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Darwin Chamber - Can You Pass The Acid Test? (feat DJ Spun mix)

This new EP from 30-year US progressive veteran and master sound engineer Darwin Chamber was written with the idea of a San Francisco acid trip in mind, from the initial dose to the first onset of weirdness, then on to peak time mind melting. A DJ Spun remix of 'The Acid Test' is jacked deep house with hints of strangeness hidden in the background, then things really get liquid and trippy on 'Never Coming Down', 'The Acid Test' in original form is pure 303 aquatics and '25th Century Acid Cat' is an explosion of colour. 'Get Down' brings a bit more tension and anxiety as things begin to unravel.

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21,64

Последний логин: 32 дн. назад
VARIOUS - CHICAGO SOUL '62 (LP)
  • A1: The Town I Live In Mckinley Mitchell
  • A2: I'm The One Who Loves You The Impressions
  • A3: Shake A Tail Feather The Five Du-Tones
  • A4: Mama Didn't Lie Jan Bradley
  • A5: Make It Easy On Yourself Jerry Butler
  • A6: Seven Day Fool Etta James
  • A7: The Blues Don't Like Nobody Tony Adams
  • A8: I've Got To Get Away From It All Mitty Collier
  • A9: How Much Longer Geraldine Taylor
  • A10: I'm On The Prowl Roberta
  • B1: Fat Boy Billy Stewart
  • B2: Can't Take No More Ted Taylor
  • B3: I Don't Want To Suffer Walter Jackson
  • B4: Open Your Heart Sugar Pie Desanto
  • B5: Shook Up Over You Dee Clark
  • B6: Something's Got A Hold On Me Etta James
  • B7: Why Not Tonight Dorothy Prince
  • B8: Delilah Major Lance
  • B9: Money In My Pocket Moss Tolbert

In 1962, Black Music was making its transition from R&B to soul and the Chicago music industry was exploding, producing thousands of records and dozens of new labels. The two biggest black labels Vee-Jay and Chess led in the creation of the distinctive, smooth, Chicago soul brand with names familiar and not so familiar: the former with Curtis Mayfield and Jerry Butler and the latter with Mitty Collier, Etta James and Billy Stewart. And yet it's the smaller labels that make up the bulk of the Chicago story: Hawk with Geraldine Taylor, Lu-Cee with Roberta, M-Pac with Dorothy Prince and it's here that we explore some of the finest sounds of the era in this collection. Extensive liner notes written by Robert Pruter, author of the acclaimed 'Chicago Soul'. Side One. 1. The Town I Live In - McKinley Mitchell 2. I'm The One Who Loves You - The Impressions 3. Shake A Tail Feather - The Five Du-Tones 4. Mama Didn't Lie - Jan Bradley 5. Make It Easy On Yourself - Jerry Butler 6. Seven Day Fool - Etta James 7. The Blues Don't Like Nobody - Tony Adams 8. I've Got To Get Away From It All - Mitty Collier 9. How Much Longer - Geraldine Taylor 10. I'm On The Prowl - Roberta. Side Two: 1. Fat Boy - Billy Stewart 2. Can't Take No More - Ted Taylor 3. I Don't Want To Suffer - Walter Jackson 4. Open Your Heart - Sugar Pie DeSanto 5. Shook Up Over You - Dee Clark 6. Something's Got A Hold On Me - Etta James 7. Why Not Tonight - Dorothy Prince 8. Delilah - Major Lance 9. Money In My Pocket - Moss Tolbert

Сделать предзаказ13.03.2026

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12,40
Khruangbin - The Universe Smiles Upon You ii (2x12")

If you could go back in time ten years, what would you want to tell yourself? This was a question Khruangbin posed to themselves when approaching the ten-year anniversary of their debut album, the once cult classic, now genre-defining work The Universe Smiles Upon You. “If we could go back and tell ourselves how much was going to happen to us after that record, what would we want to
celebrate?” asked Laura Lee, bassist, vocalist, and founding member of the band. Instead, they thought: “Let’s do it again.”
The Universe Smiles Upon You ii was recorded on January 4-6, 2025, in the same family barn of guitarist Mark Speer, across the
same dates where TUSUY was first conceived ten years earlier. Though the conditions were the same–dirt floor, brutally cold,
minimal sound isolation, all takes live–the songs aren’t. They’re re-approached, some changed more than others, harnessing the lightning-in-a-bottle energy of TUSUY while discovering what would be unique this time around, in this stage of the band’s life.
The result moves like ripples on the water across ten hypnotizing tracks, the barn creating a sense of spaciousness, serenity and creative freedom, nearby wildlife (listen out for the birds on “August Twelve ii”), rattles and creaks of the barn and all. It’s a tapestry of small movements in nuanced arrangements, slowly revealing the new life, stories and character of someone you’ve met again for the first time in ten years.

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28,78
Peter Gabriel - In The Big Room LP 2x12"
  • A1: Burn You Up, Burn You Down 04:23
  • A2: More Than This 6:12
  • A3: Games Without Frontiers 5:01
  • A4: Downside Up 5:30
  • B1: Mercy Street 6:39
  • B2: Darkness 6:45
  • B3: Digging In The Dirt 6:31
  • B4: The Tower That Ate People 5:01
  • C1: San Jacinto 8:24
  • C2: Shock The Monkey 5:26
  • C3: Signal To Noise 8:04
  • D1: Secret World 8:26
  • D2: Father, Son 4:26
  • D3: In Your Eyes 10:00

"In The Big Room" enthält Aufnahmen von Peter Gabriel und seiner Band, die am 23. November 2003 live im Big Room der Real World Studios aufgenommen wurden.

Dieses intime Konzert war für Mitglieder von Peter Gabriels Full Moon Club und fand während einer kurzen Reihe von Live-Shows im November 2003 statt, zu denen auch ein Auftritt für die britische Wohltätigkeitsorganisation Children in Need im Cyfarthfa Castle in Merthyr Tydfil, eine Show im Brighton Centre und das Nelson Mandela 46664 Concert in Kapstadt gehörten.

Das 14 Songs umfassende Set enthält Material, sowohl aus der "Growing Up" Live-Tournee von 2002/2003 – Gabriels erster Tournee seit 10 Jahren, die mit der Veröffentlichung seines Albums "UP" einherging – als auch aus der anschließenden "Still Growing Up" Live-Tour, die sich über einen Großteil des Jahres 2004 erstreckte. Besonders bemerkenswerte Ergänzungen zum "Growing Up" Live-Set sind "Burn You Up, Burn You Down", "Games Without Frontiers" und "The Tower That At People".

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30,67
Vanessa Wagner, Philip Glass - Figures of Glass: Piano Etudes - Edits
  • A1: _Etude No. 1 (Edit) - 04:36
  • A2: _Etude No. 2 (Edit) - 03:37
  • A3: _Etude No. 3 (Edit) - 02:28
  • A4: _Etude No. 5 (Edit) - 05:08
  • A5: _Etude No. 6 (Edit) - 03:27
  • B1: _Etude No. 8 (Edit) - 03:45
  • B2: _Etude No. 10 (Edit) - 03:27
  • B3: _Etude No. 16 (Edit) - 03:41
  • B4: _Etude No. 17 (Edit) - 05:23
  • B5: _Etude No. 18 (Edit) - 03:19

With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.

Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release extends a dialogue between piano and light, sound and space. Between piano and light, Vanessa Wagner interprets Glass’s Études at the heart of a scenographic installation, exploring the visual imagination embedded in the composer’s music. Minimal structures become spatial gestures; repetition opens onto perception, colour, and resonance. Taken together, these edits form a coherent arc through Glass’s language: from tension and propulsion to suspension and introspection, from rhythmic urgency to contemplative stillness. Wagner’s approach is marked by precision, restraint, and a deep attention to resonance, allowing each piece to unfold with an assumed expressive sobriety.

Figures of Glass also exists as a live creation, presented for the first time in Paris at the Théâtre du Châtelet on April 7, 2026. In both recorded and staged forms, the project invites contemporary listening contexts — from focused headphone listening to immersive visual environments — while reaffirming the Piano Études as a major landmark of 21st-century repertoire. Bridging modern classical piano, minimalist writing, and spatial listening formats, Figures of Glass (Piano Etudes – Edits) speaks equally to traditional classical audiences and new listeners discovering Philip Glass through curated, editorial-driven experiences.

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23,11
Night Of The Vampire - The Enchanting Winds of the Dreamweaving Masquerade LP
  • 1: Children Of The Immortal Blood
  • 2: Sacrificed To The Night
  • 3: Chasing Shadows In An Ocean Of Time
  • 4: The Enchanting Winds Of The Dreamweaving Masquerade
  • 5: The Prince Of Many Faces And The Lady Of The Night
  • 6: The Cosmic Darkness Calls Me Home
  • 7: Mother Moon Of The Astral Dawn
  • 8: Beyond The Hows Of The Celestial Wolves
  • 9: Misty Illusions
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Purple Galaxy Vinyl[28,36 €]


It will expand your mind into the depths of psychedelic solitude and the haunting chambers of darkness within. If you so dare, mastermind Astral Shadow will be your guide through the untamed worlds of Black Metal and Darkwave. But beware, for if you choose to travel this path you may lose yourself and forever go mad

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28,36
TAKEO MORIYAMA - YAMA LP 2x12"
  • A1: A Fox In The Woods
  • A2: Sound River
  • A3: Hey, Open Up!
  • A4: Tribute To Trane
  • A5: Sunrise

Following the album "Mori", which focused mainly on slow-tempo pieces, this album "Yama" centers on up-tempo tracks. Moriyama’s sharp yet deeply embracing drumming is powerfully dynamic, like climbing a steep mountain at full speed. On both "Mori" and "Yama", the addition of saxophonist George Garzone allows listeners to be immersed in a refreshing flood of sound.

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53,36
Abdou El Omari - Lost Tape - 1980
  • A1: Ali Ou Hayani
  • A2: Ana Sahraoui
  • A3: Nihayat Hob
  • A4: Angham Chaabia
  • A5: Dikrayat
  • A6: Alach Yayouni
  • B1: Layali Fass
  • B2: Lobna
  • B3: Tanger L'été
  • B4: Taksim Abdou
  • B5: Hanan
  • B6: Interlude

Abdou El Omari was born in 1945 in Tafraout, south of Agadir -- a village suspended between the pink granite peaks of the Anti-Atlas and the waves of the Atlantic. A landscape already musical in itself. He grew up in the dry mountain light, surrounded by the rhythms of nature and Berber's culture. Very little is known about the man -- a veil of mystery still surrounds his life, only deepening the fascination. In the 1970s, as Morocco was transforming, Abdou El Omari shaped a sound of his own -- a visionary blend of spiritual jazz, psychedelic funk, Moroccan traditions, and early electronic experimentation. Today, his work is resurfacing, rediscovered by a new generation of listeners in search of lost horizons. This record stands among its rarest and most precious fragments. At twenty-two, he founded his first group, Les Fugitifs, which gained him local fame. Soon after, he released records and cassettes on labels such as Cléopâtre, Hassania, Boussiphone, Hilali, and his own, Al Awtar, while performing on RTM (national radio and television). He also composed for artists like Naima Samih, Laila Ghofran, and Aicha El Waad. In 1976, through the label Gam, he released his only vinyl album, Nuits d'été -- a record that would become cult decades later, reissued in 2017 by Radio Martiko. In the 1980s, his music grew quieter, more secret. He tried to recover his old tapes from the studios he had recorded in, but gradually withdrew from the scene and returned to hairdressing. A pioneer of musical fusion, he opened paths that would remain unexplored for years. He passed away in 2010, never witnessing the rediscovery of his music by diggers, bloggers, and collectors online. One day, his close friend and poet Aziz Essamadi, rescued a cardboard box from the trash -- a box containing Abdou El Omari's personal archives. It was later entrusted to Casablanca based collector Ahmed Khalil, founder of the label Dikraphone. Inside were treasures preserved by chance: demos, rehearsals, private recordings, unseen photographs -- and a stunning, almost forgotten cassette. Here, El Omari sounds bolder than ever, exploring territories where pop, cosmic disco, electric blues, and Moroccan tradition merge without boundaries. Armed with his ARP Odyssey synthesizer, hypnotic grooves, and the celestial layers of his Farfisa, he expanded the dialogue between deep roots and electronic exploration. This album is the continuation of a vision -- a music of the Moroccan future: rooted, but reaching for the unknown. Colorful, magnetic and timeless, here is music for dancing as much as for dreaming.

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23,11
Céline Dion - Falling Into You

Céline Dion

Falling Into You

12inch19958418341
Sony Music
13.03.2026
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Black Vinyl[28,78 €]


Glacier Blue Colour Vinyl

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31,30
Converge - Love Is Not Enough
  • 1: Love Is Not Enough
  • 2: Force Meets Presence
  • 3: Gilded Cage
  • 4: Bad Faith
  • 5: Make Me Forget You
  • 6: Distract And Divide
  • 7: We Were Never The Same
  • 8: To Feel Something
  • 9: Beyond Repair
  • 10: Amon Amok
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Golden God Vinyl[32,35 €]


For more than three decades, Converge have delivered musical and emotional catharsis, putting purpose before perception and intent before interpretation. Whether it’s their 2001 landmark recording Jane Doe or their 2021 Bloodmoon: I collaboration with Chelsea Wolfe, they have created some of the most compelling music, lyrics, and visual art of the 21st century. During that time, fewer bands have had a greater impact on the underground imagination. It seems unlikely that anyone who has been making music for this long would create one of their best works for their eleventh album, in their 35th year as a band. And yet: Love is Not Enough might be the apotheosis of Converge’s decades-long journey through the punk, hardcore and metal microcosm. What vocalist/lyricist Jacob Bannon, guitarist/producer Kurt Ballou, bassist/vocalist Nate Newton and drummer Ben Koller have created is a strident artistic statement on the turmoil of living that hones their collective strengths to a razor’s edge. There isn’t an ounce of fat. Every song moves with a power and purpose that eclipses their human origins, that speaks to the anger, pain, and frustration of the modern age.

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26,68
CRAWDADDYS - Crawdaddy Express LP
  • 1: I'm A Lover Not A Fighter
  • 2: You Can't Judge A Book By Looking At The Cover
  • 3: Down The Road Apiece
  • 4: Let's Make It
  • 5: Rainin' In My Heart
  • 6: I'm Movin' On
  • 7: Mystic Eyes
  • 8: Oh Baby Doll
  • 9: Bald Headed Woman
  • 10: Come See Me
  • 11: Got You In My Soul
  • 12: Times Are Getting Tougher Than Tough
  • 13: Down In The Bottom
  • 14: Crawdaddy Express
  • 15: I Wanna Put A Tiger In Your Tank

"Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm & blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in l979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. Reissued to celebrate BOMP!’s 5Oth anniversary, this essential slab of garage revival magic remains a timeless reminder of when rock & roll was wild, loud, and gloriously untamed"

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19,75
Miles Davis - The Best of Miles Davis LP
  • A1: Just Squeeze Me
  • A2: Oleo
  • A3: ’Round Midnight
  • A4: Airegin
  • B1: My Funny Valentine
  • B2: Well, You Needn’t
  • B3: You’re My Everything
  • B4: Four

The Best Of Miles Davis is a new compilation released to celebrate the legendary jazz trumpeters centennial in 2026. Designed as an introduction to this influential artist, it covers his prime years between 1956 and 1961, during which time he recorded albums including Workin', Cookin', Steamin' and Relaxin'. The 8 cuts included feature " 'Round Midnight," "My Funny Valentine," "Just Squeeze Me (But Don't Tease Me)" and more.

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29,37
Period Music - Period Music (10")

Period Music is a research process involving Susanna Gonzo, Merma Suelo, Tuce Alba, Elizabeth
Gallon Droste, Agnese Menguzzato, and Farah Hazim. The six artists aim to attune to the different
temporalities experienced through our bodies, drawing from multiple meanings of period – from the
menstrual cycle to musical repetitions and astronomical revolutions.

r'tu
A central meaning of the Sanskrit word for ritual, r'tu, is menstruation, the original ritual. The root of
r'tu is in arithmetic and rhythm/.

Period Music has been staying with essential matters on how we listen to time and rhythms in our
bodies and in the world. Questioning the tempo of everyday life in an accelerated system like that of
modern society, the group has opened up co-creation spaces to listen to embodied memories.
Through dialogue, improvisation and jam sessions, the six artists attuned to e ach other’s processes,
composing music, word scores and drawings – ultimately sounding together.

This work embodies other notions of community through archetypes, embracing the impermanence
that reveals the countless rhythms of life. Period Music speaks of friendship and connection, and
invites you to take on a journey of interconnectedness between our rhythms and the broader social
structures influencing our lives.

The project emerges from conversations that began in Berlin in the fall of 2023, including a one-week
residency at Atelier Josepha in Ahrenshoop by the Baltic Sea in April 2024. The first physical iteration
of this project will consist of a book and a vinyl. The album features looping improvisational compositions encoded with messages about multiple temporalities. The accompanying book gathers poetic memories, letters, photographs, symbols, and drawings that emerged during the process

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23,40
Period Music - Period Music Book

1. Special remarks: 116 pages A5 format, risograph printing with thread binding, exposed spine

2. GENRE/S: Poetry/Art/Photography

3. SHORT INFO:

Period Music is a research process involving Susanna Gonzo, Merma Suelo, Tuce Alba, Elizabeth Gallon Droste, Agnese Menguzzato, and Farah Hazim. The six artists aim to attune to the different temporalities experienced through our bodies, drawing from multiple meanings of period – from the menstrual cycle to musical repetitions and astronomical revolutions.
r'tu
A central meaning of the Sanskrit word for ritual, r'tu, is menstruation, the original ritual. The root of r'tu is in arithmetic and rhythm1.

1Judy Grahn, Blood, Bread, and Roses: How Menstruation Created the World (Boston: Beacon Press, 1993), 45.Period Music has been staying with essential matters on how we listen to time and rhythms in our bodies and in the world. Questioning the tempo of everyday life in an accelerated system like that of modern society, the group has opened up co-creation spaces to listen to embodied memories.
Through dialogue, improvisation and jam sessions, the six artists attuned to each other’s processes, composing music, word scores and drawings – ultimately sounding together.
This work embodies other notions of community through archetypes, embracing the impermanence that reveals the countless rhythms of life. Period Music speaks of friendship and connection, and invites you to take on a journey of interconnectedness between our rhythms and the broader social structures influencing our lives.

The project emerges from conversations that began in Berlin in the fall of 2023, including a one-week residency at Atelier Josepha in Ahrenshoop by the Baltic Sea in April 2024. The first physical iteration of this project will consist of a book and a vinyl. The album features looping improvisational compositions encoded with messages about multiple temporalities. The accompanying book gathers poetic memories, letters, photographs, symbols, and drawings that emerged during the process

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25,00
Ruben Fox - In Two Minds LP
  • Greensleves
  • Borderick
  • Light Blue
  • Dive
  • Impromptune
  • Saturn
  • Stronger Than Pride
  • A House Is Not A Home
  • A Nod To The High Priest
  • Why?

Recorded spontaneously in a single afternoon, the album captures an unguarded musical conversation between two of the most compelling voices of their generation. Born in Brixton and now based in Harlem, Ruben Fox has emerged as a major presence on the international jazz scene, renowned for the depth of his sound, the emotional clarity of his ballad playing, and a voice rooted in tradition while speaking firmly in the present. His work follows collaborations with artists including Wynton Marsalis, Barry Harris, Roy Hargrove, Jon Batiste, and George Coleman, and builds on the critical acclaim of his 2021 debut Introducing Ruben Fox.

Micah Thomas is one of the most celebrated pianists of his generation, praised for a style that is both restlessly inventive and deeply grounded in the history of the music. A Jerome L. Greene Fellow and Juilliard alumnus, Thomas has worked extensively with Immanuel Wilkins, Joshua Redman, Ambrose Akinmusire, and Billy Drummond, and has been recognised by DownBeat, Jazz Magazine, and The New York City Jazz Record as a defining contemporary voice. Fox and Thomas first developed their musical relationship while studying at Juilliard, where they regularly played duo sets. In Two Minds was recorded on a whim at Chris Pattishall's apartment in Washington Heights, with no rehearsal, no edits, and no agenda beyond mutual respect, listening, and shared musical values. Over three hours, the pair simply showed up and played.

The result is an intimate, conversational record that foregrounds generosity, empathy, and deep musical listening. Sparse, direct, and emotionally rich, In Two Minds offers a rare document of two artists meeting in real time, balancing history, intellect, warmth, and spontaneity.

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28,36
Asha Puthli - Disco Mystic: Select Remixes Volume 1 LP

2026 Repress

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz.

Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings.

Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. Cosmic disco pioneer, Studio 54 icon and jazz improviser Asha Puthli has recorded, sung or shared the stage with the likes of Roy Ayers, Alice Coltrane, Grace Jones, Barry White, Andy Warhol and many more. From David Mancuso's The Loft, to Giorgio Moroder's early work with Donna Summer, to hip-hop where she has been sampled extensively, Asha's musical influence and impact is profound. She was the first artist of South Asian descent to successfully crossover and make a mark on dance, jazz and pop culture in the West.

For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.
Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli.

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18,28

Последний логин: 6 дн. назад
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