Cerca:d troy

'Spring Board: The Early Unrecorded Songs" ist/war das letzte leidenschaftliches Projekt von Chills' Martin Phillipps vor seinem plötzlichen Tod. Es ist eine engagierte Neuinterpretation früher, unveröffentlichter Songs, die zu seinem künstlerischen Abschied, einem bleibenden Vermächtnis und einer Erinnerung an sein großes, unterschätztes Talent werden. Das Album wurde mit der Liebe und dem Enthusiasmus seiner Band, der Familie und Freunden abgeschlossen. Martin Phillipps, Sänger, Songwriter und Hauptmotivator der Chills hat in den 2000er Studio- und Live-Alben veröffentlicht, während er mit dem typischen Elan in sein sechzigstes Lebensjahr ging. Inmitten dieser Dynamik suchte er immer noch in alten (Demo-)Bändern nach den Ursprüngen, die 1987 zu seinem weltweiten Erfolg geführt hatten, der zwar über Nacht eintrat und doch sieben Jahre brauchte, um zu zünden. Diese frühen Songs und Skizzen wurden wieder aufgegriffen, überarbeitet und schließlich auf Album gebannt. Spring Board" ist somit das letzte Kapitel des unermesslich bedeutsamen Schaffens des Martin 'The Chills' Phillipps, ist alarmierend, persönlich, spröde und manchmal hoffnungslos optimistisch. Hier blickt ein Mann zurück auf eine wellenförmige Karriere, die zu nichts Geringerem als Kultstatus führte. Die Lieder eines Menschen, der seine Wurzeln und die innersten Gedanken, Hoffnungen und Ängste seines jungen Ichs wiederentdeckt und zum erstenmal. Spring Board" enthält Beiträge von Julia Deans von Fur Patrol, Elroy Finn und Split Enz, Neil Finn von Split Enz/Crowded House, Hollie Fullbrook von Tiny Ruins, Greg Haver von den Manics, Troy Kingi, Shona Laing, Tami Neilson, Dianne Swann (Everything That Flies) und Clementine Valentine von Purple Pilgrims. The Chills 2024 sind/waren Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton und and Todd Knudson. Doppel-LP, UV Spot Klappcover, klassisch schwarzes Vinyl mit dlc oder Digisleeve CD mit Lyric-Poster-Booklet

In Mallrat’s (aka Grace Shaw’s) vision of the world, light is more than photons and electromagnetic radiation hitting the eye — it’s a moment of divine intervention. A bold swerve into the metaphysical, this is the premise of the prized Brisbane-born, LA-based pop songwriter and producer’s 2025 sophomore album: Light hit my face like a straight right. Set against a newly informed backdrop of expressive breakbeats and dance music, its 12 songs explore the intangible and mysterious allure of human connection, held together by curious investigations into light — “the closest thing to a concept this album has,” Mallrat says. She reunited with Butterfly Blue producers Styalz Fuego (Troye Sivan, Tate McRae) and Alice Ivy, while bringing into the mix indie electronic producers Chrome Sparks and Casey MQ. Mallrat serves up highs like “Hideaway,” a song where heart-racing garage clashes with her trademark candor: “I’ll be your lucky charm just let me hang around your neck,” she sings. Sleek and early standout “Pavement” gets a gritty underlayer with chopped up vocals from DJ Zirk’s “Born 2 Lose” and mid-album standout “Hocus Pocus” finds Mallrat singing about being pulled “under the spell” of someone new, borrowing a different part of the same DJ Zirk sample to build its shimmering, dancefloor-ready facade. It’s an endeavor that perhaps reaches a peak on “Horses,” the record’s gentle and organic closer which Shaw herself calls “objectively the best song.” Written after returning home to Brisbane and “feeling like an alien,” it gained new meaning in the wake of her late sister’s passing. For Shaw, it’s the convergence of the song’s minimalism, lyrics, space, and the way her voice cracks on the recording as she sings, “Hey, I’m right here, I look different now.” After years of solidifying herself as a master of well-crafted, timeless pop — fielding recognition from New York Times, NYLON, Teen Vogue, Billboard, The FADER, NPR, and more — Light hit my face like a straight right is a step into the art of world-building, bolstered by her intuitive songwriting and clever, studied production.

Gregory Porter, with his customary class, elegance and sophistication, presents his new holiday album ‘Christmas Wish’ – a cool yule selection of festive favourites as well as brand new songs written by the singer himself. Backed by his long-time band, produced by repeat collaborator Troy Miller in New York and London, with orchestral contributions recorded at Abbey Road, and featuring powerhouse guest vocalist, double Grammy-winning sensation Samara Joy, Gregory Porter’s seventh studio album is a loving tribute to his favourite time of year – and to great songwriters, singers and interpreters including Nat King Cole, Ella Fitzgerald, Stevie Wonder, Marvin Gaye and Dinah Washington. Across its dozen tracks, ‘Christmas Wish’ encompasses the saintly and the secular, the funky and the fun, the Great American Songbook and the best of Motown.

With ‘Christmas Wish’, Gregory Porter has given us a whole new soundtrack to this most wonderful time of year.

"For me this is a testimonial. When I was growing up an important part of church service was people having the opportunity to stand up and give public testimony on their trials, tribulations, and triumphs. After the celebratory atmosphere that followed MICHAEL I was reminded that tribulations never cease, but God is always with me and this is a testimonial of my tumultuous times, my trials, and my continued triumph in spite of doubt, outright hate, and fear. I am here to speak to and with my fellow sinners and Saints.” - KILLER MIKE



MIchael & The Mighty Midnight Revival - Songs For Sinners And Saints", a ten song collection that provides a bookend to the 3 time GRAMMY winning MICHAEL era and puts the speculation about the aftermath of February 4 to bed. Killer Mike states "This is the epilogue to MICHAEL. This is what comes after Feb 4th. I had a year to live with MICHAEL and realized I had more I wanted to do with this sound before moving on."

The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.

The vinyl comes with a free lossless download.

Mastered by Kassian Troyer at Dubplates & Mastering

Artwork by Brodie Kaman

Both tracks were written and produced by Lee Perry. This is the first time these two complementary tracks have been released together.

The A side is the first ever reissue of the gorgeous SINNER MAN by ANNETTE CLARKE. This rare track was initially released as the B side of JUST ONE LOOK, also performed by ANNETTE CLARKE on the Technics label in the UK in 1973. It seems it was never released in Jamaica.
The B side SINNER MAN DUB is a very rare Lee Perry Dub version of the A side. It was released only as a single for a Lee Perry box of 8 very rare singles by Trojan in 2005. This box is now also rare.

ABOUT LEE SCRATCH PERRY:
Lee "Scratch" Perry was born Rainford Hugh Perry on the 20 March 1936 in Kendal Jamaica. An eccentric Reggae artist and a genius producer, Lee has written, sung and/or produced unique tracks for himself and everybody else worldwide from Bob Marley and Junior Murvin to the Clash and many more… Under his own name, he recorded over 80 albums, countless singles and covered every musical style from Ska, Rocksteady and early Reggae to Dub, Roots Reggae and their electronic variations... His influence on Jamaican music and Reggae is just immense.
Perry died on 29 August 2021 in Lucea, Jamaica, during the Covid outbreak, aged 85.

ABOUT ANNETTE CLARKE:
Unfortunately, very little is known about Annette Clarke besides the fact there was a Jamaican singer that recorded Rhythm’ n Blues and Ska duets with Shenley Dufus in 1961 and with Charley Organaire in 1964. She also recorded this gorgeous duet with Roy Pantone “My Baby” in 1963.
Then nothing until this session with Lee Perry in 1973 where she aparently recorded just two songs, the lovely cover of the 1963 Doris Troy’s “Just One Look” and “Sinner Man”, a gorgeous song penned by Lee Perry and unrelated to the Nina Simone’s hit. Then there is no trace of further recordings after these. A real shame considering the outstanding talent she showcased with these two superb songs…

'a masterclass in hardcore dancefloor and bittersweet feeling...Alex Crossan is both acclaimed and not feted enough' **** The Observer

Available on his own Pond Recordings, Curve 1 is a love-letter to club spaces, and the music and people who fill them.

Mura Masa’s forth album is a full-circle moment. Departing from the pop-leaning narrative and who’s-who guestlist of his most recent records, Curve 1 heads back down the rabbit-hole of club music that’s alternately euphoric, introspective, nostalgic and future-facing. Full of tension and release, ambiguity and playfulness, the significance of Curve 1 is left up to the individual: whether enjoyed solo or in the sweat of a packed room, here is music as enigmatic and layered as its author.

Mura Masa himself introduces Curve 1 as 'a manifestation of an attitude I’ve been cultivating in my personal life; ignore everything. All the content, all of the attention economy, all of it. In doing that, the really meaningful and vital parts of what’s around you make themselves known and unignorable, demanding your energy. It’s my first offering as an independent artist through my own record label, and as such I wanted it to be as free and anti-narrative as possible. Impressionistic. Music as entertainment has in many cases, to me, become very advertorial and excessively sentimental in terms of creating narrative around albums and artists. I wanted to strip this away as much as possible to leave room for the music to create its own meaning in the lives of people who form connections with it. It's hard for me not to explain away the intricacies and ideas contained within these records after having theorised and tolled and executed them over the course of nearly three years, but I think it’s far more fitting of the album’s intent to say simply: listen to it in the dark.'

Curve 1 pulls Mura Masa into focus as one of this generation’s most influential figures. Aptly reflecting his rare standing at the heart of youth culture, Mura Masa recently co-wrote long standing collaborator PinkPantheress’ single ‘Turn It Up’, as well as creating a series of remixes for Troye Sivan’s ‘Honey’. From producing global hits like ‘Boy’s a liar Pt.2’ to seminal records like Shygirl’s Mercury-nominated Nymph, it’s a juncture that has also seen Mura Masa embark on a new chapter of his own. He has set up his label and a creative hub and arts space - The Pond - in Peckham as a base for emerging artists and likeminded creatives, which will launch officially next year. Across his three critically-acclaimed solo albums, Mura Masa has built an audience who will follow wherever his genre-defying work goes next; with 2 billion streams, headline festival sets around the world, and live shows ranging from Alexandra Palace to Warehouse Project.

Curve 1 marks a back-to-your-roots approach whilst also highlighting the trailblazing young star’s recurring theme: to capture ‘that’ curvature in pop culture, to make it Mura Masa’s own, and to push things forward.

'Curve 1 has a club focus, no f—ks attitude and production that’s mature, lush — simply put, it’s just cool.' billboard

'a scintillating love letter to club culture and sounds' Wonderland

'the Grammy-winning producer throws a total curveball. Ditching his usual dreamy pop, Mura goes full hardcore dance. From techno to vintage rave' **** The Mirror

'Get sweaty as Mura makes it messy' **** The Sunday Express

'a total curveball...intense but full of hooks' **** The Daily Star

'Mura Masa has always been ahead of the creative curve, but with his new album, the tenured producer is consciously forging a path inspired by his newfound independence.'

'a grab-bag of sounds from a brilliantly restless mind' Rolling Stone

For a few years until 2014, Indirect’s rehearsal studio was located at the abandoned Odesa drugstore “Аптека No326”, whose stained glass window is depicted on the album cover. The many hours spent there practicing and recording have ended up as a 7” Walts and a digital LP Ab Pharmacy in 2014 on Muscut and Diskultura labels.



Indirect:

Hennadii Boichenko: compositions, organ, keyboards, synth, programming, guitar, bass guitar Anton Ostromezkii: compositions, drums

Taras Panteleichuk: compositions, bass guitar, guitar

Oleksii Volusunov: compositions, guitar

Nadiia Shoshina: flute

Vasyl Notkin: additional guitars

Composed and recorded by Indirect in Odesa Mastered by Kassian Troyer

Produced by Dmytro Nikolaienko and DJ Mavr Cover illustration by Anna Makarchuk (Waltz, 7”) Cover photo by Taras Panteleichuk

(P)(C) Muscut / Diskultura, 2014 Muscut 2C, 2024

A new piece by minimalist / experimental composer PHILL NIBLOCK (1933 - 2024), co-composed and performed by ANNA CLEMENTI & THOMAS STERN. Intense, menacing layers of thick drones and alien sounds.

In summer 2022, within just a few weeks and by pure coincidence, 2 proposals regarding PHILL NIBLOCK albums arrived: one suggesting an overdue vinyl reissue of a CD release (more on that when the time has come for it), the other email was from ANNA CLEMENTI saying she and THOMAS STERN were working on new pieces that PHILL NIBLOCK has written for her … when "Zound Delta 2" was complete, PHILL sent photographs for the two artworks, we met twice to discuss details, but unfortunately he died unexpectedly early january this year so the album now is, sad as it is, a posthumous release … an intense goodbye from one of 20thcentury most iconic composers.

Phill Niblock

Phill Niblock (1933-2024, USA) was an artist whose fifty-year career spans minimalist and experimental music, film and photography. Since 1985, he has served as director of Experimental Intermedia, a foundation for avant-garde music based in New York with a branch in Ghent, and curator of the foundation's record label XI. Known for his thick, loud drones of music, Niblock's signature sound is filled with microtones of instrumental timbres that generate many other tones in the performance space. In 2013, his diverse artistic career was the subject of a retrospective realised in partnership between Circuit (Contemporary Art Centre Lausanne) and Musée de l'Elysée. The following year Niblock was honoured with the prestigious Foundation for Contemporary Arts John Cage Award.

Anna Clementi

Italian-Swedish singer Anna Clementi grew up in Rome, where she first studied the flute and completed acting training before moving to Berlin and studying experimental vocal music and experimental music theater with the composer Dieter Schnebel at Hochschule der Künste (now UdK Berlin). Anna Clementi sees herself as an "actress of the voice" rather than exclusively as a singer. In this way she also articulates the diversity of her artistic expression, with which she is always searching for new connections between voice, gesture, language, dance and theater.

During her decades spanning career, Anna Clementi has performed at the most important festivals, has premiered numerous works, many of which have been composed especially for her, and worked with Fast Forward, Michael Hirsch, Rupert Huber, Christian Kesten, Alexander Kolkowski, Olga Neuwirth, Josef Anton Riedl, Iris ter Schiphorst, Dieter Schnebel, Laurie Schwartz, Elliott Sharp, and many others.

A special focus of hers is the work of John Cage, whose pieces she has performed worldwide.

Thomas Stern

Born in Bremen, Thomas Stern moved to Berlin in 1984 where he joined Mona Mur with Alex Hacke and F. M. Einheit (both from Einstürzende Neubauten, with which Stern also worked as live sound engineer for many years). Around 1987 he co-founded the Berlin set up of Crime And The City Solution (Mick Harvey, Alex Hacke a.o.). Over the years, he has has collaborated with artists like Ulrike Haage, Phew, Nick Cave, Ton Steine Scherben, Meret Becker, Nina Hagen, Jaki Liebezeit, Ben Becker, N.U. Unruh, Gry, Iris ter Schiphorst, Automat, Swans, Hans Joacxhim Irmler and many more, on the road or in his own Sternstaubstudio.
credits:

Anna Clementi: voice

Thomas Stern: slide guitar, bass and soundprocessing

Composition by Phill Niblock, Anna Clementi and Thomas Stern

Recorded and mixed by Thomas Stern at Sternstaubstudio, Berlin

Mastering and lacquer cut: Kassian Troyer at D&M, Berlin

Cover photography by Phill Niblock

Layout and design by kaidoh

Sciahri and his label Sublunar are thrilled to present "VEIL OF ECHOES," a new project that brings together both emerging and established talents from the label.

This release showcases
a fresh dimension of techno and electronic music, celebratingf originality by combining timeless cuts from the past with cutting edge sounds of the present and future. The journey begins with "IIum" by Temudo, an entrancing track with hypnotic synths that seamlessly transitions into Troys Awakening, featuring an irresistible and cerebral groove. Neel takes over with Follow Me, pushing the boundaries with intricate sound design crafted to move your body, followed by Marcal's Ancient Swing, renowned for its unique sound and processed vocals. Kameliia's Insolitam then transports you to another dimension with its deeply immersive and mental vibes.

Kaiser kicks off the next phase with Fearless Attitude, a powerful yet refined track, while Roll Dann continues the momentum with "Area 24," offering a softer yet penetrating synth line.

On side D, Cirkle's "Mooree" showcases his talent for
creating minimalistic yet razor-sharp tracks, leading into Juri Heidemann's "Reger," a mysterious piece with a groove designed to carry you to another realm. The project culminates with Kerrie's Jump The Gun, featuring intricate synths and a mind-bending bassline.
With "VEIL OF ECHOES," Sublunar aims to share a visionary collection that encapsulates the essence of techno and electronic music, bridging past influences with future innovations.

"They are the Finnish / Dutch / British troupe NIGHTWISH – one of the most fascinating rock bands of the last decades, whose enigmatic paths have proceeded from acoustic passages to symphonic heavy metal and from catchy folk to progressive majesty. If there is one trait the band has year after year, it might be this: expect something familiar but also expect the unexpected. NIGHTWISH has indeed broken all kinds of boundaries – never deliberately, but perfectly naturally.
Now guess what? NIGHTWISH's new studio album ""Yesterwynde"" – the band's tenth overall – is no exception to the rule. But it is more...

“""Yesterwynde"" took more time to make than any previous NIGHTWISH album”, nods keyboardist Tuomas Holopainen, who once again envisioned most of the material. ""The new album was intensively worked on for 3,5 years. My ambition and piety really skyrocketed, and I just couldn't let go of the creative process – and didn't want to. Along the way, ""Yesterwynde"" became both an exhilarating obsession and a comforting haven for me. All aspects of the making – compositions, lyrics, arrangements, cover art, videos, mixing and so on – were given more attention than ever before.""
The result? There's a fascinating, but inexplicable feeling that NIGHTWISH has once again been able to find unprecedented nuances, spices and perspectives in their new works – exactly: after a career of nine classic albums. """"Yesterwynde"" is an experience that takes time to digest. The gravid ingredients of the songs are easily recognizable, but beneath the surface lies a large number of intriguing details and features"", Holopainen describes.

""It's interesting – but not surprising – that ""Yesterwynde"" has attracted quite a variety of opinions. Some have stated that it is the most 'band' record to date. For some it appears to be the heaviest and most ominous NIGHTWISH release. It has also been called our most progressive album. And the list goes on.""
And what does Tuomas think of it himself?
""To me, ""Yesterwynde"" sounds, tastes and feels strongly like the true essence of NIGHTWISH – enriched with new moods and flavors.""

The lyrics of ""Yesterwynde"" deal with large-sized universal themes: memories, mortality, humanism, time and much more. ""The new album is the conclusion of the trilogy – textually it follows in the footsteps of its predecessors ""Endless Forms Most Beautiful"" and ""Human. :II: Nature."""", Holopainen says. ""At the same time, ""Yesterwynde"" is the band's most lyrically driven album: our music has never been so 'married' to the lyrics. So here's a tip: if something in the composition puzzles you, the words might clear it up.""
""For me, one of the key lines is 'we are because of a million loves' – taken from the song ""Perfume of the Timeless"". Each of us is part of an unbroken chain that stretches back billions of years. If even one of your ancestors had died too young – mauled by a cave bear, for example – during this incredibly long period of time, you would never have been born. In other words: our existence is such an unfathomable privilege!”

What does the term 'yesterwynde' mean?
""It describes a feeling that cannot be found in any human language. That's why we had to invent a whole new word. The album is supposed to open that feeling to the listener.""
Without taking anything away from the solid delivery of guitarist Emppu Vuorinen, drummer Kai Hahto, bassist Jukka Koskinen and multi-instrumentalist/singer Troy Donockley, it might be worth highlighting one fact: the performance of the eloquent storyteller Floor Jansen is once again unparalleled. It is simply breathtaking how the singer is able to make songs fly with her performance. ""Floor's second child was born just over a month ago, and we hadn't rehearsed together at all... So it was a little nerve-wracking to go to Floor's home studio for vocal recordings. Well, what happened? We had booked twelve working days and after six days everything was completed in style. Floor's preparedness for the sessions was something extreme!""

After the recordings and mixing process, there was one more working phase. Mastering. Could you possibly guess that no shortcuts were taken at this point either?
""The album was mastered seven times until we reached the finish line – one hundred percent satisfied!"", states Tuomas. ""When the record was eventually finished, a three-year, extremely inspiring adventure had come to an end. I felt very, very happy.""
NIGHTWISH's next steps are clear. And they are not the most common ones.
""NIGHTWISH will not go on a world tour this time. This was a decision made for personal reasons. But don't worry... Our contract with Nuclear Blast Records includes several albums, and there's plenty of motivation to create new music!""
May the dream continue...
"

"They are the Finnish / Dutch / British troupe NIGHTWISH – one of the most fascinating rock bands of the last decades, whose enigmatic paths have proceeded from acoustic passages to symphonic heavy metal and from catchy folk to progressive majesty. If there is one trait the band has year after year, it might be this: expect something familiar but also expect the unexpected. NIGHTWISH has indeed broken all kinds of boundaries – never deliberately, but perfectly naturally.
Now guess what? NIGHTWISH's new studio album ""Yesterwynde"" – the band's tenth overall – is no exception to the rule. But it is more...

“""Yesterwynde"" took more time to make than any previous NIGHTWISH album”, nods keyboardist Tuomas Holopainen, who once again envisioned most of the material. ""The new album was intensively worked on for 3,5 years. My ambition and piety really skyrocketed, and I just couldn't let go of the creative process – and didn't want to. Along the way, ""Yesterwynde"" became both an exhilarating obsession and a comforting haven for me. All aspects of the making – compositions, lyrics, arrangements, cover art, videos, mixing and so on – were given more attention than ever before.""
The result? There's a fascinating, but inexplicable feeling that NIGHTWISH has once again been able to find unprecedented nuances, spices and perspectives in their new works – exactly: after a career of nine classic albums. """"Yesterwynde"" is an experience that takes time to digest. The gravid ingredients of the songs are easily recognizable, but beneath the surface lies a large number of intriguing details and features"", Holopainen describes.

""It's interesting – but not surprising – that ""Yesterwynde"" has attracted quite a variety of opinions. Some have stated that it is the most 'band' record to date. For some it appears to be the heaviest and most ominous NIGHTWISH release. It has also been called our most progressive album. And the list goes on.""
And what does Tuomas think of it himself?
""To me, ""Yesterwynde"" sounds, tastes and feels strongly like the true essence of NIGHTWISH – enriched with new moods and flavors.""

The lyrics of ""Yesterwynde"" deal with large-sized universal themes: memories, mortality, humanism, time and much more. ""The new album is the conclusion of the trilogy – textually it follows in the footsteps of its predecessors ""Endless Forms Most Beautiful"" and ""Human. :II: Nature."""", Holopainen says. ""At the same time, ""Yesterwynde"" is the band's most lyrically driven album: our music has never been so 'married' to the lyrics. So here's a tip: if something in the composition puzzles you, the words might clear it up.""
""For me, one of the key lines is 'we are because of a million loves' – taken from the song ""Perfume of the Timeless"". Each of us is part of an unbroken chain that stretches back billions of years. If even one of your ancestors had died too young – mauled by a cave bear, for example – during this incredibly long period of time, you would never have been born. In other words: our existence is such an unfathomable privilege!”

What does the term 'yesterwynde' mean?
""It describes a feeling that cannot be found in any human language. That's why we had to invent a whole new word. The album is supposed to open that feeling to the listener.""
Without taking anything away from the solid delivery of guitarist Emppu Vuorinen, drummer Kai Hahto, bassist Jukka Koskinen and multi-instrumentalist/singer Troy Donockley, it might be worth highlighting one fact: the performance of the eloquent storyteller Floor Jansen is once again unparalleled. It is simply breathtaking how the singer is able to make songs fly with her performance. ""Floor's second child was born just over a month ago, and we hadn't rehearsed together at all... So it was a little nerve-wracking to go to Floor's home studio for vocal recordings. Well, what happened? We had booked twelve working days and after six days everything was completed in style. Floor's preparedness for the sessions was something extreme!""

After the recordings and mixing process, there was one more working phase. Mastering. Could you possibly guess that no shortcuts were taken at this point either?
""The album was mastered seven times until we reached the finish line – one hundred percent satisfied!"", states Tuomas. ""When the record was eventually finished, a three-year, extremely inspiring adventure had come to an end. I felt very, very happy.""
NIGHTWISH's next steps are clear. And they are not the most common ones.
""NIGHTWISH will not go on a world tour this time. This was a decision made for personal reasons. But don't worry... Our contract with Nuclear Blast Records includes several albums, and there's plenty of motivation to create new music!""
May the dream continue...
"

arbitrary presents the second in a series of 10" vinyl remix collaboration releases by Danish musician Mads Emil Nielsen and Chromacolor.

Side A features Heartbeats, a composition Nielsen originally made for a radio soundtrack. The track is derived from loops and granulations of sine waves and pulses from Nielsen’s modular synth, which he later combined with recordings of synthesized bass and layers of organ-like tones.

On side B is a remix by German sound artist and producer Hanno Leichtmann under his Chromacolor moniker. As on the first split 10" (Constellation, 2022), Leichtmann worked with sounds from the original mix, combining it with his Hohner Guitaret, Fender Rhodes and Moog bass. Additional cello tones by Anthea Caddy and vocal contributions from Annie Garlid round out the remix.

Heartbeats written & produced by Mads Emil Nielsen in Copenhagen. Heartbeats / Chromacolor Remix written & produced by Hanno Leichtmann. with: Annie Garlid: voice, Anthea Caddy: cello.
Mastered and cut by Kassian Troyer at D&M, Berlin. Artwork by Karel Martens.

"Following the resonating success of their initial collaboration, the TLF Trio—comprising Danish cellist Cæcilie Trier (CTM), pianist Jakob Littauer, and guitarist Mads Kristian Frøslev—reunites on Latency with electronic music legend Moritz von Oswald for the follow-up to their debut album, 'Sweet Harmony.'

TLF Trio, along with Moritz von Oswald, once again delves into the realm of chamber music, this time with two new songs further exploring the intricate acoustic dynamics of their instruments with electronics. As the second instalment in this musical journey, 'New Songs & Variations' builds upon the minimalistic, sculptural, and narrative qualities of its predecessor, weaving a tapestry of expressive and plural voices.

Moritz von Oswald, a central figure in the electronic music scene since the early '90s, brings his wealth of experience to the project, reinterpreting two of TLF Trio's previous works. From his early days as a classical percussionist to groundbreaking collaborations in the techno sphere, von Oswald's influence has left an indelible mark. His role in co-founding Basic Channel/Rhythm & Sound and contributions to the Berlin-Detroit-Chicago axis have defined various strains of modern music.

'New Songs & Variations' not only captures the rich history and influence of Moritz von Oswald but also showcases his ongoing exploration into classical, experimental, and improvisational contexts. From recomposing Ravel and Mussorgsky’s music for Deutsche Grammophon to acclaimed collaborations with jazz trumpeter Nils Petter Molvær, composer Laurel Halo, or Afrobeat pioneer Tony Allen, von Oswald's versatility continues to evolve.

TLF Trio and Moritz von Oswald invite listeners to embark on a sonic journey that bridges the past and the present, mirroring the transformative essence of Louise Lawler's distorted image, which graces its cover—a testament to the delicate fluidity and shape-shifting nature of the music contained within.

Compossed by Moritz von Oswald, Cæcilie Trier, Claus Haxholm (beat on Chrome), Jakob Littauer and Mads Kristian Frøslev.
Mastered by Kassian Troyer at Dubplates & Mastering.
Artwork by Louise Lawler. Formica (adjusted to fit, distorted for the times, slippery slope 2), 2011/2012/2015/2017. Courtesy the artist and Sprüth Magers. As adjusted for Latency.

“More than ever, people need to hear songwriters talk about their lives. We don’t always have to search for monster hits. We can just write about our lives and maybe that might actually work. That’s what this record is a lot of. A lot of massive songs, but also a lot of me just writing authentically and honestly about my life. Flyin symbolizes the next phase of my career. I feel like I'm flying into this chapter where I’m the best version of myself that I've ever been. Y’all better catch-up or you’re getting left behind. I’m on fire!”

Written, recorded, produced and mixed by OMD – Andy McCluskey and Paul Humphreys – ‘English Electric’ is a 12-track letter to technology, space, love and a grand return to form for a band whose 1980 hit ‘Enola Gay’ occupied the world’s stage at last year’s Olympics Opening Ceremony.

As percolating synth-pop is pulled along at different speeds and executed with needle-sharp finesse, late night electro ballads collide with big sounding club cuts on a record which also features three interlude tracks, including dystopian missive ‘Please Remain Seated’ and ‘Decimal’, which is accompanied by this suitably mechanical video, directed by German motion and graphic designer Henning M. Lederer.

As Andy McCluskey says of the album; “the overarching feel tends to be a sense of loss, of melancholia, that things haven’t turned

out the way you wanted them to, whether it be with technology or personal relationships.” The title itself – taken from a British industrial manufacturing company

Nachpressung: Cloudy Red & Clear 2LP, Vinylversion im Klappcover, mit bedruckten Innenhüllen, Etching auf D-Seite & DLC! "The reigning dark priestess of goth-scarred art rock." - Rolling Stone "Hiss Spun" ist das sechste Album von CHELSEA WOLFE und der Nachfolger des 2015 gefeierten "Abyss". Aufgenommen von Kurt Ballou (CONVERGE) wurde das Album als emotionale Säuberung konzipiert, ein Mittel, sich mit dem Tumult der Außenwelt auseinanderzusetzen, indem es die Komplexität der inneren Unruhen erforscht. "Ich bin im Widerspruch zu mir", erklärt sie. "Ich war es Leid zu versuchen zu verschwinden, deshalb wurde das Album sehr persönlich. Ich wollte mich mehr öffnen, aber auch meine eigene Realität schaffen." "Hiss Spun" bietet außerdem prominente Gitarrenbeiträge von Troy Van Leeuwen (QUEENS OF THE STONE AGE, FAILURE) und einen Gastauftritt auf "Vex" von Aaron Turner (OLD MAN GLOOM, SUMAC). Während frühere Alben wie ,The Grime And The Glow" und ,Unknown Rooms" auf der Intimität reduzierter Folk Musik basierten oder wie bei ,Pain Is Beauty" und ,Abyss" mit dem pochenden Puls ergänzender Elektronik operierten, wartet ,Hiss Spun" mit einer Palette von ächzendem Bass, hämmerndem Schlagzeug und krachender Verzerrung auf. Einen Teil seiner Aura zog es aus dem kalten Weiß des Winters in Neuengland, obwohl das Herz des Albums aus den Umwälzungen in WOLFEs persönlichem Leben entstand und ihre Verwundbarkeit, Wut, Selbstzerstörung und dunkle Familiengeschichte preisgibt. "Das Album ist zyklisch, genauso wie ich und meine Stimmungen", sagt sie. Es stellt für die Sängerin eine Art Exorzismus ihrer selbst dar.

2024 Repress

K S R is celebrating release Nr. 10 with pressing this limited 2x12" by Various Artists.
Designed artwork and printed sleeve.
Quality techno DJ tools.

LTD 260 copies pressed / printed sleeves / Sealed

Jungle master Krak In Dub’s new album Catleya is a vibrant hommage to Colombia and its incredibly diverse musical culture. Entirely recorded in Bogotá with the who’s who of today’s Colombian music scene, the album casts a brand new light on the fusion of beats and Latin-American traditional rhythms and instruments, blending reggae, hip-hop, breaks and house with cumbia , afrobeat, ska, and bullerengue.
Standing out on this sun-soaked yet heavy-on-the-beats-and-bass adventure is the appearance of female modern folk trio La Perla, the Afro-Colombian combo Absalon & Afropacifico, and Bermudian singer Troy Berkley.