super rare recordings by Rita & The Tiaras and Little Ann, which are now accepted standards of the scene.
This is an album for the beginner, those who want to know what all the fuss is about, or those older hands who just want to relive some exceptional memories.
Plush, the 1982 studio album by the Eighties synth-boogie band Plush, is a standout in the genre. The band, consisting of Siedah Garrett, Tony Phillips, and Ambrose Price, was known for their smooth blend of R&B, funk, and synth-driven melodies. Garrett, who later gained fame as a solo artist and songwriter, brought a distinctive vocal presence to the band. Not long after the band broke up, she was discovered by Michael Jackson, for who she later provided backing vocals and co-wrote ""Man In The Mirror"" with. The album was produced by Bobby Watson, René Moore and Angela Winbush. It features catchy tracks like ""Free and Easy"" and ""We’ve Got the Love,"" showcasing their polished production and soulful harmonies. Despite not achieving major commercial success, Plush has garnered a cult following for its authentic early Eighties sound. It's a significant work within the disco boogie genre, reflecting the transitional period of early Eighties music and is one of the rare and sought-after albums from that era. Plush is available on coloured vinyl for the first time as a limited edition of 500 copies on red coloured vinyl and includes an insert.
- 1: Things Are Looking Good (Out In Hollywood) / Baker Knig
- 2: Honey Baby / Bobby Goldsboro
- 3: Don't Push Me Around /Jay Brown
- 4: Daisy Petal Picking / Jimmy Gilmer And The Fireballs
- 5: (They're All In)The Senior Class / Mickey Lee Lane
- 6: Sister Twister / Carl Perkins
- 7: Speed Lovers / Billy Lee Riley
- 8: Midnite Blues / Charlie Rich
- 9: North East End Of The Corner / Dion
- 10: Blood From A Stone / Ricky Nelson
- 11: Short Skirts / Bobby Garrett With Ray Lee's Combo
- 12: Drip Drop / Dion Di Mucci
- 13: Tv Commercials / Barney Kessel
- 14: The Swinger / Hal Baine, His Drum And Orchestra
- 15: West Coast / Pegi Boucher
- 1: 6Close Your Eyes / Jamie Coe & The Gigolo's
It seems Summer is here in May this year and so does the next DOGHOUSE Summer compilation! A lot of platers to "Gogo" your booty by the pool...Soon available! Sixties rockin' Pop at his best...
Three 1982 disco classics from boogie trio Plush formed under the guidance of Angela Winbush, René Moore and Bobby Watson get the official, remastered reissue treatment from the original tapes.
Opening up the EP, an Angela & Rene original 'Free & Easy' is taken on by the Plush troupe, with the legendary Tee Scott providing a trademark extended mix. It kicks off with cosmic synths that dissipate into heavy funk, electric bass riffs, whilst scorching top lines and choice guitar licks trade off over the top. Scott's magic is clear to see in the composition of this extended mix. A man who clearly knew how to work a dancefloor, his use of breakdowns especially, extending the anticipation and power the track commands on its dancers. From the bass breaks that weave in modulated synths, to those that utilise the glorious sustained piano chords, cutting to just vocals and percussion before everything is added back in for ultimate dancefloor elation.
First up on the B side, 'We Got The Love', a more soulful, slowed down tip where staccato guitar plucks and chunky slap bass marries with warm Rhodes chords, and lush vocal harmonies blend with the power of Siedah Garrett commanding the lead vocals. A passion ingrained in their voices that cannot be taught, hanging in the air, as they hang onto their phrases.
Lastly, 'Livin For Your Love' a boogie-based serenade written by Herman Chainey and Tony L. Phillips, intertwines Phillips' deep dulcet tones with Plush's backing. Add in a dose of pure '80s bass synth, twanging funk flashes and juicy bass guitar ripples and you've got a recipe sure to woo any wandering hearts out there.
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