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"The recordings that make up Afro Blue Impressions were acquired by jazz impresario/auteur Norman Granz during the tours he produced for many jazz artists during the 1960s, though they weren't issued until 1973. Recorded at shows in Berlin and Stockholm, the John Coltrane Quartet -- with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones -- is in tremendous form here, using a familiar repertoire in order to expand upon the group's own building blocks in creating the new post-harmonic system that the saxophonist was developing. Reissued on vinyl by Craft Recordings, released as part of the Craft Jazz Essentials series. "

Recorded live at the Black Hawk, San Francisco in September 1959, At The Blackhawk 1 is the first of 4 volumes released in 1960. Featuring six cuts, Manne (drums), is joined by Joe Gordon (trumpet), Richie Kamuca (tenor sax), Victor Feldman (piano) and Monty Budwig (bass). This new edition of the album is released as part of the Contemporary Records Acoustic Sounds series and is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

"Originally released in 1963, “Caravan” was Art Blakey and the Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This new edition is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analogue mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket. "

Know What I Mean?” was originally released in 1960 as a collaboration between jazz saxophonist Cannonball Adderley and legendary pianist Bill Evans, along with the rhythm section of the Modern Jazz Quartet, Percy Heath (bass) and Connie Kay (drums). This new edition of the album is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with (AAA) lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket. "

Acoustic Sounds and Contemporary Records present this new reissue of Art Pepper’s 1960 album “Smack Up”. Recorded by legendary engineer Roy DuNann the album also features Jack Sheldon (trumpet), Pete Jolly (piano), Jimmy Bond (bass), and Frank Butler (drums). This new edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

Bags' Groove was recorded by Rudy Van Gelder and originally released by Prestige Records. It compiles material from two 10" LPs recorded in 1954, plus two alternative takes. It is described in Allmusic as "…a cornerstone of the post-bop genre." It features Thelonious Monk on the two takes of the title track, Sonny Rollins on tenor saxophone, Kenny Clarke on drums, Milt Jackson on vibraphone, Percy Heath on bass, and Horace Silver on piano in "Airegin" and "But Not For Me (Take 1)." Reissued on vinyl by Craft Recordings, released as part of the Craft Jazz Essentials series.

PHORMA makes its return from a prolonged hiatus with the second release by Stockholm's very own Adam Craft. The enigmatic EP, "Renata Tracks II," delicately unfolds like a well-kept secret. Kicking things off, "Pace (Variation)" mystically opens the EP. Meanwhile, "Pace," the second track, proves itself equally versatile, capable of setting the tone for the evening's outset or carrying you through late-night after-hours. Flipping over to the B-side, "Into Dust" takes center stage, a relentless and pulsating dub techno masterpiece that will undoubtedly get dance-floors moving. As we bid farewell to this extraordinary EP, "I Only Said" will be your soundtrack to the exit. Renata Tracks II is accompanied by the captivating sleeve design crafted by the talented New York-based artist, Sebastian Lemm.

Multi-Platinum artist, Collective Soul, is releasing 7even Year Itch: Greatest Hits, 1994-2001 for the first time on vinyl. The album features hits such as “Shine” and “The World I Know,” along with “Perfect Day,” featuring Elton John. In addition to their hits, the band included two new tracks, “Next Homecoming” and “Energy” on the original album. The 2001 release hit #50 on the Billboard 200 and #9 on the Canadian album chart. The album celebrates Collective Soul’s breadth and versatility.

Mayday Parade is celebrating the 10th Anniversary of their fourth studio album, Monsters In The Closet, with an expanded vinyl reissue. The LP includes six previously unreleased demos and alternate cover art, complete with an etching on the d-side. The original July 2013 release debuted at #10 on the Billboard 200, and #16 on the UK Independent Singles Breakers. Kill Your Stereo dubbed the album “Mayday Parade’

This modern jazz summit meeting in Toronto has been called "the greatest jazz concert ever." We owe the survival of the music to Charles Mingus, who, along with Max Roach, taped the concert and subsequently issued it on his own new Debut label. There was tension between the giants before, during, and after the concert. Bird arrived without a horn and had to borrow a plastic alto (he made it sound like gold). The hall was three-quarters empty (the promoters had overlooked the coinciding heavyweight championship match between Marciano and Walcott). But the true heavyweights were onstage, and the results have been knocking out the world of jazz ever since.

This is one of the last Chet Baker albums recorded in the States prior to the artists relocating to Europe in the early ‘60s. Likewise, the eight-tune collection was the final effort issued during his brief association with the Riverside Records imprint. The project was undoubtedly spurred on by the overwhelming success of the Shelly Manne-led combo that interpreted titles taken from the score to My Fair Lady (1956). In addition to becoming an instant classic, Manne’s LP was also among of the best-selling jazz platters of all time. While Baker and crew may have gained their inspiration from Manne, these readings are comparatively understated. That said, the timelessness of the melodies, coupled with the assembled backing aggregate, make ‘Chet Baker Plays the best of Lerner and Loewe’ a memorable concept album.

Apocryphonis the fourth studio album by American heavy metal band The Sword and featuring The Veil of Isis, Cloak of Feathers, Arcane Montane and The Hidden Masters Recorded at Magpie Cage Studios in Baltimore, Maryland with producerJ Robbins, it was released by New York label Razor & Tie in October 2012.Apocryphonis the band's first album without original member Trivett Wingo, and the first to feature his replacement Santiago "Jimmy" Vela III, who took over from interim touring drummer Kevin Fender in October 2011; it is also the first of the band's albums to be released by Razor & Tie, with whom the group signed in early 2012 after seven years with Kemado Records. Remastered and pressed on 180 gram vinyl. Housed in a gatefold jacket featuring artwork by the award-winning comic book artist and penciller, J.H. Williams III. "Heavy metal distilled to its purest form." - Consequence

Around The Sun ist das 13. Studioalbum von R.E.M., das im Jahr 2004 veröffentlicht wurde. Das Album erreichte Platz 1 der deutschen Albumchart..

Es enthält die Singles ”Leaving New York”, ”Aftermath”,
”Electron Blue” und ”Wanderlust”. Außerdem enthält es ”The Outsiders” mit dem Gastgesang des Rappers Q-Tip. Ab dem 14.07.2023 als 2LP verfügbar.

"Collapse Into Now is R.E.M.’s fifteenth and final studio album, released in 2011. Produced by Jacknife Lee, the record features singles ""Überlin,"" ""Oh My Heart"" and ""It Happened Today,"" with guest appearances from Patti Smith, Eddie Vedder and Peaches. This edition is pressed on 180-gram vinyl with a printed insert. "

"15th anniversary pressing of The Maine’s debut album, Can’t Stop Won’t Stop. The album includes the single “Into Your Arms” and fan favorites “Everything I Ask For” and “Girls Do What They Want.” After its initial 2008 release, the album debuted at #40 on the Billboard 200 and #4 on the Independent Albums chart. Reflecting on the album's legacy, frontman John O’Callaghan told Alternative Press, “this album might be the rawest form of who our band is.” The LP is housed in a gatefold jacket. "