Much like its predecessor, In Decay, the 2014 compilation of unreleased, early Com Truise recordings, In Decay, Too unlocks a new set of rarities and unheard fragments from the past for the producer's legion of fans. To accomplish such a feat, the Com camp tapped the Internet's foremost Com Truise archivist, Polychora (formerly Comrade), whose YouTube channel has diligently documented Seth Haley's musical output since his earliest Komputer Cast (Haley's podcast mix series) days. Polychora's vault and input helped Haley and the team locate and curate the ultimate sequence of career-spanning off-album material, showcasing an artist in perpetual orbit of hazy machinist nostalgia. Haley's singular style of melodic beat music is the work of countless iterations; with In Decay, Too, his idiosyncratic exercises, experiments, and pivots pause for a rightful wave of appreciation. Following the smeared introductory tones of "Zeta," the album locks into its first robotic groove on "Compress_ Fuse," a trademark Truise treatment with cascading synth lines and deep, sinister low-end bass stabs. Further down is the suspiciously bright "False Ascendancy," which lures listeners through a labyrinth of drum patterns and siren-like keys, all colliding into "Constant Fracture." The track pushes to the point of stress, reaching the album's apex with a punishing series of blows before fading to relief, where the beatless and contemplative "Trajectory" awaits. In 2019, Com Truise left his previous sci-fi narratives behind for the visceral Persuasion System, a markedly more human record, which now makes In Decay, Too something like a bookend to an era. One last transmission from coordinates unknown; a culminating exhale ahead of what's still yet to come.
Buscar:d3 d4
- A1: Elvis Presley - Suspicious Minds
- A2: George Baker Selection - Little Green Bag
- A3: The Temptations - My Girl
- A4: Frank Sinatra - Fly Me To The Moon (In Other Words) (In Other Words)
- A5: Etta James - At Last
- A6: Roy Orbison - In Dreams
- A7: Tom Jones - Green Green Grass Of Home
- A8: The Mamas & The Papas - California Dreamin
- B1: The Kinks - Dedicated Follower Of Fashion
- B2: Nina Simone - Ain't Got No/I Got Life
- B3: David Bowie - Space Oddity
- B4: The Beach Boys - God Only Knows
- B5: Simon & Garfunkel - Mrs Robinson
- B6: Diana Ross & The Supremes - Reflections
- B7: Johnny Cash - Ring Of Fire
- B8: The Moody Blues - Nights In White Satin
- C1: Procol Harum - A Whiter Shade Of Pale
- C2: Bob Dylan - Blowin' In The Wind
- C3: The Band - The Weight
- C4: Dusty Springfield - Son Of A Preacher Man
- C5: Brainbox - Down Man
- C6: Glen Campbell - Wichita Lineman
- C7: The Byrds - Mr Tambourine Man
- C8: Q'65 - The Life I Live
- D1: The Who - My Generation
- D2: The Spencer Davis Group - Keep On Running
- D3: Shocking Blue - Venus
- D4: Marvin Gaye - I Heard It Through The Grapevine
- D5: Dave Berry - This Strange Effect
- D6: Fleetwood Mac - Albatross
- D7: Golden Earrings - Just A Little Bit Of Peace In My Heart
- D8: James Brown - It's A Man's Man's Man's World
The Radio 2 Top 2000 is the largest annual radio event in The Netherlands. The audience of Radio gets to vote for their favorite all-time songs. These literally millions of votes come together in the Top 2000. All these 2000 songs are broadcasted back to back from Christmas until a few minutes before New Years Eve, when they air the No.1 of the chart.
Top 2000 - The 60’s contains the best hits from the century in which the music industry saw its biggest change. It were the years some of the biggest bands in the history of music rose to fame, like The Beach Boys, The Kinks, The Who, and Fleetwood Mac. Rock, pop, funk, soul and psychedelia all stand side by side on this release, with artists like James Brown, Nina Simone, David Bowie, Etta James, Elvis Presley, and Dusty Springfield. These artists and many more you’ll find on this wonderful 2LP.
The Top 2000 bridges the gaps between all musical generation from the Sixties to the present, making it the most eclectic chart out there, and keeping more that half of the country glued to their radio day and night for the whole week it’s broadcasted. And with a daily tv spin-off during its broadcast, it has reached an even bigger audience.
Top 2000 - The 60’s is available as a limited edition of 2000 individually numbered copies on yellow vinyl. The package includes an insert.
Much like its predecessor, In Decay, the 2014 compilation of unreleased, early Com Truise recordings, In Decay, Too unlocks a new set of rarities and unheard fragments from the past for the producer's legion of fans. To accomplish such a feat, the Com camp tapped the Internet's foremost Com Truise archivist, Polychora (formerly Comrade), whose YouTube channel has diligently documented Seth Haley's musical output since his earliest Komputer Cast (Haley's podcast mix series) days. Polychora's vault and input helped Haley and the team locate and curate the ultimate sequence of career-spanning off-album material, showcasing an artist in perpetual orbit of hazy machinist nostalgia. Haley's singular style of melodic beat music is the work of countless iterations; with In Decay, Too, his idiosyncratic exercises, experiments, and pivots pause for a rightful wave of appreciation. Following the smeared introductory tones of "Zeta," the album locks into its first robotic groove on "Compress_ Fuse," a trademark Truise treatment with cascading synth lines and deep, sinister low-end bass stabs. Further down is the suspiciously bright "False Ascendancy," which lures listeners through a labyrinth of drum patterns and siren-like keys, all colliding into "Constant Fracture." The track pushes to the point of stress, reaching the album's apex with a punishing series of blows before fading to relief, where the beatless and contemplative "Trajectory" awaits. In 2019, Com Truise left his previous sci-fi narratives behind for the visceral Persuasion System, a markedly more human record, which now makes In Decay, Too something like a bookend to an era. One last transmission from coordinates unknown; a culminating exhale ahead of what's still yet to come.
- A1: The Modern Tropical Quintet - Midnight In Moscow
- A2: James Reese & The Progressions - Throwing Stones (Kenny Dope Mix)
- A3: Cindy & The Playmates - Don't Stop This Train
- A4: Carnival - Eyes Growing Wider
- B1: Azwon - Paradise Island
- B2: Carlos Puebla, Santiago Martinez & Pedro Sosa - Sun Sun Damba E
- B3: Pepe Sanchez Y Su Rock-Band - Sentimiento
- B4: Dj Format & The Simonsound - The Peruvian
- C1: Hamlet Minassian - Al Elnim
- C2: Idrissa Soumaoro & L'eclipse De L' Ija - Nissodia (Mike D Remix)
- C3: Teaspoon Ndelu - Sputla
- C4: The Mombasa Vikings - Mama Matotoya
- D1: Lincoln - Amanha O Tempo Muda
- D2: Don Ricardo - Sonho Lindo
- D3: Ze Roberto - Lotus 72 D (Fast)
- D4: Wax Machine - Extralude (Wyndham Earl More-Than-An Interlude Remix)
- D5: Matty - Selfportrait
The latest release in the much loved Mr Bongo Record Club Series, Available on CD, 2LP Standard Vinyl & Special Edition 2LP Pink Translucent Vinyl.
Curating the tracks for a Mr Bongo Record Club compilation is always such a pleasure. At a time when the expression "Music is My Sanctuary" has an even greater cathartic impact for many people, we set out to make this volume an extra special one - like an old favourite mixtape or playlist.
For Volume 4 in this series we continue in the same mould as with previous editions, selecting current favorites and rare lost gems from the Brazilian, African, soul, funk, and disco genres. We present tracks from artists such as Azwon, Cindy & The Playmates, and Zé Roberto to name just a few. However, one main departure and progression to this edition is the first time inclusion of recordings by contemporary artists. These come from Matthew Tavares (of BADBADNOTGOOD fame), Wax Machine, and DJ Format & The Simonsound, which were originally featured on either limited private press vinyl releases or were previously only available digitally. We felt their inclusion was important and wanted to share these wonderful discoveries with a wider audience. They also complement, enrich, and fit perfectly with the flow and journey of the compilation.
Here at Mr Bongo we hope you will enjoy this selection of seventeen eclectic songs (in tempo and style) as much as we do, whether they make you move your feet, take you on a trip somewhere, or trigger a happy memory.
Released on 20/11/20 on double vinyl and CD with artwork illustration by Nicolas Burrows.
- A1: Untethered Angel
- A2: A Nightmare To Remember
- B1: Fall Into The Light
- B2: Barstool Warrior
- C1: In The Presence Of Enemies - Part 1
- C2: Pale Blue Dot
- D1: Scenes Live Intro
- D2: Scene One: Regression
- D3: Scene Two: I. Overture 1928
- D4: Scene Two: Ii. Strange Déjà Vu
- D5: Scene Three: I. Through My Words
- D6: Scene Three: Ii. Fatal Tragedy
- E1: Scene Four: Beyond This Life
- E2: Scene Five: Through Her Eyes
- F1: Scene Six: Home
- F2: Scene Seven: I. The Dance Of Eternity
- F3: Scene Seven: Ii. One Last Time
- G1: Scene Eight: The Spirit Carries On
- G2: Scene Nine: Finally Free
- H1: At Wit's End
- H2: Paralyzed
´Distant Memories - Live in London´ vereint ausgewählte Songs von DREAM THEATERs aktuellem Album ´Distance Over Time´ (2019) zusammen mit der vollständigen Aufführung von ´Metropolis Pt. 2: Scenes from a Memory´ (1999). An einem lang herbeigesehnten und fast schon als historisch zu bezeichnenden Abend in der Geschichte der Band entstand dieses bemerkenswerte Live-Album. Die Tour ´The Distance Over Time Tour: Celebrating 20 Years of Scenes From a Memory´ war ein Dankeschön an die Fans für ihre jahrzehntelange Wertschätzung und Liebe. Für die Band war ´die Tour in vielerlei Hinsicht wirklich unglaublich. Wir durften unsere neuesten Werke präsentieren, die von DT-Fans auf der ganzen Welt auf eine Weise aufgenommen wurde, für die wir unglaublich dankbar sind. Und die zwei Abende, die wir in London aufgenommen und gefilmt haben, gehörten definitiv zu den besten Shows der Tour.´ Petrucci fährt fort: ´Egal ob man die Gelegenheit hatte, diese Tour persönlich zu sehen und das hoffentlich großartige Konzerterlebnis noch einmal erleben möchte, oder ob man das Konzert zum ersten Mal auf Video genießt: ´Distant Memories´ fängt die Live-Energie sehr genau und sehr schön ein - ebenso wie die positive Aufregung, die wir alle im vergangenen Februar gemeinsam im Apollo verspürt haben.´ Er hebt das ´unglaubliche Touring- und Produktionsteam sowie unser großartiges Filmteam hervor, die allesamt perfekt abgeliefert haben und es uns ermöglichten, in bestem Licht präsentiert zu werden. Wir sind überaus stolz darauf, diese Veröffentlichung dank unseres talentierten Mix Engineers, unseres Regisseurs und Art Directors mit brillantem Sound sowie in visueller und künstlerischer Perfektion anbieten zu können.´ Die bedeutsame Performance ´Distant Memories - Live In London´ ist als Limited Deluxe 3CD / 2Blu-Ray / 2DVD 44-seitiges Artbook, Limited Edition 4LP + 3CD Boxset, Special Edition 3CD + 2Blu-ray Digipak, 3CD + 2DVD Mulitbox & als Digitales Audioalbum erhältlich.
- A1: Lunchbag – Jazzstyle
- A2: Hazy Year – Notes
- A3: Flofilz – Uferlos
- A4: Illiterate – Cubensis
- B1: Melodiesinfonie - I Did This In 5 Minutes
- B2: Iamalex - About You
- B3: Made In M – Taipane
- B4: Juan Rios – Amatista
- C1: Les Geddit - Feels Like
- C2: Made In M - Flightmode On
- C3: Melodiesinfonie - I Drank Cafe´ Del Mar
- C4: Iamalex - Early Flight
- D1: Flofilz – Doorsteps
- D2: Theo Spazzatura - Make It Last
- D3: Juan Rios - Que´ Paso
- D4: Hazy Year – U
Beats on Boat vol. 1 is a double LP with 6 nationalities, 8 artists & 16 Tracks pressed on 180g vinyl and limited to 400 copies w/ FloFilz, Made in M, Melodiesinfonie, Juan RIOS, Hazy Year, Lunchbag (aka Theo Spazzatura), illiterate (aka Les Geddit) & iamalex.
The compilation accompanies the YouTube series which can be watched on our website: ear-sight com
All the artists involved have one track on each vinyl, celebrating their musical diversity. The first vinyl will be the sound you know and love of theirs. The second- will be the world premiere for the majority of the Musicians featured- taking a step out of their comfort zone into house, disco or their individual interpretations of those genres.
We set sail last summer to unite some of the best producers we know and came back with hours of dope sets and a 16 track double vinyl containing a lot of firsts - not only for us but also for most artists aboard- the C & D side are full of world premieres!
This vinyl is the blueprint of what’s to come here at ear-sight in the next couple of years, staying true to our lo-fi roots but also reaching out to new horizons and we feel so blessed to have taken this first step with these talented cats.
- A1: Hello From The Spirit World
- A2: The Gates
- A3: Button Masher
- A4: Dog At The Door
- A5: Gauze
- B1: Pizza Alley
- B2: Crystal Sword
- B3: Boot Soup
- B4: Coveralls
- B5: Jumping Coffin
- C1: Holy Waterfall
- C2: Flies
- C3: Salt
- C4: Sleeper Car
- C5: To 10
- C6: Attaboy
- D1: Kodokushi
- D2: Fixed And Dilated
- D3: Side Quest
- D4: Marble Cake
- D5: The Four Winds
Be not afraid! Whether you’re simply sightseeing, enjoying temporary flights of fancy or considering a more permanent relocation, the all-new Spirit World Field Guide offers twenty-one insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe. The narrator’s vast expertise of multiple global entry points and various modes of interdimensional transport informs a rich tapestry of tips, tricks and tools to unfailingly aid in your ultimate survival. If you are among the countless individuals who find themselves feeling both dead and alive at the same time, the information contained within may serve as an invaluable asset to your journey. Godspeed and good luck."
- A1: Be My Light, Be My Guide
- A2: Sick, Sober & Sorry
- A3: Her Fifteen Years
- A4: Haunted By You (Live - Helter Shelter 6/7/95)
- A5: I Can't Decide If She Really Loves Me
- B1: To See The Lights
- B2: I Can't Help Myself
- B3: A Car That Sped (Radio 1 Session 1/2/95)
- B4: For The Dead (Version)
- B5: Sleep Well Tonight (Live - Forum 31/3/95)
- C1: How Much For Love
- C2: London, Can You Wait? (Radio 1 Session 18/5/94)
- C3: I Can't Help Myself (Radio 1 Session 18/5/94)
- C4: Child's Body
- C5: Don't Let Me Down (Radio 1 Session 1/2/95)
- D1: I Say A Little Prayer (Live - Glastonbury 25/6/95)
- D2: Do You Want To Hear It From Me
- D3: This Is Not My Crime
- D4: Olympian (Live - Forum 31/3/95)
- D5: Child's Body (Live - Forum 31/3/95)
• Original 1996 compilation by Gene acts as a fine album in it’s own right
• Featuring early tracks such as ; ‘For the Dead’, ‘Be My Light, Be My Guide’, early live performances from Glastonbury, Radio 1 Session and The Forum and stand out cover versions of ‘I Say A Little Prayer’ and ‘Don’t Let Me Down’
• Double LP pressed on 180g Heavyweight vinyl, with original artwork and printed inner sleeve
• Inspired by the songs of The Smiths, The Jam and The Faces, Martin Rossiter’s literate vocals and Steve Mason’s fluid guitar lines were perfectly complemented by the intuitive rhythm section of Kevin Miles and Matt James. They released four studio albums and a collection of B-sides and radio demos between 1995 and 2001, were named Best New Act at the inaugural NME awards in 1995, and went on to score 10 Top 40 hits.
The Cycle is the fifth album by Mourning A BLKstar. It’s the Clevelandbased collective’s masterwork -- a double LP spanning 20 songs and three singers, touching on neo-soul, hip-hop, and the cosmic expanse in between/beyond. It is a humble addition to the long legacy of James Baldwin’s adage of the artist as witness. It is their song cycle, written in a time that just may need a song or two in support of and in love and power to the living.
- A1: Blue Rondo A La Turk
- A2: Strange Meadow Lark
- A3: Take Five
- B1: Three To Get Ready
- B2: Far More Blue
- B3: Unsquare Dance
- B4: Countdown
- B5: Eleven Four
- C1: Audrey
- C2: Brother, Can You Square A Dime
- C3: Ode To A Cowboy
- C4: Nomad
- D1: When It S Sleepy Time Down South
- D2: Calcuta Blues - Part 1
- D3: Maria
- D4: Back To Earth
- D5: Bossa Nova Usa
Take Five is probably one of the jazz titles that is best-known to a mass audience. It was composed by Paul Desmond and it appeared on the album Time Out by the Dave Brubeck Quartet.
Pianist Brubeck had studied veterinary medicine before turning to music, and in 1949 he formed an octet, and then in 1951 his famous quartet with Paul Desmond playing saxophone. He signed with Columbia in 1954 and built up an excellent reputation, but in 1959 he became famous around the globe thanks to two titles, Take Five and Blue Rondo à la Turk.
In France, the singer Claude Nougaro made the quartet’s work popular when he wrote the French lyrics for versions of Three to get ready (adapted as Le jazz et la Java) and Blue Rondo a la Turk (with the title A bout de souffle). Dave Brubeck was “quiet man”, far from the legends and excess often linked with jazz: he would spend six decades in a world where life, and jazz, was “cool.”
- A1: Oasi
- A2: Five Tribes
- A3: Ochosi Ayiloda
- A4: Arq
- A5: Il Venditore De Elastici
- B1: Sons Of Cabilia
- B2: Hammada
- B3: Queens Of The Supercolony
- B4: The Secret Baile Of The Maharajas
- C1: Tarantula
- C2: Serir
- C3: Tamahaq
- C4: Tarantula (Part 2)
- C5: Namib
- D1: Equinox
- D2: A Night In Tunisia
- D3: Takouba
- D4: The Tale Of The Web-Footed Rain Frog
New album from Bologna trio Oké, led by veteran Italian producer Andrea "Katzuma" Visani who began his career in the 1990s as part of Italy's foundational hip-hop group Sangue Misto.
Featuring production from Katzuma alongside percussion from William Simone and keys from Andrea Calì, Oké's new album Deserto is inspired by library music, cosmic jazz, and afro-house. It features 16 new tracks alongside two covers: one of Tony Esposito's 1974 fusion classic "Rosso Napoletano" and one of Dizzie Gillespie's 1940s standard "A Night In Tunisia." Also featured on the album are various musicians from the Bolognese scene including Venus Rodriguez on vocals, Nico Menci on keys, and Valeria Sturba on violin.
Deserto is a double vinyl LP featuring artwork from Andrea Casciu.
- A1: Precious World
- A2: Slave Queen
- A3: Steppin' Out Of Babylon
- A4: That's The Way Jah Planned It
- B1: Marley Chant
- B2: Natural Mystic
- B3: Positive Vibration
- B4: Revolution
- B5: I Shot The Sheriff
- C1: War / No More Trouble
- C2: Zimbabwe
- C3: Jamming
- C4: No Woman, No Cry
- D1: Zion Train
- D2: Exodus
- D3: Redemption Song
- D4: Could You Be Loved
- E1: Work
- E2: Natty Dread
- E3: Is This Love
- E4: Get Up, Stand Up
- F1: Coming In From The Cold
- F2: Lively Up Yourself
The Uprising Tour ran in Europe from May to July 1980 with five further dates in the USA in September. It was Bob Marley’s last tour before his tragically early death in May 1981 at the age of just 36. A few days after the release of the “Uprising” album Marley played this now legendary live show from Dortmund’s Westfalenhalle on June 13th. Bob Marley is on superb form and delivers a set of hit singles and classic album tracks. His energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later and this release is testament to his spirit and his musicianship.
This special 3LP edition is released to celebrate what would have been his 75th year.
- A1: Volume (Lp1 Gyrate)
- A2: Feast On My Heart
- A3: Precaution
- A4: Weather Radio
- A5: The Human Body
- A6: Read A Book
- B1: Driving School
- B2: Gravity
- B3: Danger
- B4: Working Is No Problem
- B5: Stop It
- C1: K (Lp2 Chomp)
- C2: Yo-Yo
- C3: Beep
- C4: Italian Movie Theme
- C5: Crazy
- C6: M-Train
- D1: Buzz
- D2: No Clocks
- D3: Reptiles
- D4: Spider
- D5: Gyrate
- D6: Altitude
- E1: The Human Body (Lp3 Razz Tape)
- E4: Working Is No Problem
- E5: Precaution
- E6: Cool
- E7: Functionality
- F1: Efficiency
- F2: Information
- F3: Dub
- F4: Modern Day Fashion Woman (Version 2)
- F5: Danger
- F6: Feast On My Heart (Working Version)
- G1: Untitled (Lp4 Extra)
- G2: Cool
- G3: Dub
- G4: Recent Title
- G5: Danger!! (Danger Remix)
- H1: Crazy (Single Mix)
- H2: Reptiles (Channel One Version)
- H3: No Clocks (Channel One Version)
- H4: Spider (Alternative Mix)
- H5: 3 X 3 (Live)
- H6: Danger Iii (Live)
- E2: Modern Day Fashion Woman (Version 1)
- E3: Read A Book (Instrumental)
In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.
- A1: For Your Love
- A2: Good Morning Little Schoolgirl
- A3: Shapes Of Thing
- A4: Draggin' My Tail (With Jimmy Page)
- A5: Evil Hearted You
- B1: I Ain't Got You
- B2: A Certain Girl
- B3: Got To Hurry
- B4: Too Much Monkey Business
- B5: Got Love If You Want It
- C1: Smokestack Lightning
- C2: Louise
- C3: Good Morning Little Schoolgirl
- C4: Five Long Years
- D1: Here 'Tis
- D2: Pretty Girl
- D3: I'm A Man
- D4: She's So Respectable
- A1: Famous Ward Singers - I'm Getting Richer
- A2: The Harmonizing Five - I Don't Need Nobody But The Lord
- A3: The Sensational Six - Let Freedom Ring
- A4: The Gospel Harmonettes Specials - How Much More
- A5: The Christones - Lord, It's Me
- A6: The Staple Singers - Low Is The Way
- B1: Swindell Brothers - Trouble Of Mine
- B2: The Roberta Martin Singers - I'm Glad I'm A Witness For My Lord
- B3: Jimmy Scott - Sometimes I Feel Like A Motherless Child
- B4: Shirley Caesar And The Caravans - He First Loved Me
- B5: The Blind Boys Of Alabama - On Some Day
- B6: The Hightower Brothers - He That Believed
- C1: North Philadelphia Juniors - There's Something Within Me
- C2: The Selah Singers - The Wicked Race
- C3: The Ward Singers - Let The Train Roll Easy
- C4: The Stars Of Faith - Mean Old World
- C5: Marion Williams - Get Your Business Right
- C6: The Gospel Cavaliers - Are You Listening
- D1: The Caravans - Mercy
- D2: Eddie Williams And The Crusaders - They Won't Believe In Me
- D3: The Davis Sisters - Earnestly Praying
- D4: The Gospel Chimes - My Jesus Love Just Bubbles Over
- D5: The Angelic Gospel Choir - It's The Holy Ghost
- D6: The Angelic Choir - Wade In The Water
The first of three volumes: stomping, rollicking gospel music, intermingling with raw soul, searing blues, hard-rocking doo-wop and jazz, and storming r&b.
Infused and incandescent with the hurting, surging indignation of the Civil Rights movement, here are twenty-four precious scorchers by giants like the Staple Singers and Jimmy Scott, alongside devastating sides by less celebrated names like the Harmonising Five of Burlington, North Carolina, and teen-group the North Philadelphia Juniors, culminating triumphantly with slamming, sanctified versions of Hit The Road Jack and Wade In The Water.
Gatefold sleeve, with full-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork.
- A1: The Artistic Sounds - Give It Up
- A2: The Holy Lights Of Baltimore, Md - I'll Be Satisfied
- A3: The Swan Silvertones - Trust In God
- A4: Gene Martin - A Little Bit Of Faith
- A5: Myrna Summers - Have A Talk With God
- B1: James Cleveland And The Southern California Community Choir - I Want To Thank You Master
- B2: Betty Hollins - What A Time (When All God's Children Get Together)
- B3: The Metro Tones - Get Together
- B4: The World Wonders - He Made A Way
- B5: The Brooklyn Skyways - Dark Clouds
- C1: Sister Ida Maxey - Do Lord
- C2: The Thornes Trio - You Don't Love God
- C3: Mildred Clark And The Melody-Aires - Hold On, I'm Coming
- C4: The Highway Q.c.s - If You Fail, Try Again
- C5: The Gospelaires Of Dayton, Ohio - What Will Tomorrow Bring
- D1: The Holy Lights Of Baltimore, Md - Keep On Singing
- D2: The Exciting Supreme Highlights - Drowning In The Sea Of Sin
- D3: James Moore - I Thank You Master
- D4: Prof. Charles Taylor And The Charles Taylor Singers - Been Good To Me
- D5: The Brockington Ensemble - God Is God (He Won't Change)
The second volume brings sublime crossings of gospel with the soul, funk and jazz of the Black Power era. Twenty rapturous cuts dot dazzlingly between Muscle Shoals soul, screwed breakbeat, Mizells-style fusion, disco and proto-house. Triumphant re-workings of Sly Stone, Donny Hathaway and Herbie Hancock’s Head Hunters will have listeners throwing their pew cushions into the air.
Full-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork.
- A1: Les Cailloux
- A2: Une Vie Moins Ordinaire
- A3: Danny Wilde
- A4: Le Cygne
- B1: Raide Raide Raide
- B2: Dentelle
- B3: Des Jours Adverses
- B4: Colore
- B5: Un Monde Parfait
- C1: Fous À Lier
- C2: Un Homme Extraordinaire
- C3: L'autre Finistère
- C4: Mon Dernier Soldat
- C5: Je Vais À Bang Bang
- D1: Saint-Sylvestre
- D2: 100 Mètres Au Paradis
- D3: Et Le Temps N'attend Pas
- D4: Jodie
Pour la 1ère fois disponible en Vinyle : "Meilleurs Souvenirs", le Best Of des Innocents ,couvrant les 4 premiers albums du groupe (1989-1999) jusqu'à qu'ils se séparent en 2000. En 2013, les 2 compositeurs JP Nataf & Jean-Christophe Urbain reformèrent le groupe et sortirent 2 autres albums (en 2015 & 2019). Toujours très actifs, Les Innocents continueront à tourner dès que possible.
Cette édition Double Vinyle Noir 140 grammes comporte 18 titres. Inclus tous les classiques dont "Jodie", "L'autre finistère", " Un homme extraordinaire" & "Colore" .
First time ever on Vinyl : "meilleurs souvenirs", the Best Of Les Innocents , covering the first four albums , before the band splits in 2000. Later from 2013 , the 2 main composers JP Nataf & Jean-Christophe Urbain reformed the band & released 2 other albums (in 2015 & 2019). The band still is very active and will resume touring as soon as possible. This Double Black 140 G Vinyl edition features 18 songs and includes all the hits such as "Jodie", "L'autre finistère", " Un homme extraordinaire" & "Colore".
- A1: Le Grand Néon À Roulettes
- A2: Deviationist Muzak (Version 2)
- A3: Dancing Le Mômo
- A4: Unicazzz
- A5: L’horizon Perdu Du Cornet À Gidouille
- A6: Leviens Vendledi
- B1: Roll Over Fuzmanchu
- B2: Stigmates De La Ligne Crade
- B3: Flip-Side Of Sophism
- B4: Last Ghost Train To Nothing
- B5: Sardana Dels Desemparats (Version 7)
- B6: Vals Burlesco (Version 4)
- C1: Coucher De Soleil Sur L’adriatique
- C2: Des Rails En Mou De Veau
- C3: Despintura Fonica
- C4: Evaporisme Sonor
- C5: Ze Orthopedic Doo-Wop
- C6: Alzina Muntanera
- D1: Élévation De Marie-Madeleine
- D2: Don’t Touch My Blue Oyster Shoes (Version 2)
- D3: (Mc) 5 Pianos In Detroit
- D4: No Sympathy For Symphony
- D5: Le Cut-Up Populaire
- D6: Ha Passat Un Angel (Version 3)
Le nouvel album de Pascal Comelade, dont la réalisation court sur 3 ans , expose avec frénésie ses éternelles obsessions pour la Muzak dégénérée, la répétition combinée aux rhizomes, les guitares bruitistes,les trompettes en plastique, les boites de conserves,les pianos désaccordés (qui sonnent comme un orchestre),l’auto-réduction de jouets sonores, les orgues à piles et à distorsion intégrée,les déviations chromatiques, la mélodie degenre, le Riff conducteur et le grand trémolométaphysique. On y retrouve entre autre Richard Pinhas (pionnier de l’électronique en France et compagnon de route depuis 1974, des figures historiques du Bel Canto Orquestra, et pour la 1ère fois en 45 ans de production : la présence d’un quatuor à cordes et d’ un « assez long solo de piano ».
Pascal Comelade has been working for 3 years to achieve his brand new album. Not only it features all of his musical obsessions & trademarks , some long time partners and friends such as Richard Pinhas & members of his former backing band Bel Canto Orquestra but for the very time in 45 years, ladies and gentlemen there is “quite a long piano solo” and a string quartet in the album.
- A1: Mano Negra
- A2: King Kong Five
- A3: Soledad
- A4: Mala Vida
- A5: Sidi H'bibi
- A6: Rock Island Line
- B1: Noche De Accion
- B2: Guayaquil City
- B3: Peligro
- B4: Sueno De Solentiname
- B5: Indios De Barcelona
- B6: Mad Man's Dead
- C1: Senor Matanza
- C2: Out Of Time Man
- C3: Pas Assez De Toi
- C4: King Of Bongo
- C5: Ronde De Nuit
- C6: Patchanka
- D1: Salga La Luna
- D2: Santa Maradona
- D3: El Sur
- D4: Long Long Lite (Inedit)
- D5: On Telefon (Inedit)
- D6: Darling Darling
First timer ever Best Of Mano Negra on vinyl ! Double black 140G vinyl edition. 24 sons – all their hits : "King Kong Five", "Mala Vida" , "Pas assez de toi" , "Out of time man", "King of Bongo", "Sidi H'Bibi", “Santa Maradona”, “Senor Matenza”… Mano Negra are the legendary French alternative rock band whose leader was Manu Chao. Singing in French, Spanish, English & even Arabic. They toured throughout the world and recorded 4 studio albums : “Patchanka”, “Puta’s fever”, “King of Bongo” & “Casa Babylon” & a live album “In the hell of Patchinko” , all reissued by Because Music and still available on CD & Vinyl. After their split, Manu Chao started a solo carreer in 1998 with the classic “Clandestino” album.
- A1: Love Is A Friend
- A2: Spanish Lament
- A3: Somewhere
- B1: Somebody’s Party
- B2: Requiem For My Mother
- B3: Remember
- C1: Vigil
- C2: Blue
- C3: No More Hurt
- C4: Spasmic Fairy
- D1: American View
- D2: Drinking Time
- D3: Woman
- D4: Goodbye
Demon Records presents the first ever vinyl pressing of The Durutti Column’s 2003 studio album “Someone Else’s Party”.
Formed in Manchester in 1978, The Durutti Column were one of the first acts signed to the iconic Factory Records by Tony Wilson. Primarily the project of guitarist and vocalist Vini Reilly, the group have a cult following with notable fans including Brian Eno and John Frusciante.
Recorded after the passing of Reilly’s mother, the melancholic “Someone Else’s Party” explores themes of loss and reflection. Highlights include the trip-hop influenced ‘Vigil’, and ‘Spanish Lament’ which weaves together Reilly’s signature shimmering guitar sounds with a sample from David Lynch’s Mulholland Drive.
Pressed on two 140g clear vinyl, housed in printed inner sleeves.








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