Suche:co

Part 1 of 3 of the ‘A M.A.D 5 YEARS’ comp perfectly shows what label bosses Make A Dance are trying to achieve with their label. A broad selection of forward thinking cuts drawing inspiration from all corners of the electronic spectrum.

Originally released on Mon 22 August 2005, the Furries’ third and final album to be recorded by Epic Records, Love Kraft is to be reissued on double vinyl, 2CDs, including the 22-track bonus CD, Kiss Me With Apocalypse and digital formats on Fri 24 October 2025 via the Cardiff-based independent label, Strangetown Records. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led Rock ‘N’ Roll Flu, plus the distorted space-jam of Cae Marw, the band’s deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian.

The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other 90’s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, The International Language of Screaming. The next decade saw the release of the first Top 20-charting, Welsh language album, Mwng (2000), followed by further experimentation and commercial success with Rings Around The World (2001) and Phantom Power (2003).

Love Kraft’s sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band’s stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies.

While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft’s story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album’s songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first ‘best of…’ package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce).

Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. Zoom’s opening splash into the recording studio’s swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album.

Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve’s depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft’s woozy songs. The final sleeve design again comes courtesy of Mark James.

To mark the 20th anniversary of his cult classic debut album We Have Sound, multi-instrumentalist and creative iconoclast Tom Vek releases We Have Sound Remixed today via StrataSonic Records — a 10-track remix album in its original order that reimagines the influential original for a new era.

Led by remix singles from Dave Glass Animals, Everything Everything, and IS TROPICAL, the project is complete with a stacked lineup whose own sonic identities trace back to Vek’s genre-hopping, DIY spirit — including alt-J, Baths, Porij, and more.

We Have Sound is widely credited as one of the seminal albums that pioneered indie electronic music. Dave Bayley of Glass Animals calls the album “one of several responsible for us going on to make our music.” Gus Unger-Hamilton of alt-J adds, “I’ve loved this album since I was fifteen. Paul Epworth’s ‘Phones’ version opened my eyes to the art of the remix.”

We Have Sound Remixed, is a rare kind of tribute, curated by Vek himself, with each artist handpicked and invited to reinterpret the record that helped shape their creative DNA. The result is a celebration of We Have Sound not only as a pivotal album of the 2000s, but as a blueprint for the fusion of guitar music, DIY electronica, and sharp-edged pop that now defines a generation of UK and alternative acts. The project cements Tom Vek’s role as a cult figure whose music remains current — and deeply influential — two decades on.

Josi Miller aus Leipzig-Connewitz macht parallel zu ihrem Studium an der Bauhaus-Universität Weimar erste DJ-Erfahrungen in der ostdeutschen Subkultur. 2017 zieht sie - längst Protagonistin des Homegirls-Podcasts - nach Berlin. Sie begleitet Trettmann jahrelang als Tour-DJ und ist solo ständig auf Achse - von Kapstadt bis London, vom about:blank bis zum Institut für Zukunft, vom MELT bis zur Fusion. Mit KLAN-Musiker Stefan Heinrich gründet Josi das Elektropop-Duo Import Export, veranstaltet unzählige Workshops für Flinta* und beaufsichtigt Produktionen für befreundete Künstler*innen à la Jolle oder Zugezogen Maskulin. Seit etwa zwei Jahren hostet Josi das ARTE-Format "Chat with a DJ", in dem sie regelmäßig Künstler*innen wie Marlon Hoffstadt, Anja Schneider oder Acid Pauli empfängt. Im Herbst 2023 beschließt Josi während eines Kreativcamps in Frankreich ein Soloalbum in Angriff zu nehmen. Im Kreis vertrauter Musiker*innen wie Fatoni, Aywing, Lambert, Torky Tork und BEACHPEOPLE entstehen die ersten Fragmente. 2024 zieht Josi im Rahmen eines Förderprogramms für mehrere Wochen zu Post-Punk-Ikone Gudrun Gut in die Uckermark, wo sich ihr Vorhaben konkretisiert. Am Ende einer intensiven Auseinandersetzung mit der eigenen Psyche und unzähligen Stunden zwischen Synthesizern und Beat-Software steht "4 Stages Of Sleep" - ein Debütalbum, das Breakbeat, Pop und Electronica miteinander fusioniert.

Specially imported from the UK Stay Up Forever office: a new Triple A release this time
with the Acid Anarchists (= Chris Liberator, Choci & Sam DFL) and is available in very
small amount of copies. No Repress ! High Quality Acid Techno on this one !!

Green coloured repress of Sababa 5"s self-titled 2022 debut album of original instrumentals, built around the band"s distinct mix of Middle Eastern psych, funk and disco groove.

"Dubrovnik Blues" on Vinyl: The Australian Super-Band That Changed Everything! Attention all lovers of raw, unfiltered rock'n'roll! Bang! Records proudly presents the vinyl reissue of "Dubrovnik Blues", the celebrated debut LP from The Dubrovniks - the Australian super-group born straight from the beating heart of the country's punk underground. Formed in Sydney in 1986 (originally as The Adorable Ones), The Dubrovniks brought together true icons of the Aussie scene: James Baker, legendary drummer for Beasts of Bourbon, founding member of Hoodoo Gurus, and a driving force in The Scientists; Roddy Radalj, co-founder of Hoodoo Gurus and veteran of The Scientists; and Boris Sujdovic, who also played with both The Scientists and Beasts of Bourbon. Far from being "just another debut," Dubrovnik Blues was an instant statement of intent - a wild blend of garage rock grit, glam swagger, punk attitude and classic rock'n'roll hooks. Think The Troggs and T. Rex colliding with the spirit of the New York Dolls. Originally released in August 1989 on Timberyard Records, the album went on to earn a nomination for Best Independent Release at the ARIA Awards in 1990. Now, Bang! Records brings this cult gem back to life on vinyl - a must-have for collectors, vintage-sound purists, and anyone ready to relive (or discover) the raw, electric energy of late-80s Australian rock at its finest.

Three lesbian sardines! Shouted by a heckler at a performance by the Dadaist Hugo Ball on stage at the Cabaret Voltaire. Is a perfect title for Nurse With Wound's final appearance at the `Great Monster Dada Show' at the legendary Henie Onstad Kunstsenter in Oslo, 2019. The largest exhibit of dada art and artefacts this century, over 250 artworks by 43 artists including Kurt Schwitters, Jean and Sophie Teuber Arp, Hannah Hoch, John Heartfelt, Tristan Tzara, Max Ernst, Francis Picabia, Raoul Hausmann, Marcel Duchamp, Man Ray. This electric performance captures the band at their most eclectic and playful. Here six tracks feature the classic line up of Steven Stapleton, Andrew Liles and Colin Potter including the toe tapping crowd pleaser `Flea Circus' - a mutant hybrid of Kraftwerk and Aphex Twin and is amongst the best the band have ever recorded. `Broken America' is timely reminder of the dire situation we are all facing with the arrival of Trump's America. The cover features stunning new artwork by acclaimed artist Babs Santini. 500 copies only in NEON GREEN VINYL.

A decade after the release of his debut solo album Atlas, Lisbon-born producer Branko celebrates the anniversary with a special limited red colour vinyl reissue. Released in 2015, Atlas was the result of an ambitious journey across five cities - New York, Sao Paulo, Amsterdam, Cape Town and Lisbon - where Branko collaborated with more than 20 musicians and producers.

Modern ambient minimalism with early music/baroque influences. Minimal and nuanced, Diary of a Candle is a consoling, melodic suite from acclaimed experimental composer, musician, and producer Faten Kanaan. On this album Faten uses counterpoint as a narrative tool to create music that is mysterious, smudgy, and deeply melodic. From the repetitive structures of modern minimalism and early music/baroque influences - to more languid textural ebbs and tides, there's a warmth in her use of synthesizers that gives her work a curiously timeless feel. Composing intuitively, her music creates its own world - one that isn't easily categorised. Diary of a Candle is punctuated with tender woodwinds and richly-layered strings, touched by the hazy atmospheres of 1970s/1980s films. Its understated heart-on sleeve romanticism follows the rhythm of nature: it bends in the breeze, drifts through the air, and settles on the ground. The ambiance is not an escapism, but the re-focusing of a lens through which humans are no longer the protagonists. Instead, a landscape's intimate details become the central figures. With the sparseness of Hiroshi Yoshimura's 1982 album 'Music for Nine Post Cards' as a starting-point influence, Faten's music exudes a wistful yet hopeful sentiment, honouring moments of beauty in the world around us. Some of the album titles are inspired by East-Asian rites and folkloric superstitions, often related to nature. All music written performed and mixed by Faten Kanaan. Mastered by Heba Kadry(Björk, Bon Iver, John Cale, Ryuichi Sakamoto, Deerhunter, Cate Le Bon, & many more). For fans of Kali Malone, Steve Reich, William Basinski, Sarah Davachi, Stars Of The Lid, , Mary Lattimore and Oneohtrix Point Never.

Innitial pressing soul out at once, now repress in neon green vinyl colour available! Ride bassist Steve Queralt's debut solo album Swallow is a beautifully brooding nine-track collection that combines the darkly textured soundscapes of early M83 and Sigur Rós with an electronic sheen reminiscent of Boards Of Canada. It also features guest vocals from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).Swallow has been slowly but surely pieced together between Ride albums and tours over the past five years and, perhaps as a result, has a slightly dystopian, Blade Runner feel that reflects the liminal spaces in which it was created. Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the album's dark intensity. This is most notable on the closing track, `Motor Boats', where he overlays words from Julie Sheldon's polemic poem The Same Boat ("We're all in the same boat they say, but I would disagree"). According to Steve, these simple words of rejection "capture the reality of our times perfectly". However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album. "After a few false starts, I had started to doubt the project altogether. It was going nowhere," says Steve. "Then, out of the darkness, Emma got in touch to tell me that she'd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had `Lonely Town' and `Swiss Air'."In the meantime, Verity from Electrelane had added vocals to the song `Messengers' and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album."Swallow has turned out so much better than I had hoped," enthuses Steve. "I'd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldn't be the whole story...

Der erste Longplayer des Trios aus Avilés in Asturien. Energiegeladener Streetpunk mit melodischen Bassarrangements, einem treibenden Schlagzeug und einer rotzenden Rock'n'Roll-Gitarre. Bei Ihrem Song ,Streetpunk" könnte man meinen Motörhead und Cock Sparrer hätten mal was zusammen ausgeheckt. Dieser Sound zieht sich durchs ganze Album, keine Pause, kein Luftholen - einfach Druck ins Gesicht des Publikums blasen - keine langen Intros, gleich drauflos! ,Get Ready!" beinhaltet 10 Krachersongs, mal in Englisch, mal in Spanisch, einfach aus Ihrem Leben gegriffen. Ein gelungenes Debüt des spanischen Trios, ein echter Tyger im Tank, einfach gut, einfach Rock'n'Roll! Get ready!

Five years after the enigmatic Phylax Society, the ever sonic wanderer Sutja Gutierrez returns with Asystole Flatline, a new full-length odyssey to be released on Lumière Noire Records. Gutierrez delivers a work that slips between worlds - part reverie, part vertigo - haunting the threshold between what"s ending and what"s yet to come. With Asystole Flatline, Lumière Noire reaffirms ist commitment to fearless, genre-defying voices that challenge conventional boundaries.

Das Debut Album von Kind Kaputt, endlich wieder erhältlich als streng limitierte zweite Auflage in der Farbe ""cream white / bone"". Limitierte Auflage: 500 Stück.
Zwischen Genre-Bezeichnungen wie Alternative Rock, Post Hardcore oder Emo-Core oszillierend, gelingt es der Band, ihre ganz eigene Version dieser Klangästhetik zu formulieren. Die Musik wirkt dunkel, schwer und erschlagend. Zerberstende Ausbrüche der Verzweiflung, fragile Melodien und apathisch gesprochene Worte verschmelzen zu einem Gefühl und zu einer Ahnung davon, wie sich Existenz anfühlt, wenn man sie hinterfragt.

After much anticipation, Dave has returned to announce his eagerly awaited third album – The Boy Who Played the Harp to be released on October 24th

Widely regarded as the most exciting storyteller of his generation, the announcement marks the first taste of a new chapter from the multi award-winning musician behind the critically acclaimed No.1 albums Psychodrama and We’re All Alone in This Together.

The Boy Who Played the Harp will be the first release from Dave since 2023, when self-produced Central Cee collaboration ‘Sprinter’ broke the record for the longest running #1 rap record in UK chart history, succeeding his 2022 single ‘Starlight’ which set the record for longest-running No.1 solo UK track, and the first UK No.1 by a sole writer and producer in 8 years. The record-breaking release of We’re All Alone In This Together in July 2021 confirmed Dave as one of the most established artists of our time, with the biggest first week sales across all genres for

Seit der Jahrhundertwende begeistern The Acacia Strain ihr Publikum mit einem sich ständig weiterentwickelnden und erschütternden Hybrid aus Existential Metal, Cosmic Hardcore, luftigem Doom und
schneebedecktem Sludge. Auf ihrem dreizehnten Album „You Are Safe From God Here“ (erschienen bei
Rise Records) bieten sie erneut Katharsis in Reinform.

VERVE ACOUSTIC SOUNDS SERIE: komplett analog von Ryan K. Smith bei Sterling Sound von den
Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing), wattierte Innenhülle.
Wohl kaum ein anderer hat den Titel “King Of The Tenors” mehr verdient als Ben Webster. Zusammen mit Coleman Hawkins und Lester Young bildete er das Triumvirat der großen Swing-Tenoristen. Mit
seinem warmen, gefühlvollen Stil, der im krassen Gegensatz zu seinem oft aufbrausenden Temperament
stand, beeinflusste er zu seiner Zeit unzählige andere Tenorsaxofonisten. Websters erstes Soloalbum unter
der Regie von Produzent Norman Granz erschien 1954 ursprünglich unter dem Titel “The Consummate
Artistry of Ben Webster” bei Norgran, wurde dann aber 1957 auf Granz’ neuem Label Verve Records als
“King Of The Tenors” wiederveröffentlicht.

Das Debütalbum des Jazz-Multiinstrumentalisten Yusef Lateef, Jazz Mood, wurde ursprünglich 1957 auf
dem Label Savoy aus New Jersey veröffentlicht. Das Album enthält fünf Originalkompositionen von Lateef
und wurde von Curtis Fuller (Posaune), Hugh Lawson (Klavier), Ernie Farrow (Bass) und Louis Hayes
(Schlagzeug) eingespielt. Diese Neuauflage des Albums erscheint als Teil der Original Jazz Classics Series
auf 180-Gramm-Vinyl, gepresst bei RTI, mit vollständig analogem Mastering von den Originalbändern bei
Cohearent Audio und einem Stoughton Tip-On-Cover.

Zur Feier des 50-jährigen Jubiläums wird das legendäre, ursprünglich 1975 veröffentlichte Album „Captain
Fantastic And The Brown Dirt Cowboy“ von Elton John in verschiedenen Formaten erhältlich sein. Darunter
als 2LP, 2CD und 1LP.
Das Besondere „Live at Midsummer Music, Wembley Stadium 1975“ erscheint zum ersten Mal auf Colour
Vinyl.
Die 2LP + 2CD enthalten das Originalalbum, bisher unveröffentlichte Demos und Aufnahmen von Captain
Fantastic Live aus dem Jahr 2005. Die Booklets enthalten ein neu zusammengestelltes Sammelalbum,
Sleeve Notes und Eltons bisher unveröffentlichte Tagebucheinträge aus dem Jahr 1974.

SDK is the collaboration between Stano and David Kitt. Stano, a post-punk pioneer from Dublin, is known for his strikingly individual work. A recurring collaborator with All City, Going Back to the Unknown marks his first new material for the label and his return to vocal work after many years.

The project began after a chance meeting at All City led to a connection with David Kitt. In Kitt’s studio, guitars, pedals, tape delay, and synths combined to form dense, dreamlike textures. The music moves between ambient atmospheres, layered guitars, and fractured song forms. Stano’s words appear only where the music calls for them:

“I just turned the pages until the right lyric appeared — I like when the music dictates what the words should be.”

On the collaborative process, Stano adds:

“There wasn’t a conscious decision, it was just a reaction to what David was playing. It seemed to happen organically, we were really on the same wavelength. At the end of that day I knew we had something really interesting.”

The result is Going Back to the Unknown, a collection shaped as much by intuition and chance as by design. The album is completed by Kitt’s contribution “Fireworks,” which seals the record’s arc.

Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar.

He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful.

After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist.

Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.

The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds.

But the man is primarily funky here … as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" – all written by Carter himself.

Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain.

Focusing on tracks released between the late 1970s and 1980s, the selection spans from major artists beloved by music fans—such as Terumasa Hino and Sadao Watanabe—to hidden gems.
Carefully curated not by fame or signature songs, but with an emphasis on "fresh-sounding tracks to rediscover now," it’s a collection tailor-made for fans of city pop and DJs digging into Japanese grooves.
The jacket design was specially illustrated by STEREOTENNIS, known for their popular 1980s-inspired graphics.

rstmals auf Vinyl erscheint das 2011er Album ""If You Want Loyalty, Buy A Dog"" von Little Axe, dem Blues-Alter Ego des Gitarristen Skip McDonald, Mitglied von The Sugarhill Gang, Tackhead und anderen, sowie Arrangeur eines Großteils des On-U-Sound-Katalogs. Für Vinyl editiert von Adrian Sherwood. Neu geschnitten von Frank Merritt im The Carvery. Schwarzes Vinyl in bedruckter Innenhülle. Design von Chris Bigg von v23. Limitierte Auflage.

"Ein wunderschönes, sanft funky und zutiefst trauriges Album – entgegen aller Erwartungen hat McDonald musikalische Elemente, die wenig mit Blues zu tun haben, aufgegriffen und daraus die tiefste Essenz des Blues herausgearbeitet. Es gibt keinen einzigen schwachen Track auf diesem Album. Es ist ein ungewöhnlich bewegendes und eindringliches Dokument von einem der unbesungenen Helden der amerikanischen (und, seltsamerweise, jamaikanischen) Roots-Musik." - Rick Anderson

Argentine pianist Hernán Jacinto and Uruguayan drummer Mateo Ottonello, come together in this boundary-pushing duo album recorded in New York. Blending acoustic and electronic textures, tradition and innovation, this project reimagines South American jazz through a contemporary lens-offering a powerful journey into the evolving sound of the Rio de la Plata. The two shores of the Río de la Plata-Buenos Aires and Montevideo-share a deep and vibrant jazz tradition, one that merges global influences with the region's rich musical heritage. For over half a century, rhythms like tango, candombe, and milonga have intertwined with jazz and other instrumental forms, continually exploring new directions and pushing creative boundaries. Argentine pianist and composer Hernán Jacinto and Uruguayan drummer and percussionist Mateo Ottonello embody this spirit of exploration. Though from different generations, both are among the most innovative voices in the Río de la Plata music scene-artists unafraid to blend past and present in pursuit of something new. Recorded in New York, their duo album offers a journey into the musical soul of the Río de la Plata, reimagined through a contemporary lens. It weaves a rich tapestry of acoustic and electronic textures, tradition and experimentation, groove and introspection. More than a fusion, it's a reinvention-revealing a new dimension of South American jazz musicianship.

Mit der neuen Ausgabe der Rare Groove Collection tauchen wir ein in die pulsierende Klangwelt Nordafrikas. Diese Doppel-LP vereint seltene Tracks aus Algerien, Marokko, Libyen und Tunesien, die zwischen den späten 70ern und frühen 80ern entstanden sind - eine Zeit, in der traditionelle Rhythmen auf Soul, Funk und Disco trafen. Die Compilation präsentiert eine elektrisierende Mischung aus hypnotischen Grooves, treibenden Basslines und souligen Gesangslinien, inspiriert von den Sounds jenseits des Atlantiks. Künstler wie Faboul, Freh Khodja, Vigon, Abranis, Faraji, Raina Raï, Malik Adouane und Najib Alhous stehen für eine Ära musikalischer Grenzüberschreitungen, in der kulturelle Identität und globale Einflüsse auf faszinierende Weise verschmolzen. Jeder Track ist ein Stück Musikgeschichte - tanzbar, psychedelisch, politisch und voller Energie.

What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Here the vinyl edition features a curated selection of 11 tracks from the mix.

Ben Pest and ARA-U unite for the next release on No Static / Automatic. Kaos Sympatic EP started life with the pair recording jams of various vintage studio kit, including an EMS VCS3, Roland VP330 and an Orgon Systems prototype known only as the “Silver Box”, which developed into full tracks over subsequent sessions. Ben Pest has been busy releasing high grade club tracks including collabs with Radioactive Man and Kursa for Asking For Trouble and Love Love Records last year, and with solo EPs dropping on Cultivated Electronics and Posh End music. Here he links with NS/A boss ARA-U, turning out some of their headiest material to date.

The EP kicks off with ‘Err Hello’, it’s wholly discordant, lairy, and unapologetically weird. ‘‘Get A Grip’ drifts in with hallucinatory wafts of sound over a warped riff, building into a granular, distorted headfuck of a hoover-bass moment. This one will make the subs rattle on the right side of distortion. On the B Side title track ‘Kaos Sympatic’ gets stuck in with a big broken beat and guttural sub that transforms into a techno drop to drive this track home. Finishing up, ‘Slapback’ serves up a cut of high energy electro funk, coming off like classic ERP on heat. Limited edition purple vinyl.

Multi Culti dive deeper into muso alchemy with ‘Cimbal Tanz,’ a record release that bridges the cult solo 'cimbal’ performance of Emil Jourjou with fellow Moldavian producer Bliz Nochi’s electronics.

Bliz Nochi began learning music at age 7 playing the accordion, later mastering the guitar and piano. By 17, he was experimenting with new metal genres, Dub, electronic, and indie music. In 2016, he released his first works under the name Bliz Nochi, blending world music and exotica infused with Balkan elements, which led him to connect with master musician Emil Jourjou.

Emil Jourjou, a master cimbal player born in Chisinau, Republic of Moldova, studied at the prestigious Ciprian Porumbescu music school. His years of experience and deep connection to Balkan musical traditions build a cultural bridge between classical and folkloric orchestral music, having performed at such events as the World Expo in Hanover, and for the Philharmonic in Lübeck.

In 2021, the pair began recording together, remixing their friend and mentor Andi Otto for Multi Culti (later licensed to last year's Buddha Bar compilation). That collaboration paved the way for this full-length LP, with one side focused on traditional cimbal recordings and the other side a fusion featuring Bliz Nochi's production, a format Multi Culti initiated to showcase the too often obscured talent of the solo musician.

Bliz Nochi's LP is more than an album; it’s a journey through sound blending tradition and modernity, offering listeners a unique blend of Moldavian music and contemporary electronic styles. This project highlights Bliz Nochi's dedication to his roots and innovative spirit, bringing a fresh perspective to the music scene.

Mit Rainshine präsentiert der französische Musiker Biga*Ranx sein neues Studioalbum - ein vielschichtiges Werk zwischen introspektiven Songs und tanzbaren, festivalerprobten Tracks. Die 20 Songs des Albums spiegeln seine charakteristische Mischung aus Vapor Dub, Lo-Fi Reggae, Hip-Hop und elektronischen Texturen wider. Biga*Ranx lädt die Hörer in eine poetische Klangwelt ein, die durch Duette mit Künstlern wie A2H, Chaton, Pupajim und Musikern aus Tahiti bereichert wird. Ukulele-Klänge und atmosphärische Beats schaffen eine warme, hypnotische Soundkulisse. Seit seinem Debüt On Time (2011) zählt Biga*Ranx zu den innovativsten Stimmen der europäischen Reggae- und Dub-Szene. Er hat mit internationalen Größen wie Joseph Cotton, Mungo"s Hi Fi und Naâman gearbeitet und ist regelmäßig auf großen Festivals wie SummerJam, Reggae Sun Ska und Garance Reggae Festival zu sehen - auch in Deutschland und Österreich.

This curated collection highlights hard-to-find salsa 45s from the Discos Fuentes vaults-deep cuts that have long flown under the radar but still light up dance floors today. These tracks, once pressed in small numbers, feature top tier musicianship, fiery brass, unforgettable grooves, and lyrical gems that reflect the rich diversity of Colombia's musical landscape. Among the featured artists are: Super Combo "Los Famosos" with their irresistible barrio anthem 'El Bailador de la esquina', capturing the spirit of Cali's street life, Sexteto Manaure, delivering a poignant son that blends regional pride with poetic nostalgia, La Protesta de Colombia, a revolutionary Barranquilla outfit that gave a young Joe Arroyo his early spotlight and channeled the rebellious pulse of the times. This compilation also includes a range of studio experiments and covers-where artists like Piper Pimienta, Galileo y Su Banda, and La Integración reimagined beloved hits, from boleros to vallenatos, through a distinctly Colombian salsa lens. These obscure gems, long scattered across dusty crates and forgotten jukeboxes, now find new life. They speak not just to the past, but to a timeless rhythm that still moves dancers and dreamers alike.

"Hasabe" is a thoughtfully curated collection of Ethio-groove recordings from one of the overlooked pioneers of 1970s Addis Ababa's vibrant music scene-Ayalew Mesfin and his Black Lion Band. Expect trap drum kits, jazz big-band styled horn sections, funky guitars played through wah wah and fuzz pedals- all seasoned with a unique Ethiopian touch_ For many, the music created in 1970s Ethiopia will sound both familiar and alien: while the trappings of '70s Ethiopian music carry some aspects that those in the West will easily identify with-trap drum kits, jazz big-band styled horn sections, guitars played through wah wah and fuzz pedals-the Ethiopian style of singing, and the modes in which the musicians move, may confound. Perhaps some who have delved into the instrumental Ethio-Jazz of Mulatu Astatke-a well-known Ethiopian musical export, relatively unknown in his homeland-will have a context in which to engage this great compilation of '70s Ethiopian music by Ayalew Mesfin. The music Mesfin created with his Black Lion Band is amongst the funkiest to arise from Addis Ababa; his recording career, captured in nearly two dozen 7" singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia's 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of the unconquerable East African nation. Ayalew was forced underground by the Derg regime that took control of the country in 1974. Until recently, only four of Ayalew Mesfin's tracks had been reissued, appearing in the well-known "Éthiopiques" series. "Hasabe", a carefully curated collection of his singles, marks the first comprehensive release of this powerful and long-overlooked body of work by an artist whose originality and resistance defined a genre: Ethio-groove. More than four decades later, this album offers the rare opportunity to rediscover a vital and beautiful chapter in global music history. We are now reissuing "Hasabe" once again thanks to a collaboration with Now Again. Pressed on 180g vinyl.

First reissue of the legendary, long out of print, live album by Texas Punk legends The Dicks and Big Boys. Classic, incendiary live album by two of the best U.S. Punk bands ever. A raw and powerful record full of incredible music and excitement that's also a milestone for the Queer Punk movement. Originally released in 1980 and long out of print, this is a seminal document of the Austin, Texas, scene, capturing the raw energy and effervescence of a scene that was redefining the boundaries of underground music in the late 1970s and early 1980s. Co-released by Beat Generation and Ghost Highway Recordings. European release, 300 copies, includes new insert.

Punk pioneer/Eater main-man, Andy Blade's 7th solo album and follow up to 2024's critically acclaimed & heavily rotated, Sparks bros endorsed "Being Alive Is Fun". It is imbued with the usual left-of-centre Blade-ism's & themes: star maps, UFO's & a slightly twisted nod to tragic 70's heroine Karen Carpenter. You get what you deserve with Blade, and with Tiny Specks you are rewarded with a rich code to decipher at your leisure. Most of all, however, it is all about the quality of his songwriting. Opening track 'Karen Is The Drummer' (featuring Blade's regular singing collaborator - PseudoPomp's Katerina Sharkova) seems unsettlingly self-explanatory, but all does not seem well in the Carpenter M.O.R world - 'It's just her & her brother & her folks indifference to that girl'. Occasional Dinosaur Jr vocalist Tiffany Anders gives 'I'm Not Myself' a poppy but eerie nuance. PollyPikPocketz's Myura Amara pops up on the short but very sweet 'About That'. Matilda Scotland, Quick Romance's uber-cool punky-chanteuse - adds her Gen Z aura to the summery 'I Like It When You're Happy'. Former Generation X guitarist Bob 'Derwood' Andrews, with whom Blade has worked with consistently of late, once again features heavily on 'Tiny Specks'_ Like with Katerina Sharkova's voice, Derwood guitar lines interweave with Blade's honeyed vocal as though they made for each other. 'This Place' is another key track, capturing the claustrophobic-genocidal mood of what has been taking place in Gaza/Palestine for over two years now, and counting. 'This is not so much a protest song as it is the noise in my head'. If John Lydon is the Widow Twanky of Punk, and Billy Idol, its Elvis, then Andy Blade must surely be the Sinatra of Punk.

Hekura are a Barcelona-based duo that create expansive soundscapes anchored in ritual minimalism. With influences ranging from the ethereal mysticism of Alice Coltrane to the hypnotic pulse of Steve Reich, their music explores the boundary between introspection and bold sonic exploration. Inspired by ethnographic traditions and the raw energy of Julius Eastman, their compositions fuse scattered percussion, shimmering textures, and hypnotic saxophone rhythms for moments of solitude and profound reflection. Hekura's work invites listeners to immerse themselves into a spectral world where tradition meets the avant-garde, offering a unique and evocative listening experience. Ernest and Edu met during their jazz studies at Taller de Musics in Barcelona. Their first conversation was about Charlie Haden Liberation Orchestra's "free jazz" version of the South African anthem, Nkosi Sikelele. That bond quickly translated into a shared world of listening, respect, experimentation, and sound that crystallized in Hekura. Edu Pons is a saxophonist and a music teacher at Taller de Mùsics in Barcelona. His music ranges from jazz to folk or from classical to free improvisation yet with his own distinctive voice. Ernest Pipó is a guitarist and composer from a small town in La Garrotxa. Currently based in Barcelona, he primarily focuses on music production and soundtrack composition. His influences range from jazz, electronica, noise, pop, and, although he dares to admit it, also ambient. For fans of: John Tchicai (with strings), Steve Reich, Arv & Miljö (Discreet Music, 2024)

As a label, we are specialists in musical diversity. With our newest installment of the annual System 108 compilation we present you two parts of hand picked creative output by our friends, residents and dearest guests. Curated by the artist Ira Bespalova, the concept of both parts is simple and deep: the good, the calm, the kind is part 1 and all anti-heroes, filthy electro-armored jams is part 2. All together - another twist of the planet, another beat of our big heart, that became shelter and home home for a whole new tribe. It pumps, it creates, unites and warms up, kicks it real hard, no matter how tough it is. Part 1 is densely populated by our new kids on the block! Isktrit, TURBOSH, BORIS REDWALL, DJ Yesyes, Dominique Mara have been releasing singles, EP's and album during 2023 and became an integral part of the collective. Here you will also find good old friends Maksimovna, Lipelis, Kito Jempere. Very special Siberian inspired trippy workout by RLGN and Sasha Kustov, Luchshiy Drug. And a super special guest appearance starring Magnus Opus and mo?se?. The running order is curated as a narrative, as an album that takes you on a journey. But separately, it all works as singles, DJ tracks and tools. Welcome to Nine Years Of Love!

'HAPPY HOUSE' by St. Petersburg's very own DJ Stonik1917 became an instant underground hit, defining a specific raw and energetic sound within the Russian electronic and hip-hop scene, breaking genre borders and infecting crowds with its vibes and attitude, punchlines and baselines. With 'GoodDayFlopTray' and 'Kurtochka Stonik' having gone viral on social media, the sound of DJ Stonik1917 became a soundtrack for a whole generation of youth. The album's unique blend of hard-hitting beats, delayed vocals and unapologetic DIY ethos captured a moment in time, making it a sought-after title for physical media enthusiasts. The release will be a limited run, featuring the original tracklist spread across a 12-inch vinyl 180 gr. record, complete with original artwork. Poster included.

'HAPPY HOUSE' by St. Petersburg's very own DJ Stonik1917 became an instant underground hit, defining a specific raw and energetic sound within the Russian electronic and hip-hop scene, breaking genre borders and infecting crowds with its vibes and attitude, punchlines and baselines. With 'GoodDayFlopTray' and 'Kurtochka Stonik' having gone viral on social media, the sound of DJ Stonik1917 became a soundtrack for a whole generation of youth. The album's unique blend of hard-hitting beats, delayed vocals and unapologetic DIY ethos captured a moment in time, making it a sought-after title for physical media enthusiasts. The release will be a limited run, featuring the original tracklist spread across a 12-inch vinyl 180 gr. record, complete with original artwork. Poster included.

PinkPantheress’ debut mixtape to hell with it marked the anti-popstars seismic arrival.

Released in 2021, the project fused bedroom pop, jungle, drum & bass and UKG, introducing these sounds to a new generation through her saccharine vocals and diaristic lyrics about obsession, hopelessness, friendship, and loneliness.

The debut mixtape has received 2.5 billion streams to date with all five singles; Just for me (No. 27), Pain(No. 35), Passion (No. 73), Break it off (No. 74), and I must apologise (No. 85) charting in the UK Top 100.

The following year saw the rising star win BBC Music’s Sound of 2022, grace the cover of The Face whilst catching the attention of British Vogue where she was the only musician featured on the prestigious Vogue 25 list. to hell with it has since received Gold certification and cemented PinkPantheress as one of the most important new voices in British music.

Eine dunkelromantische Trilogie ist abgeschlossen: Mit seinem neuen Album, »Am Anfang«, strebt Tristan Brusch nach allem, was wehtut, sich entzieht oder eigentlich zu groß ist, um es auszuhalten. Er schreibt dazu süchtig machende, gefährliche Songs, die magische Eingängigkeit mit inhaltlicher Tiefe verbinden. »Am Anfang« ist ein Coming-of-Age-Album, das viel von Verlust erzählt. Dem Verlust von Jugend, Unschuld, einer Liebe, womöglich: sich selbst. Wie alle wirklich großen Alben über Verlust wächst auch dieses weit über sein Sujet hinaus und erzählt viel mehr über das Leben, die Liebe, die Gesellschaft -die Fähigkeit, loslassen zu können. Insofern fügt sich das Album kongenial in jene als Epos angelegte Trilogie, die Tristan Brusch nunmehr mit »Am Anfang« abschließt. In dieser universellen romantischen Beziehungserzählung, die immer auch ein Sittengemälde der Liebe in unverbindlichen Zeiten ist, nimmt das neue Album einen besonderen Platz ein.

- 29 Tracks aus dem Open-World-RPG-Actionspiel von 2025
- Artwork von Ubisoft

Ubisoft und Laced Records haben ihre Zusammenarbeit erneuert, um die Musik von Assassin's Creed Shadows auf Vinyl zu veröffentlichen.

"Assassin's Creed Shadows" entführt die Spieler:innen in die reiche Kulisse des feudalen Japans und wird von einem Soundtrack untermalt, der traditionelle Instrumente mit verspielten, modernen Techniken verbindet.

Das Komponistenduo The Flight (Joe Henson und Alexis Smith) kehrt zur Assassin's-Creed-Reihe zurück und liefert einen Soundtrack, der traditionelle Instrumente mit zeitgenössischen orchestralen und elektronischen Elementen verbindet. So entsteht ein unverwechselbares Gefühl für Zeit und Ort, während spielerisch auf die Science-Fiction-Themen der Serie angespielt wird.

Die beiden Protagonisten von "Assassin's Creed Shadows" werden mit unterschiedlichen Instrumenten und musikalischen Ansätzen dargestellt: Die verstohlene Shinobi-Adeptin Naoe wird mit dem Instrument ihrer Wahl, der Tonflöte (Tsuchibue), und dem körperlosen Flüstern während der Stealth-Momente dargestellt. Der legendäre Samurai Yasuke wird mit den schärferen Klängen der Shamisen und rhythmischer Intensität dargestellt.

Für die Darbietung der japanischen Instrumente hat The Flight auf Meisterspieler wie Keiko Kitamura (Koto) und Hibiki Ichikawa (Shamisen) zurückgegriffen. Weitere Interpreten sind die Sängerin Akari Mochizuki, die Flötisten Kristin Naigus, Oriol Singh und Andy Findon sowie Michael Georgiades, der musikalische Mitarbeiter von The Flight bei Assassin's Creed Odyssey.

Yazmin Lacey returns with Teal Dreams - her soulful, fearless second album, rich with real-life storytelling and sonic flair.

Following the breakout success of her debut album Voice Notes, praised by Billboard, Fader and Pitchfork (who likened her to Erykah Badu and Lauryn Hill), Yazmin’s star continues to rise. Last year saw her headline London’s Village Underground and KOKO, as well as perform with Ezra Collective on Strictly Come Dancing and Radio 1’s Live Lounge, the unforgettable voice behind firm festival favourite “God Gave Me Feet for Dancing.”

With Teal Dreams, she builds on her signature sound blending soul, ska, lover’s rock and indie into a vivid, emotionally sharp record shaped by real life, late-night reflections, and a last-minute trip to Thailand.

Collaborating with some of the best in class Miles James (Lotus), Barney Lister, Matt Maltese and more, Yazmin has expanded and elevated her sound on this album. Teal Dreams is a bold, honest evolution, and proof that Yazmin Lacey is only just getting started.



Classic and timeless, the Teal Dreams 12” black vinyl LP comes housed in a beautifully designed sleeve with a foldout lyric booklet. Artwork shot by Wukda brings the album’s mood to life with bold, striking design from Lauren Harewood.

Teal Dreams eco-friendly digipack CD, featuring an 8-page lyric booklet. Elegant photography by Wukda and striking design by Lauren Harewood complete this elevated package.

Dayseeker wurden in Südkalifornien gegründet und haben sich von Post-Hardcore-Urgesteinen zu einer der emotionalsten und stilistisch beweglichsten Bands der heutigen Heavy-Musik entwickelt. Ihre Songs verarbeiten nicht nur Trauer, Herzschmerz und Traumata - sie verwandeln sie in etwas Magnetisches, Kraftvolles und letztlich Ermächtigendes.
Die Band, bestehend aus Sänger Rory Rodriguez, Gitarrist Gino Sgambelluri, Bassist Ramone Valerio (seit 2017) und Schlagzeuger Zac Mayfield (seit 2022), stellt emotionale Wahrheit über Trends und verbindet authentische Leidenschaft, klangliche Innovation mit lyrischer Verletzlichkeit.
Die tiefe Resonanz, die die Musik der Band bei anderen Außenseitern auf der ganzen Welt hervorruft, zeigt sich in ihren über 600 Millionen Streams. Und sie ist bei jeder Show spürbar, von ausverkauften Headline-Terminen bis hin zu Touren mit Pierce The Veil, Bad Omens oder Ice Nine Kills.
Dieses Gefühl der kreativen Träumerei pulsiert durch Dayseekers sechstes Album, Creature in the Black Night. Produziert von Daniel Braunstein (Spiritbox, Silent Planet) und gemischt von Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), ist das Album Dayseekers bisher eindringlichstes und ambitioniertetes Album - gewaltig, cineastisch und durchzogen von einer dunklen, emotionalen und sexy Strömung.
Fans, die einen traurigen Abstieg in die Depression erwarten, werden überrascht sein - "Creature in the Black Night" hat schärfere Kanten, härtere Riffs und einen neu entdeckten Sinn für Klarheit. Dayseeker haben sich nicht nur weiterentwickelt. Sie haben einen gewaltigen Schritt auf eine neue Ebene gemacht.

Dayseeker wurden in Südkalifornien gegründet und haben sich von Post-Hardcore-Urgesteinen zu einer der emotionalsten und stilistisch beweglichsten Bands der heutigen Heavy-Musik entwickelt. Ihre Songs verarbeiten nicht nur Trauer, Herzschmerz und Traumata - sie verwandeln sie in etwas Magnetisches, Kraftvolles und letztlich Ermächtigendes.
Die Band, bestehend aus Sänger Rory Rodriguez, Gitarrist Gino Sgambelluri, Bassist Ramone Valerio (seit 2017) und Schlagzeuger Zac Mayfield (seit 2022), stellt emotionale Wahrheit über Trends und verbindet authentische Leidenschaft, klangliche Innovation mit lyrischer Verletzlichkeit.
Die tiefe Resonanz, die die Musik der Band bei anderen Außenseitern auf der ganzen Welt hervorruft, zeigt sich in ihren über 600 Millionen Streams. Und sie ist bei jeder Show spürbar, von ausverkauften Headline-Terminen bis hin zu Touren mit Pierce The Veil, Bad Omens oder Ice Nine Kills.
Dieses Gefühl der kreativen Träumerei pulsiert durch Dayseekers sechstes Album, Creature in the Black Night. Produziert von Daniel Braunstein (Spiritbox, Silent Planet) und gemischt von Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), ist das Album Dayseekers bisher eindringlichstes und ambitioniertetes Album - gewaltig, cineastisch und durchzogen von einer dunklen, emotionalen und sexy Strömung.
Fans, die einen traurigen Abstieg in die Depression erwarten, werden überrascht sein - "Creature in the Black Night" hat schärfere Kanten, härtere Riffs und einen neu entdeckten Sinn für Klarheit. Dayseeker haben sich nicht nur weiterentwickelt. Sie haben einen gewaltigen Schritt auf eine neue Ebene gemacht.

Bordello Travels presents the second volume of ‘Buone Vacanze’ with your tour guides Ali Renault, Señor Chugger, Back From The Wave & Umatik and CT Kidobo.

Comes with San Remo Casino sticker cover.

Andiamo!

"Nextmoov Records continues digging through Jovonn's extensive back catalogue delivering four in demand and remastered tracks from the NYC don. We have here I Wanna Go To A Club, Vocal and Instrumental, still sounding fresh and on point and on the flip we have the in demand Need Want Got 2 Have backed up with Let Me Hear You Stomp. All killer no filler NYC house gold!"

Collectors have been asking and waiting for it a long time and now it is coming: a picture disc of MEMORIEZ to complete your collection. Enjoy this final tribute to MEMORIEZ and discover 4 top trance tracks made in Belgium.We go out with a bang! Spin that vinyl, baby! Forever yours, MEMORIEZ.

OK EG turn inwards on Silent Green, their new release on Kia's ambient label Cirrus. Written for a live performance in Berlin, Silent Green finds balance between intimate post club dream states and low tempo rhythmic workouts. Fragmented voices harmonise with delicate synths and organic textures on open sky. Wooden machinery clicks and whirs on veil, opening into an inner expanse. Optimistic warmth and melancholy blend on spirit, knitted with resonant hi hats, scrolling wavetables and dubbed claves. Sequenced hand drums and piccolo snares create structure for rising pads and analog bass on death adder, as subtle grooves unfurl under the watchful gaze of digital crows. The artwork, created by the Amsterdam based digital artist Tharim Cornelisse, finds the cycle of life and death in the artificial environment of a greenhouse, digitally blended with patch notes from the first time the music was performed.

You hear a pulsating rhythm. What does it mean when the intensity rises? Is it the blood rushing from the sound of the drum that brings meaning or is it the anticipation of what's next? Kasra V's returns to his budding V-sion imprint with its third installation. This latest offering brings us to the totality of physicality, where grooves and melodies do not require a resolution. The tracks bring to mind the unbridled maverick spirit of early Techno and Tribal House where the rulebook was tossed into flames and only the unfettered psyche remained. Keeping the spirit of experimentation alive, Kasra's affinity for manipulating samples and sounds in obscure ways shines through with playful nods to both industrial and early Midwest dance music alike. Unchaining the shackles of where dance music has gone wrong, Kasra is trying to maintain the connection to a time when bodies moved to the beat religiously and held reverence only for the speaker stack. Drum hypnosis is beginning now. Please enter the room and have a seat.

Out on Madrid's leading label for braindance, breakcore, acid, and experimental electronics, it marks a fearless new chapter in electronic music. Amidst a sea of mediocrity and plagiarism, I'm Not Here stands as a testament to the uniqueness of the Cornish Braindance scene, which has given rise to some of the greatest producers in electronic dance music. Here, Benjamin James demonstrates that he is the torchbearer of that legacy, delivering anthems for a world spiraling in self-alienation--where identity flickers between screens and silence.

Another future-grail rarity unearthed by Chicago's own Star Creature, remastered and reissued for the first time as a giant 2 sided 7 inch slice. TZ & Co have been pushing both sides hard over the last 5 years and judging by the recent discogs history on the OG, the world is starting to catch up. Originally an extremely limited 1-off house 12" EP the demand has been creeping up especially turning heads on the net as a track ID? requests during TZ's opening sets on the Jamie XX tour earlier this year. An overall Hardcore Punk Funk, pre-house experiment from prehistoric primitive era of the genre, this one is finally ready to debut and go global.

Feiern Sie 30 Jahre „Pieces of You“ mit dieser limitierten Pressung auf violettfarbenem Vinyl. Jewels legendäres Debütalbum enthält Hits wie „Who Will Save Your Soul“, „You Were Meant for Me“ und „Foolish
Games“, die die Ära prägen. Das Album, das rohe Emotionen mit poetischer Lyrik verbindet, bleibt eines
der meistverkauften Debüts aller Zeiten und ein prägendes Werk der Singer-Songwriter-Ära der 1990er
Jahre.
Seit Jewel vor 25 Jahren international bekannt wurde, hat sie sich mit 13 Studioalben und vier GRAMMY®-
Nominierungen zu einer charismatischen Live-Performerin und angesehenen Songwriterin entwickelt.
Unter Vertrag genommen noch bevor sie 19 Jahre alt war, verdankt sie dies ihren großen Mentoren Bob
Dylan und Neil Young, die sich die Zeit nahmen, sie als junge Künstlerin zu fördern und zu unterstützen.
„Pieces of You“ wurde 1995 veröffentlicht, aufgenommen in einem Studio auf Neil Youngs Ranch und mit
Youngs Begleitband, The Stray Gators. Das Album hielt sich zwei Jahre lang in den Billboard 200 Charts
(bis auf Platz 4) und brachte Top-10-Hits hervor, darunter die mit Platin ausgezeichnete Single „You Were
Meant for Me“, „Who Will Save Your Soul“ und „Foolish Games“. Danach veröffentlichte sie 12 weitere
Studioalben, während sie sich auch mit dem Schreiben und der Schauspielerei beschäftigte.

Leo Tunik returns to FE with four more solid, heady and club ready cuts. Comes in limited pink vinyl as well.

Pruillip is a new Belgian band founded by Louis Evrard (Bert Dockx Band, Grid Ravage, Ottla) and Annelies Van Dinter (Echo Beatty, Takh & Naga Ghost). The duo started about 2 years ago after a request to play at De Nor, the open air sculpture park and venue of Dennis Tyfus. For this occasion Annelies and Louis decided to do a position switch and play each other's instruments: Annelies beating the hell out of the drums and Louis ripping up the guitar.

Pruillip: the record

Visceral meditation: that's what the self titled debut album of Pruillip is all about. Eight songs channeling elemental emotions, kickin' deep into the internal organs of the body. Low end frequency swagger droning up from Louis Evrard's amp, ready to slip into 'Place All Your Cards', slow burning sludge nugget, bolstered by the steady drum kicks of Annelies Van Dinter, where every note and strike seems to carry the weight of the world. Navigating through life, seducing you with her gloomy voice. Entering a quest into the unknown, a place you don't want to leave. A feeling increased by the abrasive and brutal 'Boterham': a punk sludge anthem for the hungry and the wild at heart, countered with the reverb-shrouded murmur 'Distracted Enthusiasm'. The lonely 'Zonnedauw' sets the mark of an apparently more resigned B-side, stretching the Pruillip universe with primitive, but so addictive, riffs in 'Mirrors', echoing vibes of 90's desert sessions while 'Offload' and the lucid state of Ataraxia seems to drift on raw emotions and a sweaty claustrophobic tension, which would fit perfectly in Wim Wenders Paris Texas movie. A whirlwind of a record, straight to the bone, leaving you flabbergasted and wanting for more.