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Peach Discs’ last EP of 2025 comes from DJ & producer Leibniz. Hopefully you can hear why we chose to wait till club season is fully upon us to put this one out – "Corridor" is a deeply heads-down, groove-forward record that casts an enveloping atmosphere across its minimal, tunneling arrangements built for dark rooms and long nights.

Across the EP's four tracks, Leibniz (real name Moritz Paul) picks a vibe and runs with it – themes persist, the focus narrows and what we get is something approaching a mood. Drawing inspiration from early 2000s techno records from the likes of Archetype while combining the ambient warmth of Kompakt’s Pop Ambient compilations and GAS releases with the clarity and weight of early dubstep and 2-step, he dived into a process of self-sampling, resampling shorter demos and ideas into full arrangements, or "making in-between tracks that help make the tracks.”

The pair of tracks on the record's A-side are made up of little more than razor-sharp percussion, billowing, restless pads and an infectious bassline, but it's the way these carefully considered elements are put together that do the damage on the floor.

Flip it over and Ten Ten breaks the 4x4 spell for a moment, leaning into a heavily swung, garage-indebted sound inspired by the king of swing himself, El-B. "If my drums resemble just a bit of the ones of El-B, I‘m happy." We reckon he can be happy. Finally, TTL takes us back to the persistent, driving energy of the A-side, with just a hint of hardgroove flavour and the kind of wonked-out fx that always suits the B2 of a record.

2LP 140g col vinyl


»High Times – Singles 1992–2006« erschien 2006, erreichte Platz 1 der Charts und wurde mit Dreifach-Platin ausgezeichnet. Die Tour Edition 2025 erscheint als stahlfarbenes Doppel-Vinyl mit Kunstdruck, Booklet und einem von fünf zufällig beigelegten Sammler-Laminaten mit dem Buffalo-Man-Icon.

Das Album umfasst 20 Songs, darunter den Nummer-1-Hit »Deeper Underground«, sieben weitere Top-10-Titel wie »Virtual Insanity«, »Cosmic Girl« und »Canned Heat« sowie weitere bekannte Singles wie »Seven Days in Sunny June« und »Space Cowboy« viele davon feste Bestandteile der aktuellen Live-Shows.

Schon immer schwirrte im Kopf von Husky (Drums / Asphyx, Rotten Casket, ex Sodom, ex Desaster, ex Metalucifer, ex Metal Inquisitor) die Idee herum, eine Band zu gründen, die sich dem puren Thrash Metal widmet und dabei auch einen kanadischen „Razor“-Touch aufweist, ohne jedoch die musikalischen Wurzeln aller Musiker zu verlieren. Auf einem der unzähligen Treffen mit seinem alten Kumpel Patrick (Bass / ex Crematory, ex Apophis) kam es vor zwei Jahren dann auf dem Party.San Open Air zum finalen „lass uns doch mal jetzt was zusammen machen“. Patrick rekrutierte zusätzlich Holg (Gitarre / u.a. Abandoned, Roxxcalibur) und Husky verpflichtete Benni (Vocals / u.a. Knife, The Earwix), um das Line-Up passend zu komplettieren.

Im Juni 2025 traf man sich im niederländischen Enschede, um bei Tom Meier Recordings (u.a. Asphyx, Soulburn, Cryptosis, Graceless, Rotten Casket) ein erstes Demo aufzunehmen. Die Band hat im Anschluss bei niemand Geringerem als High Roller Records einen Deal erhalten, um das Demo als MCD/MLP zu veröffentlichen und auch das folgende Debütalbum wird dort erscheinen.
Und dies ist erst der Anfang…Seid bereit für „Razorsharp Thrash Metal“!

"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.

Following last year’s CD release that generated tremendous response, Days of Delight is proud to present the analog edition of a long-hidden treasure from Three Blind Mice.
Motohiko Hino Quartet + 2 – Flying Clouds (recorded in 1976).
Just three months after the legendary album Ryuhyo (Drift Ice) was captured in Nemuro, Hokkaido, this fiery performance was recorded with the addition of Yuji Imamura, expanding the group into a sextet.
The source is a newly digitized transfer from the original 2-inch master tape. Supervised by TBM founder Takeshi Fujii and track-downed by Yoshihiko Kannari—the “guardian of the TBM sound” who also engineered the original live recording—this release faithfully revives the sound of Three Blind Mice nearly half a century later.
A rare document that vividly conveys the intensity of Japanese jazz at its peak in the 1970s.

End of 2023, changes surfaced in and around me. In the middle of it, I decided to pack a bag, turn off my phone and leave for Los Angeles. I found this tiny house on Airbnb that had a studio in the back. I spent 95% of my time there, figuring out what was happening inside of me while writing demo after demo. When I came back to France a couple of months later, everything had changed, my old life was gone.



The year that followed was full of new experiences, feelings, habits and occasional songs. I went back to my parents’, rented a 22m2 apartment in Paris for 6 months, travelled to the other side of the world, ran a lot, started therapy, had sex, missed, chased and eventually held.


One thing that never left was the music. I’m so grateful for what it has brought and keeps bringing into my life every day.



Archwood is the playlist of these past 2 years of my life. It’s the name of the street where I stayed in LA. Archwood is a chapter I’m finally able to share and it feels very, very good.

An abstract painting with expressionist hues and futurist echoes, a mix between action painting and informal art: this is the first impression from Grischa Lichtenberger's live performance recorded at the Pino Pascali Museum in Polignano a Mare. The artist, based in Berlin, makes the rhythms creak, cuts them with a laser, weaves imaginative harmonic coils, smoothes with electric razors and draws figures with echoes and industrial clangs.

Then he uses ferrous materials that, with a precision lathe, are abraded and cause sparks. Suddenly steel springs fall to the ground, generating a cascade effect. In the distance, you can hear the roar of speeding cars and the ringing of bells.

Lichtenberger pulps, compresses, dilates, mixes, electrifies, heats up, liquefies: he does all this in just less than forty minutes, treating the sound material with violence, transforming it from time to time, shaping it and succeeding in the arduous task of controlling its effects. It is as if Luigi Russolo, Alva Noto and Thomas Brinkmann were closed in a workshop on the edge of a highway, parodying the famous definition of techno.
Giosuè Impellizzeri

Isao Suzuki Quartet + 1 – Blue Road (recorded in 1975).
A month after the recording of his masterpiece Orang-Utan, Suzuki and his fellow musicians delivered this powerful performance at the “5 Days in Jazz 1975” festival—a rare document of the group in its prime.
The source comes from a newly digitized transfer of the original 2-inch master tape. Supervised by TBM founder Takeshi Fujii and track-downed by Yoshihiko Kannari—the “guardian of the TBM sound” who also engineered the original live recording—this release faithfully revives the sound of Three Blind Mice nearly half a century later.
An invaluable record that vividly captures the raw energy of Japanese jazz at its peak in the 1970s.

A glimpse through the window into the mind of Ox Omni, No Prayers to the Devil is a declaration of war against all things ungodly—an unflinching, uncompromising statement from an artist who refuses to bow. Fully produced by 94Maax and mixed/mastered by Shiggy, the album weaves razor-sharp lyricism through haunting samples, crisp drumwork, and cinematic textures. Ox Omni blends street wisdom with introspective storytelling, delivering a project that is both raw and thought-provoking.

The album features carefully curated guest appearances that enhance its immersive atmosphere. RocxNoir joins on “Paid in Full,” Rome Streetz lends his presence to “Kitchen Counter,” and Daniel Son adds his touch to *“Favorite Episode.” Each collaboration amplifies the album’s dynamic range, seamlessly shifting between moments of darkness and revelation.

The striking album artwork, created by Stab Master Arson, reinterprets Friedrich August Moritz Retzsch’s classic painting Checkmate, reinforcing the album’s core themes of power struggles, fate, and the fight for one’s soul. Just as the painting portrays a man locked in a high-stakes chess match against the devil, No Prayers to the Devil finds Ox Omni navigating the trials of life with unwavering conviction.

With its eerie production, calculated lyricism, and masterful sequencing, No Prayers to the Devil is a gripping body of work that cements Ox Omni’s place in the modern underground scene.

"The Cream Tape" is a gritty yet stylish showcase from Toronto’s The 6th Letter and Buffalo’s Billie Essco, entirely produced by Raz Fresco and released through his BKRSCLB label. Raz's signature production, which layers vintage soul and jazz samples with dusty drums and atmospheric textures, provides a cinematic backdrop that suits both MCs’ lyrical swagger and contemplative tones.

With sharp verses from Raz Fresco himself on select tracks, the album has a distinct cohesion that blends lyrical dexterity with refined production, and also featurwes Jae Skeese, a rising force from Conway The Machine's Drumwork crew, adding a potent Buffalo flavor.

The artwork by Harvey Dentist perfectly complements the album’s vibe, referencing the bold aesthetics of streetwear and modern art, with nods to BAPE and KAWS that echo the album's sense of style and substance. A project that brings together the best of both cities, "The Cream Tape" fuses grimy lyricism with artful production, creating a polished yet raw addition to the hip-hop landscape.

For SEVEN's first anniversary, we've brought together a roster of talented artists, each with a distinct style, to reimagine CRYME's hit "London Boy" originally released on The Backroom EP in 2024. This 5-track remix EP features a remastered version of the original alongside fresh interpretations by none other than Ghettotech heavyweight MCR-T, Prog House queen Roza Terenzi, modular wizard JakoJako, and Amsterdam's legendary Stef de Haan as a digital bonus. The vinyl will be limited to 500 copies.
With full marketing and PR support around the anniversary SEVEN7000LTD is set to be SEVEN's biggest release of the year.
A1 - CRYME - London Boy (MCR-T Remix)
CRYME's 808-driven electro, ghetto house hybrid "London Boy" gets the MCR-T treatment, spiced up with a dose of Garage. The Berlin-based artist reshaped the bassline into a gritty reese bass and put in the iconic UK hardcore vocal "your name is not down, you not coming in," perfectly amplifying the track's original UK flair.
A2 - CRYME - London Boy (Roza Terenzi Remix)
Roza Terenzi joins the "London Boy" Remix EP with a sleek, modern tech house cut. Flipping the distinct 808 cowbells into heavily processed percussive elements that bounce through the mix while carrying a melodic line. Her remix is packed with her quirky yet precise sound design and kinetic frequencies. The original vocal phrases are creatively chopped up into fragments and reassembled so they become part of the rhythmic backbone.

B1 - CRYME - London Boy (JakoJako Remix)
JakoJako shows off her genre diversity with a steezy Tech House flip of "London Boy." The talented Berlin-based live act lays down a solid drum foundation and a bouncing bassline - no frills, just a steady groove built for the dancefloor. The composition stays laidback, leaving space for a raw synth melody and her reworked, chopped-up vocal layers that add just the right touch of playful silliness to the track.

B2 - CRYME - London Boy (Original Mix)
On the B-side you will find CRYME's remastered original "London Boy", first released in 2024 and featuring ANTICALM, a British rapper, vocalist, and songwriter whose "You Don't Want This" vocal sample takes center stage. Merging 808-driven Electro and Grime with a touch of Ghetto House, the track reimagines a genre-bending battery of block-party energy in the club setting. With its driving rhythm and unmistakable vocal hook, it remains a powerful tool for DJs and a highlight on any dancefloor.

Farbige Vinyl LP gepresst auf "Random Colour Eco" Vinyl. Am 16. März 2025 haben Johnny Moped zwei Sets im The Prince Albert in Brighton gespielt. Am Nachmittag spielten sie ein Akustikset. Nach einer kurzen Pause mit Fish and Chips und Eiscreme wurde am Abend eine komplette elektrische Show dargeboten. Das Akustikset am Nachmittag wurde für ein Live-Album aufgenommen, das wir euch jetzt präsentieren! Hier sind sie also Johnny Moped in ihrer ganzen Pracht, mit einer Auswahl ihrer beliebtesten Songs!

A legend of the Chicago house scene, befriending Ron Hardy and Frankie Knuckles in his teens before forming influential house trio Risque III, and still prolific today via releases on Marcel Dettman’s ‘Bad Manners’ imprint, K'Alexi Shelby partners with Tony Loveless for their Planet E debut, ‘Ancestral Rhythm’.

Across a rolling nine-minute odyssey of old-school but future-facing jack, ‘Ancestral Rhythm’ finds the pair tapping into their most uncompromising rhythmic instincts, melding the tough machines of their studio with organic percussion and oscillating plunges into raw, escalating electronics.

In complimentary fashion, Carl Craig expands on the existing material for a subtle, tight C2 edit of the pair’s original material. Roadtested over the summer season in Ibiza and beyond, Craig masterfully sharpens the original’s frenetic edges, while adding another chorus of chants to Shelby and Loveless’s psychedelic soup.

Progressive rock may rarely grace the mainstream spotlight, but its devoted global community continues to thrive, and few bands embody that spirit better than Airbag. Since their debut EP, Safetree (2007), and first full-length album, Identity (2009), the Norwegian quintet has steadily built a worldwide following with their cinematic soundscapes, soaring melodies, and timeless songwriting. From All Rights Removed to The Century of the Self, each release has cemented Airbag's reputation as one of the most vital acts in modern progressive rock, earning critical acclaim and packing venues across Europe and beyond. Now, 16 years and five studio albums later, Airbag returns with their first official live album, captured during a powerful performance at Poppodium Boerderij in Zoetermeer, The Netherlands in 2024. This double CD / double vinyl release showcases the band at their best, raw, immersive, and sonically stunning. The recordings have been meticulously mixed to preserve the atmosphere and authenticity of the live shows. For collectors, the vinyl edition is a must-have: A deluxe gatefold cover with an exclusive booklet and a limited first pressing on coloured splatter vinyl, a beautiful piece for fans and audiophiles alike. Whether you've followed Airbag from the beginning or discovered them along the way, this live album is a celebration of a band that continues to defy trends, connect deeply with fans, and delivers music that stands the test of time.

After screaming to the world You Don't Know What Chiptune Is, arottenbit returns with an even more radical and collective statement: You Don't Know What A Rework Is. Ten tracks, completely deconstructed and rebuilt by twenty Italian bands, each in their own sonic language. From drone swallowing the void to the most savage death metal, from visceral punk to a fearless flamenco twist, every track becomes an uncharted territory, a journey where arotttenbit's identity dissolves and multiplies into twenty new forms. Most of the recordings were captured by Otto himself with his mobile studio, during a tour across Italy that took him into basements, rehearsal rooms, and underground spaces, harnessing raw and direct energy from the bands in their natural environment. Mixing and mastering then came to life at Otto Engineering Labs, his personal sound-space where everything was stitched together and transformed into a single living organism.



[a] SPECIMEN 1.1.[FLC:011-015] (FEAT. FULCI)
[b] SPECIMEN 2.1.[ISK:006-008] (FEAT. JASON DAHLKE)
[c] SPECIMEN 3.1.[FSG:005-007] (FEAT. FOSGENE)
[d] SPECIMEN 4.1.[OVO:004-007] (FEAT. OVO)
[e] SPECIMEN 5.1.[UND:008-010] (FEAT. UNDERTAKERS)
[f] SPECIMEN 6.1.[HWF:007-009] (FEAT. HYPERWÜLFF)
[g] SPECIMEN 7.1.[3ST:009-010] (FEAT. THREESTEPSTOTHEOCEAN)
[h] SPECIMEN 8.1.[MBR:006-007] (FEAT. MASTER BOOT RECORD)
[i] SPECIMEN 9.1.[LXN:010-011] (FEAT. LESLIEXNIELSEN)
[j] SPECIMEN 0.1.[8NE:006-008] (FEAT. OTTONE PESANTE)

GOSPEL GREATEST HITS - Die Seele der Musik Mit Gospel Greatest Hits präsentiert Wagram eine außergewöhnliche Sammlung der kraftvollsten Stimmen und bewegendsten Songs der Gospelgeschichte - als Doppel-CD und Doppel-Vinyl. Diese Zusammenstellung vereint emotionale Tiefe, spirituelle Kraft und musikalische Exzellenz in einem einzigartigen Hörerlebnis. Zu hören sind Legenden wie Mahalia Jackson, The Edwin Hawkins Singers, Sister Rosetta Tharpe, Sam Cooke, Ella Fitzgerald, Louis Armstrong und das Golden Gate Quartet - Künstler:innen, die Gospel nicht nur geprägt, sondern weit über die Kirchenmauern hinausgetragen haben. Gospel war schon immer mehr als nur Musik: In den USA war er Stimme der Hoffnung, Ausdruck von Widerstand und Quelle spiritueller Kraft - und ist bis heute ein Fundament für Soul, R&B und Pop. Diese Sammlung bringt die Ursprünge zurück ins Rampenlicht - mit Songs, die unter die Haut gehen.

Manchester’s own The Slow Readers Club are set to embark on a special anniversary tour celebrating ten years since
their seminal breakthrough album, Cavalcade. Titled ‘A Decade of Cavalcade’, the tour will see the band revisiting the
album that set them on their path to becoming one of the UK’s most revered indie acts, while also marking an exciting
new chapter in their journey.
The tour announcement follows a milestone year for the band with their latest album Out Of A Dream landing at
UK Number 11 in the Official Charts in the first week. With growing momentum on streaming platforms and an everexpanding fanbase, The Slow Readers Club continue their upward trajectory, making A Decade of Cavalcade both a
reflection on the past and a celebration of what’s still to come.
A Celebration of a Pivotal Moment
Originally released in 2015, Cavalcade was a turning point for The Slow Readers Club, capturing hearts and minds with
its brooding, atmospheric sound and emotive lyricism. Featuring fan-favorite tracks such as Plant The Seed, I Saw A
Ghost and Forever In Your Debt, the album resonated with a generation of music lovers and laid the foundation for the
band’s future success. One of those supporters were the band James who personally invited The Slow Readers Club to
support them on a huge headline tour which brought them to a whole new audience.
Now, a decade later, the band will bring Cavalcade back to life on stage, performing it in full alongside other cherished
songs from their extensive catalog. The tour promises to be an electrifying experience, blending nostalgia with the raw
energy of and ambition that continue to define The Slow Readers Club today.

Manchester’s own The Slow Readers Club are set to embark on a special anniversary tour celebrating ten years since
their seminal breakthrough album, Cavalcade. Titled ‘A Decade of Cavalcade’, the tour will see the band revisiting the
album that set them on their path to becoming one of the UK’s most revered indie acts, while also marking an exciting
new chapter in their journey.
The tour announcement follows a milestone year for the band with their latest album Out Of A Dream landing at
UK Number 11 in the Official Charts in the first week. With growing momentum on streaming platforms and an everexpanding fanbase, The Slow Readers Club continue their upward trajectory, making A Decade of Cavalcade both a
reflection on the past and a celebration of what’s still to come.
A Celebration of a Pivotal Moment
Originally released in 2015, Cavalcade was a turning point for The Slow Readers Club, capturing hearts and minds with
its brooding, atmospheric sound and emotive lyricism. Featuring fan-favorite tracks such as Plant The Seed, I Saw A
Ghost and Forever In Your Debt, the album resonated with a generation of music lovers and laid the foundation for the
band’s future success. One of those supporters were the band James who personally invited The Slow Readers Club to
support them on a huge headline tour which brought them to a whole new audience.
Now, a decade later, the band will bring Cavalcade back to life on stage, performing it in full alongside other cherished
songs from their extensive catalog. The tour promises to be an electrifying experience, blending nostalgia with the raw
energy of and ambition that continue to define The Slow Readers Club today.

Manche sagen, es sei Albert Einstein gewesen, der das gesagt hat, aber ich bin mir ziemlich sicher, dass es Hristo Stoichkov war: ,Glück gibt es nicht." Manche Bands leben ihre gesamte Karriere von einem einzigen Song, was Experten als One-Hit-Wonder bezeichnen. Hier würden wir es wahrscheinlich einfach als Strohfeuer bezeichnen, etwas, das uns etwas vertrauter ist. Andere Bands schaffen es, ein oder zwei großartige Alben herauszubringen, vielleicht sogar drei. Darüber hinaus wird es schwieriger, Bands mit mehr als vier soliden Alben zu finden. Diese Bands haben etwas Besonderes, eine Art Magie. Jeder, der sie kennt, hat eine klare Referenz, eine Grundlage, ein Konzept, eine Art, Dinge zu tun, die einen fesseln und in ihren Bann ziehen, genau wie in diesem Fall. CRIMs fünftes Album "Futur Medieval" hält die Flamme ihrer vorherigen vier Alben am Leben. Es ist ein Killer-Album, voller Energie und Leidenschaft. Wie immer gibt es Hymnen, Refrains zum Mitsingen, den charakteristischen synchronen Punch in jedem Song und diese elektrisierenden Gitarren, die von der ersten Note an ihre Trümpfe ausspielen. Wie es in einem ihrer Songs heißt: ,"Nichts Neues?" Na und? Erwachsenes Vergnügen ist genau das, - Jordi "Unclu" Sabatés Ametller CRIM wurde 2011 gegründet und sind wohl die größte Punkband Kataloniens/Spanien. Diese äußerst leidenschaftlichen Musiker haben sich lokal einen Namen gemacht, spielen mittlerweile immer wieder vor Tausenden von Leuten und haben starke Songs, die in vielerlei Hinsicht eine sehr florierende Szene in Nordspanien vorantreiben. Die Popularität von Crim außerhalb Kataloniens wächst rasant, da sich ihre Authentizität in ihrem Sound widerspiegelt und ihr kompromissloser Ansatz in vielerlei Hinsicht universell ist und für Fans leicht erkennbar und einladend, unabhängig davon, welche Sprache sie sprechen. Jeder, der diese Band live gesehen oder ihre Alben gehört hat, kann die Kraft und Energie bezeugen, die sie besitzt. FFO Cock Sparrer, Leatherface, Social Distortion CD, klassisch schwarzes oder mehrfarbiges Vinyl!

Rouse and Raise Your Voice ist eine Zeile aus einem der bekanntesten Songs der Band, "Keep Hauling", der von mehreren Bands in Großbritannien und anderswo auf der Welt gecovert wurde. Die Vinyl-LP startet mit "Crooked Jack", dem allerersten Song, den Mark Bloomer und Andrew Cadie bei ihrem mittlerweile legendären Debüt-Gig in einer Schnapsbrennerei im Moselort Ediger-Eller im Jahr 2005 gemeinsam sangen. Das Arrangement dieses berühmten Arbeiterliedes entstand spontan in der kurzen Probe vor dem Auftritt und wurde fortan zum Maßstab für den Sound der Band. Schrille Vokalharmonien, druckvolle Gitarre und Geige, changierend zwischen traditionellem Folk und frei fließender Improvisation. Während die Nadel nach innen wandert, zeigen Songs wie "Beg, Blag and Steal" eine Weiterentwicklung, wobei der charakteristische Sound nun durch Schlagzeug und Kontrabass ergänzt wird. Auf "Wine From a Mug" ist Katie Doherty stark vertreten, die die Band zwischen 2011 und 2016 auf vielen Tourneen und Aufnahmen begleitete. Von nachdenklicheren, Bottleneck- und Loop-lastigen Songs aus dem diesjährigen Album "Standing Strong", das ihnen ihren zweiten Preis der Deutschen Schallplattenkritik einbrachte, bis hin zu einem mitreißenden Set von Fiddle Reels ist die Rohheit der Live-Shows der Band stets spürbar. Dieses auf 500 Vinyl-Exemplare limitierte Album ist ein Muss für Broom Bezzums-Fans, aber auch ein hervorragender Einstieg für Uneingeweihte!