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Svart Records reissue of Morbus Chron’s game-changing atmospheric Death Metal album “Sweven”, together with the remastered ltd ed. EP “Saunter Through The Shroud”. Gatefold sleeve with original Sweven booklet included. Pressed on black vinyl and limited dark green vinyl (400 copies). On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony. The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

Svart Records reissue of Morbus Chron’s game-changing atmospheric Death Metal album “Sweven”, together with the remastered ltd ed. EP “Saunter Through The Shroud”. Gatefold sleeve with original Sweven booklet included. Pressed on black vinyl and limited dark green vinyl (400 copies). On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony. The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

De Brassers were one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions. The doomed sound they produced tells a lot about the dark atmosphere of the late seventies and early eighties: the fear of atomic bombs, cold war pessimism, police violence against squatters, the first cases of AIDS, and the grim years of Reagan & Thatcher.

This compilation takes you back to that time. All tracks from their first 7″ "En Toen Was Er Niets Meer” & their self-titled 12″, plus rare & unreleased tracks taken from various live performances & the cassette “Levend”. If you’re in for a raw slice of Belgian history let de Brassers immerse you in a cold wave of punk.

Since first emerging in the latter half of the noughties, Guillaume Metenier’s Soul Sugar project has evolved considerably. Initially a trio built around the virtuoso organist’s love of ‘60s and ‘70s soul-jazz and Hammond funk – Metenier studied under jazz organ legend Dr Lonnie Smith – Soul Sugar is now a collaborative collective that draws just as much influence from classic Jamaican dub and reggae as the works of Jimmy Smith and Jimmy McGriff.

The outfit’s musical evolution comes into sharp focus on Excursions in Soul, Reggae, Funk & Dub, a collection of hard-to-find tracks that have been released at different points, and on different vinyl formats, over the last three years. Taken as a whole, the set offers a stunning snapshot of Soul Sugar’s rapidly expanding catalogue of classics. Metenier is once again at the controls but this time round Soul Sugar’s cast list of contributing musicians includes Sly & Robbie, Blundetto, Lone Ark, Slikk Tim, Thomas Naim and honey-voiced soul singer Leo Carmichael. Metenier also stars as a musician, providing lively and ear-catching organ solos under his now familiar Booker Gee alias.

What’s most noticeable from the off is the richness of the reggae riddims, the warmness of the instrumentation and the effortlessly soulful nature of the music. This is particularly evident on the collective’s stunning covers of Luther Vandross’s "Never Too Much" and Marvin Gaye’s "I Want You": effortlessly sunny and life-affirming interpretations that re-imagine the tracks as sumptuous slabs of reggae-soul and provide a platform for Leo Carmichael’s inspiring and comforting voice. Metenier and friends’ take on dub reggae – toasty, authentically bass-heavy and seeped in analogue effects – can also be admired on "Matumbee" and "Cool Down", the latter a digi-dub influenced affair rich in colourful synths sounds, echoing delay trails and sub-bass so deep it will rattle your teeth. Both also contain lusciously jazzy guitar licks and some incredible keys-work from Metenier.The guiding hand of Spanish multi-instrumentalist and producer Lone Ark can be heard on album opener "Aximites" – think Lee ‘Scratch’ Perry producing Jimmy Smith – and "Faith", an expertly breezy concoction that sports Jackie Mittoo-esque Hammond B3 solos from Metenier over a luscious backing track that sounds like something that may have emerged from Studio One in the mid 1970s. The collective’s love of Studio One is explored further on a sweaty, reggae-funk cover of "Greedy" that features fabulous drums, bass and guitar from Slikk Tim, while "Out In The Rain" is an authentically sparse, spaced-out dub number laden with fluid instrument solos and devilishly heavy riddim.
Part compilation, part artist album, part collaborative celebration of dub-soul fusion, Excursions in Soul, Reggae, Funk & Dub is the strongest statement yet of who Soul Sugar are, and where they’re going.

Repress

Big reissue of Woody McBrides ultra-rare Nimbus Quartet double pack from 1995

Disco Reggae Funk & Punk sensibilities are effortlessly fused in these classic recordings from the undisputed masters of rhythm - Sly & Robbie.

These Compass Point recordings became the bed for some iconic songs, however the backing tracks themselves were missing in action.

Washed up on a distant shore, the original tapes have revealed these previously unheard Instrumentals, showcasing the talents of Shakespeare, Dunbar, Badarou & crew.

Catch these legendary heavyweight grooves on 180g 12" Vinyl Limited Edition EP.

Blue Vinyl

Culled from the three albums that made Placebo a much sought- after name in soul & jazz music history, Marc Moulin - The Placebo Years combines 7 tracks that belong in any vinyl collection.

Belgian composer Marc Moulin formed Placebo with his close friend, guitar player Philip Catherine, in 1971, and released 3 superb jazz funk albums: Ball Of Eyes MOVLP1091, 1973 MOVLP1092 and Placebo MOVLP1093. Sampled by Madlib, J. Dilla, Pete Rock and many more. Placebo Years is released as a limited edition of 1000 individually numbered copies on turquoise coloured vinyl.

Suburban Bases favourite duo Krome & Time rare DAT studio masters saved!
Krome & Time provided the very first Suburban Base release that launched the now legendary label, under the alias Kromozone catalogue number SUBBASE 001 set the tone for the label that became and integral part of the development of Rave and Breakbeat Hardcore into Jungle and Drum & Bass!

So who better to kick off the relaunch of such a revered brand than the legendary duo that started it all KROME & TIME! With brand new sleeve design from original SubBase illustrator Dave Nodz!

Having accessed a long forgotten storge facility and discovered a treasure trove of Suburban Base master tapes, we struck gold when we found box after box of unreleased and exclusive master recordings from some of the biggest artists within the SubBase family.

The two exclusive tracks that make up this release were huge dubplate only specials and have never been released as vinyl singles or digitally. Finding the master copy of the once thought lost 'Original Juggling' was incredible, the song is much asked after and as an album exclusive on the 1995 Telepathy Dub Plate Special was never given a full release only appearing on that project.

‘Non-Stop Rocking’ was a 1995 dubplate recorded specifically as an album exclusive for the legendary Drum & Bass selection album project and stayed exclusively on dubplate receiving extensive club and radio play whilst remaining only available within D&B selection.

These sought-after tracks remained stuff of legend never having had a digital release or full vinyl release… until now! From the original master tapes of Suburban Base we present this slamming 12inch from Krome & Time

Lee 'Scratch' Perry's Black Ark Studio opened its doors in 1974. Situated in his backyard at 5 Washington Gardens, Kingston, Jamaica. Using only basic
equipment, a Teac Four-Track Recorder, a Sound craft mixing desk, an Echoplex delay unit and later adding a Phaser effects unit that he used in conjunction with his Roland RE201 Space Echo. He managed mixing down the tracks from Four track to Two track to make his distinctive whirling sound that sets apart the Black Ark Sound from the other Jamaican Studios.

Born Rainford Hugh Perry, 28 March 1936, Hanover, Jamaica. He began his career at the grand age of 16, working for Clement ‘Coxsone’ Dodd’s sound
system, rising quickly to the position of record scout and organising recording sessions during his 3-year period 1963-1966. Restlessness and unsatisfied with credit he felt due to him he moved on to work with Producers J.J. Johnson and Clancy Eccles, the latter of which would help him set up his ‘Upsetter’ label in 1968, which would see his first of many recordings telling the injustices done to him by previous employers. ‘The Upsetter’ track itself pointed at Mr Dodd but reflected to Perry when he inherited it as a nick name alongside many others during the course of his career, including ‘Scratch’, again taken from one of his recordings ‘Chicken Scratch’ recorded in 1965/1966. Perrys work in 1968 with producer Joe Gibbs was fruitful and resulted in many successful releases, but again feeling a lack of credit and itchy feet, it was time to move on. Still not having a studio of his own, Perry recorded at the various Kingston establishments at the time, Randy’s Studio 17 on North Parade, Dynamics on Bell Road and Harry J’s on Roosevelt Avenue where the bulk of the aforementioned recordings with The Wailers were carried out. His dream was always to build his own studio and not to have to work to the constraints of the other studios and producers.

On opening the Black Ark studios, the hits seemed to come immediately. Firstly with Junior Byles' 'Curly Locks' and in 1975 the massive crossover hit Susan Cadogans' 'Hurt So Good' that reached No 4 in the UK charts.1976 saw Island Records releasing Perrys vast output, timeless material like the Heptones 'Party Time', Max Romeo's 'War Inna Babylon' Bob Marley and the Wailers 'Jah Live', 'Punky Reggae Party' and Junior Murvins 'Police and Thieves' to name but a few.But sometimes missing out on a few classics like Perrys own 'Roast Fish, Collie Weed & Corn Bread' and possibly one of the best reggae albums of all time The Congos 'Heart of the Congos'. Dub releases like 'Revolution Dub' (1975) showed a way forward for his production skills in this formidable arena. Having his own studio allowed him to build up a vast catalogue of tracks to work on. We have culled together some lost productions that Lee Perry carried out with singer Mike Brookes, a fine singer, arranger from that special time in the Black Arks history. Sounding like Junior Marvin in parts and Max Romeo in others but still carrying a distinctive Falsetto voice. Some classic tracks as you can see recorded with the cream of musicians at Lee Perrys disposal. Mr Perry works his magic that gives these songs that distinctive feel that his output.
carried around the mid 1970's.

So we hope you enjoy some more lost treasures from the Black Ark that we feel should be added to that mighty cannon of material that still sound so fresh and strong today.

Standard version on black vinyl. 2LP in gatefold sleeve with liner notes. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, Solis Lacus and more.

Standard version on black vinyl. 2LP in gatefold sleeve with liner notes. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, Solis Lacus and more.

It goes without saying that we are devoted disciples of JESSE HECTOR. We already have both HELTER SKELTER and HAMMERSMITH GORILLAS in our catalog. This album gathers Jesse Hector wild 90s recordings, which were an unbelievable return to form after a decade away from the music biz. Jesse hadn’t lost a step and was backed most-ably by the gents in both THE SOUND and later THE GATECRASHERS. Jesse has graciously offered us three unreleased songs that have never appeared anywhere before. Hail Rock n Roll! Hail Jesse Hector!

A musical omnibus, ‘The Best of Lily Konigsberg Right Now’ is the
first widely distributed Lily Konigsberg physical release, as well as
the first vinyl treatment for EPs ‘Good Time Now’ and ‘4 Picture
Tear’.
The collection loosely parallels the melancholic narrative behind
the latter, where a mental break triggered Konigsberg’s
depersonalized sense of her past self. Of the ‘4 Picture Tear’ EP
Konigsberg says, “I would look at this photo booth picture I took
with Matt Norman and cry because I thought I was looking at the
person I used to be in that picture and that that person was gone.”
In retrospect, these EPs feel like distinctive vignettes of
Konigsberg’s progression as a songwriter, each version of her
past self-tethered by an invisible thread to the present through
musical alliances and fervent introspection.
‘Owe Me’, a song Konigsberg never felt fit on any of her previous
releases, now serves as an opening curtain call. “Thank you all for
coming to my show,” Konigsberg says to an invisible audience’s
applause, “If you didn’t know, now you certainly know.” It’s a
transportive moment that combines Konigsberg’s patient steps into
the underground pop limelight with her exceptional ability to
connect with a diverse and talented cohort of creatives.
One third of egalitarian art-punk outfit Palberta, the Brooklyn-born
and-based Lily Konigsberg has occupied her time with music since
her early childhood. “Basically I was born and immediately started
wanting to be a rock star,” she says.
“Even before she became a fixture of the New York underground,
Lily Konigsberg was staking out her place in local music.” -
Pitchfork (Rising Artist, 2020)
“A crisp, catchy, and concise bit of 90s-indebted indie rock” -
Stereogum
“The freewheeling, flitting melodies underline the precision of
Konigsberg’s songwriting: She knows what she wants to say and
she is methodical about how much to reveal.” - Pitchfork
“Warm and direct but tough to grasp, untraceable” - Tiny Mix
Tapes

Catalan singer-songwriter Joana Serrat returns with new album ‘Hardcore From The Heart’, out June 11 on Loose Music. Serrat’s fifth album, ‘Hardcore From The Heart’ is the follow-up to 2017’s acclaimed ‘Dripping Springs’ (“…like Mazzy Star guesting on an early Neil Young demo,” Mojo). For the recording, Serrat travelled from her home in Vic, a small city near Barcelona, to Redwood Studio in Denton, Texas, where she teamed up with engineer and producer Ted Young (Kurt Vile, Sonic Youth, Lee Ranaldo).

In the spirit of old school power metal, Germany’s up-and-comers HAMMER KING have gathered to set fire on their new album Hammer King (out June 11 via Napalm Records)! Ever since HAMMER KING burst onto the scene in 2015, they have proven themselves as an unstoppable force. Hand-picked by thy majesty, the Hammer King himself, the band consists of former ROSS THE BOSS vocalist Titan Fox V and former SALTATIO MORTIS drummer Dolph A. Macallan, alongside Gladius Thundersword on bass and Kleveland's most timeless lead guitarist: Gino Wilde. HAMMER KING keeps it heavy with speedy riffs, energic grooves and fist-pumping choruses, devoting their existence to the one and only myth of the godly Hammer King! The new self-titled album starts off with blasting drums and brisk guitars on “Awaken the Thunder”, with frontman and guitarist Titan Fox V showing off his incredible vocal range, whereas tracks like “Atlantis” prove HAMMER KING’s ability to write catchy and memorable choruses. Hammer King tells the lore of the Hammer King himself, a wrathful and mighty war god, who is praised in tracks like anthemic “Baptized by the Hammer”, energetic and double-bass driven “In the Name of the Hammer” and the hard-hitting “Hammerschlag” featuring the legendary Gerre from TANKARD, Isaac from EPICA and the almighty The Crusader (WARKINGS). Hammer King will be available as a deluxe box edition including, as well as on gatefold vinyl amongst others. Kneel before the king of kings, the HAMMER KING! 1. SINGLE - EN "Kicking off with a tight, punishing drum groove and heavy guitars, “Hammerschlag” gets your blood pumping right from the first second! A catchy power metal singalong hook and guest vocals by Gerre from TANKARD and Isaac from EPICA and the almighty Crusader (WARKINGS), topped off with dizzying guitar solos – HAMMER KING knows how to get your head banging! " 2. SINGLE - EN "On “Atlantis”, power metallers HAMMER KING reveals its melodic side as singer and guitarist Titan Fox V shows off his incredible vocal range. Dynamic songwriting meets multi-faceted, virtuoso guitar solos! " 3. SINGLE - EN “Awaken The Thunder” by HAMMER KING is a heavy, fist-pumping power metal anthem! The double-bass groove will catch the listener off guard, leading seamlessly into the passionately performed verses by Titan Fox V. HAMMER KING at its best!

Thomas P. Heckmann's 30th Anniversary Special Edition ! LTD Splatter Repress !

The next Acid record and the thirs installment of the Acid Seduction series is finished !

This time influenced by Heckmann's Japan tours, friends, fans and the ever on-time high tech train Shinkansen :-) And a very nice coincidence, the train we took to Kyoto one day was called Nozomi 303 !

We love and release on Vinyl !

- bryan black (MOTOR/ Black Asteroid) black dope!'
- Diego Diaz Excellent EP from the from the beginning to the end'
- Bas Mooy Thanks! I love acid too :)'
- Xpansul Top!!!! Really cool tracks. Support!!'
- D.Diggler OMG !! So in love with this stuff !!! still loving all the heckmann-stuff since the early beginning !!!! much respect & full support !!!'
- Israel Toledo Great EP, Acidulent is great!, love it...really nice work :)'
- DID records Top notch ACID!'
- Catz n Dogz love it'
- Regal I love that shit! thx'
- Danny Tenaglia thanks!!!!'
- Dave Tarrida nice!'
- Zakari&Blange Bomb ep from Thomas!Nozomi 303 and Black Dope are our favorites.'
- Pet Duo - Great acid Techno release! all tracks are great! Supported by Resistohr!'
- Matt K very nice tracks!! full support :D'
- luca agnelli great release!!!'
- Macromism cool ep ! love acid tracks'
- Superstrobe It throws me back to the good old times'
- BEC cool tracks!'
- Jaissle Nozomi 303 ist der Wahnsinn! Merci'
- Dr Motte Solid Acid package.'
- dolbyd full support by Dolbyd'
- Alalunadevalencia radioshow Great work, good sounds, thanks!!'
- Dave Simon Nice Acid Tunes!!'
- Toni Rios sounds good. will try it. Thanx.'
- Lorenzo al Dino aka 7th District solid acid tech'
- Al Ferox Acid dope :-)'
- morel xavier awesome,gooovy,,,,i love it ,,,,thank s u thomas!
- Lars Wickinger Nice 303 oldschool shit! Thanks!'
- Lukas Stern nozomi 303 für mich!'

Support by Marcel Dettmann, Slam, Audio Injection, J Digweed, gabriele gilleri,...

Ian McDonnell is an Irish producer living in Wicklow near Dublin. Alongside his solo releases as Eomac he's also one half of the duos Lakker, noeverything and Lena Andersson. 'Cracks' represents a change of scenery and a change of practice from his previous two albums which were both conceptualised from the outset and recorded while living in Berlin. In contrast 'Cracks' was made in a beautiful rural part of Ireland without any outside pressure. These circumstances allowed Ian to wipe the slate clean and make an album guided by his mood on any particular day, connecting into the subtle power of his new environment and reflecting it, rather than working to please the suffocating demands of clublife. The title 'Cracks' comes from the idea that, to quote Leonard Cohen, a crack is "how the light gets in", but also of course it's a title that bears witness to the cracks fomenting in the world right now. The music comes across with depth and passion, sounding deep and mossy with Eomac's penchant for punchy, shuffling drums underpinning the emotive tracks. From the off, the furious 'Mandate For Murder' flips and repeats Akala's protest about systemic racism, rushing deep into the panicked sirens of 'Portuguese Man O' War'. The album settles into a sense of mystery, wildness and dark otherworldliness with the foggy drone and timber kick of 'Ancient Self' reflecting the awe and spiritual connections to his new environment, much like the gorgeous strings and aqueous bleeps of 'Seashells' or the pitch-shifted shoegaze of 'Prophetess'. At other points it responds to the human condition, for instance the cathartic 'Falling Through the Cracks' where a broken scream is pitted against clattering drums. At other moments it simply reaches out; 'Reasons to Live's' whispered mantra of "I know you are loved by somebody" is gently insistent. It ends with a reference to a place he's left behind, seen through the lens of nature. 'All the Rabbits in the Tiergarten' could be a missing track from Aphex's Ambient Works, albeit with cut-up scissoring drums. The album is a fruitful move, inwards and forwards.

The Scientists found the perfect platform for Quantum Of Sound, their latest release. Innovative and open-minded, Armadillo Records is Guy J's avant-garde label making a change in the world of electronic music. When it comes to creativity, the 21st outlet in the catalog is proof of the right path.

Listening to Græns album ”Musique Pour L’Esprit En Expansion” is an awakening experience. This record pours new poison over rock music, a genre which the bands founder Axel (Graveyard, Big Kiss etc) has a lot of experience from and, in his own words “a love/hate relation to”. That objective and sober perspective on the genre may be the main reason for the loosely assembled set of influences, put together by Axel, Lisen Rylander Löve (Midarcondo, Union Carbide Productions, Amason etc) and Rickard “Bobban” Johansson (Den Stora Vilan, Hills etc.), three experienced and wide eared musicians with a fearless approach to their main instruments and music in general.

With song titles like “Björkarnas Sus” (Whiz of the Birch trees) and “Commodification blues”, ”Musique Pour L’Esprit En Expansion” mixes nature romanticism with raw political comments about consumption. The sound moves from Stooges La Blues-land to Swedish progg with each instrumentalists shining through in grand style! Axel describes the less song-oriented tracks as “directed improvisation” – it’s loose but not eclectic.

Whatever sense you are using to catch this music, Græns message of cosmic unity and creative freedom will carry through to you!

Growing Bin switches back into reissue mode with an off-kilter obscurity from Austrian eccentrics Molto Brutto. Equal parts amateur funk, indie jangle, art rock and idiot pop, "2" is a real weird bastard with a whole lot of charm. As the Bin continues to grow in all directions, there's plenty of space for new sounds to take root. Alongside patches of Ambient, Balearic, Kosmische and Jazz, Hamburg's audio allotment now stretches to accommodate the strange waves of Molto Brutto.

Basso dug their first LP a decade back in Stuttgart's Second Hand Records, embracing their abrasive style of sandpaper sonics and experimental urges. Interest piqued, he made the journey through their DIY catalogue, capturing excellent collaborations under the Ganslinger alias before bumping into the second of their two LPs. Originally released on their Golfdish imprint in 1988, "2" walks into the pub with an air of accessibility, but quickly unravels into glorious chaos - pissing in the corner and passing out on the bar. Pop structures are suggested then subverted.
Pints of Paisley slosh out of a broken Glass, tape loops spool onto shabby Material, and indie janglers are just a couple of stamps short of a Postcard.

Turning you tipsy, this loveable rogue starts to tell you his life story, but you're going to have to fill in some blanks. They miss 'Blackie', but who is he - a dog? What happened on the 'Deadly Vacation'? Is that song really about a 'Goldfish', or did they find out the name of America's horse? Words repeat until they lose all meaning, awkward poetry masks a lost laureate and a drunken Wurlitzer sends the room into a spin.

The pubs are shut, so get happy drunk with Molto Brutto.
Patrick Ryder