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We're very excited to announce a new collaboration between Matt Berry and legendary library music label KPM, with a new single 'Top Brass' - out Friday 18 August on digital platforms, with a limited edition picture-sleeve 7" single, adorned in exclusive Acid Jazz x KPM labels.

'Top Brass' follows in the tradition of iconic KPM compositions by the likes Alan Hawkshaw and Keith Mansfield - infectious, sample-ready and cool. The KPM + Matt Berry album ‘Simplicity’ is out 18th November.

For the third release of FanFar’on, we are travelling into another dimension, more on a Romanian & deep techno vibe from the works of Ciril & Cavale.
Both emerging for the electronic scene of Brusells and close to the Zodiak Crew, Ciril & Cavale brought their vibe with two tracks called « Dracula » & « Marchand de Sable » Definitely spiritual & atmospherics, the music is esthetic & mysterious, the Belgium producers are travelling to some ambient landscapes and experimental textures. To finish the ep ,we will have a completely destructured and almost jazzy remix from the famous Romanian producer : Dragutesku! As we say three is the « magic number » ,welcome to Ciril & Cavale for the third edition of FanFar’on,and let the FanFare begin!

Lilas Records Unleashes Third Installment, Featuring Pioneering Talent: Tarek Charbonnier and Krif — Lilas Records, the vanguard of underground house music, proudly announces the release of its highly anticipated third project. The brainchild of label founders and revered "Into the Woods" residents, Tarek Charbonnier and Krif, this latest offering transports listeners on a sonic journey echoing the vibrant essence of their signature London sets. Their distinctive soundscapes have thrived within the enigmatic embrace of warehouses and clandestine party spots.


Hailing from the heart of London but now firmly rooted in Montpellier, Lilas Records' latest release is a testament to the duo's unwavering commitment to shaping the future of electronic music. Drawing inspiration from their illustrious careers, Charbonnier and Krif's original productions are set to captivate audiences, uniting diverse elements into an immersive auditory experience.


In an electrifying collaboration, Lilas Records enlists Romanian DJ luminaries Cristi Cons and Nu Zau to reimagine these cutting-edge compositions. With an illustrious history in shaping the electronic music landscape, these maestros bring their distinctive flair to the table, ensuring a riveting reimagining of Charbonnier and Krif's groundbreaking work.


Limited to an exclusive run of 300 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siraguza, Silat Beksi, and more. Lilas Records' third offering stands poised to make an indelible mark on the global underground music scene.

Rees landed on Bordello A Parigi with a bang. His “Three Eyes” track left dancefloors slippy and listeners wanting more. Thankfully, the Middlesborough musician only too glad to comply. Dream Wave collects three tracks that are emblematic of Rees’ enviable ability. A serial cross pollinator, genre lines are blurred before being rewritten. “A Dream Wave” melts rich basslines and muscled percussion with a daringly upbeat counter melody. Kick drums usher in “The New Beat”. Flourishes float above the thump before Rees lets loose. Acid barbs, rave shouts and Eastern echoes coalesce in this unique work. Keeping bodies moving until the very end, Rees delivers “Electric Body”. Guitar strings and incising snares collide with a hypnotic synthline that adopts elements of synth pop and full bodied techno. A record that perfectly illustrates the versatility of this style shifting artist.

Repress!

Stix Records is a sub-division of Favorite Recordings, recently launched with a first official single by Taggy Matcher Birdy & Nixon (STIX033), who pleased us with two Reggae-Rocksteady renditions of the famous Black Keys. Precisely specialized in the exercise of producing covers with a Reggae twist,
the new label presents his first album entitled "Disco Reggae". Many artists faithful to the stable of Favorite Recordings and its various sub-labels are invited for the occasion: The Dynamics, Blundetto, Grandmagneto, 7 Samurai, John Milk or Taggy Matcher. All came and brought their respective touch to this first compilation, with among other things some of the rarest titles from their Big Single Records' years, but also 4 new and exclusive productions. Each of them delivers a great isco-Reggae version of classic hits by some artists as diverse as Madonna, Herbie Hancock, Justin Timberlake, The Commodores, The O'Jays, Curtis Mayfield, Harry Nilsson or Sugarhill Gang. Whatever the genre or the period, nothing can resist their inventiveness and creativity, to the point sometimes we confuse between originals and covers. Everything is remastered and cut at Carvery Records (UK), known for their expertise in Caribbean and Disco music. The vinyl LP comes in a deluxe version, housed in an old-school Tip-On Jacket.

IZIPHO SOUL are delighted to announce our second 7” release with Nashville smooth soul man Dwayne Scivally.

Prior to his highly respected LPs with French music maestro Thomas G, Dwayne recorded an album in 2016 entitled ‘Stay Until The Morning’. The CD has virtual invisible status, with no sales documented on Discogs. Our top pick is ‘Point of no Return’, this track was played upon it’s original release by a handful of elite DJs - Props therefore go out to Mick O’Donnell, Mark Merry, Colin Curtis, Steve Scotney and Brian Goucher (who ranked this as one of his top tunes of 2016 in U.K. Vibe magazine)

The flip ‘So Good’ - a sensuous mid tempo composition, beautifully complimenting the top side.

Brazilian Bruno Furlan returns to Hot Creations once again with his ‘La Fiesta’ EP, featuring two scorching house tracks.

One of Brazil’s leading house artists, Bruno Furlan continues to build a dedicated following across the globe, with his current US tour welcoming memorable performances at Club Space in Miami to Club Vinyl in Denver. His return to Hot Creations comes following the success of his ‘Bongoloco’ EP on the label to open 2023, alongside a slew of other releases on the likes of DIRTYBIRD, Club Sweat, Fool’s Gold Records, and his very own Track ID imprint. Delivering two fresh cuts for his fourth outing on Hot Creations Furlan showcases his growing sound once more here with ‘La Fiesta’.

Leading with a spicy fusion of rattling percussions and vibrant bongo drums, the title track ‘La Fiesta’ ignites a Dancefloor frenzy, honouring his roots through rich, pounding beats and impassioned vocals. Next up ‘Give Me That Bass’ is another production built with main stage energy, bringing punchy stabs and alluring calls to get people locked into the groove.

Leading with a spicy fusion of rattling percussions and vibrant bongo drums, the title track ‘La Fiesta’ ignites a Dancefloor frenzy, honouring his roots through rich, pounding beats and impassioned vocals. Next up ‘Give Me That Bass’ is another production built with main stage energy, bringing punchy stabs and alluring calls to get people locked into the groove.

Keith Farrugia aka The Maltese Magician aka Sound Synthesis has been changing the face of the electro/techno community for many years now with his deep audioscapes. Taking you on a musical journey that’s deeper than Atlantis!


With previous releases on Ralph Lawson’s 20/20 Vision, Nocta Numerica, Gated Recordings, Planet 17 and Exalt to name but a few, Keith is a producer in high demand and we are grateful that he graced AmenTec with two incredible tunes that take the listener on a journey of musical imagination.


On the flipside, Amen Brother supplies the remixers for this release. Firstly, we have Cridge & Powder, two Bristol old school dons and royalty of the hardcore and jungle scene. Cridge is a member of the Bristol band Up, Bustle & Out and label boss of Tribe Recordings. Powder is part of the old skool hardcore group Fruit & Veg, who have been repressing their music on Vinyl Fanatiks recently. The guys turn in a rolling hardcore joint.


Next up on the remix are the Moving Shadow legends that are Tone Def, straight outta Bournemouth Town. The guys ease of the BPM a little and add an addictive vocal hook to their mix, showcasing the broad spectrum of the hardcore rave community. Rog from Tone Def is also the owner and creator of the Void soundsystems!
An EP with many layers!



c b1. Electrical Synapses Cridge & Powder 'Fruit & Veg' Mix
Tone Def Remix

London's Silverlining returns to his solo-only home, Silverlining Dubs, for this two-tracker that sees him exploring previously unexplored sonic territories for him. This is the first original release to be produced and mixed in Silverlining’s new Cabin Studio in South London. We'll spare you the list of names but this has had early support from some of the industry's finest!

Having been re-discovered as a groundbreaking slice of proto-grime from 1994, Dylan Beale’s legendary soundtrack for the SNES game Wolverine: Adamantium Rage finally gets the reissue treatment it deserves via Sneaker Social Club.

When the game came out in 1994, Beale’s soundtrack for the SNES edition stood out from the pack for its gritty beats, deceptively weighty low end and edgy orchestra stabs, but few would have guessed how certain tracks would predict the shape of music to come. Around 2016, the ‘Tri-fusion’ track in particular was picked up on by London-based producer Sir Pixalot as a mind-blowing slice of Eski beat coldness. To prove his point, Pixalot ran an acapella from J-Wing over the track and the results spoke for themselves.

While ‘Tri-Fusion’ is a straight-up accidental grime sheller, there’s scores more heat packed away in Beale’s soundtrack for Adamantium Rage. The limitations of the space on the game cart meant Beale had to get creative with the most limited samples. Fortunately his background producing UK hardcore and jungle in Rude & Deadly and Stuck To Your Lips meant he knew his way around the restrictions of an Akai s950. Fuelled by the inspiration of jungle and West Coast rap, he worked on the game soundtrack with a similar spartan attitude, limited to 200kb with which to load up the music engine for the game, samples and all.

Given the importance of minimalism in the effectiveness of soundsystem music, it’s not surprising tracks like ‘Cyber’ and ‘Dark Queen’ pack a punch which could absolutely set a dance off. Watch out for ‘Weapon X Lab’ too - another stand out bomb creating a deadly machine funk out of the tightly clipped bass samples and weird animal groan loops. Alongside the full, original soundtrack, this first issue of Wolverine: Adamantium Rage OST comes with additional tracks never used in the original game which widen out the styles Beale was exploring within the shockingly limited means at his disposal.

“I vividly remember when we first played the soundtrack on a bigger set of speakers to the boss,” Beale recalls, “his initial reaction was one of amazement that we had created something so ‘real’and different in comparison to everything else out there in terms of video game music, which I remember with great pride and fondness. Comparing to everything out there, it was totally unique- a moment in time.”

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

Skatebård is one of the very best Classic Techno producers from Norway since the early 2000's - the distinction from others simply lies within his sense of melody, rhythm and live arrangements. The 2002 release "Skateboarding Was A Crime" on Tellektro had a clear thread of Detroit Techno and Electro, a craft and influence that also heavy club hitters "Conga", "Ta-Ta Arr" and "Emotional Bits" on Sex Tags Mania strongly carried. It's unarguably always a "classic touch" in his dance music, but still it always sounds like a Skatebård production - there is simply no blueprinting in true inspiration.

"Spektral LP" has been compiled and edited by DJ Sotofett with material from Skatebård's 2001-2005 recording archive. In short it's recordings nobody else cold get a hold of – fine tuned and restored into a synergetic and consolidated world of riding, mechanical and electronic funk - released on Skatebård's own Digitalo Enterprises.

Tracks "Seventh" and "Vaskemaskin" are both cymbal driven Techno cuts by the former metal drummer, one with chorded synth stabs growing in harmony, the other leaning on a dark sci-fi pad and a flipped vocal loop. There's a bit more of Skatebård's vocals on the beautifully robotic "Ei Anna Framtid", an alternate take of "Future" which Finlands Keys Of Life released in 2003. DJ Sotofett's mix of "Den Anarkistiske Anode" is nothing but a distorted head-schredding basement Techno blaster, while "Strengje", "Bassi" and "Spektral Elektro" punctuates the catchy Electro & Italo grooves Skatebård crafts so much better than most current producers.

Aphrose reveals her sophomore album, 'Roses,' a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto's best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, 'Roses' remains firmly rooted in Aphrose's signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. 'Roses' weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the 'Aphrose sound,' reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, 'Roses,' which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose's ancestors, particularly her late Grandmother Rose. Following suit is 'YaYa,' also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album's third track, 'Heavenly Father,' offers a brief interlude featuring a recording of Aphrose's Grandmother Rose engaged in prayer, setting the tone for the subsequent track, 'In The Time Of Sorrow.' This contemplative, chill piece captures Aphrose's musings on navigating a world often shrouded in fakery, while craving authenticity. 'Honey (Don't) Come Back' seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. 'What You Don't See' strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship's sad ending.

The B-side opens with the evocative 'Weapons,' featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. 'Chop The Cake' acts as a breather, interlude-style, easing the intensity. 'Soft Nuclear' channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. 'Good Love,' released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. 'Higher' stands as Aphrose's tribute to Prince, capturing the essence of his music within its hook and production. The album's culmination arrives with 'ZAG,' an acronym derived from Aphrose's daughter's name, commencing with the sound of her daughter's heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

'Roses' stands as Aphrose's homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. 'Roses' is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

The radio world has taken notice of Aphrose's talent, with national Radio Capital's Italy Massimo Oldani spinning her latest single "YaYa" for the entire month of July on his show "Vibe." And both singles getting to number 10 in the UK soul chart.Additionally, Aphrose has received national radio play on renowned stations such as BBC in the UK, RTVE in Spain, and Radio France FIP.

Aphrose has also made CBC's Top 100 finalist list for their Searchlight competition.

Huey Morgan played "YaYa" the second track off the album on his BBC radio six show

Dive into the electrifying soundscapes of Wooka's latest EP, "Somethin You Dress Up," as each track becomes a meticulously crafted journey through the realms of electronic house. With his typical beats and rhythms, Wooka takes us on a kaleidoscopic ride through four distinct compositions that embody the very essence of his artistry. From the sun-soaked vibes of "I Hope You Breathe" to the pulsating precision of "People Fucked Up," the EP dances through a spectrum of emotions. "London Somethin" pays homage to '90s UK bass with intricate percussive artistry, while "No dress code", made with Acheel, delves deep into sub-bass syncopation. Hailing from France, Wooka seamlessly blends house, break, and electro, channeling the energy of hip-hop and UK garage. His live performances showcase the dedication to his craft, crafting sonic symphonies that transport audiences to the heart of his musical universe.

Modern highlife luminary Rex Omar has been a force within
the Ghanaian music scene for over 30 years. Now Soundway
presents five of his premier cuts remastered for a new self-titled
EP.

Over his career Rex Omar has evolved the genre, pushing
boundaries and dazzling listeners. A definitive piece of his
repertoire comes via his Dangerous album: while it was selfproduced and recorded in London circa 1997, upon CD
release it saw success mainly within his homeland of Ghana.

An irresistible blend of street-soul-come-highlife, with elements
of bouncing 90s RnB/hip-hop, it was developed with help
from Ibibio Sound Machine’s Kari Bannerman and prolific
Jamaican producer Bill Campbell. From this album rising
London producer and DJ Aroop Roy revisits the four-to-the-floor
excursion ‘Dada’, repurposing for today’s dancefloor with the
addition of fizzing synth chords and stabs.

While Omar regularly raps on his earlier works, on ‘Kele
Ngele’ (taken from his 2004 album Ajala) we hear a yearning
melodic vocal over a more laid back RnB beat. This rounds out
the new Rex Omar EP for the discerning listener to experience
the full breadth of his inventive output.

The Stallions compilations have become a benchmark of Bosconi's position as one of the leading house and techno labels operating out of Italy. This third instalment marks a shift in sound which also comes full circle to the music that first inspired founder Fabio Della Torre as a DJ and producer around the turn of the millennium, when punchy electro production was driving European house and techno into new zones.

All the artists featured on Vol. III are Italian, holding true to Bosconi's commitment to supporting local talent from Florence and across the country. Amongst the familiar faces is Della Torre's own Minimono collaboration with Ennio Colaci, which indulges a proudly manic palette of tweaked bleeps and dirty low-end. Elsewhere, recent additions to the Bosconi fold include veritable legends Alexander Robotnick and Marco Passarani, who infuse their unpredictable approaches to electro-techno and italo disco with ear-snagging synth-pop and driving analogue box jams respectively to create vibrant, impassioned dancefloor monsters.

The Mechanical Man is an alias from Nicola Altieri, who leans in on a classic Italo arpeggio to create a seductive club sound which builds on his recent Bosconi EXV EP, while Cixxx J switches from the mood of his own Bosconi appearance for a new alias Queen Of Coins and a pivot towards heads-down electro-techno-trance with a whiff of International Deejay Gigolos. Lapucci builds on the promise of his 2021 Bosconi 12" with a sentimental fusion track which lands somewhere between old school Italo house, the snappy pulse of EBM and crisp 00s-era electro house. Meanwhile modern day Italian techno legend Lucretio of The Analogue Cops makes his first appearance on Bosconi with the playful video game stylings of 'Gradius'.
A great deal of space on Vol. III is given over to emergent talent, ranging from Miguel Herr's twitchy detroitian synth-pop braindance and Twovi's vocoder-charged electro funk to DJ Rou's jacking ghetto house flavour. Giammarco Orsini and Jacopo Latini appear as Data Memory Access and deliver an emotive, punchy strain of machine soul. Feel Fly rounds the compilation off in bombastic style with an epic, cinematic workout which draws on Moroder-inspired drama without losing the forthright peak-time focus which binds the whole collection together.

Even the artwork on Vol. III serves as an opportunity to celebrate Italian creativity, as pioneering crypto artist Niro Perrone builds on his accomplished work in the field of NFTs and a background in music production to respond intuitively to the vibrant, synthetic sound of the compilation. For all the futurism in the music though, there remains a strong sense of human feeling which has marked Bosconi out since the beginning. The label remains as inspired and inspiring as ever, celebrating the fertile crossover when people manipulate technology to express themselves in an honest, playful way. Independent of wider trends or fashions, Bosconi remains true to its own idiosyncratic passions, and so Bosconi Stallions Vol. III stands proud as a compilation like no other.