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- A1: Shupe Dub
- A2: Black Clay Dub
- A3: Jah Stoned Dub
- A4: Free I Dub
- A5: I & I Dub
- B1: She Dub
- B2: Booka Dub
- B3: Hereto Dub
- B4: Chillum Dub
- B5: Skanker Dub
- A1: Yellow - The Ghetto (Getto/Yellow In Kyoto) (Getto/Yellow In Kyoto)
- A2: Quincy Jones & Ray Brown Orchestra - Fat Cat Strut
- B1: Miguel Angel Fuster - Polvo Lunar
- B2: Michel Sardaby - Welcome New Warmth
- B3: David Alexrod - Mucho Chupar
- C1: Brute Force & His Drum - Weird & Wonder
- C2: Johnny Frigo - Thank You
- C3: John Sangster - Hair
- C4: Boris Gardiner - Ghetto Funk
- D1: Fred Wesley - Blow Your Head
- D2: The Motherhood - Back In The Dark
- D3: Leo Acosta - Rencorosa
- D4: The Bridge - Alles Klar
"Return Of The Super Ape" was the final revelation from Lee Perry’s Black Ark Studio, a psychedelicized dub journey into uncharted sonic territories. The longplayer is now state-of-the-art remastered by Pete Norman (Finyl Tweek) and restored with original press artwork complete with inner disco sleeve!
The album from 1978 is the final chapter in the trilogy of albums in the period from 1976 - 1978 following "Scratch The Super Ape" (aka "Super Ape") and "Roast Fish & Cornbread". Produced, mixed and arranged by Lee Perry at the Black Ark Studio featuring on all tracks the skills of The Upsetters and additional vocals by The Full Experience on "Dyon-Anasaw" and "Tell Me Something Good". The frontsleeve artwork image was created by Lloyd Robinson (also known as the singer of the Studio One classic "Cuss Cuss").
Reggae expert Jeremy Collingwood says: "The Return Of The Super Ape that surfaced later in the year 1978 saw Perry way off the mainstream with a set that owed much to jazz with its loose structure and horn breaks. The title track took an early production from Perry, U-Roy's " OK Corral", and reshaped it into another futuristic outing - just like the original that had been a decade earlier. At the time few knew what to make of it and over the years its lack of proper re issue had meant it's remained a hidden Perry gem. It also marked the end of a hugely creative period at the Black Ark."
Tracklisting / side-split
Side One
A1 Dyon-Anasaw
A2 Return Of The Super Ape
A3 Tell Me Something Good
A4 Bird In Hand
A5 Crab Yars
Side Two
B1 Jah Jah Ah Natty Dread
B2 Psyche & Trim
B3 The Lion
B4 Huzza A Hana
B5 High Rankin Sammy
• Follow-up to the highly acclaimed dub album Super Ape, the album like its predecessor, was produced by Lee ‘Scratch’ Perry. This was the last album recorded by The Upsetters before Perry closed down his Black Ark Studio.
• The remastered album showcases the production skills of undisputed dub master with insanely layered textures and technical wizardry. With musical backing The Upsetters – Boris Gardiner, Mikey Richards, Sly Dunbar, Benbow Creary, Earl ‘Chinna’ Smith, Winston Wright, and Keith Sterling.
• Remastered by Pete Norman at Finyl Tweek
• Coloured Inner Bag
"Good music never dies!" - This was Diane Ellis' mantra when she set out to produce this, her first record, in 1979. She recalls hearing the Rose Royce classic Love Don't Live Here Anymore on the radio and instantly thinking it would make for a great reggae cover, immediately envisioning the sound she was looking for. Drafting in the legendary Boris Gardiner and vocalist Sharon Forrester they created this timeless version of a perennial classic - now available here in it's full extended discomix glory for the first time on 12" since it's original outing, and backed with hornsman cut placing Dean Fraser's sax front row center.
The record was made when Ellis was studio manager for the world-famous Tuff Gong studios, but wanted her outing as a record producer to be a totally independent venture - gaining the great Bob Marley & the TG team's blessings in the process. And so Aquarius Studio in Half Way Tree was where it was all laid-down. Diane credits the Legendary owner and pioneering producer, Herman Chin Loy, as also being of great help on the record, providing a guiding ear throughout the process.
Despite this the evident strength of this first production, Ellis would follow up with only one other production, Junior Tucker's cover of "One of the Poorest People" (this time one recorded at Tuff Gong studios, and releasing the 56 Hope Road subsidiery). While both records performed well on local radio and charts, Diane exited the music industry shortly after. Now 43 years later, Diane is overjoyed her production is having a comeback, saying that "the support and love felt during the project can never be replicated, and I give thanks to all who supported then and now".
- A1: Junior Murvin - Roots Train (Previously Unreleased Dubplate Mix)
- A2: Jimmy Riley - Woman Gotta Have Love (Previously Unreleased Dubplate Mix)
- A3: The Upsetters - Set Up Yourself
- A4: Henrick Nicholson - Brotherly Love
- B1: Junior Murvin - Let's Fall In Love
- B2: Eric Donaldson - Say A Little Prayer
- B3: Jimmy Riley - I Never Had It So Good
- B4: Junior Murvin - Mister Craven
- C1: Lord Creator - Such Is Life
- C2: The Upsetters - Such Is Life (Version)
- C3: Danny Clarke - Nuh Fi Run It Down
- C4: The Upsetters - Nuh Fi Run It Down (Version)
- D1: Lee Perry - What A Sin (Extended Mix)
- D2: Bobby Ellis - Ska Baby
- D3: The Upsetters - Ska Version
- D4: The Upsetters - Beard Man Shuffle (Extended Mix)
A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:
Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry
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