Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
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Second VA for ISSUES is a limited copy and special edition yellow vinyl and its big one as all the tracks included on the vinyl are the top selling tracks of the past few months.
First track on the A side is by Detlef. “Back2back” is simple but effective, with a strong kick, subby bassline, technical effects and a massive captivating vocal in the breakdown, creating tension using effects that leads to a massive drop. On the same side Just Jake’s “Sphinx” has a unique Ancient Egyptian vibe, with a funky Sitar and traditional Arabian singing driving the breakdowns, the track has a quick thumping, wobbly bass line groove with solid percussion.
On the B side there is Nicola d’Angella’s “Kill vibe” which is a dancefloor weapon with a quick bass that creates a unique groove and a massive breakdown with full vocals. On the same side there is also Chicks Luv Us with their popular track “Look so fun” which is extremely groovy and catchy with a big bassline and vocals that create a playful groove.
- A1: Etapp Kyle - None
- A2: Dasha Rush - Raw 21
- A3: Shdw & Obscure Shape - Deep Rising
- B1: Onyvaa & Mattia Trani - Body Smile
- B2: Marcel Fengler & The Advent - One Shot
- B3: Vril - Hybris
- C1: Steya - Prototype X
- C2: Scalameriya - Rzarzarza
- C3: Gerald Vdh - The Movement
- D1: Cratan - Lazka
- D2: Chontane - Dira
- D3: Rodiaz - Those Ancient Sages
As 2022 concludes, Marcel Fengler opens a new career chapter with the announcement of '10 Years IMF', an inspiring compilation that marks a decade of his influential label Index Marcel Fengler. A "heart project" two years in the making, the work showcases 12 cuts from artists across the generations exclusive to the compilation, and in-line with the imprint's ethos, unites established and emerging artists.
At the same time, true to Fengler's own vision, it presents productions that span the full breadth of the techno genre - whether it be funky, elegant, industrial, atmospheric or broken beat, right through to the harder techno variety, '10 Years IMF' stands as Fengler's personal manifesto of techno and the artistic possibilities of the genre.
Each record includes a 10 Years special collectors item.
Shadows by The Mysterious Flying Orchestra (Remastered Edit) b/w Morning (Remastered Edit) / Acquarius (Remastered Edit) by Cal Tjader | Black Hole BLKG-3 | Fresh delivery via @galaxy_sound_company test pressing! Black Hole's 3rd release in the Sample Series finds Black Cash & Theo link up for a trio of #jazzfunk, #soul sounds, all served up as special remastered edits.
Side A’s “Shadows” by The Mysterious Flying Orchestra is taken from their self-titled & sole 1977 LP & Is a cover of a Lonnie Liston Smith tune from 1974. Sampled by the likes of @gangstarr, Curren$y, & others, “Shadows” a stand-out track from an obscure album by the legendary jazz producer Bob Thiele that is wonderfully moody. Smith's melody is rather slight, which requires TMFO, in Ott's arrangement, to create the right atmosphere, perfectly voiced by the horn section. Smith is heard beautifully dancing throughout the piece on electric piano, offering a voice that was already one of the instrument's most distinctive at this point. Marcus solos on tenor sax. It is funky fusion made by some of jazz's best improvisers of the time & an absolutely essential addition to your 45 crates.
Side B offers up 2 tasty #CalTjader tunes that many hip-hop & beat heads fans are more than familiar with. Tjader is known for his deep love affair with Latin music & his fusion with his jazz sensibilities to form an inimitable & intoxicating heady blend of grooviness. “Morning” is taken from his 1971 LP “Agua Dulce” & was sampled by the likes of Gangstarr, Pete Rock, the Beatnuts & Buckwild. “Aquarius”, from Tjader’s 1968 LP “The Prophet”) is a lullaby #90shiphop heads immediate recognize via @atcq’s use on an interlude for the 1993 hip-hop classic LP #MidnightMarauders.
Red Vinyl
Scottish DJ and production duo Co-Accused return with the second release on their own Co-Accused Records label. The thunderous EP features four tracks from Sosak, Fear-E, Acidulant and Co-Accused themselves. They kick things off with the pounding 'PA2 Crew'. An ode to the hardcore they both loved in their earlier raving days, the title of the track pays homeage to their hometown of Paisley. Track two comes from Sosak, an alias of Glasgow's Gary Beck. Sosak’s 'Do One' keeps the energy high with pulsating synths and driving drums. On the flip side, Fear-E’s 'Rhubarb and Custard' is a jackin 'journey filled with melodic elements and chaotic atmospheres. Self-confessed acid freak Acidulant brings the release to a close with the deep, dark and moody 'Drankx'. A hypnotic trip into the void.
- A1: David Nyman - Hopes & Dreams
- A2: David Nyman - A Neon Glow Lights The Way
- A3: Insaneintherain - Welcome To Va-11 Hall-A
- A4: Every Day Is Night
- A5: Neon District
- A6: Dusk
- A7: Strictly Business
- B1: Drive Me Wild
- B2: Commencing Simulation
- B3: Good For Health, Bad For Education
- B4: Who Was I?
- B5: Troubling News
- B6: Heart Of The City
- B7: A New Frontier
- B8: A Gaze That Invited Disaster
- C1: A Rene
- C2: Skyline
- C3: Better Luck Next Time
- C4: Jc Elton's
- C5: A City That Never Sleeps
- C6: Friendly Conversation
- C7: Follow The Trail
- C8: Snowfall (Senzafine Remix)
- D1: Digital Drive
- D2: A Star Pierces The Darkness
- D3: Glitch City
- D4: Safe Haven
- D5: Shine Spark (Feat Adriana Figueroa)
- D6: Shine Spark (Instrumental)
- D7: Every Day Is Night
- E1: Synthestitch
- E2: All Systems, Go!
- E3: Umemoto
- E4: Meet The Staff
- E5: Neo Avatar
- E6: Tense
- F1: Base Of The Titans
- F2: Dawn Approaches
- F3: Calicomp 1.1 Startup
- F4: Calicomp 1.1 Shutdown
- F5: Spirit Potion
- F6: March Of The White Knights
- F7: Out Of Orbit
- F8: Transition I
- F9: Transition Ii
- G1: Through The Storm, We Will Find A Way
- G2: An Alternate Reality
- G3: Showtime!
- G4: Another Satisfied Customer
- G5: Where Do I Go From Here?
- G6: Will You Remember Me?
- G7: Everything Will Be Okay
- G8: Your Love Is A Drug (Feat Adriana Figueroa)
- H1: Metropolis
- H2: Karmotrine Dream
- H3: Your Love Is A Drug
- H4: Underground Club
- H5: Go! Go! Streaming-Chan!
- H6: Base Of The Titans (Sage Remix)
- H7: Lifebeat Of Lilim (Feat Adriana Figueroa)
- H8: Lifebeat Of Lilim (Instrumental)
- H9: Truth
- I1: Nighttime Maneuvers
- I2: Those Who Dwell In Shadows
- I3: The Girl With The Iron Heart
- I4: With Renewed Hope, We Continue Forward
- I5: The Answer Lies Within
- I6: Last Call
- I7: Final Result
- J1: You've Got Me
- J2: Snowfall
- J3: Reminiscence
- J4: Believe In Me Who Believes In You
- J5: Until We Meet Again
- J6: Every Day Is Night
marbled green vinyl - limited to 300 copies
Nero Zang open the ep with a slow emotional lysergic journey followed up by Oblako Maranta, the new project composed by A-Tweed and Radial Gaze, with a tribal triplets flow scanned by edgy synth, literally a peak time fire gem.
Pletnev close the A side with a trippy electro sequence marked by his voice.
Turn the vinyl to listen Matteo Coffetti in search of a new galaxy, planets are connected to each other through glitchy synths, Camboja draw us a dark scenario with twitchy screaming coming from who?
Closing the various is Hassan Abou Alam the Egyptian emergent artist with triggered voices floating on fattybass.
FJAAK present the next instalment in the Spandau20 series: On catalogue number 007 the label owners team up with Apollo Studio owner & dance music legend Tobi Neumann for a diverse EP of dancefloor sweepers. The trio are joined by french stalwart Kittin on A1 for an acidic cut of electro boogie and NYC based singer Justice on the classic Technohouse leaning B Side. A2 sees FJAAK & Mr Neumann handle business themselves on F-Zero, a cut which would surely work a treat had it been included in the video game series its is named after.
Splatter Vinyl
Latest compilation of ISSUES containing big tracks from artists such as Detlef, Chicks Luv Us, George Smeddles, CAAL & BAUM and Brown Vox.
On the A side we find George Smeddles with hard hitting house track “FIX”, from trippy and sexy vocals to smooth cut baselines. Second track by Caal & Baum “I Wish”, a playful groove, solid bassline, robotised vocals and a powerful breakdown.
On the B Side Detlef is on remix duties for Chicks Luv Us “Other Dimension’ with a bass driven remix, combined with clever effects, chopped vocals and a solid breakdown that will bring dancefloors to life and last but not least we have Brown Vox’s “Do It Ma Way”. A track with smooth elements, bouncy beats, subby basslines, a massive breakdown with vocals and a quick drop that surprises everyone before it kicks in.
Harfloor dancefloor, mental and progressive... a banging universe as promised !
Buried amongst the gems on the second Claremont Editions compilation was ‘Oui Non’, a collaborative cut that marked the first label appearance of Jpye (real name Jean-Philippe Altier), a French multi-instrumentalist, DJ and producer best known for his work as part of Twonk alongside Leonidas and percussionist/vocalist/guitarist Renato Tonini.
Here Jpye and Tonini join forces once more for their first single on Claremont 56 – a sensual and seductive slab of slow-motion, sun-soaked synth-pop that features more than a few subtle nods to classic Italian Balearic disco cuts such as Radio Band’s ‘Radio Rap’ and Tullio de Piscopo’s ‘Stop Bajon (Primavera)’.
Built around squelchy synth bass and a shuffling drum machine rhythm, ‘Cosa Ti Va’ is marked out by glistening, jazz-fired guitar solos, vibrant synthesizer squiggles, rich electric piano chords and echoing, dubbed-out electronics. It’s a pin-sharp but effortlessly laidback number that’s as tactile and loved-up as it as lazy and horizontal.
‘Cosa Ti Va’ is presented in two complimentary versions. On the A-side of the vinyl version you’ll find the full vocal, which boasts Tonini rapping in his native tongue in the manner of Italo-disco’s most eccentric and atmospheric vocalists. With his deep, rich tone and fluid flow, it’s hard not to fall in love with Tonini’s previously unheard rapping. Rounding off the single is the pair’s vocal-free instrumental take, in which Jpye’s stunning guitar motifs and tactile, soft-touch production can be savoured in full.




















