Church Andrews and Matt Davies weave intricate patterns from Fibonacci sequences on new mini-album, Yucca.
Producer and composer Church Andrews (aka Kirk Barley) and drummer Matt Davies return to explore the outer limits of rhythm on a six-track suite that is at once angular and fluid, natural and systematic. Drawn to the restrictions of working solely with one synth and live drums, the pair found creativity in limitation, developing a compositional dialogue between the sonic timbres of Kirk’s productions and Matt’s percussive practice.
Evoking the primitive yet complex form of the plant from which it takes its name, Yucca features tracks that are built around rhythmic ratios of the Fibonacci sequence. Mirroring spiral patterns exhibited in nature, each track evolves like a cellular structure of its own, from the livewire syntax of ‘Chirp’ and the deconstructed ebb and flow of ‘Ferns’, to the mini-album’s title track, where crisp grooves flit between modulated electronics like fireflies.
“I’ve always been inspired by music that is complex without sounding complex,” Matt explains. He maintains a sense of bounce amid the intricate phrasing and cites drummers Roy Haynes and his grandson Marcus Gilmore as inspirations, alongside sabar drummers from Senegal and Mridangam drumming of South India.
With a shared background in hip-hop and the swung beats of J Dilla and Flying Lotus, Kirk Barley and Matt Davies were also inspired by the minimalism of Terry Riley and the sparse palette of dub techno.
Written and recorded in Lewisham in the spring and summer of 2023, Yucca follows the release of Axis in 2022, with the duo having also performed at festivals such as Rewire and Waking Life, and recorded live sessions for FACT magazine and Worldwide FM.
The third release on Yorkshire-based Odda Recordings, following Kirk Barley’s Marionette and Flaer’s Preludes, Yucca confirms the label’s reputation for championing music on the unstable ground between the organic and the synthetic.
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In meteorology, the word Norther refers to a cold wind that blows down from the north. For Liverpool’s Ex-Easter Island Head, it’s also an apt title for the strange and multi-faceted sound of their new album
that now descends upon the world at large: ever shifting, a multiplicity of sounds both acoustic and manipulated, and yet one that still moves as part of a single mighty breeze. At times it might recall the
experiments of Rhys Chatham and Glenn Branca, the widescreen beauty of The Necks, the relentless experimentation of Arnold Dreyblatt or the boundary-pushing roster of Kompakt Records, yet ultimately this is music that has no direct compare
- A1: The Pusher Feat. Chris Robinson 7:07
- A2: Crossroads Feat. Gary Clark Jr 5:34
- A3: Hoochie Coochie Man Feat. Billy F. Gibbons 6:41
- B1: Oh Well Feat. Billy F. Gibbons 4:32
- B2: Key To The Highway Feat. Dorothy 5:09
- B3: Awful Dream Feat. Iggy Pop 5:31
- C1: Born Under A Bad Sign Feat. Paul Rodgers 5:00
- C2: Papa Was A Rolling Stone Feat. Demi Lovato 7:52
- C3: Killing Floor Feat. Brian Johnson 4:18
- D1: Living For The City Feat. Tash Neal 6:51
- D2: Stormy Monday Feat. Beth Hart 7:57
- D3: Metal Chestnut 3:01
Das Blues-Debüt des legendären Gitarristen und Songwriters enthält Gastauftritte von Brian Johnson (AC/DC), Chris Stapleton, Beth Hart, Iggy Pop, Paul Rodgers, Gary Clark Jr, Billy F. Gibbons (ZZ Top), Chris Robinson (The Black Crowes), Demi Lovato, Dorothy, und Tash Neal am Gesang. "Orgy of the Damned" ist eine Hommage an den Blues - eine Sammlung von zwölf dynamischen Songs, die Blues-Klassiker mit einem reduzierten, instinktiven Ansatz neu belebt. Die erste Single "Killing Floor" - mit Brian Johnson von AC/DC am Gesang und Steven Tyler von Aerosmith an der Mundharmonika - ist eine elektrisierende, raue und ungezügelte Version von Howlin' Wolfs Chicago-Blues-Standard aus dem Jahr 1964.
- 1: Static On The Radio – 6:3
- 2: Bluebird – 5:9
- 3: Combing My Hair In A Brand New Style – 6:24
- 4: That Girl From Brownsville Texas – 6:22
- 5: Borrowed Wings – 4:34
- 6: If Jesus Drove A Motor Home – 4:3
- 7: Objects In Motion – 5:58
- 8: Buzzards Of Love – 7:00
- 9: Alabama Chrome – 4:25
- 10: Phone Booth In Heaven – 7:09
- 11: Land Called Home – 4
- 12: Suckerz Promisez – 5:58*
- 13: Stranger Candy – 7:25*
- 14: Cinderblock Walls – 5:27*
20th anniversary of Jim White’s haunting outer space alt.country classic that has a title so long nobody can remember the name of it. Featuring Aimee Mann, M. Ward, Bill Frisell and the Barenaked Ladies. Now it’s on vinyl for the first time, pressed on Substrate Black in a gatefold jacket plus three additional bonus tracks
Ollie Spalding and Jack Watts were friends first, and songwriting partners second, and this quality sets them apart. They're marked by that peculiar alchemy when two voices become one, a special sense of human connection wrought through harmony and emboldened with experience.
New album 'Redsetter' is their coming- of- age moment - gilded indie- folk with an optimistic sense of maturity, it dares to look towards the light. "We had literally no idea what was gonna happen!" Ollie gasps when looking back on the pair's self-titled debut album. Sculpted over the pandemic and released on Real Kind Records - the boutique Communion imprint chaired by Lucy Rose - the record displayed their core values. "The emotion has to be right," says Oliver.
"When we record songs, we want to stay true to the emotion - as though those songs had just been written seconds before they were recorded." The success of their debut brought fresh experiences - writing with Flyte, collaborating with everyone from Matthew & The Atlas and Victoria Canal to Talos and Olafur Arnalds - but also new challenges.
New LP 'Redsetter' takes them from their base in Brighton to a remote part of Texas (and back again); it's a record that's driven by a special kind of determination, dealing with intimate bonds, familial connections, and a quiet sense of renewal. Looking for perfect moments within our imperfect lives, Memorial have displayed extraordinary sense of character to drive themselves forwards. "We've let go of trying to make everything sound perfect," says Jack. "Being vulnerable in that way means that the end product is truer to you than it ever could be. There's a realness to it." Memorial have taken true ownership of their lives, pushing through enormous challenges to unlock new aspects of their artistry, and actualise their dreams.
- A1: Los Hermanos Martelo – Cumbia Cienaguera 02 47
- A2: Los Trotamundos – Cumbia Porteña 02 31
- A3: Antonio León Y Su Conjunto – Cumbia Triste 02 48
- A4: Antolín Y Su Combo Orense – El Pájaro Milano 02 44
- A5: Francisco Zapata – Una Cumbia Para María 03 00
- A6: Crescencio Salcedo – Tipicismo 02 35
- A7: Sonidos De Gamero – La Cumbia Del Negro 03 07
- B1: Los Teen Agers – Cumbia Sobre El Mar 02 40
- B2: Miguel Villalba Y Su Conjunto – Cumbia Manguelitera 02 49
- B3: Calixto Ochoa – El Indio Mapuchi 03 02
- B4: Alfredo Gutiérrez Y Los Caporales Del Magdalena – Aspacanilla 02 26
- B5: El Michi Y Su Combo Bravo – Antonia 02 41
- B6: Los Graduados – Alumbra Luna 03 07
- B7: Gabriel Mesa – La Luna Y El Pescador 03 00
- C1: Adolfo Pacheco Y Su Conjunto – Pájaro Macua 02 24
- C2: El Conjunto Miramar – Cumbia Del Sol 02 58
- C3: El Combo Cienaguero – Fiesta De Cueros 02 21
- C4: La Sonora Universitaria – Margot 02 22
- C5: Orquesta De Marcial Marchena – Lina 02 39
- C6: Rita Fernández – Llora Su Pena 02 05
- C7: Jaime Llano González – Cumbia En Dominante 02 52
- D1: Los Arko – Cumbia Bogotana 02 05
- D2: Aniceto Molina Y Su Conjunto – Cumbia Candela 03 34
- D3: Los Bobby Soxers – Cumbia Sabrosona 02 08
- D4: Catalino Y Su Combo Negro – Cumbia Montañera 02 27
- D5: La Cumbia Moderna De Soledad – Cumbia Soledeña 03 16
- D6: Alejandro Bernal – Al Compás De Las Polleras 02 20
- D7: Grupo La Droga – La Chicharra 02 09
A selection of 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983.
“Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns.
The historical origins of cumbia in Colombia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together.
The main record companies in Colombia such as Discos Fuentes, Discos Tropical, Sonolux, Zeida-Codiscos, Silver, Ondina, Discos Atlantic, Vergara and Curro were created between Barranquilla, Medellín, Cartagena and Bogotá from 1936 to 1954. All of them, without exception, recorded Colombian tropical music that over the years was given different names such as porro, gaita, fandango, paseaito, merecumbé, mapalé, bullerengue or, of course, cumbia.
After digging deep into the overwhelming archive of Discos Fuentes in our previous volume, this second instalment in the series “Cumbia Cumbia Cumbia!!!” comprises 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983. Legally established on July 1, 1950, Zeida (later Codiscos) was one of the companies that consolidated Medellín as the epicenter of the Colombian recording industry in the central decade of the last century.
“Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns.
- A1: Know-Nothing Ingrate 02 22
- A2: Accomplice To Evil Deeds 02 17
- A3: Ascension 04 30
- A4: When The Moon Goes Down In Blood 03 46
- A5: Hostility Against Mankind 03 55
- A6: Compulsive 03 34
- B1: Fit Of Carnage 03 30
- B2: Neanderthal 04 55
- B3: Judgement Day 03 34
- B4: Bestial Savagery 03 51
- B5: Mass Casualty Murdercide 02 49
- B6: Spoils Of War 03 46
- B7: Hair Of The Dog 03 58
SIX FEET UNDER werden ihr vierzehntes Studioalbum "Killing For Revenge" am 10. Mai über Metal Blade Records veröffentlichen. Schon bei der ersten Single "Know-Nothing Ingrate", die das Album einleitet, wird klar, dass SIX FEET UNDER ihre Energie in etwas fließen lassen, das so brutal, lyrisch und musikalisch umwerfend ist, wie man es sich von dem bahnbrechenden Death Metal aus Tampa erhoffen würde. "Killing for Revenge" ist ein knorriges Biest von einem Album, das nichts für schwache Nerven ist.
Lazaretto ist das zweite Studioalbum von Jack White. Das 180g Vinyl ist alles andere als gewöhnlich. Versteckte Tracks, Seite A spielt von innen nach außen, handgeätzte Hologramme, Dual-Groove-Technologie, beide Seiten enden mit gesperrten Rillen, sowie Mischungen, die sich von denen auf CD und digitaler Version unterscheiden.
- A1: 53°31’41 2”N 9°58’25.7”E
- A2: 28°05’53 3”N 37°49’34.2”W
- A3: 31°46’29 9”N 32°31’22.1”W
- A4: 35°04’50 5”N 34°13’24.0”W
- A5: Wildness Of Waves I
- A6: 38°24’10 8”N 28°27’19.4”W
- A7: 38°36’07 4”N 28°49’43.5”
- B1: 34°55’35 4”N 36°16’14.3”W
- B2: 17°01’15 0”N 61°45’41.2”W
- B3: 30°53’47 0”N 46°52’31.8”W
- B4: 25°22’17 8”N 54°09’20.2”W
- B5: Wildness Of Waves Ii
- B6: 32°24’23 2”N 41°13’35.9”W
- B7: 54°53’17 8”N 8°18’06.4”E
- B8: 17°01’11 5”N 61°45’35.3”W
Drawing from her compositions for Helena Wittmann's film DRIFT (2017), Nika Son creates a sonic journey across the Atlantic Ocean. Following a weekend at the North Sea, one of Wittmann's two protagonists embarks on a journey across the Atlantic to the Caribbean, during which unpredictable waves and deep sleep foster a transformative experience. Capturing the essence of this cinematic encounter through sound, Nika Son's compositions allow the water itself to become a storyteller, immersing listeners in the resonating body of the boat and plunging them into the profound depth of the ever-shifting ocean. Whether illuminated by daylight or veiled by night, the nature of this material world emerges through an exploration of the ocean as a distinct and tangible space, inviting contemplation of its transformative power. The line between reality and imagination blurs, and the waves echo the emotions of the voyage.
- A1: Post-Apocalypto Theme 0:37
- A2: Desolation 1:17
- A3: Hope 1:59
- A4: Cave Women 1:26
- A5: Making Love 2:56
- A6: Scientists 1:17
- A7: Take Us Into Space 1:56
- A8: I've Got To Go 1:50
- A9: Fuck Yo-Yo Ma 1:34
- B1: Reunion/Not So Fast 1:08
- B2: Daddy Ding Dong 1:45
- B3: Chainsaw Bazooka Machine Gun 1:00
- B4: Robot 2:26
- B5: March 1:23
- B6: Turd Whistle 0:39
- B7: Colors 2:20
- B8: Who's Your Daddy? 0:48
- B9: Jb Jr Rap 1:31
- B10: Woman Time 1:23
- B11: Save The World 0:44
- B12: Post-Apocalypto Theme (Reprise) 0:39
"Post-Apocalypto' finds Tenacious D thrust into a world of complete and utter destruction following the drop of an atomic bomb. Surviving the attack in classic cinematic fashion (a good old imperishable 1950s refrigerator), the duo quickly learns that new forms of evil have spawned from the blast. One thing becomes apparent for humanity to prevail, Tenacious D must save the world". Standard Black LP vinyl re-issue catalogue campaign. Spring UK tour dates. Promo & marketing activity around the catalogue & live dates.
- A1: Post-Apocalypto Theme 0:37
- A2: Desolation 1:17
- A3: Hope 1:59
- A4: Cave Women 1:26
- A5: Making Love 2:56
- A6: Scientists 1:17
- A7: Take Us Into Space 1:56
- A8: I've Got To Go 1:50
- A9: Fuck Yo-Yo Ma 1:34
- B1: Reunion/Not So Fast 1:08
- B2: Daddy Ding Dong 1:45
- B3: Chainsaw Bazooka Machine Gun 1:00
- B4: Robot 2:26
- B5: March 1:23
- B6: Turd Whistle 0:39
- B7: Colors 2:20
- B8: Who's Your Daddy? 0:48
- B9: Jb Jr Rap 1:31
- B10: Woman Time 1:23
- B11: Save The World 0:44
- B12: Post-Apocalypto Theme (Reprise) 0:39
Das vierte Werk des Duos Jack Black & Kyle Gass, "Post-Apocalypto", wird auf schwarzem 180g-Vinyl mit einem 16-seitigen Booklet neu aufgelegt. Zusammen mit prominenten Gästen (Dave Grohl, John Konesky) bewegt sich die Band zwischen Geschichten und Liedern, um uns in eine völlig verrückte postapokalyptische Welt zu entführen. Tenacious D bereiten sich derzeit auf eine Welttournee vor und werden am 15. Mai 2024 in Paris auftreten.
- 1: New Addictions
- 2: A Trip Around The Sun
- 3: The Designated Place At The Designated Time
- 4: My Goddamn Subconscious
- 5: The Focus. The Compass. The Contract In Hand
- 6: Miyajima, Jp
- 7: The Captain Setting Course From Where We Met
- 8: Akron, Oh
- 9: The Car’s Still Running Out Front
- 10: Bandelier
- 11: Home Is The Gift
Interesting Decisions is the new album from Into It. Over It., the brainchild of Chicago, IL musician Evan Weiss . Considered to be one of the artists at the forefront of the 2010 emo revival, this is his eagerly awaited fifth studio album, after 2020's Figure. Into It. Over It. is an indie rock powerhouse that has been enchanting audiences since its inception in 2007. The band's emotionally charged lyrics and dynamic sound have garnered critical acclaim and a dedicated global following and their current formation includes Adam Beck on drums, Matthew Frank on bass, and Joe George on guitar.
TSR are a trio of Swedish musical mentalists made up of Tomas Nordstrom, Fredrik Askebris .......... & Otto. This crazed technologically berserk band of electronic wizards under Otto’s command relentlessly conjure up thee most brilliant, silliest, toughest, most dance bootable funky shizzle on this highway of existence.
Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we present the more than welcome return to the label by those Swedish farting techno wasp keepers themselves with their very first ever album, and a double vinyl one at that.
Along-with the vocal talents of he that should be King, Tunnan, and the mystical musical mayhem of fellow Swede Joseph Garber, they’ve put together a cooler than cool selection of music that’s even cooler than the contents of a fully stocked ice cream truck ……… or your pants (if you just happened to keep your ice cream there) that gets more squawking, hand pumping and more noise crackin’ than a Spanish whip.
This is completely over the top shoogle, woogle and boogaloo boppin’ techno mind control shenanigans that’s waiting in store for you so ‘Don’t’ blame us if your feet fall off from dancin’ like pigs in heat.
WARNING: BOONCE YER BONCE ONE TOO MANY TIMES AND YOU’LL TURN INTO AN UNRULY UNDERWORLD HAMMERHEAD
"Star Wars Stories is a collection of the most famous melodies & fan favourite tracks from the recent Star Wars Universe including The Mandalorian, Solo: A Star Wars Story and Rogue One. This compilation features main themes, epic orchestral tracks and emotional songs, paying tribute to the originals John Williams, Ludwig Göransson, John Powell, Anthony Williams & Michael Giacchino. This project is a follow-up to the 2019 release Music From The Star Wars Saga – the essential collection, a compilation of music from the Star Wars films. Included are the most famous melodies & fan favourite tracks from the hugely popular tv series, paying tribute to Ludwig Göranssons’ work. This includes musical highlights from the series ranging from the infamous main theme to epic orchestral tracks & character pieces for Boba Fett & Luke Skywalker. From Solo: A Star Wars Story, this tribute to John Williams & John Powell’s 2018 album features action-loaded orchestral musical highlights from the film and themes for the beloved characters Han Solo and Chewbacca. Star Wars Stories is available as a limited edition of 1000 individually numbered copies on ""Hyperspace"" coloured vinyl. This 2LP-set is housed in a gatefold sleeve, includes an insert, and features secret inscriptions in the run-out grooves.
"
Star Wars Stories by Various Artists, released 2 May 2024, includes the following tracks: "Luke Skywalker Hallway Theme", "End Theme", "Flying With Chewie", "The Adventures Of Han" and more.
This version of Star Wars Stories comes as a 2xLP in a(n) Gatefold Sleeve packaging. This release comes with (a) Insert(s).
The vinyl is pressed as a marble, blue & white & black disc. Another vinyl is pressed as a marble, blue & white & black disc.
- Für 80 LPs
- Praktische 75/25 Teilung, mit 2 Aushängescharnieren
- Schaumstoffgepolsterter Innenraum (8 mm, schwarz)
- Aluminiumprofilrahmen (40 mm) mit abgerundeten Ecken
- Dreischenklige, mittelgroße Stahlkugelecken
- 1 abschließbares Butterfly-Schloss,
- 4 Gummifüße
- Robuster Tragegriff
Maximalbelastung: 16 kg
Wandstärke: 3,0 mm
Außenmaße (BxTxH): ca. 360 x 285 x 385 mm
Innenmaße:
Einbaubreite: ca. 335 mm
Einbauhöhe: ca. 340 mm
Einbautiefe: ca. 235 mm
Außenmaß der Ecken: ca. 60 mm
Gewicht: ca. 3,2 kg
Yellow Vinyl
Bacao Rhythm & Steel Band, die mysteriöse Steel Pan Band aus Hamburg, hat sich weltweit einen Kultstatus erspielt. Mit einer Reihe von klassischen 7" Singles und drei hochgelobten Alben haben sie die Messlatte für sich selbst hoch gelegt, die sie mit diesem neuen Werk noch weiter nach oben schieben wollen. Auf ihrem vierten Album BRSB sind Bacao zurück mit mehr vom Gleichen, aber mehr vom Gleichen ist bei ihnen von Natur aus anders. Sie covern Songs aus verschiedenen Genres, von Megahits bis hin zu Underground-Songs, und machen sie sich mit ihrer einzigartigen Herangehensweise an die traditionellen Steel Pans aus Trinidad und Tobago zu eigen. Während ein Teil des Reizes eines neuen Bacao Rhythm & Steel Band-Albums darin besteht, herauszufinden, welche Songs sie covern, ist es ebenso faszinierend zu sehen, welche originellen Melodien sie ausgeheckt haben – denn dieses Album ist ebenso voller herausragender Originale. Der Opener des Albums, "In The Crosshairs", ist ein rauer und harter Midtempo-Kopfnicker, während "Grilled" und "Treasure Quest" das Tempo mit starken afrikanischen Funk-Einflüssen anziehen. Bacao geht mit "Hazy Memories", einem basslastigen Slowburner, der zwischen Hypnose und Hype wandelt, in die Tiefe. Diese Originale sind ein Beweis dafür, dass der Begriff "Coverband" ein Schuh ist, der niemals zu Bacao passen könnte. Und doch gibt es auch dieses Mal in der Tradition der Steel-Pan-Musik eine Reihe Coverversionen. Der große West Coast Hip Hop Einfluss wird offenbar mit Covers von Game & 50 Cent's "How We Do", Dr. Dre & Snoop Dogg's "Nuthin But A G Thang" und Tupac's "Got My Mind Made Up”, die alle eine neue Energie bekommen und sich für die BRSB Stahlbehandlung eignen. Mit ihrem Covern von Claudja Barrys Disco-Klassiker "Love For The Sake Of Love", die sie in eine synchronisierte Version umwandeln und sogar den Titel in "Love For The Sake Of Dub" ändern, fügen Bacao ihrem Lebenslauf einen weiteren zertifizierten Dance-Floor-Filler hinzu. Aus dem Bereich der zeitgenössischen Smash-Hits covern sie Drakes "Hotline Bling" und "Love$ick" von Mura Masa & A$AP Rocky. Dann gehen sie mit dem "Stranger Things Theme" einen sehr unerwarteten Weg, indem sie den Synthie-lastigen Titelsong der Hit-Show nehmen und ihm einen hypnotischeren Ton geben als dem Original. Wenn BRSB fertig ist, hat die Bacao Rhythm & Steel Band den Hörer auf eine Reise mitgenommen, die eine Vielzahl von Energien, Tempi und Stimmungen umfasst, aber alles unter einem Dach hält.
- A1: Ennio Morricone - Dance On (O S.t. »Così Come Sei«)
- A2: Toto Cutugno - Mi Dici Che Stai Bene Con Me
- A3: Puccio Roelens - Northern Lights
- A4: Toni Santagata - Ufo Sexo
- A5: Blue Marvin Orchestra - La Cortigiana (O S.t. »Codice D
- B1: Alessandro Alessandri - Manhattan Disco (O S.t. »Sangue
- B2: Stefano Torossi - Having Fun
- B3: Gianpaolo Chiti & Sergio Montori - Desperation And Mone
- B4: Ezy Minus - Contraband Love
- B5: Goblin - Tenebre (O S.t. Tenebre")
- C1: Sessomatto (Armando Trovajoli) - Sessomatto (O S.t. Se
- C2: Silvano D'auria - Porto Cammelli (O S.t. La Mano Lunga
- C3: Stelvio Cipriani - Mark Il Poliziotto - Originale (O S
- C4: Fred Bongusto - Le Tentazioni Di Giorgia (O S.t. Gli O
- C5: Pino Donaggio - Lady Fine (O S.t. Senza Buccia / Cosi
- C6: Eva Eva Eva - Donna Donna Donna
- D1: Franco Bixio, Fabio Frizzi & Vincenzo Tempera - Vai Gor
- D2: Riz Ortolani - La Ragazza Dal Pigiama Giallo (O S.t. L
- D3: Guido E Maurizio De Angelis - Ankara (O S.t. Afyon Opp
- D4: Piero Piccioni - Blue Rhythm Festival - New Edit (O S.t
- D5: Carlo Bixio & Marcello Gigante - Il Seme Di Caino (O S
- D6: Goblin - La Via Della Droga - Originale (O S.t. La Via
Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries. With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...
Nina Simone’s big break consisted of the recording made during her September 12, 1959 concert at New York’s Town Hall. The 1960 LP Nina Simone at Newport (recorded live at the Newport Jazz Festival on June 30, 1960, and included here in its entirety) was an attempt to repeat the success of that live album. It presents strong performances by Nina of “Trouble in Mind” and “You’d Be So Nice to Come Home To,” among others. Simone is accompanied by her regular rhythm section, consisting of Al Schackman on guitar, Chris White on bass, and Rob Hamilton on drums.
- 1: Jah Life In Dub
- 2: Three Shaolin Dub
- 3: Four English Dub
- 4: Five Collie Dub
- 5: Seven My Heart Is Dub
- 6: Nine What You Gonna Dub
The infamous and legendary "Jah Life in Dub" LP, finally released. Originally slated for release in late '80/early '81, this was to be Jah Life's first dub LP, featuring all exclusive mixes to now-classic Barrington Levy tunes. For one reason or another, the LP was never released. To confuse matters, a couple years later, some of the unused jackets were given to Germain to house an untitled dub LP of his productions. Naturally, we needed to rectify this situation. So here it is, finally released 34 years later! Featuring ten killer dubs to Barrington Levy tunes, ALL MIXED BY SCIENTIST AT KING TUBBY'S. Six out of the ten tracks are previously unreleased mixes, including a dub to the song "Jah Life" which has never been available anywhere before. As an added bonus, the first pressing of this LP will come housed in the original jackets from 1980, which features killer artwork by Oneil Nanco.




















