L.A. Is My Lady was a high-energy event, hitting the Billboard Top 200 and top 10 on the Jazz chart. It featured the title song, which got into MTV rotation, and Sinatra’s first recording of “Mack the Knife.” Musical guests include George Benson, Lionel Hampton and Bob James. Legendary songwriter Sammy Cahn wrote new lyrics for “Teach Me Tonight” and “Until the Real Thing Comes Along.” This 40th anniversary deluxe LP edition includes new mixes for the original album
"RATT released their last full-length record of the Atlantic era, Detonator, in 1990. Music was changing, but ‘Detonator’ was still a success, peaking at #23 on the Billboard Top 200 and going GOLD. The first album to feature major outside songwriting contributions (Desmond Child, Diane Warren) and guests (Jon Bon Jovi, Michael Schenker). Lead single “Lovin’ You’s A Dirty Job” hit #18 on the Rock Charts while the power ballad “Giving Yourself Away” reached #39.
The album features the classic line up of Stephen Pearcy (vocals), Warren DeMartini (guitars), Robbin Crosby (guitars), Juan Croucier (bass/vocals), and Bobby Blotzer (drums), and is now available on CD and Limited Edition red vinyl."
Als sich Frank Sinatra und Produzent Quincy Jones 1984, nach zwanzig Jahren erstmals wieder für eine
gemeinsame Albumproduktion im Studio trafen, hielt die Musikwelt die Luft an. Eine Bigband aus TopMusikern und prominente Gäste wie George Benson, Lionel Hampton und Bob James rundeten das Treffen
der beiden Entertainment-Giganten ab.
“L.A. Is My Lady” schaffte es auf Platz 58 der Billboard-Pop- und auf Platz 8 der Jazz-Charts. Der für
Sinatra ungewöhnlich poppige Titelsong, der es sogar auf eine MTV-Rotation brachte, und die restlichen
Titel im klassischen Swing-Stil gehören längst zu den beliebtesten Alben im Spätwerk des Sängers.
Die “40th Anniversary Deluxe Edition” wurde jetzt vom damaligen Tonmeister Larry Walsh brandneu
remixed. Die CD-Version beinhaltet zusätzlich sechs alternative Versionen der Albumtracks “Mack The
Knife“, „Body And Soul“, „After You’ve Gone“ und „How Do You Keep The Music Playing”, von denen
drei hier ihre Weltpremiere feiern!
Es ist das Jahr 1998: Alexander Veljanov, der bereits mit seiner Band Deine Lakaien große Erfolge feiern
konnte und unter Fans der düster-melancholischen Sounds Kultstatus erlangte, wagt sich an seine erste
Solo-Platte.
„Secrets Of The Silver Tongue“, charakterisiert durch einen neuen, unverwechselbaren Sound zeigt dabei
neue Facetten des Sängers auf. Seine Ausstrahlung und poetischer Charme, geprägt durch Texte über
Liebe, Hingabe und Vergänglichkeit, bleiben auch auf Solopfaden erhalten, der musikalische Ausdruck ist
neu. Ruhigere Soundlandschaften schaffen eine Klangwelt, über die sich seine voluminös-umfangreiche
Stimme frei zu entfalten, entgegenzusetzen und zu unterwerfen weiß.
„I feel it coming“, singt Veljanov in der zweiten Single des Albums „The Past And Forever“ – und nach 25
Jahren, passend zum Jubiläum, ist es nun endlich so weit: Das Vinyl-Album ist ab sofort in streng limitierter Auflage, inklusive handsigniertem Beileger auf einer cool grey, semitransparenten Vinyl vorbestellbar.
Zusätzlich ist das Innersleeve mit den Album-Lyrics und persönlichen, vom Künstler verfassten, Liner Notes
bedruckt.
Kaum eine Hardrock-Band hat in den letzten Jahren so abgeräumt wie die Ladies von THUNDERMOTHER! Ihr Album "Heat Wave" (2020) erreichte Platz 6 der deutschen Albumcharts (und später einen beeindruckenden Chart-Wiedereinstieg (Platz 16) mit der Erweiterung "Heat Wave Deluxe"). Nicht mal die Corona-Pandemie konnte die Band komplett ausbremsen und so spielte man u.a. Konzerte vom Dach eines Feuerwehr-Trucks. THUNDERMOTHER sind für die Bühne geboren, ihre energiegeladenen Liveshows muss man gesehen haben. Mit Ecken, Kanten, Attitude und einem feinen Händchen für große Melodien spielt sich die Band Schritt für Schritt Richtung Rock-Olymp. Und dieser kann nun, mit dem am 19.08.2022 erscheinenden neuen Album "Black And Gold", eingenommen werden. Die Band um Frontfrau Guernica Mancini fackelt ein wahres Hit-Feuerwerk ab. Die erste Single "Watch Out" sendete bereits die richtige Message: Achtung, hier sind THUNDERMOTHER und "Black And Gold" ist ihr Meisterwerk!
First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.
Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. Before The Heat, played live a few times, is an ambient composition by Andy Kirk, who is part of the EP's lineup alongside Daniel Denis, Guy Segers, Alan Ward, and Dirk Descheemaeker. Central Belgium in the Dark is a live improvisation from a period when Univers Zéro dedicated part of their concerts to complete improvisation. What makes this recording unique is that one of Andy Kirk's effects pedals picked up and emitted the sound of a mysterious radio signal, seemingly coming from "nowhere," especially noticeable at the end of the piece. The title of this improv is a nod to contemporary composer Charles Ives' work Central Park in the Dark. Central Belgium refers to the concert venue where the piece was recorded (Haine-St-Pierre).
Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
An example of globalisation's ultra exoticisms: a Guinean hit that changed the perception of African music in European dance charts (selling over a million copies), covered by a Hongkongese pop star two years later, the perfect recipe for ensuring heavy frothing amongst diggers and collectors worldwide. Besides its aesthetic novelty, it's also highly effective on just about any dancefloor, a theme that sounds so familiar to many but then with the added unexpected surprised factor of the lyrics being sung in a female voice and in Cantonese -- a hard moment to forget on a well helmed club floor. Another generosity of this release amongst the other 3 tracks is a display of heavy Cantonese ballad prowess in the Adult Contemporary landscape, especially with a cover of Gamble & Huff's "When Will I See You Again", huge on the couples' slow dance scene, shameless drama.
With "Morir en otra habitación", Wild Honey delivers a wonderful record full of emotion and warmth. Beautiful pop music that travels through an intimate moment with an unusual and touching naturalness.
It has been just over three years since Guillermo Farré, the singer and multi-instrumentalist behind Wild Honey, released "Ruinas futuras" (2021). Hailed as one of the best albums of that year, that record reflected his recent fatherhood and the exceptional circumstances of the first stage of the pandemic. Now, his new songs are the echo of a difficult and convulsive time after the death of his father.
The result is a mini-album of five songs that swing between fragility, the unexpected and the everyday. It is a snapshot that captures, as Guillermo describes in one of his lyrics, "slow motion avalanches". These are pieces charged with great emotional intensity but also full of light, driven by the expansion and openness of their exquisite arrangements.
"When I try to remember when something happened, I always think of historical events or personal milestones like moving houses, the birth of my children or the records I've made over the years. Recording an album is sort of like taking a photograph of a particular life moment and I've got used to records helping me sort out the time in my head."
"Morir en otra habitación" is the deliberate effort to document the strange and surprising feelings of that period, knowing that over the years these songs will be the easiest way to remember those months. A feverish exercise of describing in songs that journey of extremes where making breakfast for my children, explaining to them what a person's ashes are or playing the game of making a wish upon seeing a shooting star all come together."
In its vinyl edition, the album will include instrumental versions that, without the presence of Guillermo's voice, are close to the soundtracks he has recorded in recent years for film and TV.
Although Wild Honey is a project with a marked personal character, "Morir en otra habitación" has the support of collaborators close to Guillermo. Co-produced with Remate, the album includes contributions from Clara Viñals (Renaldo & Clara), Anna María Biffi, Javier Lorente and José María Rubio. In addition, Sean O'Hagan (The High Llamas) is responsible for the exquisite string arrangements, which recall Scott Walker, Belle & Sebastian or the most delicate Colin Blunstone, and Ali Chant (Aldous Harding, M. Ward, Katy J Pearson) has been in charge of the mixing.
Recorded in Memphis, 1960-62 by Home of the Blues Record Company – sixteen tracks of vintage rocking Memphis blues that went unissued at the label’s demise and were lost in a warehouse, ultimately rediscovered and released by Acoustic Archives.
All now remastered to perfection by Oz Fritz and a team of A&R experts working with the original masters, including ones made by Sam Phillips Recording Studios in Memphis.
Featuring the superb arrangements of trumpeter Willie Mitchell, accompanying some of the best singers of the day, with guitar by Sammy Lawhorn, bass by Lewi Steinberg and drums by AI Jackson Jr. Recorded in glorious mono by Scotty Moore at Sam Phillips Recording Service.
Each artist bio had been thoroughly researched under the guidance of Acoustic Archives producer Marc Ryan with the assistance of Dr. Dave Evans, head musicologist at Memphis State U. The story provided in the 12-page booklet includes how these cuts eventually surfaced from the early 1960s and features the photos and commentary on the recording artists, with how the original owners of the Home of The Blues Record Shop, once at 107 Beale Street, worked at the recordings.
0860 is a project by Charlie Fieber aka Fracture inspired by London Pirate Radio. The project includes an album, radio station and interview series that explores the history and legacy of Pirate Radio and its importance in the development of UK underground music.
0860.fm has broadcast interviews with Bryan Gee, Eastman, DJ Flight, Scratcha, Dextrous, Uncle Dugs, Mantra, Missing, Eddie Peake, Om Unit & Laurent Fintoni, Naina & Sherelle, Stamina MC and more. It also broadcasts lost recordings of original 90s & 00s London pirate station broadcasts from the likes of Kool, Rinse, Pulse and more.
The debut recording from the duo of multi-award-winning Scottish author David Keenan and Bruce Russell, the guitarist from the greatest underground rock band of the late 20th century, New Zealand’s The Dead C, was recorded live in Christchurch, NZ, as part of the WORD festival in August 2023. A series of live improvised settings that pair readings from Keenan’s monolithic and critically-acclaimed modernist masterpiece, Monument Maker (White Rabbit 2021), with guitar and electronics from Russell, the music takes off on the kind of post-VU fantasy of punk-primitive free music posited by Russell in projects like A Handful of Dust while expanding on Russell’s no-technique blues w/scalpel sharp riffs and aformal blats of pure electricity that match the religious eroto-mania of the text. Keenan reads w/shamanistic intensity and with a sonorous, incantatory rhythm, while Russell conjures the very ghost of the book straight out of the air. Think the early Patti Smith/Lenny Kaye spoken word/guitar jams informed by religious painting, Bach cantatas, Pierre Reverdy, Goya, Charles Olson, Arthur Doyle and Rudolph Grey. Features full colour photography by musician and artist Heather Leigh taken in-situ during the writing of Monument Maker in France in 2018. Bruce Russell is a practitioner in sound, who for forty years has been a member of The Dead C and A Handful of Dust. He mixes rock, electro-acoustics, noise and improvisation in equal measures. Also directed two of New Zealand’s vanguard independent labels, Xpressway and Corpus Hermeticum. His solo guitar practice reconfigures the blues as a form of improvisational auto-destruction. He is also a writer and his next book is titled ‘Rock’n’roll: my part in its downfall’. David Keenan is the author of six novels; This is Memorial Device (Faber & Faber) which won the London Magazine Prize for Debut Fiction and was shortlisted for the Gordon Burn Prize; For the Good Times (Faber & Faber), which won the Gordon Burn Prize and was shortlisted for the Encore Award for Second Novels; Xstabeth (White Rabbit), which was shortlisted for the Dublin Literary Prize; The Towers The Fields The Transmitters (White Rabbit); Monument Maker (White Rabbit), which was a Rough Trade Book of the Year; and Industry of Magic & Light (White Rabbit). Edna O’Brien has said of him “I sometimes think David Keenan dreams aloud. His prose has the effortless, enigmatic, unsettling quality of dreams… reading him feels like being cut open to the accompanying sound of ecstatic music.”
The Post-Punk Synth Alchemists return with new album ‘Strange Loops’. With blistering rhythms and searing bass, AK/DK return with their highly anticipated fourth album, ‘Strange Loops’. It builds on the momentum of their previous release; Shared Particles, which sold out of the Dinked edition even before its release and achieved no. 7 in the Indie Record Store charts. Known for their trademark motorik energy and riotous joy, AK/DK are back, and for the first time, they’ve introduced guest vocalists into the fray. This new release sees the drum and synth duo collaborate with three exciting artists: the musician TVAM, punk poet - Thick Richard, and I Am Fya; sound artist. The angular guitars and spaced-out vocals of TVAM intertwine with the duo’s driving beats and convulsing synths, resulting in the pulsating Devo-esque powerhouse of ‘Square Route’. The two bands have been crossing paths on festival line ups for a while now and it seemed inevitable that they should join forces. I Am Fya’s usual experimental textures and sound-collage is temporarily put to one side on ‘Pull Up’. For this deep and heavy sub-rattling cut; I Am Fya and AK/DK lean heavily into sound system bass and dancehall style. Her febrile and powerful vocals interweave with tectonic sub bass and stuttering rhythms, sounding like Missy Elliot jamming with a modular synth. Manchester’s very own Thick Richard adds his lyrical, jet-black humour to the track ‘Nobody Shouts’. Their collaboration began when the band invited the punk poet up for an impromptu improvisation during their set at Beatherder festival 2020. It went down so well that they had to record it; learning the track from fan footage online. This is nothing new for AK/DK, creating powerful improvised moments for those lucky enough to be in the audience. Strange Loops presents two distinct halves of music. The A side offers sure-fire bangers that will linger in your ears and have you pounding the dance floor, while the B side delves into more experimental and ambient territories with completely live takes from the studio, reflecting the duo’s love of ‘70s German Kosmische bands. “We always had more ambient experimental tracks on our records, and wanted to give them a spotlight on this release” says the band’s Gee Sowerby. Their previous releases have earned accolades such as BBC 6 Music’s ‘Album Of The Day’ and impressed judges on Steve Lamacq’s Roundtable, solidifying their reputation as pioneers in their genre. It’s on stage where AK/DK truly come to life. Their electrifying performances, characterised by joyous live-looping of keyboards, drums, and distorted whoops, have made them a fervent fan favourite for over a decade. They’ve left an indelible mark on audiences at festivals like End Of The Road, Blue Dot, and Green Man, winning over new audiences wherever they play. With Strange Loops, AK/DK continue to push boundaries and defy expectations, reinforcing their status as one of the most dynamic and innovative acts in the scene
Flame is Slow collects together three acclaimed seven-inch EPs (originally released on the Noisebox label in 1996 and 1997) by the mysterious, mercurial Navigator. The post-Loveless UK underground of the early 1990s was a vibrant place, despite what music biographies may tell you. What might now be lumped together as “post-rock” was in fact a varied and forward-thinking group of artists creating inquisitive music in the wake of the grunge goldrush. Contemporaries such as Hood, Flying Saucer Attack, Movietone and – of course – Mogwai and Arab Strap are rightfully seen as timeless nearly thirty years on but they’re really just the tip of the iceberg. Navigator might get mentioned less but their story is every bit as intriguing as any of their peers. Navigator formed in Norwich in 1994. Their music was consistently introspective and melancholic, but their brief existence of five years saw them move rapidly from traditional song structures towards noise, found sound, free improvisation, electronics, primitive instrument building and – ultimately - silence. They were an enigma back then and they remain so now. They released four seven inches before a solitary album Nostalgie (1997, Swarf Finger Records). Each release felt different to the last but always intimate and peculiar. Their use of sound and space is nothing short of magical. Rough and unsettling textures rub against each other, selected and mixed instinctively. Another band’s discarded mistake becomes a key element in their hands. The band received much acclaim and some genuine commercial success when single When the Wires Fall ended up in the indie charts. They shared stages with Low, David Thomas, Aerial M, Stars Of The Lid and Labradford and toured with Mogwai and Arab Strap culminating in the now-notorious, equipment-levelling performance at The Garage in London. The original version of the group played live for the last time in 1999 before quietly disappearing. It was perhaps inevitable that a band so committed to exploring and refining their sound should end by removing themselves from it entirely. Aside from a brief (and excellent) reformation in 2006 and a CDR compilation of those early seven inches, Navigator have been quiet for over 20 years until now. Flame is Slow assembles the blue, red and green Noisebox EPs into one cohesive album-length collection, remastered with care and reassembled by the band. It rightfully places Navigator where they belong – as one of the most curious, adventurous, and beautiful groups this island has ever produced. “Whenever I think of bands that more people should’ve heard than did, I always think about Navigator. It’s great that the music they made is going to be available again as it is truly special and deserves to be heard by more people” – Stuart Braithwaite
Available on red, white and blue splatter coloured vinyl - Hot on the heels of the 2024 singles; ‘Come Together#2’ (co-written by multi-platinum selling, Brit Award winner James Morrison) and the critically acclaimed, lyrically hard hitting, breakout single ‘Cancelled’ British Alt Rock 3-piece LiVES announce the release of their highly anticipated new album ‘Let Them Eat Cake’ via Roulette Records. Produced by the legendary John Cornfield (Muse, Supergrass, The Stone Roses) ‘Let Them Eat Cake’ is a fast, aggressive, loud and socio-politically charged slice of post punk rock, packed with razor-sharp riffs, pounding drums and bass with screaming histrionic vocals! Lyrically confrontational and antagonistic, every song takes on songwriter Peter Chisholm’s disillusioned view on modern society; the internet, politicians, suicide and the media all take a kicking…simultaneously astute and foulmouthed, 'Let Them Eat Cake' is the voice of the lost and disenfranchised
NOW Music is proud to present the newest addition to the ‘Yearbook’ series: NOW – Yearbook 1981. NOW – Yearbook 1981; a celebration of the eclectic and creative brilliance of the year in pop. 4 CDs of 85 tracks that defined the charts in 1981. Available on a 4CD special edition which is housed in ‘hard-back book’ packaging, including a 28-page booklet with a summary of the year, a track-by-track guide, a quiz, and original singles artwork, and as a standard 4-CD package. A limited edition 3LP set pressed in translucent red vinyl, limited to 3,000 units and a 4CD set
Showcase A delivers a refined collection of four stylish tracks, each crafted by a different artist, yet unified by their high-quality production and distinctiveness.
Opening with Fedo's 'Tunisian Rex', it immediately strikes you with a sophisticated fusion of house and techno. The track's smooth, polished sound is anchored by a key bassline, effortlessly guiding the listener through its very enjoyable flow. Following this, Andrey Djackonda & Ovil bring a lively energy with 'Lui Lui'. This song blends upbeat house vibes with playful jazz elements, creating an atmosphere of fun and positive spirit that's impossible to resist. On the second side, Legit Trip's 'Skripi Daddy' introduces a deeper, more minimal groove. The track's busy tech rhythm is skillfully layered with just enough room to then include a melody to elevate it further. Closing the album, Firesc's 'Left Or Right' offers a techy sound infused with eastern samples. The track's bouncy bassline and snapping percussion give it a unique, vibrant character that leaves a lasting impression.
Different Cover[32,14 €]
25 Jahre nach seinem Durchbruch zieht Eminem den Schlussstrich unter das aggressive Slim Shady-Kapitel,
mit dem 1999 alles anfing – auf dem 12. Studioalbum „The Death of Slim Shady (Coup De Grâce)“.
Weltbekannt für seinen bissigen Humor und seinen einzigartigen Flow, zählt Eminem seit gut 25 Jahren
zu den größten Heavyweights der Hip-Hop-Welt – und als popkulturelle Ikone. Schon kurz nach der
Veröffentlichung der „The Slim Shady LP“ im Jahr 1999 avancierte er zum meistverkauften Rapper der
Musikgeschichte. Abgesehen von inzwischen weit über 220 Millionen verkauften Alben, konnte Eminem
bereits 15 GRAMMYs sowie einen Academy Award in Empfang nehmen. In den USA erhielt er bereits
seine sechste Diamant-Auszeichnung (!). Zuletzt hatte Eminem im Jahr 2020 mit dem Vorgänger-Album
„Music to Be Murdered By“ zum 10. Mal Platz #1 der Billboard-200 eingenommen. Während auch
hierzulande etliche Alben regelmäßig Platz #1 der Charts belegten (u.a. „The Eminem Show“, „Encore“,
„The Marshall Mathers LP2“), ist Eminem inzwischen der Musiker mit den meisten Studioalbum, die schon
für sich genommen Streams in Milliardenhöhe verbuchen. Mit „The Death of Slim Shady (Coup De Grâce)“
schlägt der 51-jährige ”Über-MC” das 12. Albumkapitel auf und sorgt dafür, dass sich der Kreis schließt.
Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize. They released their second album When It Falls in 2004.
When it was originally released, When It Falls was a UK Top 10 album, peaking at no.4 in the UK album charts and spent 24 weeks in total in the charts. It has sold over a quarter of a million copies. Stateside the album entered the Billboard Dance/Electronic chart at #3 and stayed in the Top 20 of that chart for almost thirteen months.
Singles taken from the original album include Home featuring Tina Dico, and Warm Sounds featuring Mozez. Sia and Sophie Barker also feature on the album, with tracks such as Somersault (a UK Top 100 single), In Time and Speed Dial No. 2.
This special run of coloured vinyl (transparent orange (A/B side) & green (C/D side) celebrates the albums 20th anniversary. It uses the original artwork but now pressed on heavyweight colour 180g vinyl. Cutting is by engineer Kevin Metcalfe using his original cutting notes.
When It Falls is a timelessly classic album from a seminal electronic band and the essential soundtrack to any laidback chilling.
"In the mood for love"
A bohemian atmosphere caught between Paris and Rio. Melodies and Harmonics that have a french taste and rhythms rooted in Brazil. Laura Fedele the time stopping voice.
"Take 4"
Up tempo track characterized by a soprano sax that swirls out melodies making you feel like you have travel back to the 70's. The jazzy guitar riffs opposed to flutes makes the picture complete; all weaved by S-tone inc. 's hand.
"Rendez-vous à minuit"
A Bossa Lounge motif with Wes Montgomery guitar riffs combined to scat voices all packed in relaxin' cruise formation.
"Vai Ser Bom"
Dedicated to Iemanjà, Brazilian sea god. A dreamy rhythmic atmosphere sweatened by the tender voice of Adi Souza and acoustic guitars inpired to Baden Powell.
"La Boca del Rio"
The acoustic bass distinguishes this up tempo track that creates great ambience. The acoustic piano duets the keyboards enriched by strings. The rhythms falling between house and bossa nova.
"Limbe"
A scent of India in a down tempo track, a bit psychedelic with sitars and tablas making the background for a French melody. Velvet voice of Laura Fedele gives the track that extra dimension.
"Memphis Freeway"
Funky track with a 70's taste starting with the flute that plays the theme with horns 'Temptations' style. The beat is a straight 4/4 kick with a groovy bass.
"Entre o Ceus e a Terra"
Like the dualism in the title, the track is divided between the tension of the spoken riff and the solarity of the melody both moved by a "bossy" up tempo base.
"Effetto Notte"
A cinematic feel for a soothing chill out theme on the keyboard alternating with dreamy orchestrations.
Pink Martini’s illustrious “Little Orchestra” joins forces with Hollywood Legend, Mamie Van Doren, in an enchanting duo set of throwback singles. “I Told Ya I Love Ya Now Get Out” brings a buoyant beat to a shockingly delightful breakup track. Mamie revisits “Ich dich liebe” after first singing it in the 1964 Spaghetti Western film Freddy and the Song of the Prairie and somehow it’s as transporting now as it was then. Building on her already incredible legacy, Van Doren brings a fantastic energy to these tracks, which she recorded with Pink Martini in her early 90s, injecting her quintessential charm and verve into the vocals, which interweave perfectly into the rich and glamorous sound of Pink Martini.Ads and reviews in R" and London Macadam.
