Robert Groslot's Concerto for Bass Guitar and Orchestra represents the
next step in the evolution of the bass guitar
Groslot's composition pushes the instrument to its technical limits, while creating
a unique symbiosis between the soloist and the orchestra. Although he may not
be the first composer to write for the bass guitar in a symphonic setting, Groslot
brings a level of artistry and sophistication to the composition that will continue
and accelerate the legitimation of the bass guitar within contemporary classical
music. "The idea of a concerto for bass guitar is something that I have been
dreaming of for decades. Since its invention, the bass guitar has firmly
established itself as an essential and integral part of practically every genre of
music. The bass guitar, as we now know it, was invented and produced by Leo
Fender starting in 1951. The more portable bass guitar, in comparison to the large
and unwieldy double bass, was capable of playing at higher volumes via
amplification and satisfied the new sonic demands created by the widespread
use of electrification in popular music. By increasing the overall scale of the
electric guitar and only using the lowest four strings (E, A, D, G), Fender gave birth
to a new instrument. Traditional double bassists could quickly adapt, with the
added benefit of more accurate intonation due to the frets. Hence the original
name: The Precision Bass. At the same time, guitarists could also become bass
players when called upon. As a result, many of the early bass guitarists began
their musical life as guitar players, with the most well-known example being Paul
McCartney of The Beatles.
The fact that the bass guitar had no direct lineage like the evolution of the piano
or violin over time, led to a variety of disparate playing styles without any
fundamental methodology. Unlike the more traditional instruments, the bass
guitar does not sit upon a foundation of centuries of proven methods and
established schools of playing. The evolution of the bass guitar has been a
patchwork of trial and error by active musicians. This has led to a plethora of
personal approaches and hybrid-styles, effectively leading to the rapid evolution
of bass guitar technique. Given its relatively young history, it is remarkable how
the bass guitar has grown from being an instrument taken up out of necessity, or
as an afterthought, to being as respected and vital to modern music as any of the
older, more established instruments." - Thomas Fiorini
Suche:brussels philharmonic
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- A1: Merry Christmas Mr. Lawrence Main Theme (From "Merry Christmas Mr. Lawrence")
- A2: Endroll (From "The Last Emperor")
- A3: Rain (From "The Last Emperor")
- B1: The Sheltering Sky Main Theme (From "The Sheltering Sky")
- B2: High Heels Main Theme (From "High Heels")
- B3: Wild Palms Main Theme (From "Wild Palms")
- C1: Acceptance (From "Little Buddha")
- C2: Snake Eyes Main Theme (Long Version) (From "Snake Eyes")
- C3: Bolerisch (From "Femme Fatale")
- D1: Bibo No Aozora (From "Babel")
- D2: Small Hope (From "Hara-Kiri (Ichimei)")
- D3: Yae No Sakura Opening Theme (From "Yae No Sakura")
- D4: The Revenant Main Theme (From "The Revenant")
Black Vinyl[41,13 €]
Yellow-Black[46,85 €]
Lime Green with Black Splatte Vinyl[46,18 €]
From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto. This is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer/pianist/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant). This compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.
- A1: Merry Christmas Mr. Lawrence Main Theme (From "Merry Christmas Mr. Lawrence")
- A2: Endroll (From "The Last Emperor")
- A3: Rain (From "The Last Emperor")
- B1: The Sheltering Sky Main Theme (From "The Sheltering Sky")
- B2: High Heels Main Theme (From "High Heels")
- B3: Wild Palms Main Theme (From "Wild Palms")
- C1: Acceptance (From "Little Buddha")
- C2: Snake Eyes Main Theme (Long Version) (From "Snake Eyes")
- C3: Bolerisch (From "Femme Fatale")
- D1: Bibo No Aozora (From "Babel")
- D2: Small Hope (From "Hara-Kiri (Ichimei)")
- D3: Yae No Sakura Opening Theme (From "Yae No Sakura")
- D4: The Revenant Main Theme (From "The Revenant")
From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto. This is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer/pianist/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant). This compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.
- A1: Merry Christmas Mr. Lawrence Main Theme (From "Merry Christmas Mr. Lawrence")
- A2: Endroll (From "The Last Emperor")
- A3: Rain (From "The Last Emperor")
- B1: The Sheltering Sky Main Theme (From "The Sheltering Sky")
- B2: High Heels Main Theme (From "High Heels")
- B3: Wild Palms Main Theme (From "Wild Palms")
- C1: Acceptance (From "Little Buddha")
- C2: Snake Eyes Main Theme (Long Version) (From "Snake Eyes")
- C3: Bolerisch (From "Femme Fatale")
- D1: Bibo No Aozora (From "Babel")
- D2: Small Hope (From "Hara-Kiri (Ichimei)")
- D3: Yae No Sakura Opening Theme (From "Yae No Sakura")
- D4: The Revenant Main Theme (From "The Revenant")
From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto. This is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer/pianist/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant). This compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.
- A1: Merry Christmas Mr. Lawrence Main Theme (From "Merry Christmas Mr. Lawrence")
- A2: Endroll (From "The Last Emperor")
- A3: Rain (From "The Last Emperor")
- B1: The Sheltering Sky Main Theme (From "The Sheltering Sky")
- B2: High Heels Main Theme (From "High Heels")
- B3: Wild Palms Main Theme (From "Wild Palms")
- C1: Acceptance (From "Little Buddha")
- C2: Snake Eyes Main Theme (Long Version) (From "Snake Eyes")
- C3: Bolerisch (From "Femme Fatale")
- D1: Bibo No Aozora (From "Babel")
- D2: Small Hope (From "Hara-Kiri (Ichimei)")
- D3: Yae No Sakura Opening Theme (From "Yae No Sakura")
- D4: The Revenant Main Theme (From "The Revenant")
From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto. This is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer/pianist/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant). This compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.
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