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Zur Feier des 20-jährigen Jubiläums ihrer ursprünglichen Veröffentlichung kündigt Robyn eine besondere 2-LP-Vinyl-Neuauflage ihres ikonischen, selbstbetitelten Albums von 2005 an.

Weithin als ein Schlüsselmoment der modernen Popmusik angesehen, erscheint diese Jubiläumsausgabe auf Coke-Bottle-Vinyl und enthält das originale Tracklisting.

Ein Muss für langjährige Fans und Sammler gleichermaßen – diese Veröffentlichung rückt ein Album ins Rampenlicht, das die Zukunft der Popmusik entscheidend mitgeprägt hat.

Formed in the early 1980s, Primal Scream paid their indie rock dues and experimented with their sound for almost a decade before finding their feet with the era-defining dance/rock hybrid Screamadelica album. It spawned their first hit singles, ‘Loaded’, ‘Come Together’ and ‘Movin’ On Up’, after which they became a chart regulars for over a decade. This carefully curated 17-track collection, first issued in 2019, covers their fascinating journey from 1986 to 2000, taking in their most successful period but also detailing the evolution of their sound before they broke into the mainstream.

After delighting fans of all ages with the surprise children's hit "Long Legged Larry," underground hip-hop icon Aesop Rock returns with "Roadwork Rappin'," a joyful ode to construction vehicles and the kids who love them. Inspired by the fascination many children have with bulldozers, front loaders, and cranes, the track delivers clever rhymes and vivid descriptions in classic Aesop fashion_this time with a whimsical twist. Over a minimal beat with a bouncing bass line that evokes the lumbering roll of oversized construction tires, Aesop celebrates the sights and sounds of work zones, bringing dump trucks and backhoes to life with vivid wordplay. The song is part educational, part imaginative world-building, capturing the wonder of watching giant machines reshape our surroundings. What makes it shine is Aesop's funny and wildly specific wit, packaged in a format that's approachable for younger listeners but still rewarding for longtime fans. With "Roadwork Rappin'," Aesop continues to expand his creative universe in unexpected ways, proving once again that his pen knows no bounds. Whether it's blaring from a car seat playlist or sparking nostalgia in adults who once chased garbage trucks down the block, this track is a joyful celebration of curiosity, machinery, and the poetry hiding in plain sight.

180g, turquoise vinyl. Perhaps the hardest thing about Soul music is convincing. If the place and the experiences don't somehow shine through and meet us, we risk missing out on what's on offer completely. "But first_ are you experienced?" as Jimi Hendrix asked. That's precisely why Soul music is difficult in Sweden. There are few who can portray their experiences in music in a way as convincing as in the Black US Soul tradition. This however seems almost provocatively easy for Bror Gunnar Jansson to do. On the album People, it's as if he pours both lyrics and melodies that have grown slowly in life and that come naturally if you grow up on the right soil. And on almost every song, it only takes a few bars for Bror Gunnar Jansson & The Escapism to show who their musical relatives are. Although Gunnar seems to move freely in musical landscapes ruled by the greats of seventies soul from Al Green, Curtis Mayfield and Aretha Franklin, as well as in some of the fringes of blues and jazz territory, both he and drummer and producer Christopher Cantillo explain that the album has took a long time brewing. And that what may appear obvious and simple has sprung out of a friendship that spans more than half of their lives.

Comfort in Sound ist eines der erfolgreichsten Independent-Alben aller Zeiten, es ist das vierte Studioalbum
der walisischen Rockband Feeder und wurde ursprünglich am 21. Oktober 2002 veröffentlicht. Es war 121
Wochen in den Top 50 der britischen Independent-Alben-Charts, davon 47 Wochen in den Top 10. Als
bahnbrechendes Alternative-Rock-Album der frühen 2000er war es auch das erste, das von der Band nach
dem Selbstmord des Schlagzeugers Jon Lee Anfang des Jahres veröffentlicht wurde. Das Album wurde
während des größten Teils des Jahres 2002 in den RAK Studios in London aufgenommen und von Gil
Norton produziert.
Als Feeders kommerziell erfolgreichstes Album veröffentlichen wir diese aufregende erweiterte Ausgabe
mit exklusiven neuen Versionen der Titel neu. Das Album wurde für 2025 vollständig remastered. Es ist
auch erstmals auf Transparent Blue Curacao-Vinyl erhältlich. Dies sind die ersten Vinylpressungen seit
der Veröffentlichung im Jahr 2002, bei der nur eine begrenzte Auflage weißen Vinyls hergestellt wurde,
das extrem selten und heute schwer zu finden ist. Die erweiterte Ausgabe wird auch im 2CD-Digisleeve
erhältlich sein.

Le Le - the electronic cult trio of Piet Parra, Rimer London, and Pepijn Lanen (Faberyayo) - brings together their finest work on a double LP for the very first time. Great Stuff is a carefully curated selection of their most beloved tracks, newly remastered for this release. From dance floor classics like Breakfast to eccentric pop gems like Skinny Jeans, Great Stuff showcases why Le Le has held a unique place in the Dutch music and art scene since their debut. Now available for the first time on double LP - a must-have for fans and collectors alike.

Starman Records, the Belgian label renowned for re-releasing Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series, praised by both press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many rare and hard-to-find tracks—mainly originally released as singles on small, long-forgotten labels. Covering genres such as pop, beat, rock ’n’ roll, and psych, these gems are well worth rediscovering. Belgian Vaults are not just collector’s items; each album features restored and remastered sound quality and is carefully curated to appeal to all fans of sixties rock.

Starman Records, the Belgian label also specialized in re-releases of Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series by the press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many very hard-to-find tracks, mainly originally released as singles on small, long-forgotten labels. Pop, beat, rock ’n’ roll, psych... gems worth rediscovering. The Belgian Vaults are not just collector’s material; the albums offer restored and remastered sound quality and are specifically curated to appeal to all sixties rock fans.

Starman Records, the Belgian label also specialized in re-releases of Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series, praised by both press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many very hard-to-find tracks—mainly originally released as singles on small, long-forgotten labels. Pop, beat, rock ’n’ roll, psych... gems worth rediscovering. The Belgian Vaults are not just collector’s items; the albums feature restored and remastered sound quality and are carefully curated to appeal to all sixties rock enthusiasts.

Record Collector (4-star review): “Devotees of late 60s/early 70s fuzz will be entranced.” — “All high vaultage stuff.”
Shindig: “True obscurities, long overdue their moment in the sun.”
OOR: “A marvelous piece of rock history.”
De Standaard (4-star review): “An amazing piece of Belgian heritage.”
Cobra.be: “The Belgian equivalent of ‘Nuggets’!

Schwarz-weiße Galaxy-Vinyl in Gatefold-Hülle mit gedrucktem Textheft und Download-Karte

Schwarz-weiße Galaxy-Vinyl in Gatefold-Hülle mit gedrucktem Textheft und Download-Karte

We’re excited to present this special edition vinyl celebrating Lofi Girl’s collaboration! For the second year running, we’re proud to sponsor the Champions Chess Tour 2024—the largest online chess tournament in history with a $1.7 million prize fund and the world’s top players competing for glory.



This vinyl features our curated compilation, synthwave beats to play chess to, blending the focus and creativity of synthwave music with the strategy and brilliance of chess.



Thank you for joining us on this journey—let the games (and the beats) begin!

Occasionally, one experiences serendipitous events in life. On the 13th of July this year, I received a message from Tim Trapnell, who had discovered an unknown 60’s track on YouTube and expressed his admiration for its exceptional quality. Intrigued by the message, I clicked on the link and was immediately captivated by the musical composition. Within minutes, I embarked on a quest to uncover more information about the band and the particular track. On the 16th of July, only three days after, I’ve received a message from Jim Bojorquez (aka JC), the lead vocalist of the Baron of Soul, “Hello Yann, I was delighted to hear that you have discovered and enjoyed my original composition, ‘Time or vs Tide.’ It was written by myself and Clark Baldwin. that the recording was performed live and this song was never released in any format back in the day. I have reached out to Jim Bojorquez the next day and we spent a considerable amount of time conversing via video chat about his illustrious 60-year music career as an artist in San Jose, California.

I proposed to Jim that I could release two songs from The Barons of Soul through Epsilon Record Co. I re-mastered both songs and made a deal with Jimmie that same day. So today, I am so pleased to present these two previously unissued tracks. "Time or Tide" is a powerful uptempo piece featuring an exceptional brass section and a Hammond B3. The vocals are exceptionally punchy and catchy, ensuring an unforgettable listening experience. "I Loved and I Lost” is a remarkable take of the Impressions classic written by Curtis Mayfield’s If you are an enthusiast of 60s uptempo music like Tim and myself, then this new and exceptional 45 is an absolute must-listen and must have!

Following a sold-out UK tour, Factory Floor return to Phantasy with a new single, ‘Tell Me’.

As propulsive and direct as anything the cult UK electronic group has ever released, ‘Tell Me’ continues to perfect the dynamic in the band’s current lineup of Gabe Gurnsey, Nik Colk Void, and Joe Ward, with additional drum tracking by Stephen Morris of New Order. Situated between the sonic promise of enduring indie culture, yet naturally imbued with the band’s relentless forward-thinking ethos. Throughout, Colk Void’s inquisitive vocal guides the listener through an elastic square-wave bass groove that forms the rhythmic backbone to Tell Me, before Gurnsey and Ward's frenetic drumming breakdown rains with pure abandon, exemplifying the band’s personal alchemy between genre, scenes, human, and machine.

‘Tell Me’ arrives digitally and on limited 12” vinyl, housed in a riso-print sleeve, backed with an extended mix for dance floor play. There will also be a limited Rough Trade exclusive vinyl edition featuring an alternate sleeve.

Neo funk rising star Buscrates aims high with Blasting Off, his first full-length album. The Pittsburgh-based keyboard cosmonaut has been grabbing ears since his days hooking up beats with the hip hop crew East Liberty Quarters, but after slinging spicy one-offs to a slew of hot labels like Omega Supreme, Voyage Funktastique and Razor N Tape (as well as contributing production to Wiz Khalifa and Curren$y's 2009 project), the time has come for a full-length featuring his growing modern funk repertoire.

"I'm a '90s hip hop dude, but I grew up on that '80s funk stuff," Buscrates acknowledges. DJ gigs provided a working knowledge of the jams that moved a contemporary crowd, and as his collection of keyboards and drum machines grew he began blending the best of both decades with his personal futuristic edge. "I was nice on the MPC but I wanted to have a little more dynamic range with what I was doing," he notes. The self-described "certified synth geek" was soon branching into sounds that recalled '80s legend Kashif crossed with the hip hop bounce of DJ Spinna, and the modern funk community took notice.

For his first full-length, Buscrates has crewed up with an ace team of collaborators, featuring vocalist Sally Green on the bouncy lead single "Lost And Found" and "Eight Nine." Kate Moe Dee takes over mic duties for the second single, "How Ya Gonna Do It," a slinky groove that slides in place alongside groups like the Sunburst Band and Rene & Angela as an exemplar of sophisticated R&B. Adding to those credentials are the sultry vocals of Anda on "Believe," but of course, it wouldn't be a Buscrates set without some stank, neck-snapping instrumentals. "Five Days" and "Sure Shot," both collabos with the drum technician DJ Epik, will rattle speakers and have already been lighting up message boards on recent Buscrates DJ sets. Round things out with some easy gliding, jazzy funk ("Turn It Out" with Brothermartino on flute and "Evergreen" featuring Tony Ozier) and you've got all the ingredients for a high-flying cosmic ride with Buscrates at the controls.