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MARLON WILLIAMS - MY BOY

Marlon Williams

MY BOY

12inchDOCLPC2277
Dead Oceans
14.03.2025

My Boy, the third solo record from New Zealand singer/ songwriter Marlon Williams, announces an artist emerging anew. Gone is the solemn, country-indebted crooner with the velvet voice - in his place comes a playful, shapeshifting creature. Following the release of his second album, 2018's Make Way For Love, Williams' toured the world, playing major festivals and collaborating with Lorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting career with roles in films The True History of the Kelly Gang and Netflix series Sweet Tooth, as well as a cameo in Oscar winning film A Star Is Born. My Boy parlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. "I've always explored different character elements in my music," says Williams. "And the more I get into acting, the more tricks I'm learning about representation and presentation. To get braver and bolder with exploring shifting contexts and new ways of doing things." As the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends. Soon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship. Co-produced with Tom Healy and recorded at Roundhead Studios in New Zealand, My Boy finds Williams' leading a new band through a set of genre-hopping tunes: from the cheery sway of `My Boy' and chugging `80s noir sheen of `Thinking Of Nina', to the charging synth of `River Rival', and the sultry pop jam `Don't Go Back.' All this sonic and emotional whiplash is intentional, and ultimately My Boy sees Williams having fun, even while interrogating the behaviors of himself and those around him.

pre-ordina ora14.03.2025

dovrebbe essere pubblicato su 14.03.2025

22,27
Los Dexter's De Uchiza - Fiesta en La Jungla
  • A1: Fiesta En La Jungla
  • A2: Fuga En La Selva
  • A3: Tu Partida
  • A4: Agua De Cachilde
  • A5: La Chicharra
  • A6: Dolor Y Pena
  • B1: Izango
  • B2: El Shiringuero
  • B3: A Jenny
  • B4: Linda Tocachina
  • B5: Para Mi Gente
  • B6: Tragedia En Uchiza

Carrying the torch of psychedelic cumbia, with a healthy dose
of surf guitar and Amazonian dancefloor flourishes from Peru
and Brazil alike, Fiesta en la Jungla by Los Dexter’s de Uchiza
is the first release from the newly formed London-label Ritmo
del Barrio. Originally released in 1982, it captures the finest
cumbia being made in Peru at the time, decked out with
frenetic surf-rock guitar riffs, rhythms floating on crisp
cumbia percussion and occasionally punctuated by carimbó
breakdowns native to the Pará region of north-eastern Brazil.
The album is filled with energy, a gem that was always
intended to animate any dancefloor. Peruvian cumbia came to national attention in the late 60s
through the recordings of Juaneco y su Combo, Los Destellos
and Los Wembler’s de Iquitos, but it’s had many revivals, and
Fiesta en la Jungla arrived when the style was going through a
major transition. In 1977, a passenger plane carrying most of
the members of Juaneco y su Combo crashed, killing everyone
on board. In 1980, Los Destellos retired, and Los Wembler’s
released their tenth and final record, they were ready for a
break. This left a big void in Peruvian music. Wasting no time,
Los Dexter’s Emerson Ruiz Mosquera took the opportunity and
gave his band new life, filling the band’s ranks with young and
energetic musicians who were hungry for success. He built the
new band around a solid base of dexterous guitars, a dynamite
rhythm section, and added oodles of percussion and an electric
organ, giving them a powerful psychedelic sound that called
back to the sounds of the original chichamasters, but added a
new sheen. Along with bands like Los Shapis and Los Walkers
de Huánuco, Peruvian cumbia was reborn as chicha in the
1980s, and was now the sound of Peru’s barrios up and down
the country.
Based in the city of Uchiza, on the edges of the Amazon basin,
Los Dexter’s were uniquely located in central Peru, closer to the
largest urban centres of the country than Amazonian outposts
like Pucallpa or Iquitos, and therefore better positioned to
travel to the furthest reaches of the country with ease. In a
sense, Los Dexter’s were a bridge between the Amazon and the
rest of Peru, a bridge over which the sounds of Amazonian
cumbia could travel to the rest of the country on their way to
becoming one of the most ubiquitous elements of Peru’s musical
identity. Fiesta en la Jungla represents Los Dexter’s in their third
iteration. Led by Emerson Ruiz Mosquera, who was just a
young boy in 1970 when his older brother founded the group
with four of his friends, the ensemble by the time of Fiesta en la
Jungla included Orlando Abad on the timbales and lead vocals,
Lucho Bendezú on lead guitar, Javier Quiroz as second
guitarist, Alejandro Almeira on bass, Rufino Bustamante on
keyboard, Ramon Siu on bongos and bells, Ivan Rios on conga,
and Emerson as musical director and composer. Remarkably,
most of the group’s members helped to write at least one
track, Los Dexter’s were a collective endeavour.
Reissued on vinyl for the first time by Ritmo del Barrio, this
record is essential for any collector of Peruvian cumbia.
Showcasing the unique sound of Los Dexter’s, it carries hits
like “Fuga en la Selva” and “El Shiringuero”, which are sure to
set any dancefloor on fire, combined with slower, carimbó-
infused cumbias like “Fiesta en la Jungla,”and “Agua de
Cachilde.” Its closing track, “Tragedia en Uchiza'', is a key
piece of local history and tells of the flooding of the
Chontayacu River in 1982, a mortal tragedy that affected
thousands of people. Despite the subject matter, the album
maintains a joyful vibe throughout, with high energy riffs and
irresistible rhythms, contrasted with terse love ballads, like “A
Jhenny.” It is both a piece of musical history, and a sure-fire
tool for the dance floor.
Los Dexter’s became a fixture of festivals and celebrations in
the provinces of San Martin and Huánuco, and from expanded
across the country, taking Amazonian cumbia from the
Peruvian Amazon, to the heights of the Peruvian sierra, the
coastal plains, and the capital city of Lima.

pre-ordina ora28.02.2025

dovrebbe essere pubblicato su 28.02.2025

19,96
Various - The Decca Years 1963 LP
  • A1: Brian Poole And The Tremeloes - Do You Love Me?
  • A2: The Big Three - Some Other Guy
  • A3: Bern Elliott And The Fenmen - Money
  • A4: The Redcaps - Talking About You
  • A5: The Country Gentlemen - Greensleeves
  • A6: Billie Davis - Tell Him
  • A7: Kathy Kirby - Secret Love
  • A8: Lyn Cornell - Sally Go Round The Roses
  • A9: Eden Kane - Sounds Funny To Me
  • A10: Pete Maclaine & The Clan - Yes I Do
  • A11: Sounds Incorporated - Keep Moving
  • B1: Jet Harris And Tony Meehan - Diamonds
  • B2: Anthony Newley - I Love Everything About You
  • B3: Jimmy Powell - Remember Then
  • B4: Steve Marriott - Give Her My Regards
  • B5: The Chimes - Can This Be Love
  • B6: The Beat Boys - That's My Plan
  • B7: Louise Cordet - Which Way The Wind Blows
  • B8: The Tornados - Globetrotter
  • B9: Tom Courtenay - Mrs. Brown You've Got A Lovely Daughter
  • B10: Tommy Steele - Flash, Bang, Wallop!
  • B11: Tsai Chin - Any Old Iron

Once again, Decca Records have been shining a light into the recesses of their vast archive to bring you 'The Decca Years 1963', a newly compiled collection of hits and rarities from the pioneers of British Pop music, available as a 45-song 2CD set, or a 22-song 'highlights' LP. Alongside big hits and familiar favourites from Brian Poole And The Tremeloes, Billie Davis, Kathy Kirby, Jet Harris and Tony Meehan, The Tornados, and Tommy Steele, we are excited to bring you some tracks that are being made available again for the first time in more than 60 years, and a few that have never been on CD before. Both formats come in eye-catching, retro style packaging that references Decca releases from the early '60s, and feature informative track-by-track sleeve notes.

pre-ordina ora28.02.2025

dovrebbe essere pubblicato su 28.02.2025

30,88
BARTEES STRANGE - HORROR

Bartees Strange

HORROR

12inchADLPE40746
4AD/BEGGARS Group
17.02.2025

Bartees Strange begann die Arbeit an "Horror" in seinem Homestudio. Eine Session mit Yves und Lawrence Rothman (Yves Tumor, Lady Gaga) lieferte das rhythmische und klangliche Rückgrat für große Teile des Albums. Nachdem Bartees Strange Jack Antonoff (Taylor Swift, Lana Del Rey...) kennengelernt hatte und die beiden schnell Freunde wurden, arbeitete Strange an Material für Antonoffs Band Bleachers und Antonoff an "Horror". Die beiden beendeten die Arbeit am Album gemeinsam, indem sie die Songs roh bearbeiteten, editierten, arrangierten und sie in Kleidung kleideten, die Angst einflößt. Während des gesamten Albums legt Strange eine schwierige Wahrheit nach der anderen ab. Auf den 12 neuen Tracks des Albums finden sich genreübergreifende Fäden der Musik, die sein Vater ihm nahegebracht hat - Parliament Funkadelic, Fleetwood Mac, Teddy Pendergrass und Neil Young - die mit Stranges Interesse an Hip-Hop, Country, Indie-Rock und House verschmelzen. Seit dem Release seines 4AD-Debüts "Farm to Table" (2022) spielte Bartees Strange neben eigenen Headline-Touren (und einem Auftritt beim letztjährigen Reeperbahn Festival) im Vorprogramm von Acts wie boygenius, Clairo, Dijon und The National. Während eine Tour zum neuen Album noch angekündigt werden wird, gibt es schon eine Reihe von Release-Shows in 2025 in New York, Los Angeles, Washington D.C. und London. Geboren in Ipswich, England, als Sohn eines Militärvaters und einer Opernsängerin, verlebte Bartees Strange eine Kindheit, die geprägt war von diversen Umzügen bevor er sich schließlich in Mustang, Oklahoma, niederließ. Später spielte Bartees Strange in Hardcore-Bands in Washington D.C. und Brooklyn, während er in der Regierung von Barack Obama und der Bewegung für Umweltschutz arbeitete. In letzter Zeit wurde seine Musik auf mehreren populären TV- und Film-Soundtracks verwendet, darunter bei The New Look von Apple TV und I Saw The TV Glow von A24-Studio.

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21,81

Last In: 13 months ago
BARTEES STRANGE - HORROR

Bartees Strange

HORROR

12inchADLP40746
4AD/BEGGARS Group
14.02.2025
disponibile anche

WHITE COLOURED VINYL[21,81 €]


Bartees Strange begann die Arbeit an "Horror" in seinem Homestudio. Eine Session mit Yves und Lawrence Rothman (Yves Tumor, Lady Gaga) lieferte das rhythmische und klangliche Rückgrat für große Teile des Albums. Nachdem Bartees Strange Jack Antonoff (Taylor Swift, Lana Del Rey...) kennengelernt hatte und die beiden schnell Freunde wurden, arbeitete Strange an Material für Antonoffs Band Bleachers und Antonoff an "Horror". Die beiden beendeten die Arbeit am Album gemeinsam, indem sie die Songs roh bearbeiteten, editierten, arrangierten und sie in Kleidung kleideten, die Angst einflößt. Während des gesamten Albums legt Strange eine schwierige Wahrheit nach der anderen ab. Auf den 12 neuen Tracks des Albums finden sich genreübergreifende Fäden der Musik, die sein Vater ihm nahegebracht hat - Parliament Funkadelic, Fleetwood Mac, Teddy Pendergrass und Neil Young - die mit Stranges Interesse an Hip-Hop, Country, Indie-Rock und House verschmelzen. Seit dem Release seines 4AD-Debüts "Farm to Table" (2022) spielte Bartees Strange neben eigenen Headline-Touren (und einem Auftritt beim letztjährigen Reeperbahn Festival) im Vorprogramm von Acts wie boygenius, Clairo, Dijon und The National. Während eine Tour zum neuen Album noch angekündigt werden wird, gibt es schon eine Reihe von Release-Shows in 2025 in New York, Los Angeles, Washington D.C. und London. Geboren in Ipswich, England, als Sohn eines Militärvaters und einer Opernsängerin, verlebte Bartees Strange eine Kindheit, die geprägt war von diversen Umzügen bevor er sich schließlich in Mustang, Oklahoma, niederließ. Später spielte Bartees Strange in Hardcore-Bands in Washington D.C. und Brooklyn, während er in der Regierung von Barack Obama und der Bewegung für Umweltschutz arbeitete. In letzter Zeit wurde seine Musik auf mehreren populären TV- und Film-Soundtracks verwendet, darunter bei The New Look von Apple TV und I Saw The TV Glow von A24-Studio.

pre-ordina ora14.02.2025

dovrebbe essere pubblicato su 14.02.2025

21,81
Creedence Clearwater Revival - Willy And The Poor Boys

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-ordina ora14.02.2025

dovrebbe essere pubblicato su 14.02.2025

25,63
John Lee Hooker - It Serve You Right To Suffer LP

John Lee Hooker - "It Serve You Right To Suffer (Verve Acoustic Sounds Series)" 180g Heavy Vinyl LP Released on the Impulse! Records label in early 1966, this collection is a mix of new compositions and re-workings of tunes John Lee Hooker had previously recorded, including a cover of Barrett Strong's 1959 Motown hit "Money (That's What I Want)." Featuring Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar, the result is some of the best John Lee Hooker material with a band that you're likely to come across. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. Verve Label Group; Verve; Jazz; Catalog

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34,03

Last In: 63 days ago
Timothée Chalamet - A Complete Unknown (Original Motion Picture Soundtrack) (LP)
  • A1: Timothée Chalamet - Highway 61 Revisited 3:44
  • A2: Timothée Chalamet - Mr. Tambourine Man 2:30
  • A3: Timothée Chalamet - I Was Young When I Left Home 2:04
  • A4: Timothée Chalamet & Monica Barbaro - Girl From The North Country 2:05
  • A5: Timothée Chalamet - A Hard Rain's A-Gonna Fall 3:04
  • A6: Edward Norton - Wimoweh (Mbube) 1:51
  • A7: Monica Barbaro - House Of The Rising Sun 2:07
  • A8: Timothée Chalamet & Monica Barbaro - Blowin' In The Wind 2:52
  • B1: Timothée Chalamet - Subterranean Homesick Blues 2:26
  • B2: Timothée Chalamet - The Times They Are A-Changin' 3:13
  • B3: Boyd Holbrook - Big River 1:41
  • B4: Timothée Chalamet & Monica Barbaro - Don't Think Twice, It's All Right - 3:07
  • B5: Timothée Chalamet - Maggie's Farm 3:07
  • B6: Timothée Chalamet - It Takes A Lot To Laugh, It Takes A Train To Cry 2:20
  • B7: Timothée Chalamet - Like A Rolling Stone 3:22
  • B8: Timothée Chalamet - It's All Over Now, Baby Blue 2:20
pre-ordina ora24.01.2025

dovrebbe essere pubblicato su 24.01.2025

24,33
T. REX - Tanx LP

T. Rex

Tanx LP

Pict-VinylDEMREC1266
Demon Records
15.01.2025

Preceded by some of Bolan’s most fondly-remembered singles, “Children Of The Revolution”, “Solid Gold Easy Action” and the classic “20th Century Boy”, 1973’s Tanx was the first T. Rex album to make full use of the ever-expanding range of studio gadgets. And while the album represented a new musical departure, several tracks maintained a direct link to the old sound.

The album reached number 4 in the UK album charts and has gone on to influence numerous musicians from Suede to Depeche Mode’s Martin Gore. This edition includes the complete album remastered by producer Tony Visconti and Ted Jensen.

pre-ordina ora15.01.2025

dovrebbe essere pubblicato su 15.01.2025

30,04
VARIOUS - WAYFARING STRANGERS: COSMIC AMERICAN MUSIC 2x12"

Over 19 tracks, Wayfaring Strangers: Cosmic American Music mines gold from dollar bin country-rock detritus to reconstruct events as seen from the genre's wild west - Americana's vast private press substructure. As progenitor and contemptuous poster boy for the music that came to be Cosmic American, Gram Parsons found himself mired in a recording career spent mostly in scouting the perimeters of chart success. "He hated country-rock," Parsons collaborator Emmylou Harris would later reflect. "He thought that bands like the Eagles were pretty much missing the point." Parsons had been orbiting the idea of Cosmic American Music for some time. In 1968 he'd parted ways with the Byrds and was looking to take air with a new project. "It's basically a Southern soul group playing country and gospel-oriented music with a steel guitar" he told Melody Maker, on the subject of The Flying Burrito Brothers. So it was that when A&M's Burrito Brothers debut The Gilded Palace of Sin made it to shelves in February of 1969, early adherents to the Cosmic American gospel were already echoing its message from areas flanking Gram Parsons' Southern California hills and canyons. There was F.J. McMahon in coastal Santa Barbara, Mistress Mary further inland in Hacienda Heights, and Plain Jane of Albuquerque, New Mexico, each responding by committing their own private readings to tape before day one of the 1970s. Parsons himself might've disdained them, had he even been aware of such minor ripples, shimmering at the edges of his desert oasis. But these were true believers all the same, given over fully to his roots music concept, each filling vinyl grooves with non-rock instrumentation like fiddle, banjo, and pedal steel guitar, the last undoubtedly Cosmic American Music's most distinguishing stringed signifier. Only too predictably, big labels did the grunt work of confining and defining the movement, as ABC, United Artists, RCA, and more played catch-up with Asylum's raptor rock juggernaut, via backwoods crossover also-rans with names like Gladstone, American Flyer, and Silverado. Twang reigned, the shitkickers kicked shit, and the vaguely western-sounding guitar records piled up. Country-rock became "the dominant American rock style of the 1970s," as Peter Doggett's comprehensive Are You Ready for the Country put it much later. Wayfaring Strangers: Cosmic American Music picks up and dusts off golden ingots from the dollar-bin detritus of that domination, to reconstruct events as seen from the genre's real Wild West-America's one-off private press label substructure.

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25,17

Last In: 15 months ago
VARIOUS - BLUE PLATE SPECIAL 02
  • Funky Country - Jesters Iii
  • Wanderin' Soul - Gary Atkinson
  • Big Country Blues - Shirl Milete
  • Northeast Texas Women - Willis Allan Ramsey
  • Want You - Tony Joe White
  • Crack Up In Las Cruces - Michael Murphey
  • Love And Little Joe - Lee Conway
  • I'd Rather Be (Blind, Crippled And Crazy) - O.v. Wright
  • Long Line Rider - Bobby Darin
  • Misfit - Joe South
  • A Little Less Conversation - Mac Davis
  • Catman - Sherman Hayes

What is Country Soul? This brief period hapened in Country Music(1968/1973) history when Cowpokes gave a try to LSD and pot, and so transformed their own music into something less formatted, opened to many others influences has funk and Soul or Psychadelism. Drum n" Bass are groovy and the Cow-Boy is cooking!

pre-ordina ora20.12.2024

dovrebbe essere pubblicato su 20.12.2024

24,33
Yoshio Ojima - Club

Yoshio Ojima

Club

12inchWRWTFWW087CLEAR
WRWTFWW Records
13.12.2024

WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.

A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.

Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.


Experience the roots of Japanese electronica!

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23,49

Last In: 16 months ago
JERRY GARCIA & DAVID GRISMAN - BARE BONES
  • Walkin´ Boss
  • Dreadful Wind And Rain
  • I Truly Understand
  • I´m Troubled
  • When First Unto This Country
  • The Handsome Cabin Boy
  • Casey Jones
  • The Sweet Sunny South
  • Freight Train
  • Jenny Jenkins
  • A Horse Named Bill
  • Arkansas Traveler
  • Hot Corn, Cold Corn
  • The Miller?S Will
  • There Ain?T No Bugs On Me
  • Hopalong Peter
  • Three Men When A-Hunting
  • Whiskey In The Jar 19. Down In The Valley

ROUND RECORDS IS PROUD TO REINTRODUCE THE RECORDINGS OF DAVID GRISMAN & JERRY GARCIA AT RETAIL WITH THE DEBUT OF BARE BONES, a collection of duo performances exploring the foundation of their beloved studio recordings. After over 30 years, Grisman has opened the Dawg Vault to curate a collection honoring the magic of their studio works. They are presented for the first time in their original unadorned state as part of a vinyl series.

pre-ordina ora13.12.2024

dovrebbe essere pubblicato su 13.12.2024

45,34
Ryan Kattner and Brett Morris - Destroy All Neighbors
  • A1: Destroy All Neighbors
  • A2: Always Hallways
  • A3: Rocking In The 5Th Dimension
  • A4: Bob Marley & Me
  • A5: Vlad's Hallway Now / Bitch / Sex Maniac / Kevin Bacon Haircut / Hemifacial Spasm
  • A6: My Epic Nightmare Life In Montage / My Girlfriend Has Sleep Apnea & There's A Vlad In My Bed
  • A7: Get Out Of My Kitchen
  • A8: Gloss Bounce / Euro Trip '69 / Pumping Jeremy Irons / Consensual Hand Puppet In Thump Country / Penetrate / The Gored Torso (Decapitation Blues)
  • A9: Swig's Advice On Corpse Disposal
  • A10: Make The Body Disappear
  • A11: Dirty Boys
  • A12: I Am God, Destroyer Of Vlad
  • A13: I Live!
  • A14: One Hot Lick Iii: Let's Go Incinerate A Body
  • A15: Meating Your Heroes
  • A16: Stupid Willie Brown
  • A17: Dragging Plastic Wrapped Bodies From A Van Music
  • A18: Mona Lisa Grimace
  • A19: Cool Dawn Dimension Shirt Theme / Fuck All Night Music / Sticky Pleather Jonah Jams
  • B1: Progressive Rock Is Life
  • B2: Epitaph For The Fallen Circus: Demo
  • B3: Requiem For Pig Guy
  • B4: My Girlfriend Has Just Realized That I'm A Very Violent Murderer Person / A Not So Beautiful Mind / Ode To Generic Investigative Tv Journalism Music
  • B5: Eleanor
  • B6: The Neon Rainbow
  • B7: The Mythology Of Madness, Call To Arms
  • B8: Caleb Bang Jansen Has A Gun / Cops Ruin Everything / The Ex Girlfriend Suddenly Appears To Witness Your Potential Suicide By Cop
  • B9: A Big Bear Story
  • B10: Epitaph For The Fallen Circus
  • B11: You Mean Everything To Me Even If I've Scarred You For Life Since You Witnessed A Horrible Crime (A Love Song)
  • B12: Free - Performed By Man Man

Destroy All Neighbors is a twisted splatter-comedy about a deranged journey of self-discovery full of goopy practical FX, a well-known ensemble cast, and LOTS of blood. William Brown (Jonah Ray Rodrigues), is a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, facing a creative roadblock in the form of a noisy and grotesque neighbor named Vlad (Alex Winter).

He finally works up the nerve to demand that Vlad keep it down, and William inadvertently decapitates him. But, while attempting to cover up one murder, William's accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla. The soundtrack is an infectious slice of progressive rock cues, EDM freakouts, 80’s synth pop and so much more by the brilliant Ryan Kattner & Brett Morris. Released in conjunction with SUB POP Records, and features an original song by MAN MAN, artwork by Johnny Dombrowski, and pressed on coloured vinyl.

pre-ordina ora13.12.2024

dovrebbe essere pubblicato su 13.12.2024

56,26
Various - NOW 80's: Part One - 1980 - 1982
 
44

xd H2 Rockers Revenge - Walking On Sunshine feat. Donnie Calvin (12" Version)

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57,10

Last In: 13 months ago
Johnny Cash - Original Sun Sound Of Johnny Cash (Ltd. LP)

Original Sun Sound wurde erst 1964 veröffentlicht, sechs Jahre nach Johnny Cashs Wechsel von Sun zu Columbia Records im Jahr 1958, und enthält sowohl seine ersten als auch seine letzten Aufnahmen für das Label. Das frühe 'Wide Open Road' zeigt den Sänger noch unter dem Einfluss von Hank Williams (und ist auch deshalb eine Rarität, weil es die Steel-Gitarre von A.W. "Red" Kernodle enthält, der die Gruppe kurz darauf verließ), aber das sardonische, von Charlie Rich geschriebene 'Thanks a Lot' aus einer seiner letzten Sun-Sessions zeigt, dass Cash niemandem außer sich selbst verpflichtet ist. Auch Cashs eigener Gospelsong 'Belshazah' ist hier zu hören, eine ungewöhnliche Aufnahme, da sein Produzent Sam Phillips normalerweise nur das weltliche Material des Künstlers aufnahm.

- Remastered von den Originalbändern
- Neuauflage zum 60sten Jubiläum
- Enthält Hits wie 'Big River', 'Country Boy', 'Born To Lose' und mehr

- Ltd. Col. LP: (Violett-transparentes Vinyl)

pre-ordina ora29.11.2024

dovrebbe essere pubblicato su 29.11.2024

24,33
KELSEY WALDON - WHITE NOISE / WHITE LINES LP
  • Anyhow
  • White Noise, White Lines
  • Kentucky (Interlude)
  • Kentucky, 1988
  • Lived And Let Go
  • Black Patch
  • Run (Interlude)
  • Run Away
  • Sunday's Children
  • Very Old Barton
  • My Epitaph

In 2019, Kelsey Waldon was the first Oh Boy Records signee in 15 years. At the time John said, "her voice is one of the more authentic country voices I've heard in a long time". White Noise/White Lines is Kelsey's debut on Oh Boy. Available here on vinyl!

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

25,42
Devonanon - Richard & John

10 years after their debut, City Of All Times audio-visual enquirers John B McKenna and Richard Greenan re-appear as Devonanon, to share the findings of a decade-long sonic experiment. Like its predecessor, Richard & John is a living, breathing collection of field recordings and compositions, gathered gradually from remote corners of the pair's lives. Familiar waypoints - interwoven microtonal synths, regurgitated live performances, polite whispering, and the gurgling hum of vehicles (land and sea) - all fold into the perpetual stew.

Where City read like a crumpled postcard account of fraternal reportage, Richard & John is a tone poem on something more amorphous, and out of time - a garbled history of human closeness, upheaval and mark-making, that seems to buckle and creak like a tapestry with no beginning or end. No two spoonfuls are the same, as our story reels through kosmische library stylings ('Wilderness Engine'), to cortex-quieting free association ('Generate Countryside'), and baroque instrumentation ('Blood Laughing', which features beautiful turns from Masayoshi Fujita on vibraphone, and Rosa Juritz on bassoon).

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

20,97
U2 - How To Dismantle An Atomic Bomb LP 8x12"
  • A1: Vertigo
  • A2: Miracle Drug
  • A3: Sometimes You Can't Make It On Your Own
  • B1: Love And Peace Or Else
  • B2: City Of Blinding Lights
  • B3: All Because Of You
  • C1: A Man And A Woman
  • C2: Crumbs From Your Table
  • C3: One Step Closer
  • D1: Original Of The Species
  • D2: Yahweh
  • D3: Fast Cars
  • A1: Picture Of You (X+W)
  • A2: Evidence Of Life
  • A3: Luckiest Man In The World
  • A4: Treason
  • A5: I Don’t Wanna See You Smile
  • B1: Country Mile
  • B2: Happiness
  • B3: Are You Gonna Wait Forever?
  • B4: Theme From The Batman
  • B5: All Because Of You 2
  • A1: Vertigo - Redanka Power Mix
  • A2: Vertigo - Trent Reznor Remix
  • B2: All Because Of You - Killahurtz Fly Mix
  • B3: All Because Of You - Redanka Indian Summer Mix
  • C1: City Of Blinding Lights - Paradise Soul Vocal Mix
  • C2: City Of Blinding Lights - Hot Chip 2006 Remix
  • C3: One Step Closer - Asian Temple Remix
  • D1: Miracle Drug - Redanka Miracle Dub
  • D2: Miracle Drug - Redanka Zootopian Vocal Mix
  • A1: City Of Blinding Lights
  • A2: Vertigo/Stories For Boys
  • A3: Elevation
  • A4: The Cry/The Electric Co
  • B1: An Cat Dubh/Into The Heart
  • B2: Beautiful Day
  • B3: New Year's Day
  • B4: Miracle Drug
  • C1: Sometimes You Can't Make It On Your Own
  • C2: Love And Peace Or Else
  • C3: Sunday Bloody Sunday
  • C4: Bullet The Blue Sky
  • D1: Running To Stand Still
  • D2: Pride (In The Name Of Love)
  • D3: Where The Streets Have No Name
  • D4: One
  • E1: Zoo Station
  • E2: The Fly
  • E3: Mysterious Ways
  • A3: Vertigo - Jacknife Lee 12
  • F1: All Because Of You
  • F2: Original Of The Species
  • F3: Yahweh
  • F4: 40
  • B1: Fast Cars - Jacknife Lee Mix
disponibile anche

2LP[42,23 €]


This 20th Anniversary Limited Edition 8LP Super Deluxe Collectors Boxset celebrates the critically-acclaimed album ‘How To Dismantle An Atomic Bomb’ – which won all eight Grammy Awards for which it was nominated, including ‘Album of the Year’. The original album - now remastered for the first time – includes the global hit singles ‘Vertigo’ (winner of three Grammy Awards), ‘City Of Blinding Lights’ and ‘Sometimes You Can’t Make It On Your Own’. This unique boxset also includes the shadow album, ‘How To Re-Assemble An Atomic Bomb’, featuring new, unreleased songs recently rediscovered in the archive of the original HTDAAB album sessions.

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

239,45
JOHN PRINE - STANDARD SONGS FOR AVERAGE PEOPLE LP
  • Blue Eyed Elaine (Ernest Tubb)
  • Don't Be Ashamed Of Your Age (Cindy Walker, Bob Wills)
  • I Forgot To Remember To Forget (Charliefeathers, Stan Kesler)
  • I Love You Because (Leon Payne)
  • Pistol Packin' Mama (Al Dexter)
  • Saginaw, Michigan (Bill Anderson, Donald Wayne)
  • Old Dogs, Children And Watermelon Wine (Tom T. Hall)
  • Old Cape Cod (Claire Rothrock, Milton Yakus, Allan Jeffrey)
  • Death Of Floyd Collins (Andrew Jenkins, Irene Spain)
  • Blue Side Of Lonesome (Leon Payne)
  • In The Garden (C. Austin Miles)
  • Justthe Other Side Of Nowhere (Kris Kristofferson)
  • Old Rugged Cross (George Bennard)
  • Where The Blue Of The Night (Bing Crosby, Fred E. Ahlert, Roy Turk)

In 2007, John Prine & bluegrass legend Mac Wiseman teamed up for a duet album of their favorite country, folk, and gospel songs.

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

25,42
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